SATURDAY’S SCOTTISH SONG : #499: KILGOUR

Kilgour describe themselves as a grumpy rock band from Glasgow.  Whether that’s the nature of the music or the mindsets of the musicians, I can’t honestly say.

They’ve been making music since 2019, but it took until March 2024 before the debut album, How To Put Your Hat On, was released via Last Night From Glasgow. Incidentally, the band name is pronounced ‘Kil-Gore’ and were seemingly named after Kilgore Trout, a character in the book Breakfast Of Champions, written by Kurt Vonnegut that was published in 1093. (A band called Kilgore Trout will be part of the C86 series in a few months time).

The band’s frontman, Fionn Crossan, is in fact from Belfast, but the core of the group, Isaac Davie (lead guitar), Euan McMahon (bass) Katie Mackie (keyboards) and Jimi Maffei (drums) are from my home city.

mp3: Kilgour – Set It Alight

As you might ascertain from the song offered up today, the band’s sound is influenced by the sort of guitar music that emerged in the early 90s, which is a plus in my book.

JC

 

FICTIVE FRIDAYS : #13

a guest series, courtesy of a very friendly lawyer

Beckoning

 

When I moved to L.A. in 1991 there was a lot of buzz around this skinny kid, Beck, who was some kind of lo-fi folk punk instigator. He’d show up at local haunts like the Alligator Lounge and Jabberjaw with an acoustic guitar and a gas-powered leaf blower. He was quirky and funny, and part of a homegrown scene. Mom and pop record stores carried his vinyl releases, which sometimes included little paintings and drawings he made with his friends.

Then ‘Loser’ came out, and you know the rest.

Since that landmark single was released in 1993, Beck’s made all kinds of great music. It would be surprising that no one’s come up with an ICA for him, but there are so many stellar songs to choose from it would take ages to narrow down a list of 10. Thankfully, he’s been equally prolific collaborating with other musicians, making the selection process for those efforts a bit easier. Here’s a look at some killer tracks featuring Beck on other people’s records. No matter the genre you always know it’s him.

The Valley of the Pagans. Gorillaz.

From their seventh studio LP, Song Machine, Season One: Strange Timez. A collection of videos and singles the 2D band recorded with the likes of Peter Hook, Elton John, St. Vincent, and many others.

Time Wind. M83.

Wiki tells me that M83 is a pinwheel galaxy. I thought it might be a bus route! Not sure what the French electropopsters’ particular astronomical interests are, but it’s a sweet little number.

The Vagabond. Air.

10,000 Hz Legend was the band’s second album, released in 2001. In addition to Beck singing and playing harmonica on a couple of songs, the album features a crowd of interesting folks. Justin Meldal-Johnsen and Roger Manning were both in Beck’s band at the time. Dr. Rigberg‘s buddy Jason Falkner shows up on a few numbers, too. The legendary Corky Hale plays harp on one track. She’s had a very long musical career in jazz, ran an eponymous boutique on Sunset Boulevard, was a teacher at Planned Parenthood, and founded Angel Harvest, a charity that distributes restaurant food to the needy. And she’s married to Mike Stoller of the Lieber-Stoller songwriting duo, who wrote a fair number of Elvis Presley‘s hits.

Heaven Can Wait. Charlotte Gainsbourg.

Beck produced and wrote most of the songs on IRM, third LP by the sexy chanteuse. Our friends Mssrs. Johnsen and Falkner also turned up on the record.

Death Valley High. Orville Peck.

Just your average South African gay cowboy in a fringed mask. From his most recent album, Stampede.

Night Running. Cage The Elephant.

From Social Cues, the band’s fifth album. Here the Kentucky outfit branched out musically, adding complex orchestrations. Beck’s dad, David Campbell, is an accomplished conductor and composer, and he did the string arrangements. (He also did the arrangements on the Charlotte Gainsbourg album featured earlier in the set.)

Attracted To Us. The Lonely Island.

Andy Samberg was a writer and performer on Saturday Night Live for seven years. If you’re a successful comedian you get to marry Joanna Newsom and make goofy records with other celebrities. In addition to Beck, Turtleneck & Chain featured famous folks like Snoop Dogg, Rihanna, cult filmmaker John Waters and…Michael Bolton?

Skipping Like a Stone. Chemical Brothers.

This is from For That Beautiful Feeling, released in 2023. It’s cool that more than 30 years after he hit the scene all kinds of musicians are still interested in collaborating with Beck. In fact, most of today’s songs were released after the pandemic.

Paper Crown. Black Keys.

The Akron, Ohio duo are a couple of the only artists as prolific as Beck. They’ve released 14 albums since their 2002 debut, not to mention solo records, all kinds of guest appearances, and the producing that singer/guitarist Dan Auerback gets up to. This is from 2024’s Ohio Players.

Flavor. Jon Spencer Blues Explosion.

TVV stalwart Chaval recently observed “Everyone Scottish likes The Proclaimers. it’s the law.” Not all New Yorkers are as devoted to JSBX, but they ought to be (even though they didn’t have a bass player). The band were like NYC in a way–an exciting mix of a lot of different things: blues, funk, punk, garage rock, urban raunch, and rockabilly, with Spencer waving a theremin wand around. Beck literally phoned in his rap for the tune. You can hear him asking, “was that good?” to which Spencer replies, “You got the flava!” Beck also shows up in the video for the song, along with Mike D. from the Beastie Boys.

 

Jonny

 

THE FIRST OF A FEW TRIBUTES THAT WILL BE OFFERED UP TODAY

I’m almost 63 years old, and therefore I count myself lucky that until very, very recently, I still had both my parents.

Dad passed away on 19 March and his funeral service will take place a few hours after this post is published.   He was 90 years of age, and hadn’t been in great physical health for quite a while, although his brain and mind remained razor-sharp until the end.  In many ways, it was quite remarkable that he lived such a long life given that back in 1991, at the age of 56, he was diagnosed with lung cancer (the result of having been a very heavy cigarette smoker since he was in his teens), and went through major surgery to remove the diseased organ.

He made a full recovery, learning to live and function with one lung, with the operation minimising the risk of the cancer spreading elsewhere.  His illness caused him to retire from work early, and my mum did likewise.  Financially, they were fine as both had made good plans in terms of pension schemes, and for the next 30 years or so, they enjoyed life to the full as much as their ages and health would allow them.

Back in 1991, the surgeons didn’t, and indeed couldn’t, say how long dad would live, advising that everyone reacted differently to the surgery.  But his previously active lifestyle proved to be a huge help, and his body adjusted quickly to his breathing capacity being restricted.  To everyone’s delight, he was back on the golf course within a matter of months, and out and about doing his singing and dancing in the pubs and clubs that he and my mum and their pals frequented in Glasgow. Oh, and then he was away overseas on holidays again.

About seven years ago, however, he really began to slow down as his body aged. The lung capacity issue led to him having mobility issues and affected his leg movements. Some days were better than others, but increasingly, he was unable to get out and about, particularly over the past couple of years, and for the first ever time we could see it having an impact on his state of mind. He was frustrated by it all, but he was determined that he would regain the power in his legs, buying all sorts of specialist exercise equipment that he would use in the hope he would regain some strength.  Mum, who is three years younger than him, took on the role as his named carer in the eyes of the authorities.  Between them, they were determined that dad would remain at home and not go into anywhere for specialist care.

The arrangements worked, albeit chest infections and respiratory issues (including COVID) saw him hospitalised a few times, but only for short spells. The most recent of these came last September when, unfortunately, he was admitted just two days before his 90th birthday which meant we had to cancel the planned party in a local pub. He was back home after a five-night stay and once again in the care of mum.

He was of an age that he was on a regular schedule of check-ups and scans at the local NHS hospital.  One such scan earlier this year, in early February, would show up that he had developed a small cancerous growth in his kidney that was spreading.  His age and the fact he had just one lung meant that there was little that could be done in terms of treatment. He was given palliative care, at home, with specialist nurses coming in once a week to check on him and advise my mum on how best to look after him.

If he was scared, he didn’t let on.  He said he wasn’t in too much pain – more a discomfort – and his medication was nothing stronger than over the counter tablets.  No timescale was asked for, nor was any given.  I don’t think any of us wanted to contemplate him facing a slow, lingering and what ultimately would likely be an undignified deterioration over a period of months, but it was something we were prepared to deal with, and dad did accept that at some point, he would need to be put fully in the care of those who knew best and had the experience of dealing with cancer patients.

But things changed unexpectedly on the evening of Thursday 19 March, which was some four weeks after he had been given the diagnosis.  At 8pm, he collapsed at home and passed away almost in the blink of an eye, despite the best efforts of a friend who lived nearby and the paramedics who were there within ten minutes. We are grieving our loss, but it comes with a sense of relief that he died without pain, and at home, with mum being the last person he saw and spoke to.

I’ve been busy over the past two weeks in terms of the funeral and sorting out dad’s estate, with a priority being to make sure that mum’s life can go on as best is can as she faces up to a life alone after nearly 64 years of marriage.  The funeral will, as these things always are, an occasion to reflect and remember, and my hope is that any sad moments find themselves far outweighed by the thoughts of the happy times – that will certainly be the message throughout the eulogy later today at the crematorium.

Talking to the funeral director about various things, and indeed having to go out and buy myself a suit for the occasion, has seen me think a fair bit about one particular video and tune.  I hope you don’t mind me sharing it.

mp3: Bill Wells & Aidan Moffat – The Copper Top

From the album Everything’s Getting Older, released on Chemikal Underground in 2011.

The Copper Top is, indeed, the nearest pub to the crematorium in the town in which Aidan grew up.  It’s an astonishing piece of writing, to which Bill, best known as a jazz pianist, has written the most perfect and moving piece of music.

RIP Dad.  Thanks for everything.

 

 

JC

THE DEEPER IN DEBT, THE HARDER YOU BET

mp3: Various – The Deeper In Debt, The Harder You Bet

Nothing Can Stop Us – Saint Etienne
Sit Still – Life Model
Just Like Heaven – Dinosaur Jr.
Talulah Gosh (Janice Long Session) – Talulah Gosh
Birthday – Sugarcubes
Insects – Altered Images
Everything Hurtz – The Fall
Nothing To Be Done – The Pastels
State Of Art – Friends Again
I Need Two Heads – Go-Betweens
Running Away – The Raincoats
T&A – Blondshell
World Leader Pretend – R.E.M.
Magic 8 – Annie Booth
Abandon Ship – April Showers
Coast – Kim Deal
Number 1 – Poster Paints
Hidden track to take it to exactly 1 hour

 

JC