C86 : THE ULTIMATE SERIES (Parts 29, 30, 31, 32 and 33 of 114)

The backstory of McCarthy was told a short time ago in the post that covered Parts 15-17 of the series, thanks to Celestial City being part of the C86 cassette.

I mentioned how their earliest recordings were on The Pink Label.

mp3: Frans Hals – McCarthy

Track 21, Disc 2 of CD 86

This, in March 1987, was the band’s second and final single for The Pink Label, and it reached #4 on the Indie Singles Chart. It had the catalogue number of PINKY 17.  There would only be two further releases on the label before owner Simon Down closed it down, with spend having far outweighed income.

Yup….Cherry Red Records managed to get a Happy Mondays track licensed for inclusion on the 2014 boxset.

mp3: Freaky Dancin’ – Happy Mondays

Track 11, Disc Three of C86 The Deluxe 3CD Edition.

The band, of course, shot to fame via what was known to all and sundry as Madchester, but just a few years previously, they had been regarded as a good fit for the C86 scene, particularly the shambolic element.

Signed to Factory Records in 1985, Freaky Dancin’/The Egg was their second single for the label, hitting the shops in June 1986.  The catalogue number was FAC 142. It sold in such dismal numbers that it didn’t even make the Top 30 of the Indie Singles Chart.   Even today, second-hand copies of both the 7″ and 12″ releases can be had for reasonable amounts.

The backstory of Age of Chance was told a short time ago in the post that covered Parts 7-10 of the series, thanks to Bible of The Beats being included on the CD86 release compiled and curated by Bob Stanley in 2006. I did, in that previous post, mention that the band were one of those who had contributed to the C86 cassette:-

mp3: From Now On, This Will Be Your God – Age of Chance

Track 11 on side 1 of the C86 cassette; Track 11, Disc One of C86 The Deluxe 3CD Edition.

As far as I’m aware, not released on any of the band’s subsequent singles or studio albums.

The Clouds, from Glasgow, were a short-lived band whose recording legacy was just one half of a flexidisc and three songs on a single issued by the Bristol-based The Subway Organisation in January 1988.

mp3: Get Out Of My Dream – The Clouds

Track 9, Disc 1 of CD 86

It’s actually one of the two songs on the b-side, with the a-side being Tranquil. Released in February 1984, it was also just the second single to be released by Subway, a label that would continue through to 1990.  Four of the compilation albums/boxsets I have covering this period/or the indie genre contain Get Out Of My Dream.

St. Christopher are from York, an historical Cathedral City in the north of England. They formed in 1984, with their first three singles coming out on their own Bluegrass label:-

mp3 : Go Ahead Cry – St. Christopher

Track 16, Disc Three of C86 The Deluxe 3CD Edition.

This was their third single, and came out in 1986.  The band would later sign with Sarah Records, releasing the 7″ singles You Deserve More Than A Maybe (SARAH 15) and All Of A Tremble (SARAH 20) in 1989, followed by the 7″ single Antoinette (SARAH 34) and the 10″ mini-EP, Bacharach (SARAH 403) in 1990, and finally the 7″ single Say Yes To Everything (SARAH 46) in 1991.

They would later record for a number of other famous indie-labels including Slumberland, Cloudberry, Vinyl Japan and Elefant.

The most recent album, Of Angels and Kings, was self-released in 2021. Like almost all bands who have been active for such a long time, the membership has changed a few times, but the one constant has been singer and main songwriter, Glenn Melia.

 

JC

C86 : THE ULTIMATE SERIES (Parts 15, 16 and 17 of 114)

The Groove Farm were from Bristol, active and prolific between 1986 and 1990 across a number of labels and their songs have appeared on loads of subsequent compilations released during the 21st century. Despite not appearing on the C86 cassette, they will feature twice across this series.

mp3: Captain Fantastic (demo) – The Groove Farm

Track 17, Disc One of C86 The Deluxe 3CD Edition.

The next two paras are lifted from the website, Bristol Archive Records

The Groove Farm were a noisy guitar pop band that came to life in 1986, with the release of their first 7″ EP ‘Sore Heads And Happy Hearts’ it was a self released effort, cheaply recorded, with cheaply made sleeves, and hand coloured labels to save money. Only now people describe it as lo-fi, at the time it was ‘DIY’. The band were instantly picked up on and became fanzine favourites with the then booming ‘C86’, ‘shambling’ ‘anorak’ ‘twee’ pop scene that was sweeping England.

The Groove Farm live were never ‘twee’ and they never wore anoraks. They at times, could shamble though! They could also be fantastic, and powerful, pop with the honest and true spirit of punk. Soon they signed to Subway records, but the results of recording in a ‘better’ studio under the orders from the label, were to soften the harsh trebly garage sound, and the band weren’t happy with the records,  Things turned sour with Subway, after money owed, failed to arrive. The last few years found the band back on their own Raving Pop Blast! label, and again recording on 8 track.

The studio version of Captain Fantastic would appear on the magnificently named EP Only The Most Ignorant Gutless Sheep-brained Poltroon Can Deny Them Now, which came out in 1987 on Raving Pop Blast!  The band called it a day in 1990 after, if Discogs is accurate, eleven singles/EPs/flexidiscs and two albums.

McCarthy.   A band that I’ve long intended to give some space to on the blog but failed miserably.  A few years ago, I picked up a 3xCD collection of their albums, singles and BBC sessions from which I planned to come up with an ICA….maybe one day.  They came from Barking, Essex (just east of London) and were active between 1985 and 1990.  There had been a self-financed debut single, In Purgatory in 1985, prior to them being asked to contribute to the C86 cassette:-

mp3: Celestial City – McCarthy

Track 9 on side 2 of the C86 cassette; Track 20, Disc One of C86 The Deluxe 3CD Edition.

This song was only ever made available on the C86 cassette (and subsequent vinyl and CD re-releases)

McCarthy, very much a left-wing band when it came to politics, next released two singles on The Pink Label in 1986/87.  After that label closed down, they switched to September Records, which was owned and run by Paul Sutton, who had been part of the management team at The Pink Label.   There would be three singles and an album on September Records in 1987/88 before the label was sold to Midnight Music, on which there would be three singles and two albums in 1989/90.

When McCarthy came to an end in 1990, lead guitarist Tim Gane formed a new band, which saw his girlfriend Laetitia Sadler taking on vocal duties. That band was called Stereolab…..

As mentioned above, all the studio recording, along with BBC sessions, was compiled by Cherry Red Records on a 3xCD compilation, released in 2014.

14 Iced Bears were from Brighton and were active between 1985 and 1992, before reforming for a short time in 2010. They initially signed to Frank Records, based in Hertford just north of London, but by 1988 they had been asked by Sarah Records to record what proved to a rather splendid and catchy single as the fourth 45 issued by the label.

mp3: Come Get Me – 14 Iced Bears

Track 5, Disc 2 of CD86.

It proved to be their only release for Sarah, and like many other singles on the label, it is now quite valuable.  The band were never really tied to any one label during their existence, and they were also more than happy to be on shared releases with other bands, often on flexidiscs.  As far as I can work out, there were ten singles and two albums.

All three of today’s featured bands will return at some point in this series.

 

JC

NEXT YEAR’S NOSTALGIA FEST (Part 21 of 48)

R-1062990-1233098854.jpeg

“McCarthy – the great lost band of the ’80s they redesigned my idea of politics and pop, it could be intelligent, it could be beautiful. They were frail, tragic, romantic idealists. The songs soothed your body but exercised your brain. They were my education, my information and they are partly to blame for the realisation of the Manic Street Preachers. I still fall in love with this album every six months, it makes me feel guilty because it’s so good” – Nicky Wire

Formed in 1984 by four school mates who had all attended the same comprehensive in Barking as Billy Bragg, this lot released nine singles, one EP and three albums of rather excellent left-leaning indie-pop before calling it a day in 1990.

Malcolm Eden (vocals and guitar), Tim Gane (lead guitar), John Williamson (bass) and Gary Baker (drums) named themselves McCarthy as a tongue-in-cheek reference to the notoriously right-wing Republican senator of the 50s and following a self-financed debut single they were signed to Pink Records in early 1986 for whom two singles followed.

It was no real surprise given the band’s political leanings that the NME included them on the original C86 tape with this Smiths-esque number:-

mp3 : McCarthy – Celestial City

The band was on September Records by the time of the release of debut LP I Am A Wallet in October 1987 which, given its tracks contained very direct attacks on capitalism, mainstream politics, the British monarchy, the right-wing press (particularly on its coverage of AIDS) and the organised religion, was unsurprisingly ignored by most publications and broadcasters….but not John Peel.

The album didn’t contain the earlier singles as they had been recorded for Pink Records, and it is one such single that was included on CD86 – it also made #35 in the 1987 Festive Forty:-

mp3 : McCarthy – Frans Hal

This is your wonderfully poppy b-side whose title alone must have tickled Peelie:-

mp3 : McCarthy – The Fall

The band specialised in angry song titles such as Should The Bible Be Banned, The New Left Review, We Are All Bourgeois Now and The Drinking Song Of The Merchant Bankers but they never ever got beyond cult status.

When they called it a day in 1990, guitarist Gane and his French girlfriend, who herself had sung on a number of McCarthy records, decided to form a new band with said girlfriend – Laetitia Sadler – taking on vocal duties. That band was called Stereolab whose own efforts in left-leaning pop music would find a bit more success. And I just can’t leave today’s posting without including these two classics:-

mp3 : Stereolab – Ping Pong
mp3 : Stereolab – French Disko

Enjoy