Sometimes the free CDs/records/tapes that are given away with magazines work in that a listener might pick up an interest in a singer or band for the first time. Hasn’t happened to me all that often, but one such occasion was back in 1994.
It came courtesy of a tape entitled The Radio 1FM Sessions that came with the November 1994 edition of the now long-defunct VOX magazine. Among the 15 acts included was a Belgian band called dEUS, named after a song by an Icelandic band (Sugarcubes) with the track being a session version of a single that was also on their debut LP Worst Case Scenario which had come out on Island Records.
I was struck immediately by how unusual sounding the band were and made a mental note to keep an eye out for them. A few months later, I picked up second-hand copies of two singles and said debut album, all on CD, guessing that someone had taken an earlier chance on them but not found them to their taste. After playing the album I could see why as it was genuinely impossible to categorise them or indeed find a commonality among the songs It was a perplexing album to listen to. I’ve found a review from back in the day which captures the way I felt back then:-
“This five-piece rock outfit from Belgium are destined either to become the trendiest toast of 1994 or forgotten by the year’s end as the naffest thing to come out of their homeland since Plastic Bertrand. With an erratic musical identity located somewhere between John Cale, Captain Beefheart and Sonic Youth and a 15-track debut album which veers effortlessly from the sublime to the ridiculous and back again, they have a truly unique appeal. That this appeal is often so powerful is thanks to a fresh, uninhibited approach to playing and arrangements, and a core of stunning songs ranging from the delicately acoustic, soul-twisting Right As Rain to the clattering, chaotically charismatic Suds & Soda. They get too way out weird occasionally, as on the erratic, art-rock meandering of Morticia’s Chair, but never go so far that they can’t be saved by a track like the album’s best, the mesmeric, alternately tense and soaring Hotel Lounge. And they sing in English too.”
But overall, I couldn’t really get myself immersed into the album, albeit, as the review indicated, the two singles I’d also picked up were among the highlights (and the latter is still mesmeric, tense, soaring and bloody brilliant):-
I’ve never bought anything else that the band have ever released. Indeed, I don’t even have a copy of the debut CD anymore and have no idea how it went missing. It could of course be in a storage box under the stairs by mistake and I’ll come across it again in years to come when it is finally time to move out of Villain Towers (been here since 1995 and unlikely to move until I’m physically incapable of climbing stairs); if I do it will seem like an ancient relic. And I probably still won’t quite get it.
dEUS are still going strong all these years later. There’s plenty info over at this wiki page.
Oh and the b-sides to these two singles are available on request. Or if enough you demand it, as a bonus posting in due course.