Category: Wedding Present

…..not than any was really needed.

The Wedding Present had signed to RCA in 1989, a move that led to some fans from the earliest days accuse them of selling out and leaving behind their indie roots. The first album for the new label was Bizarro and the first single lifted from it was Kennedy, the track that I have long admitted was the one that introduced me to the band thanks to it being heard in an Edinburgh record shop.

In February 1990, a full four months after Kennedy had dropped out of the charts after a three-week stay, a second single was taken from the parent album. Only it wasn’t……

The new single, Brassneck, was the opening track on Bizarro, but the version which came out as a single was quite different. David Gedge, in an on-line interview with a fan, has explained the rationale:-

I personally didn’t think that the album version captured the intensity the song had when we played it live. I don’t think the Bizarro version is bad, or anything… but around that time we’d become interested in the idea of working with the American engineer, Steve Albini, and so there was a feeling that perhaps we could re-record it with him as a way of seeing how an Albini / Wedding Present relationship might work. I think the Albini version of Brassneck added more colour and depth… and sounds more succinct than the Bizarro version.

The other noticeable thing is a change in the lyric right at the end of the song. It’s only one word, but it is significant in terms of the sentiment of the song. The chorus throughout the album version has ‘I just decided I don’t trust you anymore’ and this is sung four times. On the single, it is only sung three times with the final time now being ‘I just decided I don’t love you anymore.’ David Gedge believed that the alteration added poignancy, and who are we to argue?

mp3 : The Wedding Present – Brassneck (single version)

The 12″ came with three new tracks, two of which were original compositions while the other was a cover of a little-known American band called Pavement. But then again, you already knew that if you read yesterday’s posting:-

mp3 : The Wedding Present – Box Elder
mp3 : The Wedding Present – Don’t Talk, Just Kiss
mp3 : The Wedding Present – Gone

All four songs remain firm favourites with fans more than quarter-of-a-century on.

Brassneck reached #24 in the singles chart and, outside of the run of singles released in a limited edition each month throughout 1992, remains the highest chart position of any 45 by the band.

JC

A GUEST CONTRIBUTION FROM STRANGEWAYS

JC writes….

On the day that so many people will meet up for the first ever time it does somehow seem appropriate to feature a guest contribution from one of the number.

Strangeways, like so many of the blogging fraternity, is someone who prefers to hide his light under a bushel. It takes all sorts of arm-twisting and gentle persuasion to get some words and thoughts out of him and I’m really pleased he has given me something so unusual and perhaps provocative just in time for this special and historic day; a post and concept that might well be worth talking about over the weekend….I think just about everyone coming along is a TWP/Gedge fanatic.

Strangways muses…..

Going, Going... is The Wedding Present‘s new – well, latest (Sep 2016) – LP. And weighing in at twenty tracks, it’s a monster.

For Weddoes nuts, the record delivers some absolutely scorching songs. To these ears, phantoms from both the Seamonsters and Saturnalia albums inhabit a fair chunk of the album and there are some massive, thrilling barrages of ‘go fuck yourself’ guitar throughout.

On that musical side, for the most part, it’s hard to imagine a bigger, noisier landscape than when the ‘loud’ component of the trusted ‘quiet/loud/quiet’ blueprint kicks in (check out Wales, with its remote, staccato first half and, in a happy case of influences returning home, its epic, emotional, sock-knocking British Sea Power-ish second). But that the entire thing opens with four curveballs – a quartet of instrumentals/spoken word tracks (special mention to the elegant and otherworldly Marblehead) – indicates that for at least a time we’re in entirely new territory.

I know of some Weddoes sympathisers – think by-election-only Green Party voters – who have been a bit scared off by the number of tracks and, perhaps, also by rumours of those left-turns that open the record. So if you’ve not heard the LP, here are four tracks to give you a taste.

Bells

Elevated by some really terrific female vocals – a welcome thread running through Going, Going… – Bells is a standout. Creeping guitar makes way for one of David Gedge‘s cruellest choruses – and am I finally losing it or is there something of The Cure‘s Lovesong going on in the music?

Rachel

In another world – perhaps even in the recent past on this planet – Rachel, with its classic, killer chorus, would be the Weddoes’ Losing My Religion or Smells Like Teen Spirit. You know the song, the kind of track that makes it, somehow, beyond the borders of the bedroom and the indie disco. The one that mugs you when you’re buying corn flakes. The one that you fell, hopelessly, in love with.

But that was two months and 15,000 involuntary listens ago.

And now you can’t stand it. Anonymously, you send it foul messages in the post. And it’s compelled you to set up a hate group.

Well, with the demise of the single as ‘an actual thing’, at least that won’t happen this time.

Emporia

It took a while for Emporia to grab me. But when it did, it didn’t let go. Don’t let the really lovely, David Lynchy opening fool you. This is a song of two halves in the tradition of say Bewitched or Perfect Blue (and like Perfect Blue, I wish the generously long tail-end was even longer).

Santa Monica

The perfect closer. A lengthy fade-in recalls Seamonsters’ Blonde, whilst, underlining the sense of something ending, a pensive fade-out is reminiscent of Mystery Date from predecessor LP Valentina and also 50s, the track that slowly, reluctantly snuffed out the 2006 Saturnalia album.

Santa Monica is tinted, also, by shades of Cinerama‘s Don’t Touch That Dial and the Weddoes’ Octopussy (a fellow LP-swansong). It matches the scale of Dalliance, whilst the trickling, bending guitar work reminds me of one of the band’s most charismatic numbers: Catwoman. Listen out, also, for a line-check from A Million Miles. It’s a poignant thirty-year echo connecting this latest album with the (touring-this-year) debut, George Best.

Going, Going’s… ominous title coupled with its last line may suggest that the game is up. On this evidence, that would be a shame. It’s one thing for a band that’s all out of ideas to call it quits. Quite another when it fires out an LP that can stand alongside the best of a formidable back catalogue.

Imagining Emporia…

Just to overdo things further, I thought it’d be interesting to grab half of the LP tracks and attempt to staple together a traditional ten-track album.

This is kind of an obnoxious thing to do – especially if you’re aware of the idea at the heart of Going Going… – that each track is linked, and that together, they contribute to a bigger story. It’s a bit like chopping up celluloid and gluing the strips into an under-the-counter Viewer’s Cut. Replacing the lovely sleeve (a shot from the thoughtful series of short films the band commissioned)? More blasphemy. And renaming it? Well, that’s just asking for trouble. Therefore, for those piqued enough to muck around with their LP or Spotify, here it is: Emporia – an imaginary version of a real album.

SIDE 1

Two Bridges
Little Silver
Rachel
Broken Bow
Bells

SIDE 2

Birdsnest
Bear
Emporia
Wales
Santa Monica

Bonus track: Marblehead because the third season of Twin Peaks is approaching, and this sounds like it could be on the soundtrack.

STRANGEWAYS

In 1992, The Wedding Present had set a then record for the number of chart appearances in a calendar year by releasing a new single on the first Monday of each month. As soon as December 1992 was out of the way the band announced that they were parting ways with RCA Records and taking much of 1993 off.

In early 1994 it was revealed that the new label would be Island Records but that original bass player Keith Gregory had left the line-up meaning that David Gedge was now the sole member left from the original line-up. They decamped to the USA to record the new material for the new label with the first release being this 4-track single in September 1994:-

mp3 : The Wedding Present – Yeah Yeah Yeah Yeah
mp3 : The Wedding Present – Le Bikini
mp3 : The Wedding Present – Flame On
mp3 : The Wedding Present – Him Or Me (What’s It Gonna Be)?

I think it was a major disappointment that the single stalled at #51; indeed the follow-up It’s A Gas fared even worse while the parent album Watusi barely broke the Top 50. These turned out to be the only recordings for Island Records who dropped the band in early 1995.

Looking back, the world wasn’t quite prepared for the sounds made on Watusi. As wiki reports, the songs ranged from warm lo-fi pop (“Gazebo”, “Big Rat”) to semi-psychedelic, Velvets-like workouts (“Click Click”, “Catwoman”). There were also the two fantastic pop singles released as 45s which really deserved better.

Worth mentioning that while the TWP song Flame On is different from that of Captain America featured here three days ago, Him Or Me (What’s It Going To Be)? is a cover of a 1966 hit single (#5 on the US Billboard chart) by Paul Revere & The Raiders.

Have a listen to the original and compare.  TWP make their version so different it sounds like one of their own.

mp3 : Paul Revere & The Raiders – Him or Me (What’s It Gonna Be)?

Enjoy.

 

ORIGINALLY POSTED ON THURSDAY 5 JUNE 2008

(and again on 30 October 2013)

I came late to The Wedding Present.

I didn’t listen to their early stuff simply because everyone in the press was touting them as the natural successors to the recently disbanded The Smiths, and I just didn’t want to know. I was able to do so, simply because the band got next to no radio play other than late at night, and this was a period of great change in my life when I was never listening to the likes of John Peel.

So, for the best part of four years, my knowledge of the band was restricted to what I read and not what I heard. I do remember being amused that a band from Leeds would release an LP named after the greatest footballer ever to wear the shirt of Manchester United, given the animosity between their fans and those of Leeds United. Still didn’t make me buy it though..

Sometime in 1989, on one Sunday evening, the radio was on as the latest singles chart was being rundown. That was when I first heard a song by The Wedding Present. It was called Kennedy, and it was (as I’ve since discovered from research) a new entry at #33. It was loud, it was frantic, it was joyous and it was something that I immediately fell in love with.

And with that, I became a convert to the church of David Gedge, and I’ve been a faithful member ever since. I’m a regular attendee at the places of worship (ie gigs), and I’ll also contribute as and when required to the coffers (ie records, t-shirts, videos, CDs, etc).

There can’t be all that many indie-bands still going strong 20+ years after their initial formation. OK, so I know that TWP took a short break and turned into Cinerama, and also that for a substantial part of their career they were on major labels such as RCA and Island Records. But you can’t really categorise them as anything other than indie…

There have been 37 singles and 9 original LPs, as well as 15 compilation/live LPs over the years. That must be something in the region of 300 songs – and very few of these, even the most obscure of b-sides, have ever been total duffers.(that was the figure back in 2008….there’s been much to admire over the past 8 years since and the ststement is still valid)

They’re also a band with a love for cover versions, with around 50 or so being widely available now thanks to the relatively recent release of all the Peel Sessions in a boxset. And every one of those covers, whether it’s a pop, soul, blues, rock, country or disco classic sounds instinctively like a Wedding Present original.

But I still don’t think they’ve ever bettered the song that first made my ears prick up and listen. Even now, almost 20 years on it remains a live favourite, although David now always follows it up with a slow-tempo number so that the old folk jumping around down the front get their breath back and avoid the risk of a permanent injury. None of us are as young or fit as we once were, and pogo-ing up and down is, at best, achievable for a maximum of 5 minutes at one stretch.

mp3 : The Wedding Present – Kennedy
mp3 : The Wedding Present – One Day All This Will All Be Yours
mp3 : The Wedding Present – Unfaithful
mp3 : The Wedding Present – It’s Not Unusual *

* Yes, the Tom Jones song…..

All taken from the original 12” release, but also available on the remixed and remastered edition of the 1989 LP Bizzaro.

Incidentally, if this series didn’t have the restriction of one song by one act, there would have been at least another 4 TWP singles right in there…

…..than David Gedge when it comes to penning stuff about relationships.

Whether its been with The Wedding Present or Cinerama or The Wedding Present once again, David has written and recorded umpteen (that’s a word I like to use when I don’t know the precise number) songs of quality and distinction about meeting someone, falling for someone, being with someone, wanting someone who is unattainable, and most of all…..how you feel about someone after the love has gone.

He’s written songs from all sorts of perspectives – as someone who is angry, hurt, sad, bemused and even relieved that a relationship has run its course.

But mostly its songs by someone with a broken heart.

Now I daren’t think that all of the songs are autobiographical – if they are, his heart must be in billions of pieces by now. The most amazing thing is that the accompanying tunes never fall into the category of maudlin or dirge-like.

I’ve a mate who once said, “You know, The Wedding Present have only one tune…..but it’s a fucking cracking one at that”

My mate of course had her tongue firmly in her cheek, for there is no argument that David Gedge has proven himself as one of the UK’s best ever word AND tunesmiths.

Here’s one of my favourite examples:-

I heard another voice this morning on the ‘phone
But just the other day I thought you said you slept alone

And yes I knew that laughter, okay, now I see
You wouldn’t even know him if it hadn’t been for me

Sometimes in the fading light
I can’t help thinking back to, well, the way we were

Then I start feeling guilty lying next to her
I know, and it can’t be right

Pretending that it’s you.
You still won’t go away
Pretending that it’s you.
You still won’t go away

If you write again perhaps you shouldn’t send it here
It’s just that I don’t really want your letters to appear

Oh no, I just think she might
Forget I ever said that I’m just being scared

I told her all about you and I don’t think she even cared
I know but it’s not alright

Pretending that it’s you.
You still won’t go away
Pretending that it’s you.
You still won’t go away

And does the thought of leaving him brings you to tears?
I bet you never felt the same about me all those years

Well you know, just what it’s like

Pretending that it’s you.
You still won’t go away
Pretending that it’s you.
You still won’t go away

And then there’s the unnerving and unsettling music that never quite finds a steady rhythm or beat thanks to its constant change in volume and tempo.

mp3 : The Wedding Present – Lovenest

And while I’m here, I may as well let you have a listen to the other three songs which are on the 12” version of this single:-

mp3 : The Wedding Present – Mothers
mp3 : The Wedding Present – Dan Dare
mp3 : The Wedding Present – Fleshworld

As with just about every single the band released around that period in time, there was an unusual choice of song for a cover version. In this case it was Mothers which was originally by Jean Paul Sartre Experience, a rather obscure (to most folk) new wave band from New Zealand.

Enjoy.