HERE COMES YOUR MAN

Pixies at Glasgow Barrowlands some six weeks ago was a real highlight in terms of live performances in 2016. Ok, there was no Kim Deal and I’d be lying if I said things were just the same without her, but Paz Lenchantin is a very capable replacement on bass and occasional vocals and to be fair, she’d never dream of taking a turn on Gigantic.

But she did play her part in a great rendition of another of Kim’s lead vocals, one that was originally released as the b-side to one of their best known singles:-

mp3 : Pixies – Here Comes Your Man
mp3 : Pixies – Into The White

The 12″ release, which incidentally is easier to track down than the 7″, had two additional tracks:-

mp3 : Pixies – Wave Of Mutlilation (UK Surf)
mp3 : Pixies – Bailey’s Walk

The former, a new version of a track from the then parent LP Doolittle, was recorded at the Palladium Studios in Edinburgh, a favourite of 4AD boss, Ivo Watts-Russell.  It was where he did much of his work with This Mortal Coil.

Enjoy.

A LAZY STROLL DOWN MEMORY LANE : 45 45s AT 45 (16)

ORIGINALLY POSTED ON FRIDAY 2 MAY 2008

Pixies+Monkey+Gone+To+Heaven+129167

This is a record that having been cited by so many as an influence that it’s hard to reconcile it with its flop status here in the UK.

Monkey Gone To Heaven by The Pixies only reached #60 in the UK charts in March 1989, so it was very much an acquired taste. It was my ownership of the 12” single which helped cement my friendship with new work colleague Jacques the Kipper – I happened to mention in the pub one evening not long after he started in the office that it was one of my favourite bits of vinyl, and that’s when we started talking about bands and music. And we haven’t stopped all these years later…

The late 80s weren’t great for me in terms of keeping up with music. No. let me rephrase that – the late 80s weren’t great for me in terms of keeping up with anything.

The student years from 81-85 and the first few years of paid employment were a period of hedonism and a slightly unorthodox lifestyle. Particularly the first two years of employment where I had some money in my pocket. To coin a phrase from Paul Weller, I found myself in a strange town. It was called Edinburgh.

For three years I lived in a series of rented flats (one of which involved a moonlit flit and the loss of some 500 7” singles as recounted elsewhere in this rundown), with a great crowd of friends centred around unemployed actors and performers. Oh a psycho air-stewardess from Canada as a flatmate who once threatened to cut the throat of my wee brother – but that’s another story.

But I got bored with all of this – especially as I seemed to be the only one in the crowd with any money, and the late nights and long drinking sessions were taking a toll on me. That and the boss beginning to run out of patience. So I settled myself down with a steady girlfriend who I married in the Summer of 1988 after a whirlwind romance. Someone whose interest in music was virtually non-existent…..but I felt the change was what I wanted. It was time to put the toys of my youth away forever.

Within a matter of weeks, I was bored rigid. I missed my old mates and my old lifestyle. I missed going to gigs and listening to Radio 1 after 8pm of an evening. It was all soap operas and detective shows in my household. I was in danger of growing old before my time.

I wasn’t reading music papers, and I wasn’t buying anything. I put the turntable and amp under the stairs.

One day, instead of waiting at the stop for 20 minutes for the next bus home, I popped into a well known city centre record shop. Within minutes, a sound was blaring from the speakers which was unlike anything I had ever heard before. A great guitar riff, big powerful drumming and a whiny vocal that was part-spoken, part-sung and part-screamed. And was that some cellos there at the end? Surely not…

The song needed to be bought. So, it was up to the counter to ask the bloke behind the counter who and what was that? The answer, of course, was Monkey Gone To Heaven by The Pixies.

I had no idea who he was talking about. But I bought the single. The first bit of vinyl in at least 9 months since my wedding day. And then went home and pulled out the turntable and amp from under the stairs…

Within a year, I had moved out of the marital home. A few months later I was living with a woman called Rachel, who became my second wife – you may have seen her referred to here and there as Mrs Villain. Crucially, Rachel liked a lot of the music that I loved and was all for going out to gigs rather than get hooked on Eastenders and Taggart. She’s still like that all these years later.

This record is astonishing in its ambition. A long long time before it became fashionable to do so, it was giving warnings about global warming and the destruction of the environment. It had an orchestral part at a time when most bands were beginning again to strip things back to basics. It was a song which sounded indie, but was as far away from the fey and whimsy sound normally associated with the genre as you could imagine. It was a song that could even find favour with the rock fans who got hooked entirely on the solos and performances. It had a vocal that so screamed at you from the speakers, that you feared for the damage being done to the throat of the lead singer.

In short, The Pixies had more or less invented grunge…

mp3 : The Pixies – Monkey Gone To Heaven
mp3 : The Pixies – Manta Ray
mp3 : The Pixies – Weird At My School
mp3 : The Pixies – Dancing The Manta Ray

As I mentioned at the outset, it was a flop, reaching only #60 in the singles chart. But it was #1 single of 1989 in Melody Maker, #5 in Rolling Stone, #22 in NME and #24 in Village Voice.

It was also the record that helped put my life back on the track I should never have left.

AN IMAGINARY COMPILATION ALBUM #6 – PIXIES

pixies

An enlightening e-mail popped into the inbox recently from an reader who has been known to leave behind some nice comments:-

Hey JC

Somewhat surprisingly (to me!), you’ve never featured Pixies on your blog and to me they are the greatest band there’s ever been, one I’ve seen more than most others and have listened to for over a quarter of a century. So if you don’t mind, here’s an “Imaginary Compilation Album” for your series thats if you actually like them! I’m sure you and your readers are familiar with them or at least their more famous songs, so this is just a collection of my favourites that’s representative of their whole career but misses out the ones that everyone might know. I’ve also tried to include alternate versions ‘rarities’ where possible. Apologies if I ramble in places – it makes me appreciate what you do all the more, it’s not easy writing coherently about your favourite music! And I own everything on vinyl – no cheating!

xxxjim
(JIMDOES)

It was also somewhat surprising to me that, after more than 500 postings on this particular blog that I hadn’t once featured any songs by Pixies when they had been a bit of a staple over at the old place. It’s also great that someone goes to the trouble of putting the imaginary compilation LP together as they are time-consuming pieces, not just in terms of the words for the piece but listening to the back catalogue in some depth to get down to the final selection. Anyway, here’s Jimdoes’ very fine take on the finest band to ever emerge from Boston U.S.A.:-

1. BONE MACHINE

Let’s start at the beginning. The beginning for me, anyway – the first Pixies song I ever heard – the opening track on Surfer Rosa recorded onto a C90 tape with AR Kane’s 69 on the other side. Believe it or not, back in 1988 this really did sound like nothing else – to me anyway – nothing like the indie music that I’d grown to love and nothing that you could hear on the radio. And what a great introduction to a band – each instrument comes in at different times to create a glorious noise with Black Francis barking and howling over the top of it – to this day I’m not really sure what he says or what it all means, but to me that’s part of the joy of this band. And I think it was the song to which I bust my nose stage diving to at The Town and Country Club – but that’s another story.

2. BLUE EYED HEXE

And just to show they’ve still got it – from their recent, underrated LP. It rocks in a way that only the Pixies can. I know it’s ‘Pixies’, not ‘The Pixies’ but sometimes it just sounds funny without the ‘The’. Anyway this is one of my most listened to songs from 2014 – I wasn’t expecting much from the album (and with an embarrassing title like ‘Indie Cindy’, who can blame me) but it goes to show that Deal or No Deal, they can still produce a quite wonderful noise.

3. DOWN TO THE WELL

I got hold of this song as a track on a free EP with Sounds, released just after Surfer Rosa, although this version is from a session they did at Maida Vale. Originally recorded as a demo before Surfer Rosa, I fully expected this to appear on the follow-up, Doolittle but I’m guessing that they had so many great songs recorded that they just held it back till Bossanova. My favourite line is “What matter does it make if there are favourite songs playing in my head” which could well be a mantra for my life! Anyway, it’s about sex and alien abduction – what could be more Pixies than that?

4.  HEY

Pixies were always a great band to jump around, scream and go nuts to – but I love their slow songs as much as their fast noisy ones – loudQUIETloud and all that. This is a live version from the tour they did where they played Doolittle in order plus assorted B-sides. Just listening to the audience in this version really brings home what a loved band they are. I was lucky enough to see them a fair few times before they originally split up and was young then so spent most of the gigs going bananas, as you do. I always looked back fondly on those days and as Pixies influence grew was happy I’d seen them. So when they reformed it was incredible going back and seeing songs live that I’d cherished over the years – there was a feeling of trepidation that they might just ruin things but they were as good as they ever were – and I found there was still a bit of the mosh pit left me.

5.  INTO THE WHITE

Recorded at the time when Pixies really could do no wrong – every song was so amazing that they’d put tracks like this as B-sides. And one of only a couple of songs that features Kim Deal on lead vocals. I can remember buying the 12” of Here Comes Your Man just to get this song which they’d been playing live for a while. Best sleeve for a Pixies record too – I used to have a massive poster of it on my student bedroom wall.

6. VAMOS

Always my favourite song live – for Joey Santiago’s amazing guitar work – the way it just goes nuts in the middle loads of feedback and echo – he plays that bit with a drumstick or whatever else is at hand. But also for the way that Black Francis’ rhythm guitar holds everything together and stops the song descending into chaos. I’ve included an epic version which was their closing song when they played at Brixton Academy on their original comeback tour on June 5 2004 – a gig I was lucky enough to attend. And for some strange reason it features on both Come on Pilgrim and Surfer Rosa although I’ve never been able to notice much difference between the two of them. Vamos a jugar por la playa, indeed.

7. MOTORWAY TO ROSWELL

People often say that the last two Pixies albums aren’t as good as the first two. I think they are just different but equally good. They couldn’t really have made another Doolittle without sounding a little tired. And it’s great when bands evolve – it’s not a complete reinvention. Anyway I think of this album as the shiny album – everything seems to have a sheen to it if that doesn’t sound too weird. Especially the sounds at the beginning of this song – probably the most ‘space’ and ‘sci-fi’ song they recorded.

8. NIMROD’S SON

I can’t think about most Pixies songs without thinking about them being performed live – and that means thousands of people shouting “You are the son of a mother fucker”. An absolute joy.

9. CACTUS

My favourite song off my favourite album – it just about beats Gigantic. Impossible to articulate what it means to me, I’ve loved it for so long.

10. HEAD ON

Pixies made some great cover versions – and this rendition of The Jesus and Mary Chain classic is my favourite. I’m biased but much as I like the original, I think this version is better!

So there’s ten songs – it’s been incredibly hard to choose just ten. I could easily have picked another ten. And I’ve resisted the urge to put them in alphabetical order like they did with their set lists back in the day!

Side A

mp3 : Pixies – Bone Machine
mp3 : Pixies – Blue Eyed Hexe
mp3 : Pixies – Down To The Well (session)
mp3 : Pixies – Hey (live)
mp3 : Pixies – Into The White

Side B

mp3 : Pixies – Vamos (live)
mp3 : Pixies – Motorway To Rosewell
mp3 : Pixies – Nimrod’s Son
mp3 : Pixies – Cactus
mp3 : Pixies – Head On

Hidden Bonus Track

mp3 : Pixies – There Goes My Gun (live)

I’ve put the live version of there goes my gun on this mail as that is the track before HEY and the first ‘hey’ is actually at the end of this track annoyingly… and you can also hear me shouting ‘hey’ just before the song starts…!
anyway, i could talk all day about the pixies…!!!
cheers!
xxxjim