SCOTT HUTCHISON : SOME RECOLLECTIONS AND SOME THOUGHTS

I’ve deliberately taken my time with this one.  I hope you don’t mind that it has turned out so lengthy.

It was Aldo who dropped me an e-mail at work last Wednesday morning with the news that Scott Hutchison had been reported missing with his family expressing real concern about his state of mind.  I was really distressed about this for two reasons.

Firstly, it is very unusual for the authorities to officially declare someone as a ‘missing person’ a matter of hours after the disappearance has been reported and that just didn’t bode well.  Secondly, I had read an on-line interview on an American site just a few days earlier in which Scott had been really frank about his continuing battles with his mental health, saying he was 6/10 most days and 7/10 on good days;  he also referred to the 10th anniversary shows of The Midnight Organ Fight taking place throughout 2018 and how it wasn’t always easy to revisit many of the songs – and in particular he referenced Floating In The Forth which, if you weren’t aware, is the album closer in which the protagonist, having considered suicide by plunging hundreds of feet down from a bridge into the icy water below, changes his mind.

Scott’s last sighting had been in a hotel lobby just a few yards from the Forth Road Bridge.  I couldn’t help but fear the worst.

The other thing disturbing me was, just the fact that some two hours before the news of the disappearance had been made public, I had put a post on Facebook in which I had listed The Midnight Organ Fight  as the latest entry in a daily series in which I was responding to the challenge of naming ten albums that had been very influential on release and which were still listened to many years later.

I emailed Rachel to give her the news….we might not have too much in common musically nowadays, but Frightened Rabbit were a band we had seen on many occasions, going back to the early days and taking in, along the way, a gig in Berlin on my 50th birthday (when we only found about on the day of said show thanks to a text from Aldo!) and a performance with the Royal Scottish National Orchestra in Paisley Abbey just last year.  Rachel works in the field of employee support, particularly in the area of trauma management, and is familiar with the complexities of how folk react to and cope differently with stress and mental illness.  Deep down, I was hoping she might be able to offer something to cling on to, but her instincts and training said otherwise.

Other close friends were contacted, always by text or email as I just couldn’t trust myself to talk about it without my voice breaking up and my emotions to get the better of me.  Even the text conversations became difficult to carry on with as they degenerated into one word responses of either ‘yes’ or ‘no’ to the most sympathetic of questions. Social media was beginning to buzz with the news – some folk held out hope, but the vast majority of us were fearing a tragic outcome to the search.

And so it proved, with the discovery of a body in the water overnight on Thursday and the formal announcement on Friday morning.

It’s still hard to take in.

I fell for Frightened Rabbit in a big way when they first burst onto the scene.  Be Less Rude was the real introduction and although it was less than a year since its release, I had it in my 45 45s at 45 rundown to mark that birthday in 2008.  It actually appeared in the rundown just days before the band began the interviews to promote The Midnight Organ Fight, an album which blew me away on first hearing and even more so with the live renditions when the band got out on the road. The official launch took place with a free show at a packed Monorail in Glasgow to a very lucky and grateful audience; it was immediately clear that playing these very personal songs in the live setting was bringing out something very special in Scott Hutchison.  Not for the last time, tears were shed when his band mates temporarily took their leave of him to enable this heart-breaker to be performed:-

mp3 : Frightened Rabbit – Poke

The shows over the course of the next year or so just got better and better….sadly, I couldn’t snare a ticket for the one at the tiny Captain’s Rest in Glasgow where the band would give an acoustic performance , featuring a guest appearance by James Graham of The Twilight Sad, that was later released as the album Liver! Lung! FR!, although my dear friend Drew of From Across The Kitchen Table was there.

A small consolation came in April 2009 when Matthew of Song by Toad Records put me on the guest list for a sold-out show at the now-closed The Bowery in Edinburgh at which Frightened Rabbit were bringing down the curtain on The Midnight Organ Fight in a very deliberately understated way as support act to Meursault who were on SbT (and thus, providing me with an opportunity to blag my way in!)  This was the night when I first spoke directly to Scott;  I took the opportunity to mention the blog and to my surprise he said he knew of it and had been really pleased to come across the positive reviews I had given to the records and shows.  On the spot, he offered me an interview about the work that was about to get underway writing songs for a new album and passed me his personal e-mail address on the basis that it was easier to communicate in that way than going through the record label or publicists.

This was just typical of him.  He was incredibly helpful and generous with his time to those of us who were fans and felt that a humble blogger was every bit as worthy as a feature in the biggest and glossiest of publications.  He was also incredibly popular among his peers throughout the industry.  If I ever managed to have a conversation with another musician, I’d do my best to mention Scott to them and the reaction was always the same – top bloke, incredible talent and sure to be a star who would attract a bigger audience.

These predictions did turn out to be true in that the band moved from Brighton-based Fat Cat Records to sign with one of the big majors in the shape of Atlantic.  There was never quite the mega-beakthrough that maybe the label had hoped for, but the subsequent albums did go Top 20 in the UK and #1 in Scotland where the fan base had expanded to a stage where tours of large-sized venues would sell out very quickly.

I have often said that the band didn’t ever quite hit the heights of The Midnight Organ Fight, but then again that was an impossible task.  The later works, LPs and EPs alike, all contained many gems but I couldn’t quite bring myself to give them five-star ratings.  I still enjoyed going to see the band albeit it had seemed preferable when it wasn’t quite such an audience sing-a-long;  in saying that, I was rightly put in my place by the singer who made it clear, as we chatted briefly in a bar after an acoustic gig in the small town of Gourock on the west coast of Scotland, that he was delighted when this happened as it provided incredible proof that he had connected in a way with people he never thought possible when he was putting the words and music together.  Here’s some examples of the crowd-pleasers.

mp3 : Frightened Rabbit – Living In Colour
mp3 : Frightened Rabbit – Holy

It transpired that the final time I would see him perform was that gig at Paisley Abbey last year where a number of the songs were raised to a whole new level thanks to the orchestration.  The gig wasn’t filmed professionally, but some folk have loaded their own clips to you tube and the likes….I’ve unashamedly pinched this from allroyforprez….and I welled up as I watched it.

I’ve reflected a fair bit on things these past few days. From the very outset, there was a brutally honest vulnerability about Scott’s lyrics which resonated with me.

We live in a world where the pressure is on us to be constantly happy and upbeat – we all fall into the trap of posting stuff on social media about how great things are, how enjoyable a particular experience is, how handsome or beautiful we are looking or feeling and how being surrounded by like-minded people is just the bee’s knees. We’re not so keen to post about the more common times when are in solitude, feeling disappointed, bored, sad or even just ambivalent as it’s not the done thing. It’s amazing how easy it is to create an artificial existence these days.

Scott Hutchison wasn’t scared or embarrassed to write about shit things in life, but he did so in a way which was self-deprecating and often laced with good humour; it’s a trait shared by the boys from the Arab Strap which is why I love so much of their collective and solo material.

His underlying message, to my ears, was that things will knock you for six but there will always be a way to eventually bounce back. He emerged at a time when I was struggling with a few things, particularly at work where, out of nowhere, my career hit the skids through no fault of my own. It was a turn of events which gave me a lot more time to devote to music, such as an increased attendance at gigs now that I wasn’t keeping stupid hours in the office and, crucially as things would turn out, led to the decision to start a blog in September 2006 as a way of ensuring the creative juices kept flowing and that I didn’t stumble into a very dark and painful place.

It’s a period with which I associate a great many cyberspace friends, a number of whom have become flesh-and-blood mainstays over the years. It’s also a period with which I associate Frightened Rabbit….and I find it incredibly sad, and indeed somewhat ironic, to think that someone who helped me immensely through a tough time in my life was unable to help himself when he was at his most troubled.

Thanks for everything Scott. The memories of many nights watching you and your band mates put on spellbinding shows, together with those few times I was lucky enough to talk to you, will stay with me for a very very long time. I’m going to miss you. RIP.

JC

A RE-POST TO BUY MORE TIME (5)

A reminder of when I use to review books on the blog….I might resurrect that feature at some point as I’ve hundreds of auto/biographies sitting around Villain Towers. From 3 February 2012.

IN PRAISE OF BOOKS : LE FREAK : AN UPSIDE DOWN STORY OF FAMILY, DISCO AND DESTINY by NILE RODGERS

I asked Santa to bring me this as it had received quite a number of excellent reviews towards the end of 2011. I’m pleased I did.

Nile Rodgers is best known as one of the founding fathers of disco thanks in part to the songs he wrote and recorded with Chic and the songs he wrote and recorded with others acts such as Sister Sledge and Diana Ross. What I hadn’t realised until picking up this immensely satisfying 300 pages was his contribution to the careers of so many others including David Bowie, Madonna and Duran Duran.

OK. His musical career is not that which your average indie-kid will confess an undying love for. And to be honest, outwith the Chic songs I don’t have much else in either the vinyl or CD collections. And if this had been a book in which all Nile did was talk about music and musicians I don’t think I’d have been impressed.

What makes this such a cracking read is the life he has lived…..particularly his childhood and formative years. For once it is easier to just crib from the dustjacket.

Born into a mixed-race family of dopefiend bohemians, he learned – at a very early age – everything he needed to know about love, loss, fashion, art, music and the subversive power of underground culture. The stars of the scene were his glamorous teenage mum and heroin-addicted Jewish stepfather…..

His upbringing is a genuinely astonishing tale as he went from east coast to west coast and back again (more than once) living sometimes with mom, his grandparents, with hippies and members of the Black Panther organisation. The first third of the book is genuinely unputdownable.

The middle part is a bit less interesting – just a wee bit too ‘rags to riches to excess’ for my liking. Loads of sex, loads of drugs and dancing and not too much humility. But to a large extent, given how wild an upbringing Nile Rodgers had experienced, it’s not hard to understand why he went off the rails so easily. To be fair, parts of the middle section of the book are a great read when he’s telling you about his family rather than tales of how great it was to work with the rock and pop gods of the 80s.

The final part of the book deals pretty quickly with the last 15 years. There’s a fair bit of death and tragedy in here with the author acknowledging that but for the grace of god…and there’s things you learn about what he’s now doing with his life and the fortune he has amassed.

I’m fairly sure that the story that Nile has set down is like a 7″ version of his life….and the extended 12″ version would be well worth getting your hands on. For instance, I’m sure he’s got loads more tales from his childhood – it really does seem as if that alone could have been a 500-page volume.

The positive reviews are merited. And you don’t need to be a disco king or dancing queen to get a lot of pleasure from this book.

mp3 : Chic – Le Freak
mp3 : Chic – Good Times
mp3 : Chic – Everybody Dance

JC

BONUS SERIES : THE ICA WORLD CUP : ROUND 4 (Part 2)

I’m not mucking about this week……I’ll just say that the second of the ties swung back and forth a fair bit.

OMD 9  The Housemartins 32
New Order 20 The Clash 23

I think The Clash must now be overwhelming favourities to the lift the trophy….

So that’s two sides into the the last eight….six more to join them over the next three weeks, with two more ties now put before you for consideration.

Match 3

MarrJoyceRourke v The Police

I groaned when this match-up was revealed….in the knowledge that the brickbats will fly no matter the outcome.

Here’s the facts thus far.

MarrJoyceRourke have, technically, only had one win in the tournament, with a win over Ride having gotten them their place in the last 32 after The Smiths had seen off Mission of Burma and Husker Du.

How Soon Is Now? was supposed to be getting used today, but will instead be represented by Hippychick, a hit single in 1990 by Soho, a pop act consisting of the sisters Jacqui and Pauline Cuff together with Timothy London. The song features a sample from The Smiths’ song sequenced over a Soul II Soul rhythm.

Their opponents have been fielding some great singles to see off Captain Beefheart, The Stranglers and Pete Wylie but seem to be taking gamble in this round with a live track which is a bit rough’n’ready.

Hippychick (single 1991) v Next To You (from Propaganda, 1987)

Here’s what I said in ICA#59 about The Police:-

The opening song on the band’s debut album was always one of their most popular; Sting would include it within his solo sets while it has also been given the cover version treatment by a number of other acts including Foo Fighters. It is that unusual beast from the new wave era – an unashamed love song. Such was my desire to get everything by the band back in the days that I bought an import LP called Propaganda in late 1979 as it contained two live tracks recorded earlier in the year at the Bottom Line club in New York. Next To You was the second of those tracks and quickly established itself as my favoured version.

Match 4

Billy Bragg (2) v Half Man Half Biscuit

I groaned when this match-up was revealed….in the knowledge that the brickbats will fly no matter the outcome….I think most of you would have been happier if these two had separately drawn the two above….

Here’s the facts thus far.

Billy Bragg has had a decidely mixed bag of opponents in The Faces, The Pixies and Prefab Sprout, coming through without really being tested much, albeit he’s taken no chances by fielding St Swithin’s Day, Tank Park Salute and Greetings to the New Brunette.  This tie, no matter what his opponents throw out there, is a whole new challenge for the Bard of Barking.

HMHB have the skills to go all the way and have already seen off tough oppostion in Elvis Costello & the Attractions, Trash Can Sinatras and XTC thanks to the use of 1966 And All That, National Shite Day and Joy Division Oven Gloves. Like today’s opponent, they have two separate ICAs from which songs can randomly be selected…. much is going to depend on the coin and dice combos.

Love Gets Dangerous (Peel Session, 1983) v Totnes Bickering Fair (from C.S.I. Ambleside, 2008)

It turned out that I was responsible for both ICAs. Here’s the double-skinny:-

The first time I saw Billy was on the street during the Edinburgh Fringe Festival in the days when he had the amp strapped to back so that he could set up when and where he liked busker style. He played four or five tunes and attracted a huge audience. This was one of the tunes that day and I’ve gone for the Peel version as it comes closest to catching that particular performance that day. Falling in love is indeed very very scary.

Twenty plus years on from the debut material and they still have the ability to make me laugh out loud with brilliant lyrics. New age mum has divorced ordinary bloke dad….but he will use the kids to get his revenge!! Not once…but twice!!!!   And the closing line of the song….while having nothing to do with the rest of the lyric…is just observational comedy of the highest quality..

Happy deliberating.  Votes must be in by Friday 18 May at 10pm.

JC

PS….I spent much of yesterday in a daze – as and indeed I had the the previous two days – from the initial disappearance and then the sad but expected confirmation that Scott Hutchison of Frightened Rabbit had taken his own life.  I have said a few initial words on Facebook and I do hope to expand on these in an expanded piece on this blog over the coming days.

GATHER AROUND ME, WHILE I BLOW MY OWN TRUMPET

Two weeks have passed since the bloke who yesterday brought you the Mogwai ICA launched his latest venture.

Mixtape at The Admiral, as I said at the time, is designed as a sound track in the bar with the option for some late night dancing or clubbing for people who don’t like clubs. 🎧

The playlist covers Indie, Electro, Disco, Post Rock , New Wave , House, Soul, New Romantic, Mod, Pop, Punk, C86 and anything else that sounds good.

The first night went reasonably well. A few of Robert’s friends dropped in to wish the venture well while Aldo and Micky of my mob came by later on, absolutely hammered following a long day at the Paisley Beer Festival, to add their support and make requests for songs.

All in all, it was a really enjoyable night; I’d like to think that with this set-list, the music lived up to the pre-event hype:-

Amor – Paradise
Can – One More Night
LCD Soundsystem – Call The Police
Yazoo – Don’t Go
Charlotte Gainsbourg – Dons Vos Airs
Saint Etienne – Dive
Hot Chip – Ready For The Floor
The Just Brothers – Sliced Tomatoes
Stevie Wonder – Uptight
The Avalanches – Subways
Soul to Soul – Keep On Moving
The Elgins – Heaven Must Have Sent You
Shirley Ellis – Soul Time
Cornershop – Good Shit
Pixies – Gigantic
Soft Cell – What?
The Fall – No Bulbs
Arab Strap – The Shy Retirer
Visage – Fade To Grey
Talk Talk – Today
The Divine Comedy – Something For The Weekend
King Biscuit Time -I Walk The Earth
Curtis Mayfield – Move On Up
Supremes – Stoned Love
Camellia Hartman – Return The Favour
N.F. Porter – Keep On Keeping On
Primal Scream – Revenge of the Hammond Connection
Rolling Stones – Paint It Black
Echo & the Bunnymen – Never Stop
Dan Le Sac & Scroobius Pip – Thou Shalt Always Kill
Iggy Pop – The Passenger
Ladytron – Ghosts
LCD Soundsystem – Daft Punk Is Playing At My House
Daft Punk – Get Lucky
Ce’ceil – Rude Boy Thug Life
Four Tet – As Serious As Life
TC 95 – Funky Guitar
Evelyn King – I’m In love
Xander Harris – We Smoke The Northern Lights
Mogwai – Party In The Dark
James – What’s The World
Tom Vek – I Ain’t Saying My Goodbyes
Dead Kennedys – California Uber Alles
Franz Ferdinand – Michael
The Divine Comedy – Gin Soaked Boy
The Ronettes – Be My Baby
The Velvet Underground – Rock and Roll
Pet Shop Boys – Left To My Own Devices
Nick Cave & The Bad Seeds – Red Right Hand
Stereolab – French Disko
The Popguns – Waiting for the Winter
The Brilliant Corners – Delilah Sands
The B52s – Roam
The Divine Comedy – How Can You Leave Me On My Own?
Roxy Music – Do The Strand
Sacred Paws – Strike A Match
Super Furry Animals – Juxtaposed With U
Teenage Fanclub – Sparky’s Dream
Beastie Boys – Start!
The Specials – Friday Night Saturday Morning

Neither of us had any idea of what song would come on after the last one…we really did wing it the whole time, but the proliferation of Divine Comedy songs will indicate there was a big fan of theirs in the house (hi Lesley!!!) and we were delighted to take her requests.

For a first night, it went well enough, although I know Robert is already turning his mind as to how things can be made better next time around which is in two weeks time on Friday 25 May.

Here’s three of the tunes I aired…just to demonstrate that I’m hopefully not a one-trick pony:-

mp3 : Rolling Stones – Paint It Black
mp3 : The Ronettes – Be My Baby
mp3 : Beastie Boys – Start!

JC

AN IMAGINARY COMPILATION ALBUM : #166 : MOGWAI

A GUEST POSTING by ROBERT STRANGEWAYS

There’s a whole bundle of great ICAs in the pipeline, courtesy of guest postings.  A huge thanks to everyone for their submissions and apologies if you’ve been waiting a while to see your handiwork come to life.  I want to keep the ICAs to one per week just now, so please continue to be patient….and again my thanks.

I’ve plucked this one out as it is a very first guest contribution from someone who I’ve been very fortunate to get to know in recent years and who has, very kindly, allowed me to scratch the itch of the DJing bug by offering me the opportunity to be part of the various nights that he organises in Glasgow.  I will get round to posting up my thoughts on the first ever Mixtape from a few weeks ago, along with the incredibly eclectic setlist, but for now will bring you Robert’s thoughts on one of his all-time top bands……

For me, Mogwai have been one of those bands who get better with every release, one of those bands that you think can’t possibly build on their last release, then they do.

They have been described as many things; “Post-Rock, Math-Rock, Ambient, Rock Alternative, Shoe-Gaze” but the truth is I don’t think they can be pigeon holed. They have created their own place in music, judging by the audience size and rapturous reaction to their show in the Hydro at the end of last year it’s a good place to be.

This compilation is designed to showcase the range of sound they create and not just the loud-a-bit, quiet-a-bit, loud again some people associate then with. From their first album “Young Team” through numerous albums and sound-tracks to their most recent “Every Countries Sun” they have evolved and become something special.

Helicon 1 (from Ten Rapid, 1997)

Second single and still a live favourite, collected on the recently re-released “Ten Rapid” compilation. Originally Called “New Paths to Helicon pt1” it often gets shortened to Helicon 1.

The Sun Smells Too Loud (from The Hawk is Howling, 2008)

The Hawk is Howling was the first Mogwai album to have no lyrics on any of the songs consisting only of instrumental tracks.

Eternal Panther (Party in the Dark Single – B-side, 2017)

An amazing song from the “Every Countries Sun” sessions and B-Side to their most “pop” single to date “Party in the Dark”. It was included in a recent compilation “Glasgow Nights” for Money Advice Scotland which is available on band-camp and features a host of current Scottish artists.

It reminds me a little of Swervedriver and Arab Strap live (maybe just me)

Remurdered (from Rave Tapes, 2014)

By their eighth studio album “Rave Tapes” it saw the band really extend on the electronic sounds of previous albums but draw on an altogether darker sounding album. “Repelish” on the same album is also worth checking out, it heavily samples someone talking about hidden messages in rock records.

2 Rights Make 1 Wrong (from Rock Action, 2001)

“Rock Action” game the name to both an album and their excellent record label, home to Outlines, Remember, Remember and Sacred Paws among many others.

This song features on a Blueprint Skateboard video called “First Broadcast” and Soundtracks Ali Cairns part as he flies through the air beautifully.

I Know You Are But What Am I (from Happy Songs for Happy People, 2003)

Last year as part of the Edinburgh International Festival, Edinburgh Castle was lit up with a projection showing the development of the rock over time. The images and show were sound tracked by Mogwai. I never really got the album “Happy Songs for Happy People” or this song when it came out but that night brought it alive and matched the work perfectly.

Jaguar (from Les Revenants Soundtrack, 2013)

Soundtracks have been good for Mogwai, from following a French footballer round the pitch for 90 minutes (Zidane) or sound tracking an Atomic Apocalypse (Atomic). This track is from the French supernatural series “Les Revenants” renamed The Returned for the UK

Crossing the Road Material (from Every Countries Sun, 2017)

One of the stand out tracks from the afore-mentioned “Every Countries Sun”, definitely one of the best sounding tracks when played live from the new album. At the time of release the band recorded a session for 6 Music with Cat Myers from Honeyblood drumming, it’s on you-tube and is well worth your time.

Cody (from Come on Die Young, 1999)

A beautiful romantic sad song and title track for their second album “Come on Die Young”

Old songs stay ’til the end
Sad songs remind me of friends

I can’t tell you how many times this song has struck me when driving on the way how from a club or gig late at night

When I drive alone at night, I see the streetlights as fairgrounds
And I tried a hundred times to see the road signs as Day-Glo

Friend of the Night (from Mr Beast, 2006)

Friend of the Night comes from their shortest album (clocking just 45 minutes ) as they side stepped the building of crescendos instead opting for straight on assault. There is a live version of this track on their live Album/DVD (Special Moves/ Burning) which showcases their live experience well.

Mogwai Fear Satan – (from Young Team, 1997)

The final song is from the debut album “Young Team” 16 minutes of musical terror highs and lows. Always a live favourite and LOUD so very LOUD. The track has been extensively remixed and reworked even at one point used as walk on music for the Manic Street Preachers.

ROBERT

HALF TIMES SCORES

It’s been very interesting thus far that the vast majority of folk have cast their votes early doors and very few of the half-time leads have been overturned. I wonder if anything will change now that we are down to two matches per weel.

The match-ups from now on have the potential to put folk in a dilemma, as typified by this from Swiss Adam:-

“how the fuck am I supposed to pick between my beloved New Order and one of their greatest moments and my equally beloved Clash, the greatest band to walk the face of planet Earth?”

In the end, he did make a pick….which is more than some have been able to do!!!….and went for Janie Jones.

Half time scores

OMD 5 v The Housemartins 22
Forever Live and Die v Build

New Order 13 v The Clash 17
True Faith v Janie Jones

Still all to play for in the second half??

Here’s your half-time entertainment courtesy of the fans of Motherwell FC:-

No mp3 today….well not of the above song anyway. Instead, here’s one that I aired every week as the teams took to the field during the past season in my role of matchday DJ/announcer at Raith Rovers….

mp3 : Bowie/Jagger – Dancing In The Streets

It’s a tradition……..although next season I’m intending to revert to the original version of the song.

Remember….if you haven’t vote yet, you have until 10pm this coming Friday.

JC

 

SEX HORROR SEX BAT SEX HORROR SEX VAMPIRE SEX BAT HORROR VAMPIRE SEX

Nick Cave has come a very long way since this July 1981 single took him into the UK indie charts for the first time:-

mp3 : The Birthday Party – Release The Bats

Wouldn’t it be great if, during his outdoor shows this coming summer, he threw this little hand grenade into his live set….possibly after Into My Arms or The Ship Song, just to give his audience a real wake-up call.

The band wrote and recorded this as a bit of a piss-take of themselves and the lazy way they were being portrayed in the music press at the time, hamming up the whole goth thing which was gaining a head of steam. The actual recording sessions only added to things as the band went into a studio during the cheap down time – i.e. – after midnight – when the daytime singer/band packed up for the day. Legend has it that the daytime was taken up by Phil Collins, and I wonder if their paths did ever happen to cross.

There’s an equally frantic and wonderful sounding b-side to enjoy….it was written by the late Roland S Howard and is one that I feel laid the foundations for later Bad Seeds songs such as Tupelo.

mp3 : The Birthday Party – Blast Off

Incidentally, the first recording of Release The Bats predates the actual 45 by a few months thanks to a John Peel session in April 1981.

mp3 : The Birthday Party – Release The Bats (Peel Session)

I really regret that I never understood this band until long after they had broken up. I’d love to have gone along to see them in their heyday…..although I know I would just have stood at the back out of harm’s way.

JC

TRAIN IN VAIN

From the BBC news website yesterday….

ScotRail has apologised for major disruption after severe damage to overhead wires just outside Glasgow Central station.

Services to and from the station’s high level were affected.

Ten trains travelling on high level routes lost power at about 21:15 on Saturday and passengers had to wait to be led to safety by ScotRail staff.

The train company said it was now almost back to running a full service, after knock-on disruption on Sunday.

Some passengers, commenting on social media, said that they had been stuck on trains for several hours on Saturday night and had to be helped off by engineers with ladders.

ScotRail said all passengers were removed from the affected trains by 00:45.

They were then advised to find alternative transport home, with some offered taxis.

Glasgow Central high level was closed completely at 22:45 with no services running for the remainder of Saturday evening.

I was on one of the ten trains that were stuck outside the station when the power went down.  It ground to a halt at around 21:30 and about 30 minutes later, after the on-train back of power had been drained, it plunged into complete darkness which is how it stayed for almost three hours…on the most basic of trains without a toilet or washroom. And yes. the evacuation method was by ladder down from the stricken train and then up another ladder to a diesel-powered set of carriages for onward transfer to a station in the opposite direction of Glasgow Central and into a taxi.

The annoying thing was that I was only on the train as a last-minute decision to head into town for no more than an hour or so to head to the final ever Strangeways night where a few friends were hanging around – all in an effort to cheer myself up after watching Raith Rovers blow their season in the most miserable manner imaginable.

As Aldo said to me, there are some days it just isn’t worth getting out of bed.

mp3 : The Clash – Train In Vain

JC

A RE-POST TO BUY MORE TIME (4)

I was kind of astonished that this lot haven’t ever featured in any of my own posts on this blog.  They did appear over at the old place as this, from 7 July 2011, testifies:-

I liked this a lot when it was released back in 2009. I still do:-

mp3 : The Horrors – Who Can Say

OK. So they don’t do anything us 40-somethings havent heard before, but they do it so well.

And if I was 30 years younger I wouldn’t be ashamed to think The Horrors were the saviours of rock’n’roll. And I’d be angry that they are another who don’t get the chart success they deserve.

The single was released in May 2009 just a week after the LP Primary Colours. The single was a flop and the album peaked at #25. Their new LP is out next week……Comrade Colin has said it’s a belter and he’s always a great judge when it comes to these things.

Here’s the b-side:-

mp3 : The Horrors – You Could Never Tell

** the mp3s with the original post back in 2011 were lifted from the CD album.  This time round, thanks to Drew gifting me this particular single when we hooked up last year, they’re from the vinyl.

JC

BONUS SERIES : THE ICA WORLD CUP : ROUND 4 (Part 1)

The incompetency of the bureaucrats (i.e me!!) meant five ties had to be decided before we knew the make-up of the final 16.

Orange Juice 10  The Wedding Present 22
The Smiths 25 Ride 14
The Jam 35 Daft Punk 6
Billy Bragg 26 Prefab Sprout 15
Edwyn Collins 16 Lloyd Cole & The Commotions 25

Gedge & co really made the most of their reprieve and it was double heartbreak for Edwyn as he was well beaten in the end in the final match of Round 3.

The draw has taken place for Round 4. It’s known only to myself and jimdoes and now that we are at the nitty-gritty part of the competition with just two matches per week being featured, we have rescheduled some of the ties away from the order they were drawn in so that each week features at least one potential mind-blowing blockbuster. TV companies the world over pick and choose their games, so why should we be different??

Match 1

OMD v The Housemartins

A tie which provides the opportunity for one of the perhaps less-fancied sides to progress to the quarter finals.

Here’s the facts thus far.

OMD have seen off Super Furry Animals, The Stone Roses and The Charlatans, but in doing so have already fielded two their best-known and popular tracks in Enola Gay and Messages.

The Housemartins have beaten Gene, Julian Cope and Talking Heads…they’ve fielded quality songs but some of their biggest and best-known hits are sitting in reserve,

Forever Live and Die (from The Pacific Age, 1986) v Build (from The People Who Grinned Themselves To Death, 1987)

rhetor was the composer of ICA #33 on OMD. He had this to say about the song appearing this time round…

One of my favourite OMD tracks, in fact, as for some reason I can’t get enough of the soaring vocals of the line in the chorus, with its sudden descent into the title, “I never know, I never know, I never know, I never know why…Forever Live and Die”. Maybe it’s just me…

I was responsible for OCA #111 on The Housemartins. I said this at the time:-

Some of the social messages could get lost amidst the jaunty upbeat tunes for which the band were most famed. Not so when they slowed things right down. New homes, new roads, new infrastructure right across green countryside at a time when traditional communities in poorer parts of the country were crying out for support and investment to recover. Environmental and economic madness.

Match 2

New Order v The Clash

A tie which will eliminate one of the favourites.

Here’s the facts thus far.

New Order have had a crazy run of matches against LCD Soundsystem, The Go-Betweens and The Fall. They have three ICAs to choose from which does offer an extensive number of songs but there are also a few unusual remixes capable of turning up. They may regret (pun intended) having already used up Age of Consent and Blue Monday….

The Clash have also had a tough set of match-ups in recent rounds; MGMT was reasonably straight-forward enough and didn’t really need White Man (In Hammersmith Palais) to overcome the opposition; R.E.M. and The Velvet Underground were tougher asks but the use of both sides of the London Calling single may have left them weak…

True Faith (single, 1987) v Janie Jones (from The Clash, 1977)

I’m responsible for both ICAs. Here’s the double-skinny:-

The sheer brilliance and crossover appeal of this record can be seen from the fact that it reached #4 in the UK when, other than Blue Monday and Confusion (both of which sold well with dance fans), the band had struggled to make much of impact sales wise in the single market. True Faith is an extraordinary record that admittedly benefits from the input of uber-producer Stephen Hague who had previously helped to refine the sounds of Pet Shop Boys in a way that maintained their credibility while making them huge pop stars. But there is evidence that the song itself is a belter as seen by the fact that it was given an extensive indie dance remix by Paul Oakenfold and Steve Osbourne in 1994 and that version of True Faith also went Top 10 in the UK.

There are so many great songs that are incredibly worthy of inclusion on this particular ten-track effort. I’ve changed my mind more than a few times about things but I’ve never dreamt of leaving off Janie Jones. It’s a two-minute burst of high-tempo energy which just never lets up and, in what is now approaching 40 years, has never once failed to get me singing along. I also love how the band didn’t try to hide the fact that, at this stage, Paul Simonon wasn’t the greatest of bass guitarists but somehow his one-note contribution helps make the chorus so memorable.

Happy deliberating.  Votes must be in by Friday 11 May at 10pm.

JC

AN IMAGINARY COMPILATION ALBUM : #165 : BELLE & SEBASTIAN

Belle and Sebastian. I’m surprised that nobody has thrown in a guest ICA by now….and with one eye on the next again World Cup (to be held in 2020 and featuring ICAs #151 onwards), I thought I’d have a stab. I’m assuming most readers will be vaguely familiar with the back story of a band which has released nine studio albums, six EPs and 12 singles over the past 22 years. The mainstays throughout time have been Stuart Murdoch, Stevie Jackson, Chris Geddes, Richard Colburn and Sarah Martin, all of whom have been present since the very earliest of days, while Bobby Kildea has been with them since 2000. There are also three past members – Stuart David, Isobel Campbell and Mick Cooke – whose contributions were immense in establishing the band critically and commercially.

It was only when looking at the bigger picture did it hit me that in terms of quantity, and indeed quality, the golden era of the band was a relatively short spell from 1996-2003. There’s only been three albums over the past 15 years, all of which can be described as patchy, certainly in comparison to the early years. If you’re ever for an example of a band coasting somewhat and relying on past achievements, then this could be your landing point. It led me to put together a fully chronological ICA, based on the order in which the albums/EPs were released with one track per record. (It was also put together without me listening to any of the new material released across three EPs in recent months). Despite such a self-imposed restriction, it still hangs together really well…..

Side A

1. The State I Am In (from Tigermilk, released June 1996)

Things have changed a great deal in the music industry over the past 20-odd years and so it is unlikely given the growth of social media as a platform for a band to emerge in a similar way to Belle & Sebastian via a music course at a further education college in Glasgow. A demo recording of four songs, which itself would be released later on as the band’s fame grew, had led to the college record label, Electric Honey, funding 1000 copies of an album. It sold out almost instantly and the band signed to Jeepster Records who re-released Tigermilk in 1999. If you’re desperate to get your hands on one of the Electric Honey pressings of this outstanding record, expect to have to fork out somewhere in the range of £450, and even then, you won’t get a mint copy!

2. Get Me Away From Here, I’m Dying (from If You’re Feeling Sinister, released November 1996)

If You’re Feeling Sinister was most people’s introduction to B&S, certainly outside of a few hundred folk in Glasgow. The formula adopted wasn’t much different from Tigermilk – back into the same small-scale studio with an approach to production which involved minimum overdubs. Jeepster Records were obviously delighted to get a facsimile of the debut, albeit this collection of songs was a notch-up on the debut given that Murdoch as a song-writer was growing in confidence and all of the band were improving as musicians and players. Without any imposed restrictions, there is no question that at least four, maybe even five of the songs on this album would make any ICA, but I’ve gone for the one which seemed to be the calling card….and which has an upbeat tune at odds with its title.

3. Dog On Wheels (from EP of the same name, released May 1997)

4. Lazy Line Painter Jane (from EP of same name, released July 1997)

The four-tracks that made up the demo had been released as Dog On Wheels EP in May 1997 and had sold enough copies to reach #59 in the UK singles chart, which was a remarkable outcome for a lo-fi recording by a relatively unknown band on a genuinely small and independent label with all the issues that were naturally present around pressing and distribution. The songs date from 1995 but the lead number somehow manages to convey more oomph than anything on the two albums thanks to Cooke’s trumpet playing being put front-centre.

The band was insistent that no singles should be lifted from the first Jeepster LP and instead agreed that they would work-up new songs for release as four-track EPs. Lazy Line Painter Jane utilises a guest vocalist in the shape of Monica Queen whose powerful and forceful delivery, recorded in a church hall, offers a tremendous contrast to the quiet and frail vocal of Murdoch. The result is an amazing duet that, vocally in style, brings to mind some of the great Country efforts involving Johnny Cash/June Carter and George Jones/Tammy Wynette while the swirling organ brings something new to the band’s sound, with the near six minutes being as far removed from ‘twee’ as can be imagined.

5. La Pastie de la Bourgeosie (from 3.. 6.. 9.. Seconds of Light, released October 1997)

Lazy Line Painter Jane had continued the upward projectory with a tantalising placement of #41 on the charts. It was just three months later, on 25 October 1997, the latest EP entered at #32….not bad for a band whose debut album just 15 months earlier had come out on a college label and whose follow-up, while selling in gradually increasing numbers, hadn’t shifted enough in any given week to scrape into the Top 100.

B&S were the new kids on the indie block and every magazine and broadsheet newspaper wanted a piece of them, and in particular their enigmatic frontman. The four songs on the EP typified the band at this stage of their career, with a folk-like number the lead track, a ballad and a spoken word effort sitting alongside a song that was a guaranteed floor-filler at your indie disco. With a lyric which references children’s author Judy Blume early on, namechecks a work by JD Salinger that is of most appeal to adolescents before ending with a mention of Jack Kerouac, the name most likely to be dropped casually into conversation by college/university students, La Pastie de la Bourgeosie is essentially an escapist number from the perspective of someone who has a romantic and unrealistic view of America…which is why so many journalists were desperate to land an interview with the frontman to probe him on where his ideas and inspirations came from me. Me? I’d have asked why do you write so many slow songs when you’ve killer tunes like this to unleash on the public.

Side B

6. The Boy With The Arab Strap (from album of the same name, September 1998)

I’m sure this will always be my favourite B&S song. Great tune and a great backstory in which Stuart Murdoch has a bit of fun at Aidan Moffat’s expense around the latter’s infatuation with a friend of Isobel Campbell – which Aidan himself had previously referred to in I Saw You (see yesterday’s song as short story entry).

7. This Is Just A Modern Rock Song (from EP of the same name, released December 1998)

This was the song that really made me think B&S were on the verge of real and sustainable greatness.  It deserves to be called epic, and not solely for the fact it is seven-plus minutes in length, but for the fact that  grows and develops from a softly-sung number by one man and his acoustic guitar into something which soars into the perfect anthem for this brand of indie-pop with its refrain of:-

This is just a modern rock song
This is just a sorry lament
We’re four boys in our corduroys
We’re not terrific but we’re competent

Four lines which seemed to capture everything I had loved about music since my teenage years.  Sadly, the EP marked the end of what I now regard as the golden and prolific era for the band in which forty-six pieces of music had been released across three albums and four EPs in less than two and half years. If they had called it a day there and then, they would still be recalled very fondly for the quality and bravado of their work.

8. Legal Man (from single of the same name, released May 2000)

Little did we know that the band would go into a bit of a hiatus after This Is Just A Modern Rock Song and that their return would be marked by the release of their first ever 45, with a lead song that was nothing like they had ever recorded before.  It also was the first release after the band had come to the attention of a wider public in a way that, all these years later, still seems surreal.

The Brit Awards 1999.  Belle and Sebastian are on the shortlist for ‘Best British Newcomer; despite the fact they were not a new act and that they disn’t have a major label lobbying on their behalf.  The ceremony, on 16 February, is broadcast live to a TV audience numbering more than 10million.  The category they were up for was one of the few not at the behest of a panel of judges, instead being given to the winner of a public vote via BBC Radio 1 that had been heavily promoted through tabloid newspapers, all of whom gave much space to a number of emerging pop acts who had enjoyed huge success in the singles charts with our Glasgwegian heroes getting just the merest of passing mentions. It was bizarre that were even on the shortlist given that, outside of evening shows, B&S would never have been played by the station…

Nobody had actually taken much notice that the award utilised a then largely untried method of electronic voting. The B&S fanbase mobilised as one, many of them making multiple votes through personal accounts, along with work/learning based e-mail addresses, leading to them winning the award to the astonishment of everyone concerned, including themselves.  It led a hilarious and rather childish reaction on the night from folk associated with the losing acts followed by the inevitable ‘Bell & Who?’ in the press the next day.

It took a long while for the band to release anything new – it was almost as if they wanted the fuss to die down and for them to get back out of the spotlight. The comeback 45 was a dramatic shift in sound and the upbeat nature led to a reasonable amount of daytime play. It also sold enough to hit the charts and give the band a debut appearance on Top of the Pops!

Legal Man was probably the first ever B&S purchase for many folk. If they liked what they heard and went out the following month to but the new LP, Fold Your Hands Child, You Walk Like A Peasant, then they were bound to be left scratching their heads given it was more whimsical and introspective than all of their previous work – indeed it was a record that many long-term fans felt was a backwards step that lacked the ambition and freshness of much that had come before and the first ever step backwards.

9. I’m Waking Up To Us (from single of the same name, released November 2001)

The 18 months between Legal Man and this single was a period where the band didn’t do much for me. Fold Your Hands… was a disappointment and the next again single Jonathan David was rescued only by decent b-sides. What came next was jaw-dropping, not so much for the music (although the heavy use of strings and woodwind took the pastoral feel to a whole new level) but the subject matter.

There’s break-up songs and then there’s this. The singer’s well-publicised romantic relationship with a fellow band member had run its course and he in all likelihood expected she would make things easy for everyone by taking her leave. It doesn’t happen and so he pens a really nasty lyric for the next single and insists on her performing on the record and taking part in all the accompanying promotional work, including TV appearances which must have been excruciating for her.

Cruel and humiliating for Isobel Campbell, she would gain a partial revenge the following year by quitting the band in the middle of a ground-breaking tour of the USA, and putting Stuart Murdoch on the edge of a nervous breakdown. It’s a song where the listener is best advised to put to one side the personal circumstances that gave rise to the work and enjoy it for what it is, and that’s an outstanding piece of music.

10. Stay Loose (from Dear Catastrophe Waitress, released October 2003)

The departures of Stuart David and Isobel Campbell, together with the lukewarm response to Fold Your Hands…, left the band at something of a crossroads. There were further faltering steps with Storytelling, an album released in June 2002 as the underwhelming soundtrack to an equally underwhelming movie. Looking back now, what happened next was quite drastic and almost a make-or-break period for the band with the decision to leave Jeepster and sign to Rough Trade and to agree to the label’s suggestion of bringing on board an experienced producer to help mould and shape the diverse sounds that everyone was bringing to the party.

There are some fans who were bitterly disappointed with the impact Trevor Horn had on the band but I’m someone who thinks Dear Catastrophe Waitress is among their strongest pieces of work. It was certainly a huge return to form, albeit with a sound that was more pop-orientated than before, and I don’t think any of the subsequent albums have over the past 15 years have been consistently as enjoyable a listen and it was a no-brainer to include something from the LP on the ICA.

There were a number of strong candidates but at the same time I was conscious that what had come before meant that the track from DCW would have to close the ICA and so the decision was, in a sense, made for me. Stay Loose, in the words of one reviewer at the time is ‘innovative, funky, and twinkling with subtle electronica that thrums with a newly found confidence’. It made a perfect ending to a wonderfully unpredictable album.

So that’s my stab at a B&S ICA…..anyone inspired to offer up a second volme with ten completely different songs?

JC

SOME SONGS ARE GREAT SHORT STORIES (Chapter Twelve)

It is the second appearance by Arab Strap in this series. It won’t be the last.

Oh and there’s a reason why this had to be posted today. But you’ll need to come back tomorrow to find the reason why.

It must have been at least three years ago. I had a crush on this girl I didn’t know. I thought it was a good idea at the time but I was pissed. I tried to find her by sending an ad into ‘The List’. It was free ’cause they’d just started this brand new section. First I passed it on to my old friend Denise for her inspection. It said: “I saw you twice and both times you were wearing orange. And she told you I fancied you in the toilets at The Garage.” There was never a reply, perhaps it didn’t astound her. That’s assuming she ever saw it but I think I’ve found her. I thought it could’ve been her in a club on Saturday night. She was a couple of tables away and I thought it might be. But I was far too drunk, so an approach was out of the question. But this guy Stuart had sent us tickets to see his band Belle & Sebastian. We went along thoroughly drunk, stopped for a post-gig “Hello.” And I think the girl I was looking for is friends with the girl who plays the cello. I think she’s coming to see us when we play. And every time we meet I’ve got nothing to say. She probably thinks I’m cute, she maybe thinks I’m gay. She’s probably got a boyfriend anyway. I remember the first time that I saw her, I was completely in awe. I thought, well that’s the kind of girl that I would like to be my squaw. And if I could ever be the kind of brave that she would choose, we’d travel plains with our little baby turned in its little papoose. She sat beside me in a public bar, my bird was in the bog. When she returned she said that she would like to give that girl a snog. And two weeks later we split up and a new lover I was seeking. And when I see that girl again I’m just never up for speaking. I think she’s coming to see us when we play. And every time we meet I’ve got nothing to say. She probably thinks I’m cute, she maybe thinks I’m gay. She’s probably got a boyfriend anyway.

mp3 : Arab Strap – I Saw You (Peel Session)

This was regularly aired in early livs shows but it was never pit out on an album or single. It was, however, recorded for a Peel Session in March 1997 and finally made available to the public on the Ten Years Of Tears! compilation released in 2006.

JC

HALF TIMES SCORES

As ever, some tremendous contributions via the comments section….delighted so many of you are still giving it 110% this far into the competition and I’m over the moon about it.

Micky has done his usual e-mail vote, and I thought I’d share it with everyone:-

First up, the re-match; I pretty much knew which way this would go before playing the tracks. But even then, more one sided than I expected. Of course I like Falling and Laughing but MFD had it at the first chord!

Hadn’t heard it for a while and was straining not to do air guitar in the office. Now to this week…

1. This is probably as big a surprise to me as it is to you, but yet again I am voting for ‘The Smiths’. Good tunes, horrible/terrible singer.

2. This is probably as big a surprise to me as it is to you, but I’ve always liked this Daft Punk track. It always reminds me of the golf because those opening bars remind me of the theme tune to BBC’s Open coverage. Sitting watching the Open as a wee boy is a very happy memory. Afterwards I’d run out and invent an 18 hole golf course on our back garden using all sorts of shrubs and bushes as natural impediments, and the different parts of the lawn would represent different greens. Whereas this Jam track is a wee bit run of the mill for them.

3. Very, very tricky. Billy by the width of the paint on the goalposts

4. Remember when I said this was fun? I suppose torture is fun for some people. OK Lloyd gets it by a bawhair. Strange one really as I own Girl Like You, but somehow not ‘Heartbroken!

Micky’s five votes have helped create this situation:-

Orange Juice 9 v The Wedding Present 19

The Smiths 20 v Ride 11
The Jam 29 v Daft Punk 4
Billy Bragg 21 v Prefab Sprout 12
Edwyn Collins 15 v Lloyd Cole & The Commotions 18

In case any of you are wondering why, having seemingly been eliminated last Saturday, The Wedding Present are being given a second chance….please read this.

Here’s your half-time entertainment….courtesy of the fans of Crystal Palace FC.

mp3 : The Dave Clark Five – Glad All Over

Remember….if you haven’t voted yet, you have until 10pm this coming Friday.

JC

 

30, 20, 10 (Part 13)

Two months ago, I mentioned that Bomb The Bass, the name adopted by producer Tim Simenon, had gotten to #1 in the indie charts with a track consisting solely of samples.  This month sees the top spot occupied by probably the best-known and most enduring examples of the genre:-

1 May 1988 : S’Express – Theme from S’Express

Still sounds amazing thirty years on.

1 May 1998 : Run D.M.C vs Jason Nevins – It’s Like That

Still there….this was the last of its six week stay at the top.

1 May 2008 : mp3 : The Last Shadow Puppets – The Age of the Understatement

As wiki states, The Last Shadow Puppets are an English supergroup consisting of Alex Turner (Arctic Monkeys), Miles Kane (The Rascals), James Ford (Simian Mobile Disco), and Zach Dawes (Mini Mansions).

It was a fairly radical departure from what the four were best known for, with much of the debut album, from which this was the first single, being reminiscent of the 60s and in particular early Scott Walker. Indeed, the firest few seconds of this single reminds me of Marc Almond‘s cover versions of songs from that era. It will divide opinions. I like it.

JC

TRUE CONFESSIONS : WILL WE ALWAYS BE HAPPY GO LUCKY?

Here’s a confession that doesn’t bother me in the slightest.  It also won’t come as a surpise who can recall the time I wrote about the song as #36 in the Scottish Singles series away back in August 2016…..

Back in 1984, a Glasgow band called The Blue Nile released a song called Tinseltown In The Rain. Everybody, and I really do mean everybody, who was an acquaintance at the time seemed to go nuts for the song, with many considering it the perfect sounding anthem for a city that was slowly but gradually re-inventing itself and regaining its self-confidence after an extended period of post-industrial decline. Further afield, loads of journalists and writers pounced on the song and the album A Walk Across The Rooftops, boldly declaring the music as unlike anything else recorded before, with some going as far to say that the songs were the sort that Frank Sinatra would be proud of.

Part of the aura around the band was linked to the fact they released their songs via a company called Linn Products, which was (and remains to this day) an engineering company which built very hi-tech audio equipment, including turntables, amps and speakers. They were also ridiculously expensive products. The engineers were growing increasingly dissatisfied with the quality of LPs that they were having to use to test their flagship turntable and so they developed a cutting lathe to enable improvements. The company, however, needed to find a singer or band who would be happy to record for them and deliver a ‘type’ of music that would best showcase the audio equipment.

One version of what happened next is that the bosses at Linn, and in particular the highly determined and driven MD, asked The Blue Nile to produce one song to help with the testing. The MD liked the song so that he offered an immediate contract for an album on what would be a new venture called Linn Records. The band dispute this version of events and say that the link-up came after they had recorded a whole series of demos with a studio engineer who just happened to have ties with Linn and was a friend of the MD. The band version is that there was no approach from Linn to make a record for the company nor did the company seek to influence the album’s sound in any way and have said “it was a myth that we were a ‘hi-fi band signed to a hi-fi company’. We just got lucky that we’d found our way to an excellent engineer who knew the company.”

That particular version of events emerged in 2013 – my memory of events as they were reported in 1984 was that the band and label were very closely linked and much was made of the album being given a very slick and glossy production that could be best be enjoyed and appreciated via Linn equipment.

This was all something that pissed me right off. My hi-fi equipment was fairly low-spec and much of my record collection was of the hurriedly produced and ramshackle variety that sounded just perfect to my ears. I wasn’t the slightest bit interested in something so artificial…and so I’m willing to admit that I did listen with some prejudice.

Regular readers will know that I have used the pages of this and other blogs to hold my hands up and admit that I got something wrong; sometimes, first impressions of a song can be misleading and repeated or a different exposure to something can provide a change of mind or opinion.

I haven’t ever changed my mind about The Blue Nile or Tinseltown In The Rain. There is no soul or warmth to the music whatsoever and the 1984 marketing campaign was a triumph for style over substance. I’m not a fan of Paul Buchanan’s voice either – he is no better or worse than a marginally above-average pub singer. It’s a killer combination of music and vocals that is deadly dull to listen to with not one note or octave providing any sort of surprise or excitement.

I know that many of the bloggers I most admire – echorich, postpunkmonk and Brian among others – are in complete disagreement with me.  My brother Stevie is also a huge fan of the record and the band.

It was, however, interesting that some, including Jonny the Friendly Lawyer, had my back on this one last time out.

Just thought it would be a nicely controversial way to close out what has been a controversial and at times unsavoury month on t’blog.

mp3 : The Blue Nile -Tinseltown In The Rain (12″ version)

JC

PS : A reminder that I need votes on a previously voided match in the ICA World Cup….details are here.

BONUS POST FOR THE BONUS SERIES : OOPS!

I was sitting in front of the laptop tonight, pulling together some facts and stats in preparation for the draw for the last 16 of the ICA World Cup when I had a ‘FUCK……WHAT HAVE I DONE?’ moment.

Last week, I asked you to cast your votes for the merits of Felicity (Orange Juice) against a live version of My Favourite Dress (The Wedding Present). You shouldn’t have been asked that as Felicity had in fact already been fielded in Round 1 of the competition and the rules are that no song can appear twice. The fact that Edwyn & co won the match-up means the result is null and void.

Genuine error on my part….and so now the tie to be replayed.

The Wedding Present are being allowed to field the studio version of My Favourite Dress while Orange Juice are required to offer up a different song from their original ICA. So, if you don’t mind….let me have your thoughts on this match up:-

Falling And Laughing (single, 1980) v My Favourite Dress (from George Best, 1987)

I need the votes in by Friday 4 May at 10pm. So sorry for the mix-up and any undue stress this may have caused.

JC

A RE-POST TO BUY MORE TIME (3)

In case you’re wondering what this is all about, I’ve a plan for something to take up the usual Sunday slot which looks in depth over a number of weeks at a particular band or artist but I’m putting it on hold till after the ICA World Cup is over.  The space will be taken up in the meantime by reposts from the deleted old blog….and I’m delighted to say that I’ve salvaged some from May 2009 when the place was given over to guest bloggers.  This appeared on Wednesday 27 May 2009…..

PRIMITIVE BUT FUN

Hello dear people,

First of all: thanks to you, JC, for letting me participate in this series of guest contributions for the Vinyl Villain. I hope you and Mrs. V. enjoy your holiday … you certainly deserve it!

Now, there are thousands of songs I like quite a lot and which I could have picked in order to write something pretty clever about. Songs with an immensely wise meaning, a political statement perhaps, songs you all know, love and would be eager to hear again here. Songs that would have made it more or less easy for me to create a long essay of wisdom about which I could then share with you here.

But be warned, the opposite is true, I’m afraid: the tune I have chosen doesn’t mean pretty much. Nor does anyone know it, I’m willing to have a small bet. Nevertheless I simply love it and have done so since I first heard it back in 1983 or thereabouts. It includes everything a good tune needs, at least as far as I’m concerned: a) whacky rhythm b) clever lyrics c) young female vocalists. Or, if you’d rather, it’s primitive, but fun.

In it the singer tells us a story of everyday life: it’s about chatting up girls. And about how ludicrous men behave when trying to do so. And yes, I admit: at times we do. Most often, in fact. Although: the bloke in the song really tops the bill, perhaps that’s why he’s referred to as an ‘Aquavelva Geek’. You may wonder now what this might possibly mean, and rightly so. Well, there’s a little dictionary at the back of the sleeve of the record, described as the ‘Val Talk To English Dictionary’. Here’s what the ‘Aquavelva Geek’ is translated as:

“(ak’ wa vel’va gek) n. : Distasteful individual hailing from Marina Del Ray area; frequently divorced and on the make.”

Next to this there is a little comic-style drawing of the Geek with clothing details described below: “1. attempted perm on balding head, 2. fake gold chain, 3. unbuttoned white collar shirt, 4. chest hair wig, 5. Casio alarm watch w/ Pac Man game, 6. Ultra-suede jacket, 7. doubleknit pants, 8. Justin boots. ”

Mostly all of the strange expressions which are contained in the lyrics are translated in the dictionary and if I only had a scanner I would perhaps be able to picture it here. But I don’t, so listen closely to one of the finest songs in the history of recorded music, which, I shouldn’t forget to mention, includes my favourite song line ever: “Yeah, I learnt quite a while ago not to be afraid to wear fashion underwear”…:

mp3 : The Valley Girls – Marina Men

Marina Men was released as a 12” on Rhino Records back in 1982.

The Valley Girls were Chrissy Peters (16), Sonia Gordon (16) and Pamy (18) and, astonishingly enough, I got an email from one of their nephews not so long ago, saying that all of them are enjoying their family lives in the Valley …

Well, I do hope you enjoyed my choice, friends.

Take care,

Dirk

JC ADDS……………

I closed off that particular posting by saying

“TODAY’S GUEST CONTRIBUTION IS COURTESY OF A REALLY TOP BLOKE…SOMEONE WHO HAS BEEN A LONG-TIME FRIEND OF TVV….AND SOMEONE THAT ONE DAY I HOPE TO MEET IN THE FLESH….DICK HUPPERTZ OF ALDENHOVEN, GERMANY AND OF THE BLOG SEXY LOSER.”

In May 2017, that ambition was realised…..with the added bonus of many other great bloggers also hooking up for a truly unforgettable weekend in Glasgow. Where has the time gone since?

BONUS SERIES : THE ICA WORLD CUP : ROUND 3 (Part 4)

Part 4, which should have been Part 3 and featured last week, has been penned by jimdoes, the founding father of this competition. Before then, there is the small matter of last week’s sensational match-ups….

Lightning Seeds 23 v Saint Etienne 17
Pulp 26 v Pavement 9
Wire (2) 17 v Butcher Boy 20
Orange Juice  v The Wedding Present  : VOID RESULT…..REPLAY REQUIRED (Click here for details)

Butcher Boy make history by being the first side in the competition to make a winning comeback from a 5+ deficit. I think it’s fair to say that they will be the minnows in the last 16….but given a reasonable draw, they could still progress even further.

And now to ties 13-16…..and I’ve taken on the task of trying to come up with the right form of words to accompany the match-up that has caused a bit of chaos……

MarrRourkeJoyce v Ride

It does seem right not to exclude the songs of The Smiths from the competition and for this round at least it was easy enough as the tune which had come out for consideration is one that Johnny Marr has been known to include in his live sets. Some credit has to go to Ride who have sat patiently on the sidelines, at one point thinking they had been given a bye into the last 16 and then having to adjust the game plan and tactics for their new opponent.

Bigmouth Strikes Again (from Adrenalin Live, 2015) v In A Different Place (from Nowhere, 1990)

Over now to jimdoes…..

Anyway…

This week’s ties have been overshadowed by the controversy surrounding a certain Manchester singer’s utterances and have left the remaining teams in disarray and with an ‘anything can happen’ air to them. Whatever JC decides to do for the other tie I expect there will be ‘a bit of handbags’ in the comments as the Smiths have clearly lost the previously solid backing of many fans and the outcome could very well be an early bath. We are also now reaching the business end of the tournament with everything to play for – every game is akin to a cup final.

The Jam v Daft Punk

This tie has the kick and rush English coming up against Gallic flair. The Jam tend to play the long ball game – they have a solid backline that feeds the talents of their star man Paul Weller. They’re prone to entertainment and always give it 110%. On the other hand, Daft Punk appear to play in the wrong kit – with their helmets they’d be better suited to American Football. Even if they kept handling the ball I’m sure their technological links would make any VAR decisions go in their favour.

Thick As Thieves (from Setting Sons, 1979) v Digital Love (from Discovery, 2001)

Billy Bragg (2) v Prefab Sprout

Johnny Marr plays a part in this round whatever the outcome of the stewards’ enquiry in one of our other ties as he played guitar on this, my favourite song by Billy Bragg. But has Bragg hit this one too well? He’s a top, top player who’s got plenty more in his locker for the next few rounds so we shouldn’t expect any schoolboy defending from him. But this is the match where we will be asking can he do it on a wet Tuesday night in Atlantis? Prefab Sprout have found themselves in acres of space and they’ve really grown into the tournament. They are at home on any field and are a potential banana skin for any team. They’ll be sticking it in the mixer and hoping to put it in the onion bag.

Greetings to the New Brunette (from Talking With The Taxman About Poetry, 1986)  v Looking for Atlantis (from Jordan, The Comeback, 1990)

Edwyn Collins v Lloyd Cole & The Commotions

The magic of the cup eh? There’s always one – the tie that makes all the others seem like easy picks – the match that makes me go aaaaaaargh! The one that shows that there are no easy games at this level. And it’s this one – two absolute classics against each other. And a tenuous link to The Smiths here too – Sandie Shaw covered “Are You Ready To Be Heartbroken” and “Hand In Glove”, performing The Smiths Song on Top Of The Pops with Marr, Joyce and Rourke. Anyway, this is a real statement of intent from Edwyn Collins – he’s been taking it one game game at a time and is taking nothing for granted. Lloyd Cole has set his stall out early doors by sticking this one into the corridor of uncertainty by playing mind games with his choice of song. Cole is literally asking questions of Collins here in a match that is a great advert for the ICA World Cup.

A Girl Like You (from Gorgeous George, 1994) v Are You Ready To Be Heartbroken? (from Rattlesnakes, 1984)

Votes must be cast by Friday 4 May at 10pm.

Next week sees the first games in the round of 16; which of the four above will join this lot in the hat??

1. Echo & The Bunnymen
2. The Police
3. Half Man Half Biscuit
4. OMD
5. New Order
6. The Housemartins
7. The Clash
8. The Jesus and Mary Chain
9. Lightning Seeds
10. Pulp
11. Butcher Boy
12. Orange Juice or The Wedding Present

Happy Listening.

JC and jimdoes

(FRIDAY) NIGHT FEVER

With apologies to those of you who keep in touch via the personal Facebook page as you’ll be sick-to-death at me going on about this.

Tonight sees the launch of Mixtape at The Admiral.

It’s the brainchild of my friend Robert who, along with Carlo and Hugh, has been the driving force of the very successful Strangeways club night that has been a mainstay of the Glasgow scene for some 10 years. Strangeways is a night based almost exclusively around the music of The Smiths and Morrissey that has grown in size and popularity and now takes place in the downstairs suite of The Admiral Bar where some 200 folk pack in four times a year with all profits going to various charities and worthy causes. I DJ’d on one occasion at Strangeways and did a decent enough job to be asked back to help at ‘There Is A Night That Never Goes Out’ in which the intrepid trio went for a theme of 80s music, often with an indie or electro twist.

Mixtape takes things a wee bit further in that the music will be anything goes. As Robert said when he went public with it:-

Mixtape is a new night for the bar of The Admiral. The music is non genre so really anything goes.

The night is designed as a sound track the bar with the option for some late night dancing or clubbing for people who don’t like clubs. 🎧

The playlist covers Indie, Electro, Disco, Post Rock , New Wave , House, Soul, New Romantic, Mod, Pop, Punk, C86 and anything else that sounds good.

Initially, it will be taking place in the upstairs part of the pub where we will do our best, through our own tastes, to entertain the regular drinkers but also taking requests and so on in the old-fashioned way. The only difference from the 80s is that instead of lugging around heavy boxes of vinyl, the DJs will be bringing along a memory stick to plug into a laptop – I’ve got just short of 1,000 tracks on mine just now but even then I know I won’t have everything that is asked for on the night.

Mixtape at The Admiral is going to be a regular residency, scheduled for the final Friday of each month. It’s free of charge in the upstairs bar but, all being well, the plan in due course is to shift downstairs every so often, charge a few quid to get in and again raise monies for good causes.

I’m looking forward to it…but with a degree of nerves. I’ll report back in due course about how it all goes.

mp3 : The Divine Comedy – At The Indie Disco

And tomorrow, after all that, I’ve got the biggest game of the season for the Rovers with the pre-match music and announcing malarkey.  A win, in what is the final match of the season, and we clinch the title and gain promotion.  A draw or loss and its likely we have the lottery of the play-offs. This has the potential to be a memorable few days in my life.

JC

AN IMAGINARY COMPILATION ALBUM : #164 : BANANARAMA

Bananarama? You seem bemused. You shouldn’t be. There’s a myriad of reasons why they are more than worthy of an ICA:-

– Formed in 1981 and still going strong today

Terry Hall loved ‘em

Siobhan Fahey

– Listed in the Guinness Book of Records as the all-female group with most chart entries in the world

– Wrote a seemingly fun-filled song about an Oscar-winning actor which turned out had a really dark meaning

– Have championed the LGBT community from the outset

Keren Woodward

– Along with Pete Burns/Dead or Alive, they made Stock, Aitken and Waterman bearable for a short time

John Peel loved at least one of their songs

– Said song was sung in Swahili and did more for raising the profile of world music than any po-faced festival organised by Peter Gabriel

– the other one

– They got The Bluebells a #1 hit

– There’s enough songs to merit a first-class ICA

A few things worth remembering before launching into the ICA on a song-by-song basis. The trio of Keren Woodward, Siobhan Fahey and Sara Dallin had befriended one another as fashion students in the late 70s and their preferred listening and hang-outs centred around the post-punk scene in London where they were friendly with the likes of The Monochrome Set, Department S, Shane McGowan, Paul Weller and a couple of ex-Sex Pistols.

Malcolm McLaren was also an admirer and indeed, hatched a plan to alter their image and make much more of their looks and femininity, which was a complete no-no as far as the girls, two of whom were still in their teens, weree concerned. They wanted to get success the old fashioned way through gigs and good song writing….and they did.

One of their biggest fans is DJ MLC – a dear friend of mine and Jacques (indeed it was MLC who first coined the name ‘Those Charming Men’ for us).  I asked him to do the blog the honour of a Bananarama ICA.  He said yes, but only on the conditions that it was a remix effort and that I wouldn’t alter a word of his prose.  I haven’t……..so without any further delay, I’m putting you in the very capable hands of DJ MLC.

I was delighted to be asked by Those Charming Men to provide a remixed version of the Banarama compilation. Writing I’m not so good at, but ask me to twiddle knobs and whip out a 12” then I’ve plenty experience.

I was big in the 80s and the Bananas come from the era when I was in giving it proper large. Sure, weddings was really my thing, but I could often be seen doing the odd gay club back in the day. Boy, the things I saw on those nights. I’ve turned a few moustaches I can tell you. As a straight hunk of manhood it was hard to know what they wanted, how to satisfy at times, but I worked up a sweat to keep them happy and more often than not was relieved by the end of the night.

Balance these girls on my decks, turn them on, give them a scratch now and then, sometimes rub them up the wrong way, sandwich them between Donna and Divine – then those lads would give me their all on the floor. I’m not ashamed to say that I could keep them up all night. They couldn’t get enough and neither could I.

One awkward night I saw Barry from my work. Topless and wearing baby oil – he’d never seen me like that before. He was pretty discreet about the whole affair, especially after I gave him some Tainted Love near the end of the night. Sadly I don’t DJ now, except in my head. Dorothy in Accounts saw to that. The only baby oil I see now is that left over from when Dom and Deb were kids. These days when I’m “in the house” I’m actually in the house. I’m happy, sure. But I do miss my late nights with the boys.

So, boys AND girls, hands in the air like you just don’t care, poppers up your nose, fit a couple of coloured bulbs in the living room lights and get your kids to flick them on and off, put some leather around your loins if you must. But, most importantly, dance motherfunkers dance…

Side A

Shy Boy (US Extended Version)
Nathan Jones (Psycho Mix)
Don’t Step on My Groove
Love In The First Degree (Jailers Mix)
Aie a Mwana (Extended Version)

Side B

Really Saying Something (Solasso Mix Version)
I Heard A Rumour (Miami Remix)
Robert De Niro’s Waiting (Remix 2000)
Cruel Summer (89 Swingbeat Dub)
Venus (Marc Almond HiNRG Showgirl Remix)

Oh and in case you were thinking that it’s an urban myth about the #1 hit, this song was composed by Bobby Bluebell and Siobhan Fahey.

mp3 : The Bluebells – Young At Heart

Hopefully today’s posting has brought a bit of fun back into the blog.

JC