C86 : THE ULTIMATE SERIES (Parts 51, 52, 53, and 54 of 114)

The previous mention of the Brighton-based 14 Iced Bears in this ongoing (and to some, never-ending!!) series featured their sole single for Sarah Records, thanks to its inclusion on the 2006 release of CD48.  But they really were too heavily involved not to have also been included on the 2014 C86 expanded release issued by Cherry Red Records

mp3: Inside – 14 Iced Bears

Track 15, Disc Two of C86 The Deluxe 3CD Edition

This was their debut single, issued on Frank Records, a short-lived indie label based in Hertford, a town some 30 miles north of London.

Yup.  The Jesus and Mary Chain, despite not being part of the original C86 tape have songs on both the later CD86 release and the 2016 expanded re-issue.  I’ve a feeling that the compilers of the original tape would have wanted to include them, but they were perhaps turned down by Creation Records or the asking price was too high.

A reminder that the JAMC released their debut single in November 1984.  The following year saw three more singles and a debut album.  1986 was a bit quieter, with just the one EP.  As such, those compiling the later CD collections, who of course didn’t have to restrict themselves to songs released in 1986, had some leeway.

mp3: Inside Me – The Jesus and Mary Chain

Track 19, Disc Two of C86 The Deluxe 3CD Edition

Originally released on the debut album Psycho Candy, a #31 hit in the UK charts on its release in November 1985

There was quite a relatively long post on The Groove Farm on their previous appearance in this series, so I’ll keep this brief.

A band from Bristol who were active and prolific between 1986 and 1990 across a number of labels. Their debut EP, Sore Heads and Happy Hearts, had been issued by Raving Pop Blast! Records, a local label, with the picture sleeve coming in four different colours

mp3: It Always Rains On Sundays – The Groove Farm

Track 3, Disc 2 of CD86.

Shop Assistants.   What a detailed tale there is to tell if there was loads of time.

They formed as a four-piece in Edinburgh in 1984, initially as Buba and The Shop Assistants.  Over the next seven years, there would be six singles/EPs and one album across five different labels. By the time they called it a day in 1990, eleven different musicians could count themselves as having been a member of some point or other, with just guitarist and main songwriter, David Keegan, having been on board for the entire journey.

The debut single had come out on the locally based and short-lived Villa21 Records. They next showed up on one half of a flexidisc, with the other half featuring The Chesterfields, that was included with two fanzines. They then, in 1985, accepted an invitation to record an EP for the Bristol-based The Subway Organisation.  Their next single, Safety Net, came out on the Edinburgh-based 53rd & 3rd in 1986, a release that seemed to really capture everyone’s imagination. They next popped up on the C86 cassette:-

mp3: It’s Up To You – Shop Assistants

Track 1 on side 2 of the C86 cassette; Track 12, Disc One of C86 The Deluxe 3CD Edition

It was a re-recording of one of the tracks on the EP released on The Subway Organisation a few months previously.

Next up was a move to Blue Guitar, the label that was an offshoot of Chrysalis Records and was supposed to operate like an indie under the guidance of Geoff Travis of Rough Trade. There was a debut album and one single before 1986 was out, but the hoped for buzz, never mind sales, anticipated on the back of Safety Net never materialised.  As few months later, in early 1987, lead singer Alex Taylor quit the band. It would take until 1990 before they re-emerged with two more singles on Edinburgh-based Avalanche Records. But the spark wasn’t quite there and before two long, the band members went their separate ways.

 

JC

C86 : THE ULTIMATE SERIES (Parts 15, 16 and 17 of 114)

The Groove Farm were from Bristol, active and prolific between 1986 and 1990 across a number of labels and their songs have appeared on loads of subsequent compilations released during the 21st century. Despite not appearing on the C86 cassette, they will feature twice across this series.

mp3: Captain Fantastic (demo) – The Groove Farm

Track 17, Disc One of C86 The Deluxe 3CD Edition.

The next two paras are lifted from the website, Bristol Archive Records

The Groove Farm were a noisy guitar pop band that came to life in 1986, with the release of their first 7″ EP ‘Sore Heads And Happy Hearts’ it was a self released effort, cheaply recorded, with cheaply made sleeves, and hand coloured labels to save money. Only now people describe it as lo-fi, at the time it was ‘DIY’. The band were instantly picked up on and became fanzine favourites with the then booming ‘C86’, ‘shambling’ ‘anorak’ ‘twee’ pop scene that was sweeping England.

The Groove Farm live were never ‘twee’ and they never wore anoraks. They at times, could shamble though! They could also be fantastic, and powerful, pop with the honest and true spirit of punk. Soon they signed to Subway records, but the results of recording in a ‘better’ studio under the orders from the label, were to soften the harsh trebly garage sound, and the band weren’t happy with the records,  Things turned sour with Subway, after money owed, failed to arrive. The last few years found the band back on their own Raving Pop Blast! label, and again recording on 8 track.

The studio version of Captain Fantastic would appear on the magnificently named EP Only The Most Ignorant Gutless Sheep-brained Poltroon Can Deny Them Now, which came out in 1987 on Raving Pop Blast!  The band called it a day in 1990 after, if Discogs is accurate, eleven singles/EPs/flexidiscs and two albums.

McCarthy.   A band that I’ve long intended to give some space to on the blog but failed miserably.  A few years ago, I picked up a 3xCD collection of their albums, singles and BBC sessions from which I planned to come up with an ICA….maybe one day.  They came from Barking, Essex (just east of London) and were active between 1985 and 1990.  There had been a self-financed debut single, In Purgatory in 1985, prior to them being asked to contribute to the C86 cassette:-

mp3: Celestial City – McCarthy

Track 9 on side 2 of the C86 cassette; Track 20, Disc One of C86 The Deluxe 3CD Edition.

This song was only ever made available on the C86 cassette (and subsequent vinyl and CD re-releases)

McCarthy, very much a left-wing band when it came to politics, next released two singles on The Pink Label in 1986/87.  After that label closed down, they switched to September Records, which was owned and run by Paul Sutton, who had been part of the management team at The Pink Label.   There would be three singles and an album on September Records in 1987/88 before the label was sold to Midnight Music, on which there would be three singles and two albums in 1989/90.

When McCarthy came to an end in 1990, lead guitarist Tim Gane formed a new band, which saw his girlfriend Laetitia Sadler taking on vocal duties. That band was called Stereolab…..

As mentioned above, all the studio recording, along with BBC sessions, was compiled by Cherry Red Records on a 3xCD compilation, released in 2014.

14 Iced Bears were from Brighton and were active between 1985 and 1992, before reforming for a short time in 2010. They initially signed to Frank Records, based in Hertford just north of London, but by 1988 they had been asked by Sarah Records to record what proved to a rather splendid and catchy single as the fourth 45 issued by the label.

mp3: Come Get Me – 14 Iced Bears

Track 5, Disc 2 of CD86.

It proved to be their only release for Sarah, and like many other singles on the label, it is now quite valuable.  The band were never really tied to any one label during their existence, and they were also more than happy to be on shared releases with other bands, often on flexidiscs.  As far as I can work out, there were ten singles and two albums.

All three of today’s featured bands will return at some point in this series.

 

JC

NEXT YEAR’S NOSTALGIA FEST (Part 46 of 48)

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I’d never heard of The Groove Farm until I picked up CD86 and it’s actually not been all that easy tracking down the background info.  My indie-bible doesn’t have a feature on them, instead referring readers to look up Beatnik Filmstar, a band which formed in 1991 featuring the singer/guitarist and lead guitarist from The Groove Farm and whose bio dismisses his former band a single sentence stating ‘they delivered a plethora of garage-type surf-pop singles from 1996 to late 1990.’

On the evidence of the track on CD86, I thought that was a tad harsh:-

mp3 : The Groove Farm – It Always Rains On Sunday

The track was one of four to be found on debut 7″ EP Sore Heads And Happy Hearts which was a cheaply recorded self-release on Raving Pop Blast.  It led to their name being dropped by an increasing number of fanzine writers and in turn lumped in with the C86 movement.

A fan of the band has said elsewhere on t’internet that shambling, anorak and twee are the words most associated with 86 but that The Groove Farm live were never ‘twee’ and they never wore anoraks. They could at times shamble with the best of them but equally they could deliver fantastic and powerful pop with the honest and true spirit of punk.

They got signed by Subway Records on which there were four singles and an LP in the twelve months up to November 1988 after which things turned sour.  The band hadn’t ever really been happy at the label feeling the cleaner slick production wasn’t representative of their sound and by 1989 they were back at Raving Pop Blast but after one more single and an album they called it a day.

Not only was it tough getting decent info on the band but the other tracks on the debut single proved elusive for the most part. Here’s one of them:-

mp3 : The Groove Farm – God’s Tears

While here’s an alternative take on another as featured on a flexidisc given away with issue#6 of Whoosh fanzine:-

mp3 : The Groove Farm – Heaven Is Blue

Sorry that I’ve slipped up so late on the b-side front so late on in the series…..