THE NEW VINYL VILLAIN

#280: Stevie Wonder – Superstition

I love this song in a way that it is difficult to express in words. Its opening notes offer one of the most immediately identifiable pieces of music in all history, one that defies any listener to stay rooted to their seat and not enjoy a boogie.

#279 : Sophisticated Boom Boom – Joe

An all-girl band from Glasgow named after a song by The Shangri-las. Played three Peel Sessions, one in each of ’81, ’82 and ’83.  Never commercially released a single or album in their time, but the Peel Sessions were gathered on a 2024 LP issued by Past Night From Glasgow.

#278: The Redskins – Keep On Keepin’ On (Die On Your Feet Mix)

Released in 1984 at the height of what was the most bitter and confrontational industrial strike that has happened in my lifetime and a real favourite in the student union discos among those of us who were of a left-wing persuasion. The Redskins delivered a fine mix of pop, soul, blues, folk, punk and politics, and it’s a pity that they called it quits all too soon having collectively concluded that a career in the music industry was not their idea of fun.

#277: Ultravox – Sleepwalk

Their biggest hit and best-known song means nothing to me, so here instead is their first ever hit single, from back in 1980, one which reached the giddy heights of #29.

#276: Grace Jones – Slave To The Rhythm

A song which, in so many ways, perfectly encapsulates the 80s.  Written in part by Trevor Horn as a song intended for Frankie Goes To Hollywood who never quite nailed it. But listening to it now, you have to ask how could anyone but the OTT persona who is Grace Jones really do it justice?

#275: Dead Kennedys – California Über Alles

The rundown returns, again, to 1979. The name of the band led to hostility from the outset, even over here in the UK.  Bob Last, the entrepreneur behind the Edinburgh-based Fast Product label, managed to secure the licence for a UK pressing. I don’t ever remember hearing it on the radio back in 1979, but I do know a few of the independent record shops proudly had the distinctive sleeve on display. Eddie, the bona-fide punk in our school, of course bought a copy and brought a tape in so we would listen to it in the common room. Let’s say it divided opinion.

#274: Earth Wind and Fire with The Emotions – Boogie Wonderland

The rundown returns, again, to 1979 with a total contrast to the Dead Kennedys.  Nothing controversial about a single that was in the UK charts for over three hot summer months.  Punk and new wave may have ticked all the boxes of us typically angry/frustrated/unfulfilled teenagers but ‘Boogie Wonderland’ offered some form of escapism, even if it was just within the confines of a far from glamorous church hall where the local underage discos took place. Maybe the previously mentioned Ghost of Troubled Joe did have a point…..

#273: Lambrini Girls – God’s Country

Moving away from the retro feel of thing, if only for a little while.  Lambrini Girls are a punk band, in every sense of the definition, whose debut single appeared in 2021 and whose debut album arrived in 2025.  ‘God’s Country’ was a stand-alone single in February 2024 and it takes no prisoners in its critique of what is wrong with the UK right now, and in particular the views held by those of a far-right persuasion.

#272: Suicide – Dream Baby Dream

The duo of Alan Vega and Martin Rev never achieved any commercial success whatsoever, but Suicide has long been a hip band name to drop into any conversation. I never knew about them back in 1979, and indeed only picked up on them when Paul Haig later covered ‘Ghost Rider’. This flop 45, released on Island Records, may be a bit on the repetitive side of things, but it’s bloody brilliant!

#271: The Magnetic Fields – I Don’t Want To Get Over You

My wider introduction to The Magnetic Fields came via the wonderfully talented Rol Hurst and his guest ICA, #120, back in April 2017.  Indeed, the ICA came as a result of me making a direct request to Rol after he had featured a song on his blog, My Top Ten. This was included on the ICA.  It was released on ’69 Love Songs’ back in 1999, a triple-CD offering, yup, 69 songs of immense quality.  Rol describes the album as the band’s masterpiece.

#270: The Primitives – Out Of Reach

The Primitives proved to be one of the few C86-era jingly-jangly indie bands to actually achieve mainstream chart success when ‘Crash’ barged its way to #5 in early 1988. The big hit is a great piece of pop music, but my particular favourite is its follow-up single, one that many don’t recall too easily despite it reaching #23.

#269: Teenage Fanclub – Sparky’s Dream

Another whose absence from the Top 120 might be met with a few bemused looks.  A consistently very good band over many decades but one whom I admire more than adore.  A single that was lifted from the 1995 album ‘Grand Prix’ is the one that really does it for me,

#268: The White Stripes – Fell In Love With A Girl

Another whose absence from the Top 120 might be met with a few bemused looks.  A consistently very good band over many decades but one whom I admire more than adore.  A single that was lifted from the 2001 album ‘White Blood Cells’ is the one that really does it for me,

#267: Trembling Blue Stars – Abba On The Jukebox (7″ version)

I was late to the work of Bobby Wratten, one of the most important and influential UK indie musicians of the 90s and 00s. My introduction came when I was discovering new music thanks to the wonderous talents of music bloggers whose passion for the music they were writing about was so infectious that I decided to start one of my own (and yes, I am referring in the main to the friend I now call Comrade Colin – and have you noticed how often the words ‘I was late to….’ have featured in this rundown?).

Bobby Wratten had been in a long-term relationship with Annmari Davies, as well as being bandmates in The Field Mice and Northern Picture Library. The relationship ended and the heartbroken Wratten, who was already on record as a self-professed incurable romantic, decided to write a lot of songs about his ex, all of which appeared, on a wonderfully delicate LP called ‘Her Handwriting’ in 1994 which was attributed to a new band called Trembling Blue Stars. This was the lead-off single, a gorgeous and fragile recording which recalls the happy memories of time spent together.

#266: The Nectarine No.9 – Don’t Worry Babe, You’re Not The Only One Awake

Davy Henderson is one of the greatest musicians to emerge from the Scottish scene in my lifetime. He was part of the initial post-punk surge of band (Fire Engines) after which he would ‘chase’ pop stardom (Win) before forming a third band of significance, whose mix of pop, glam, punk and occasionally all out rock attracted a fair smattering of fans for well over a decade without ever making the crossover to commercial success.

PS : There was a fourth band, but more of them later!

#265: Fire Island (feat. Loleatta Holloway) – Shout To The Top (Hifi Sean Mix)

Fire Island is a name used by the English house music duo, Pete Heller and Terry Farley, and in 1998, they recorded a version of a hit single by The Style Council, bringing in veteran American singer Loleatta Holloway to provide the vocal. HiFi Sean delivered a stupendous remix in 2021.

#264: Bill Drummond – I Believe In Rock & Roll

After he launched Zoo Records and managed Echo & The Bunnymen, but before he became famous/infamous as part of The KLF, one of my all-time heroes released a solo LP on Creation Records in 1986. ‘The Man’ is an understated piece of work with its tunes underpinning a distinctly Scottish brogue. It was lo-fi, recorded in just five days for not a lot of money and didn’t sell well.  But as I said, Bill is one of my all-time heroes, and his solo material was always going to make it into the 800.

#263: Arcade Fire – Neighbourhood #3 (Power Out)

Arcade Fire don’t do lo-fi. Right now, there’s a lot of black clouds hanging over the band, and in particular frontman Win Butler, and nobody can be sure of what lies ahead. But I’m not prepared to deny them a place in the rundown.

#262: Subway Sect – Ambition

1977. Vic Godard, the lead singer of the newly emerging Subway Sect, once said his band differed from the Sex Pistols in that the Rotten & co wanted to revitalize rock &; roll whereas his band wanted to get rid of it. Their second ever single, released on Rough Trade, was kind of their manifesto with its opening line of ‘You can take it or leave it as far as we’re concerned’

#261: Vic Godard – Won’t Turn Back

Subway Sect didn’t get rid of rock’n’roll and I doubt Vic Godard ever wanted to in the first place.  Subway Sect broke up and then reformed and then broke up again and Vic retired from music to become a postman in London.  He came back in the 90s, releasing an album on the newly resurrected Postcard Records, from which this is taken. It’s a song which Edwyn Collins would later cover as a b-side.

#260: The Bathers – If Love Could Last Forever

The Bathers are really a front for the singing/songwriter talents of Chris Thompson, a man whose work I have admired and enjoyed since the early 80s and the emergence of Friends Again. His music, particularly since the mid 90s has become increasingly focussed on lush arrangements and the use of strings, brass and keyboards rather than the guitar. I can’t argue that his albums are in the genre of chamber-pop. This is from the fifth album, ‘Kelvingrove Baby’, released in 1997.

#259: Cinerama – Health and Efficiency

The mention of chamber-pop leads me nicely to this.  Cinerama came into being in 1998 as a result of David Gedge deciding he wanted to make music that was different from The Wedding Present. Over a six-year period there would be three studio albums and twelve singles often with cellos, violins, flutes, oboes and trumpets to the fore. And best of all, the mighty strangeways penned a ten-piece guest series for the blog between May and July 2024.

#258: The Cords – I’m Not Sad

The duo of sisters Eva and Grace Tedeschi have been making a great deal of noise across the Glasgow scene these past few years. Their debut album channels so much that is wonderful about 80s and 90s indiepop into 13 songs which is all done and dusted in just 31 minutes.  I’m still not 100% convinced by them, but I seem to be in a minority among the indie cognoscenti round these parts.

#257: The Jazz Butcher – Southern Mark Smith

I can’t claim to be a huge expert on The Jazz Butcher. Indeed, most of what I have on the hard drive consists of songs included on compilation albums or box sets and I’ve liked them enough to consider myself a casual fan. On the other hand, Friend of Rachel Worth is a dedicated fan, and he came up with a very informative and entertaining ICA, #158, in March 2018.  The band are, sadly, no more after the death of frontman Pat Fish, at just 63 years of age, in October 2021.

#256: Stephen Malkmus – Jo Jo’s Jacket

The second solo single released by Stephen Malkmus after the break-up of Pavement is brilliantly bonkers. It opens with a sample of dialogue from the actor Yul Brynner, over a slow piano. After 35 seconds it explodes into the sort of song you’d have expected to hear from his old band.  A catchy non-chorus of ‘ayeeeeey-yee’ (or something similar) while the verses veer all over the place. Then, just as the tune really gets motoring along, threatening to become absolutely tailor-made for radio, it completely changes tempo and rhythm, not only putting off any previously interested daytime producers, but making it night on impossible to dance to at the indie-disco without making a dick out of yourself.

#255: Throwing Muses – Counting Backwards

Throwing Muses are a great example of a band whose critical acclaim has never resulted in any meaningful commercial success. There’s never been a Top 40 hit single, while the seven albums that have actually registered enough sales to qualify for the UK charts have a combined stay of sixteen weeks.  ‘Counting Backwards’ was a single in 1991 and the lead-off track on the album, ‘The Real Ramona’.

#254: The Damned – Smash It Up

The Damned, thanks to ‘New Rose’ on Stiff Records in October 1976, may be resonsible for the first punk rock single by a UK band but to many they were regarded as a bit of a joke or comic outfit, and rarely given the same kudos as many of their peers. If you look back at their history, they do appear to have been a half-decent pop/rock band who were in the right place at the right time to jump on the bandwagon with enough savvy among certain band members to adopt the look and feel of punk.

#253: Working Week – Venceremos (We Will Win) (7″ Bossa Version)

A jazz-dance band with something of a fluid membership, this single in 1984 was a benefit record made to raise funds for the UK Chile Solidarity campaign, and had been inspired by the Pinochet junta’s brutal murder of political activist Victor Jara (who had been name-checked by The Clash in ‘Washington Bullets’ on the ‘Sandinista!’ album). The vocalists are Claudia Figuerora, Robert Wyatt and Tracey Thorn.

#252: McCarthy – The Drinking Song of The Merchant Bankers

The great lost band of the ’80s who helped forge the idea of politics within music in the mind of none other than Nick Wire, a then teenager dreaming of one day being in a rock band. There were nine singles, one EP and three albums of rather excellent left-leaning indie-pop before between 1984 and 1990. This one is a satirical take on those who populate the Square Mile and Canary Wharf in London.  ‘The oiks have been scattered, the commies smashed, this government has done alright by us’.

#251 : Stereolab – Ping Pong

When McCarthy called it a day in 1990, guitarist Tim Gane decided to form a new band with his French girlfriend – Laetitia Sadler – taking on vocal duties.  This time round, the occasional dab into left-leaning pop music would find a bit more success.  Just a pity this ditty didn’t get any higher than #45 in July 1994 as a Top of The Pops appearance could have been fun.

#250: The Pastels – Truck Train Tractor

Glasgow royalty. They formed in 1981 and are still very much on the go today, having gone through numerous line-up changes, but always having Stephen McRobbie (aka Stephen Pastel) at the helm and as the band’s guiding force. There have been five albums and twenty-one singles on various labels over the years. This one is now 40 years old!

#249: Primal Scream – Swastika Eyes

They were always going to make the rundown but I had an inkling from the outset that they wouldn’t make the Top 120.  I was torn in terms of choosing a song, what with the jingle-jangle indie years, the Weatherall magic and songs from Vanishing Point all coming into consideration…..but in the end I went for the electronic noise era of ‘XTRMNTR’ circa 2000.

#248: Soulwax – NY Excuse

They began in the mid 90s as a bona-fide indie-rock band from Belgium, but before long were making a name for themselves as producers and remixers, with semi-bootleg albums released under the moniker of 2 Many DJs and they moved almost exclusively into the world of electronica.  This is from 2004 album ‘Any Minute Now’.

#247: Jarv Is… – Must I Evolve

Almost seven minutes of music dissecting mankind’s development from the big bang to getting off one’s face at a rave in the 21st century. From the surprisingly very good album ‘Beyond The Pale’, released in 2020. The surprise being that Jarvis Cocker’s first two solo albums post-Pulp had been seriously underwhelming.

#246: Yeah Yeah Yeahs – Heads Will Roll

The only time I’ve written extensively about Yeah Yeah Yeahs was when I offered thoughts on the four singles lifted from the album ‘Fever To Tell’, released in 2004.  A couple of folk in the comments section expressed the view that they favoured the third album, ‘It’s Blitz’, thanks to its use of synths to provide a fuller sound.  I’ve therefore gone for one of the singles from that album.

#245: Flight of The Conchords – Too Many Dicks (On The Dance Floor)

Please……never forget that music, no matter how much it consumes your very being, should never lose the ability to make you smile.

#244: Dag Och Natt – See-Through

Here’s Martin, our Swedish Correspondent, offering some thoughts on the best music in his homeland in 2025:-

Stockholm based dream-pop, shoegaze, outfit, delivered what I consider to be the best Swedish album of 2025. Would mid-80’s have been a perfect fit on the 4AD label. Mix some reverb with soaring angelic vocals floating over the melody, what’s not to love?

#243: The Weather Prophets – Well Done Sonny

The Weather Prophets are still fondly remembered and regarded as one of the ‘should’ve been’ bands of the late 80s. This won’t be the last time a band featuring Pete Astor will appear in the rundown.

#242: The Libertines – Up The Bracket

I’ve always felt a tad sorry for The Libertines.  They were hyped, particularly by the London-based music press, as being the next coming of the best thing ever.  Even those who were writing these words were saying thing like ‘ I know, we’ve said this before but this time we really mean it.’ It’s like those who confidently predict when the world is going to end, and then vow to come back another day.  The Libertines did turn out to be a decent band and, as it turns out, one of 800 I’m willing to go out on a limb for.

#241: Honeyblood – Bud

Originally formed as a duo in 2012, Honeyblood is now the solo project of the singer/songwriter/guitarist Stina Tweeddale, albeit there’s been no new music since 2019 when Cat Myers was officially part of the band on drums.  Cat was on the second and third albums, while founding member Shona McVicar played on the eponymous debut, released in 2014, from which ‘Bud’ is taken.

 

 

 

JC

#320: The Young Knives – The Decision

These posts for the 20th anniversary of the blog have involved me digging deep to try and find some of the stuff which was written for the old blog, with some material still available thanks to The Wayback Machine, an internet archive.  I found a posting from 9 November 2006, when the blog was less than six weeks old, boasting that, just the day before, I had purchased a brand-new real-life 7” vinyl record for the first time in some time in something like 20 years.  Seems only right to include the A-side of that single in the rundown.

#319 : Marc Almond – Jacky (12″)

The lyrics were penned by Jaques Brel who recorded and released it, in French, in 1965. Three years later, Scott Walker recorded an English-language version that went Top 20. The spelling of Scott’s version was ‘Jackie’.  In 1991, Marc Almond turned it into one of his finest solo singles, thanks in the main to an incredible production by uber-producer Trevor Horn who included all sorts of sampling as well as a 70-piece orchestra. Completely over the top and wonderful.

#318: Kid Canaveral – Good Morning

Kid Canaveral formed in 2005 through students studying in St Andrews.  They were together until 2019 after which lead singer David MacGregor announced the formation of Broken Chanter (but’s that’s another story for elsewhere in the rundown).  KC delivered three very good albums of intelligent and enjoyable indie-pop during their time, and this is from the debut album, ‘Shouting At Wildlife’.

#317: Bee Gees – Night Fever

The old blog had a guest contributor known as The Ghost Of Troubled Joe.  He was a contrarian, always looking to stir things up.  I think a lot of people did work it out, but Joe was your humble scribe in disguise.  The other half of the Gemini, so to speak.  Joe posted this on the old blog : “The soundtrack of 1977 for most teens was not as JC likes to claim, The Clash, Sex Pistols, The Ramones or The Jam. It was the Bee Gees”

#316: Suede – Metal Mickey

The UK music press were adamant that Suede were going to be the next big thing.  There was a sense of disbelief when debut 45 ‘The Drowners’ was a relative flop (it only reached #49 in May 1992), and it looked as if Suede were going to be yet another band who promised much but commercially delivered nowt.  In effect, ‘Metal Mickey’ (#17 some four months later) provided the breakthrough.

#315: Wild Billy Childish And The Musicians of the British Empire – He’s Making A Tape

There’s surely a case to be made that this is the ultimate break-up song for serious musos.  Surely, all of us have spent hour upon hour in our bedrooms/bedsits trying to perfect the art of filling up both sides of a C90 cassette in order to attract the attention of someone with whom we hope intimacy will later appear on the agenda.

#314: 10,000 Maniacs – Like The Weather

I can only trace a small proportion of posts on the old blog, and sadly I can’t quote verbatim from the time when I wrote about how I discovered 10,000 Maniacs.  It came courtesy of standing on a picket line outside my office in 1987 when we were on strike in protest about the terms of the latest pay offer.  A portable cassette was on hand for which five or six of us had brought along tapes to see us through the day.  One of the handmade compilations from a comrade on the picket line had this on it, and it really stuck in my mind as yes, the rain was pissing down!

#313: Joe Strummer & The Mescaleros – Bhindi Bhagee

Dave Martin, in July 2016, contributed ICA #82 in which looked at the career of Joe Strummer after The Clash had imploded.  A number of the songs came from the four albums released with The Mescaleros, and here’s what he had to say about ‘Bhindi Bhagee’:-

” Despite never being released as a single, this track can be argued to be the defining sound of the band. The album had a genre-melding folk-rock sound a million miles from Steeleye Span, and this track is at first a celebration of the diverse and exciting ethnic and multi-cultural areas of the local London High Streets, principally through the foods on offer, and then describes the band’s sound in a similar manner.

#312: M.I.A. – Paper Planes

Once I had determined the M.I.A. was going to miss out on the Top 120, this was always going to appear immediately after Joe in the rundown.

#311: Sabres of Paradise – The Theme

Just about everything I now know about the late Andrew Weatherall has come from reading the many thousands of words that have been written over the decades by Adam, either over at Bagging Area or here at TVV usually via a guest posting but also via the comments section.  Turns out, however, and thanks to its inclusion on the ‘NME Singles of The Week’ 1994 compilation CD, that I had long owned this tune that Adam included in his epic four-sided Weatherall ICA, which was published in December 2016 as #102 in the series.

#310: Sandie Shaw – Hand In Glove

It was a great idea to ask 60s chanteuse Sandie Shaw to cover the debut single by The Smiths less than a year after the Mancunians had released it.  The band had long been irked that it had failed to chart, with a lot of the blame attached to their label Rough Trade.  Riding very high on the wave of adulation, it would have been really easy to simply offer up ‘Hand In Glove’ as a re-release in 1984 as it would, without question, have sold well. But it was re-recorded with Sandie on lead vocal, leading to her first brush with fame in fifteen years.

#309: Revenge – I’m Not Your Slave (US Remix)

There’s a lot of Factory Records within the rundown and as many New Order associated songs as I could squeeze in without breaking the rule of one song per singer or band.  I’ve said before that much of the material released by Revenge hasn’t aged well, but for some strange reason I still have something of a soft spot of this remix of a single that was released in 1990.

#308: Section 25 – Looking From A Hilltop (Restructure)

This single, from 1984, has the catalogue number of FAC 108.  A much deserved underground club hit that still sounds great all these years later.

#307: Luna – Great Jones Street

Back in 2016, two of blog’s biggest supporters – JTFL and Echorich – collaborated on a short series celebrating New York City. One of their posts featured ten great songs which highlight streets in Manhattan.  Johnny told us that this is a quiet number by a quiet band about a quiet street and explained that Great Jones is actually 3rd Street between Broadway and the Bowery.  Echorich offered his view of Luna having a knack for taking their brand of Dreampop and infusing it with an arty Downtown NYC vibe that really REALLY has its origins in the sounds of The Velvets.

#306: Fatboy Slim – Kalifornia

The Golden State on the west coast of the USA has had more than its share of musical namechecks over the decades, with all sorts of lyrics penned to describe its lifestyle. According to this, it is druggy, down by law and right from the core.  Which seems fair enough.

#305: The Indelicates – We Hate The Kids

Two of my favourite guest contributors have offered their thoughts on the single from 2006.

Rol, as part of ICA #146 in November 2017, believes it to be “the best single released in the 21st Century”. Dirk, in his 111 singles series called it “the perfect mixture of cynicism, disaffection and cleverness, well-packed in a lo-fi tune that make you want to jump along with it; what more could you possibly ask for?’ ” Indeed.

#304: Dinosaur Jr – Freak Scene

Once again, SWC proved to be responsible for coming up with the perfect words for this song, courtesy of its inclusion ICA #312, submitted in May 2022.

“The band’s most popular, and most talked about song, and the song that more indie club nights were named after in the 90s than any other. Of all the alternative rock songs about alienation, self-esteem and generally moodiness that came out thirty odd years ago, this is probably the greatest of them all.”

#303: Close Lobsters – Foxheads

By the time I had even heard of Close Lobsters, they had come and gone, breaking up in 1989 and leaving behind a body of work consisting of two LPs and six singles. Indeed, the first time I ever got to listen to any of their songs was when The Wedding Present did a cover version on a b-side. But I’ve more than made up for it since, buying everything since they reformed in 2012 and making sure I got to see them play live on a handful of occasions.  This is a track from their 1987 debut album.

#302: Spare Snare – Ring To Me

The most recent time I saw Close Lobsters was during the At The Edge of The Sea Festival in Brighton in 2024.  There’s two stages at this festival, which is curated by David Gedge.  No sooner had Close Lobsters finished on the main stage did Dundee-based Spare Snare take to the smaller stage from where they proceded to deliver the most memorable set of the entire weekend, one that was worthy of headlining Glasgow Barrowlands and not the second and temporary stage at Concorde 2 in Brighton.

#301: The Hives – Hate To Say I Told You So

The Hives burst out of Sweden just after the turn of the century when the media decided it was time for guitar music to be briefly fashionable again. The band had already released two albums, four singles and two EPs to almost near universal failure – even in their native land where they were a cult more than a commercial success – until Alan McGhee decided to sprinkle his magic fairy dust and proclaim them as the biggest thing he’d heard since the last biggest thing he’d heard.

#300: Peter Gabriel – No Self Control

One of the reasons I began to listen to Peter Gabriel was that he was championing the end of apartheid at a time in my life when I was just beginning to become more socially and politically aware of what was going on in the world. And from the same 1980 album on which he included ‘Biko’, comes ‘No Self Control’ which, when released as a single somehow made it to #33, despite being radio unfriendly, as a rather dark number that focuses in on lust. The fact that it has the utterly delicious Kate Bush singing away rather erotically on backing vocals somehow only adds to its intensity.

#299: Aidan John Moffat & The Best Ofs – Big Blonde

Aidan Moffat is the most diversely talented and intriguing Scottish musician of my generation. He’s been a staple part of the music scene in my part of the world for 30 years ever since Arab Strap came to prominence. It would take forever to list all that he’s been involved in.  In short, he’s a one-off and a national treasure. This one is from the 2009 LP, ‘How To Get To Heaven From Scotland’.

#298: Carla J Easton – Get Lost

Carla J Easton is another on whom the title of national treasure could be decreed. A musician and now an acclaimed documentary co-director who has been a part of the Scottish music and creative scenes going all the way back to 2006.  She’s already featured in the rundown as part of Poster Paints, while another of her bands will pop up in due course.  There’s been five solo albums, and this is taken from ‘Weirdo’, released in 2020.

#297: The Cranberries – How (Radical Mix)

A last second change of mind as to which song should represent The Cranberries in the rundown.  I’ve chosen the first of theirs I ever heard when Jacques the Kipper included it on a homemade C90.  The original version of ‘How’ is on the debut album ‘Everybody Else Is Doing It, So Why Can’t We?’ while this forceful mix was included as an extra track on the CD single of ‘Linger’.

#296: Jack Butler – He Got No Game!

Not a solo artist, but in fact a four-piece indie band from Stirling, right here in the heart of Scotland.  Oh, and the first names of the four musicians were Allan, Chris, Greg, and Liam.  Not a Jack among them.  There were a handful of releases in the 00s on their own Whimsical Records.  The song included in the rundown is actually a b-side of a single released in 2006; it sounds as if the Associates had reformed.

#295: 39 Lyon Street – Kites

In which the Associates exercised an unusual clause in their recording contract allowing them to issue singles for any label they desired, so long as the A-side was not credited to Associates and Billy Mackenzie didn’t sing lead vocal.   39 Lyon Street was the address in Dundee where the band lived, and ‘Kites’ is a cover of a song that had been a Top 10 hit for Simon Dupree back in 1967.  The lead vocal is quietly delivered by Christine Beveridge, a friend of the band, while Billy belts out the choruses.

#294: Marine Girls – Don’t Come Back

The Marine Girls fully embraced the DIY recording culture promoted by the punk/new wave scene. Their first collection of songs was a self-financed cassette-only release, recorded while the four band members were still attending school. The second collection was another that was set for a cassette-only release before it was picked up by Dan Treacy’s Whaam! Records.  The third collection, which proved to be their last, was released on vinyl by Cherry Red Records in 1983.

#293: Moloko – Fun For Me

A single that was bought for 99p back in 1996 after I’d seen the promo video. The CD was great value in that it has seven tracks on it and lasted nearly 40 minutes (which is longer than quite a few of the albums in my collection). But then again all seven were a variant on ‘Fun For Me’, and to be honest, while I liked the song, this was stretching things a bit far.  It did reach #36 in the UK singles charts, but Moloko would find fame and fortune in 1999 with handbag classic ‘Sing It Back’.

#292: The Nightingales – Use Your Loaf

The Nightingales, a post-punk band from Birmingham, played eight John Peel sessions between 1980 and 1986, a period in which there were also three studio albums. ‘Use Your Loaf’ is taken from the 1983 debut ‘Pigs On Purpose’.  The band reformed in 2004, since when there have been ten more LPs. Comedian Stewart Lee is one of their best-known fans and in 2020, he was responsible for writing and producing ‘King Rocker’, an excellent documentary film about the band and its lead singer………………………..

#291: Robert Lloyd – Funeral Stomp

Robert Lloyd, lead singer with The Nightingales, had a short-lived solo career from 1988 to 1990 during which he released four singles and one album, while also recording five sessions for John Peel.  This is one of those singles.  Rather different from the stuff he did with his band, but enjoyable enough.

#290: They Might Be Giants – Birdhouse In Your Soul

They’ve been on the go since 1982 and have released 24 studio albums, 18 compilations, 20 live albums, 25 EPs, and 40 singles. But I’m willing to bet that the vast majority of us can only recall this hit single from 1990.  It must be up there as one of the most surreal hits of all time, being a song about a night-light, which is in the shape of a blue canary, told entirely from the night-light’s point of view.

#289: The Stone Roses – She Bang The Drums

ICA #83, provided by SWC in July 2016.   “Perhaps this is the definitive Stone Roses song – it’s definitely a contender. I love all of this song, the way the hi-hat tingles, the way the bass builds, the way the guitar soars and then that lovesick opening line “I can feel the Earth begin to move/I hear my needle hit the groove”. Basically you get thirty years of guitar pop stripped down to this song.”

#288: The Vaselines – Teenage Superstars

The Vaselines are one of the best examples you can find of a band becoming more famous and influential long after they had initially called it a day. Two EPs and one album between 1987 and 1989 which seemingly had been more-or-less ignored outside Scotland.  And then Kurt Cobain declared his love for them. The duo of Eugene Kelly and Frances McGhee reformed in 2010 after which there would be two further well-received albums.

#287: SPRINTS – Little Fix

Formed in Dublin in 2019, their sound has evolved a great deal over the years. The first few EPs were a mix of straight-up indie songs and garage rock, but many of the songs on 2024 debut album ‘Letter To Self’ were a lot harder edged than before. The follow-up, ‘All That Is Over’ in 2025 moved further to a heavier and more explosive style, lyrically and musically, but then again there is a lot for young folk to be angry about.  ‘Little Fix’ is from 2022.

#286: Barry Adamson – The Last Words Of Sam Cooke

He started out in Magazine, and was later one of Nick Cave’s Bad Seeds, but arguably Barry Adamson is best known for his solo work as performer and composer of note, with his work expanding into film soundtracks, real and imaginary, encompassing a wide range of genres. I’m a huge fan in particular of his most recent album, ‘Cut To Black’, which came out in 2024.

#285: Biff Bang Pow! – The Whole World Is Turning Brouchard

Biff Bang Pow! were active between 1983 and 1991 during which time there were six singles and six albums released on Creation Records, which is no real surprise given label owner Alan McGhee was on guitar and vocals.  The track in the rundown is a 90-second instrumental named in tribute to French artist, painter, writer and band collaborator JC Brouchard, who himself has been a great supporter of the blog over the decades, including a number of guest postings.  Merci Mon ami.

#284: The La’s – There She Goes

It is, rightly, regarded as a classic. It is kind of astonishing that it took three goes before it was a hit,  November 1988 had been the first attempt, but then perhaps realising it had been lost in the traditionally crazy way of record sales in the run up to any Xmas period, Go-Discs tried again in January 1989. But it wasn’t until October 1990, and thanks in part to a remix by star-producer Steve Lillywhite, that it made it to #13 in the singles chart.

#283: The Sisters of Mercy – This Corrosion

Considered by many to be THE greatest goth anthem of all time.  This is the album version. All 11 minutes of it. Lay down your pints of snakebite and get dancing.

#282: Bikini Kill – Rebel Girl

Bikini Girl released three different versions of the song that has become synonymous with the riot grrrl movement of the early 90s, and there’s long been a debate on which is best.  I’ve settled on the second of the versions which appeared as one of three tracks on the ‘New Radio’ single, to which Joan Jett, as producer, adds guitar and backing vocals.

#281: Tom Vek – I Ain’t Saying My Goodbyes

This is very much from my MTV2 watching years. A song from 2005 that had long stuck in my head but it wasn’t until 2021 that I picked up the 12″ single.  As with so many things I’ve bought second-hand over the years, it sounded great coming through the speakers but after one or msybe two listens was then filed away in its place (alphabetically among the non-Scottish 12″ singles) unlikely to be given another spin.  I really do have too much vinyl, and at 63 and a bit years of age and with no kids to leave it to, I really should start to give some thought about what to do when the time does come to say my final goodbyes.

 

 

 

JC

#360: B52’s – Rock Lobster

The B-52’s could so easily have just been a novelty act, long forgotten for all but their 1978 debut single, but such was their ability to write and record catchy, radio-friendly tunes in the years ahead that they have carved out a career that has now lasted 50 years. It’s such a great sounding record that I’ve included the much longer album version.

#359 : James Yorkston & The Athletes – St Patrick

Back in 2001, a relatively unknown Scottish musician sent his demo tape to John Martyn with a request that, if he liked it, he might offer him a chance to be on the bill as a support act at an upcoming gig in Edinburgh.  John Martyn was so impressed by the demo that he invited James Yorkston to be the sole support act across a 27-date tour of the UK and Ireland.

Laurence Bell of Domino Records was at the London gig and was so taken by the support act that he moved quickly to sign him to the label.  Within a year, the debut album, ‘Moving Up Country’, which was jointly produced by Yorkston and Simon Raymonde of the Cocteau Twins, was released to huge acclaim,  At the end of the year, it was named as Rough Trade Record Shops Album of 2002.

#358: Stiff Little Fingers – Alternative Ulster (Peel Session)

Dirk, back in May 2025, wrote a superb piece on Stiff Little Fingers in which he suggested the band never get mentioned as one of the Top 5 Punk Bands of 1978 for the reason that they came from a country which was in absolute disarrayment in the late 70’s for reasons too complicated to understand for anyone not being involved by living there.  He went on to add that for many people, it was easier to listen to stuff with throwaway lines rather than lyrics oozing with Northern Irish politics.

#357: Wilco – Outtasite (Outta Mind)

A band that I have never fully taken to, but I know are quite popular across much of the TVV readership. JTFL gave us a guest ICA – it was #238 in February 2020 – in which he said the band’s catalog has something for everyone: 4/4 rock, alt-country, ballads, experiments, love songs, party songs, anthems—with every sort of instrumentation along the way.

#356: Taylor Swift – Shake It Off

There’s got to be room in the rundown for some pop perfection, hasn’t there?

#355: Television – Marquee Moon

Once again, I call on the services of the writing skills of SWC.  I’ve unashamedly stolen this from No Badger Required:-

A ten-minute masterpiece of electric poetry full of guitars that seemingly burst out of nowhere and physically fight with Tom Verlaine’s sneering vocals for primacy. Verlaine’s voice by the way, is despite its seeming awkwardness absolute perfection given the chaos that is happening behind it.

#354: Brian – Understand

Brian is the recording name used by Dublin-born singer/songwriter Ken Sweeney, and his charming debut album ‘Understand’ was released on Setanta Records in 1992 to almost complete indifference. The writer/critic Pete Paphides is a man with quite impeccable taste and he’s long been a fan, so much so that he reissued it, on vinyl, for the first ever time, in 2025 via his Needle Mythology label.

#353: Air – Sexy Boy

TVV semi-regular, author and stand-up comedian Steve McLean described this better than I could ever dream of.

1998. Frenchpop vs Britpop. Sorry Britain, but I’ve always been a collaborator. Do you remember when this came out? All those guitars that were making your ears bleed suddenly gave way to this calm beauty. It must have been what it was like when electropop stole the thunder from New Wave in the early 1980s. I’d say it was Laurie Anderson meets Kraftwerk with ELO tunes but I’d sound like a tosser so I won’t (note to other tossers – being self aware allows you to continue to be a tosser without any life adjustments)

#352: David Westlake – The Word Around Town (BBC Session)

David Westlake was the frontman in indie band The Servants who were active between 1985 and 1991, and who themselves will feature in this rundown in due course. There was a solo album in 1987, released on Creation Records, that was later issued in 2023, by the now defunct Optic Records, a label that specialised in making long-lost or hard-to-find singles and albums more readily available and affordable. The reissue had the added bonus of a BBC session, recorded for the Janice Long Show, on which David’s backing band included three members of the Go-Betweens.

#351: Chin-Chin – Stop! Your Crying

Chin Chin were an all-female indie group who formed in 1982 in Biel, Switzerland. By a long and convoluted route, an eight-song compilation mini-album ended up being issued by Scottish indie-label 53rd & 3rd Records in 1987.  Long out of print with an asking price of silly money, Optic Records did us all a huge favour by issuing three of the songs on a 7″ single in 2021.

#350: Hardway Brothers – Theme For Flightpath Estate

The Flightpath Estate is a Facebook group dedicated to the music, art and work of Andrew Weatherall. It began life in 2013 and has become a virtual home to his fans, friends and family. ‘Sounds From The Flightpath Estate’ have been two compilation albums celebrating people and places, along with the outlook, aesthetic and music Andrew Weatherall was known for, and the sense of community and love of music centred around The Golden Lion in Todmorden.

Our dear friend Adam, the talent and brains behind the Bagging Area blog, is very much involved with The Flightpath Estate.  It’s quite incredible what the collective has already achieved and I know, from chatting with Adam, that they have great plans for the future.

#349: Baby’s Got A Gun – Suicide Girl

A noisy bit of pop-punk from East Kilbride, the town which most famously has given us Roddy Frame and The Jesus & Mary Chain.  This dates from 1987 and the band’s drummer was Murray Dalglish, the original drummer in the JAMC and who played on their debut single, ‘Upside Down’.

#348: Futureheads – First Day

I’ve always thought the sound this lot made was a notch above your average indie-guitar band. They reminded me a lot of early XTC thanks to the catchiness of the songs, complete with sing-a-long choruses, while there was something quite beguiling about the fact that the vocals are delivered in a local accent. This, from back in 2003, was their first minor hit single, produced by the late Andy Gill of Gang of Four.

#347: Hairband – Bee

A five-piece all female band who were very much part of the DIY scene, releasing, back in 2018, a five-track EP via Monorail Music, a label established by the legendary record shop that’s been here in Glasgow since 2002.

#346: The Jags – Back Of My Hand

Can you guess the year that this went to #17 in the singles chart?   Pick any prize from the middle shelf if you happened to say 1979.  The Jags were very much a power-pop outfit rather new wave and this was their one and only brush with fame in terms of chart success.  I also wonder exactly when, given the ubiquitous nature of mobile phones, when it was no longer de rigeur to ask for and actually write someone’s phone number on the back of your hand….

#345: The Raveonettes – Attack Of The Ghost Riders

The Raveonettes blend of surf and garage proved to be reasonably popular, slightly above mere cult status but never gaining full commercial acceptance as evidenced by just two Top 40 singles and one Top 50 album.  The debut single is still very tasty.

#344: Rollins Band – Low Self Opinion

My, oh my, I’d forgotten just how shouty and angry this single from 1992 is in places. Henry Rollins is a god in the eyes of the hardcore punk cognoscenti and he is, to be fair, a very entertaining and engaging individual, known as much these days for spoken word material as he is for songs such as this single from 1992.

#343: Voodoo Queens – Kenuwee Head

Voodoo Queens came into being in 1992 when Anjali Bhatia decided to leave Mambo Taxi.  This new five-piece band had three members of Asian origin, all of them female, and the press had a bad habit of associating the band with music scenes such as riot grrrl or lumping them in with other Asian-fronted bands such as Cornershop. It seemed that the actual music rarely got much attention. This, their second single, is a fun-filled tribute to the actor Keanu Reaves.

#342: Quando Quango – Atom Rock

Again, without giving too much away, the Marr/Sumner duo of Electronic will appear at some point in the rundown.  But for now, here’s the 1984 single which proved to be the first time Johnny and Barney worked together. Quando Quango were a Manchester-based dance band signed to Factory Records, and ‘Atom Rock’, released in 1984, was their third single. Barney was one of the co-producers (alongside his then regular studio companion Donald Johnson), and Johnny added the guitar parts.

#341: ionnalee – Not Human

Martin has been this blog’s Swedish Correspondent since August 2015 when he submitted ICA #28 on New Order. Since 2017, he has kindly submitted an annual round-up of all that’s he enjoyed musically in his native land, and in doing so has brought to the attention of the TVV community, a substantial number of singers and bands that would otherwise have flown under the radar.  My personal favourite has been ionnalee, who first appeared in the 2018 round-up.

“Brought up in my home town she started out as indie rocker Jonna Lee, transmorphed into electronic audiovisual artist iamamiwhoami and in 2018 she moved into electronic (dance) artist ionnalee, releasing the magnificent album Everyone Afraid To Be Forgotten. Excellent live as well. She’s potentially the secret child of Kate Bush and Bernard Sumner.

#340: David Bowie – Boys Keep Swinging

Gasp.  Shock-horror.  I am picturing in my head a few folk reading this and wondering if this rundown can be taken seriously given that Bowie is not in the ranked Top 120.  ‘Boys Keep Swinging’ was the first single of Bowie’s that I bought at the time of its release, and thus it’ll always be the one I’ll offer up as my favourite….which incidentally doesn’t mean I’m saying it’s his best.

#339: King Creosote – You’ve No Clue Do You?

Dedicated to those who are still digesting the appearance of The Thin White Duke at #340.  This one dates from 2007, courtesy of the singer/songwriter born as Kenny Anderson and who, as King Creosote has released over 40 albums in digital or physical form going back to 1998.

#338: Luke Haines – Discomania

And here, possibly to prove just how difficult it was to decide who’s make the ‘all important Top 120’, is an appearance from another of my heroes.   The Singular Adventures of Luke Haines was a 23-part weekly series that ran from September 2019 to March 2020.  It featured 45s by The Auteurs, Baader Meinhoff and those that were released under his own name.  This, however, wasn’t a single. It can be found on his debut solo album, ‘The Oliver Twist Manifesto’, released in 2001.

#337: The Pains Of Being Pure At Heart – Young Adult Friction

Another to whom I owe my dear friend Aldo a huge debt for teaching me all I know about TPOBPAH (as nobody ever refers to them!).  I started TVV almost purely as a retro-blog, and I didn’t pay too much attention to what was going on in the late 00s other than music coming out of Scotland.  Call it not having enough spare time on my hands.  This wonderfully catchy, near-anthemic, gloriously happy four minutes of indie-pop got aired one night at Little League and I danced away to it, asking afterwards what the hell it had been.  Cheers, Aldo!

#336: U.S. Highball – Let’s Save Bobby Orlando’s House

This Glasgow duo of Calvin Halliday and James Hindle haven’t yet appeared on the blog, which is a severe oversight on my part. They were on the bill of the 2023 Glas-Goes-Pop festival, and entertained me so much that I went to the merch table and bought a copy of their then most recent album, ‘A Parkhead Cross of The Mind’.  Calvin and James are lifelong friends and have released five albums, all for Philadelphia-based Lame-O Records.  Despite the title, this one is a bit of an ode to Neil Young.  It’s also, as far as I know, the only song to reference the Shettleston district of Glasgow, the area of the city in the east end that was the location of my first ventures into pubs.

#335: The Beths – Uptown Girl

All I know comes courtesy of ICA #341, yet another wonderful guest posting from The Robster, this time in June 2023.  A New Zealand band who formed in 2014 after meeting at university and named themselves after singer/songwriter Elizabeth Stokes. This isn’t a cover of the Billy Joel song!

#334: Dead Or Alive – You Spin Me Round (Like A Record)

Stock, Aitken and Waterman. Not names you see too often on TVV.  The songwriters/producers enjoyed more than 100 UK Top 40 hits, including thirteen #1 singles.  And to think it all started when they produced a song written and sung by Pete Burns, a contemporary of everyone who was anyone in the post-punk Liverpool scene based around Eric’s Club in the late 70s.  A majestic, magnificent and memorable single, but Wylie, Cope and McCulloch must have been looking on in bewilderment as it made its way to #1 in March 1985.

#333: Faithless – We Come 1

It’s fair to say that 99% of stuff that I’ve bought since my formative years can be described as guitar driven pop, however you define it. It’s very much my forte but every now and again something catches my ear and demands purchase, as this did back in 2001.

#332: Hole – Doll Parts

On 8 April 1994, Kurt Cobain shot himself. Four days later, the very unfortunately named ‘Live Through This’, the second album by Hole, was released with an eerie cover of a beauty queen, similar in looks to Courtney Love, with mascara running down her cheeks as the result of her crying. You couldn’t make it up……….

It was known that Cobain had worked with his wife on the LP and critics and fans alike poured over it to see if the record contained any clues to his suicide. None were forthcoming, but what they found however, was a record that sounded the way that the industry had hoped Nirvana would go on the back of ‘Nevermind’ when in fact they had gone much heavier on ‘In Utero’.

#331: The Motorcycle Boy – Big Rock Candy Mountain

The Shop Assistants had been one of the most highly regarded indie groups to emerge out of Scotland in the early-mid 80s. Much of the interest centred around vocalist Alex Taylor, and it was a bit of a shock when she quit the band in 1987.   Next up for Alex was The Motorcycle Boy in whom Rough Trade declared an immediate interest with this debut single issued to great acclaim, but not much in the way of sales.

#330: Queens of The Stone Age – The Lost Art Of Keeping A Secret

I think it’s fair to say that this one falls into the less heavy of the rock tunes written and recorded by QoTSA over the years, which is probably why this single from 2000 is my favourite of theirs.  They’re another band who have been part of the ICA series, on two occasions, and both as guest postings.  SWC came up with #40 in September 2015 while Hybrid Soc. Prof regaled us with #241 in February 2020.

#329: Strangelove – Sway

Strangelove were one of those bands that should have but never did. Formed in 1991 they centred around singer Patrick Duff. They released three albums before splitting in 1998. This was a rather lovely single lifted from the second album, ‘Love and Other Demons’.

#328: We’ve Got A Fuzzbox and We’re Gonna Use It – Rules and Regulations

A four-piece all-female outfit from Birmingham whose debut 1986 EP, from which this is lifted, was the work of a 16-year-old, two 17-year-olds and a 20-year-old. Then the major labels came calling, and by 1989, they were known simply as Fuzzbox with a whole new sexed-up look and a sound that was pure pop based on female harmonies. Three Top 20 singles and a Top 5 album ensued.

#327: Sneaker Pimps – Post Modern Sleaze

While I know what it looked like from seeing it on TV and in contemporary photographs, I never made it inside the Hacienda night club in Manchester. It’s always been a source of regret.  A remix version of this was the last song ever played at the Hacienda (not that anyone knew it at the time), on 28 June 1997.

#326: NWA – Fuck Tha Police

It may well have been written about the LAPD, but the song title may well have been muttered by the youth of Manchester and the wider north-west of England when their nightclub of choice was closed down.

#325: Jens Lekman – The Opposite of Hallelujah

I first fell for the idiosyncratic charms of this Swedish singer-songwriter back in 2007 when I heard his then new album, ‘Night Falls Over Kortedela’, played in a record shop in Toronto.  A few years later I discovered that he’s also a favourite of my mate Aldo, and ultimately we saw Jens play live a couple of times in 2017, one of which was in Hebden Bridge in Yorkshire, which we followed up the next day by going to Manchester and going on a pub crawl with Adam. Almost a year to the day after that adventure, I had the joy of receiving ICA #184 courtesy of Martin Elliott, the blog’s Swedish Correspondent.

#324: Grandmaster and Melle Mel – White Lines (Don’t Do It)

One of the great early hip-hop records dating back to 1983.  Although the sleeve to the single credits Grandmaster and Melle Mel, the duo were no longer working or touring together and were indeed in the midst of a legal battle with one another.  The song is the work of Melle Mel and Sylvia Robinson, a female songwriter and producer who was very much at the forefront of the development of hip-hop, but whose name rarely features in any narrative.

#323: The Flatmates – I Could Be In Heaven

The Flatmates were, for the most part, literally a group of musicians who lived together under the one roof. There were just five singles to begin with between 1986 and 1989, with much more since they reformed in 2013.  The single was the debut and is a bona-fide indie-pop classic.

#322: bis – Kandy Pop

This Glasgow-based trio are famed for being, in March 1996, the first ‘unsigned’ band to appear on Top Of The Pops when they performed ‘Kandy Pop’, a track on their ‘Secret Vampire Soundtrack EP’. At the time of the TOTP appearance they were all teenagers.  But the truth was that while technically unsigned, Bis had the comfort of knowing their records would be released by Chemikal Underground.  It was also kept quiet that The Secret Vampire Soundtrack was in fact their third release, so its not as if they were complete novices.

#321: ABC – The Look Of Love

One of the great pop singles, not just of its time, but of all-time. It sounds just as big, powerful, catchy and radio-friendly nowadays as it did back in June 1982. Hip-hip hooray, yippee-aye, yippee-aye-a.

 

 

JC

#400: Billy Mackenzie – Wild Is The Wind

I suspect the majority of us were introduced to this song via David Bowie who took it into the singles chart in 1981, a full five years after he had recorded it for the album ‘Station to Station’. The original, by Johnny Mathis, was actually nominated for an Oscar as ‘Best Song’ in 1957, as it was the theme from a film of the same name.  This stunning and haunting version was released in 2004 on Billy’s posthumous album, ‘Transmission Impossible’, and gave us a reminder, as if any was needed, just how much we were missing him, a full seven years after he’d taken his own life.

#399 : Scot & Sager – Barcelona

Jock Scot, who died in April 2016, was an Edinburgh-born Scottish poet and recording artist. Gareth Sager is probably best known as a founder member of The Pop Group, one of the most influential of the post-punk acts. The two of them were close friends for decades but it took until 2006 for the two of them to go into a studio together. The result was ‘The Caledonian Blues’ which consists of twenty-two crazy pieces of ranting poetry, delivered in the broadest of accents, over some very lovely, minimalist guitar work akin to the work of Vini Reilly at his best.

#398: Jacob Yates and The Pearly Gate Lockpickers – Mark

A band once memorably described by a music writer as having a ‘Mississippi-meets-Maryhill sound’ (Maryhill being one of the oldest working-class communities in Glasgow).  This is a track from their 2011 debut album, ‘Luck’, and if you happen to be someone who harks back to the Nick Cave & The Bad Seeds era of 84-96, then it surely ticks all your boxes.

#397: Alabama 3 – Woke Up This Morning (Chosen One Mix)

It really was a touch of genius to take a fairly obscure track by an obscure British band and match it perfectly to deliver the unforgettable opening credits to what will always be one of the greatest TV series of all time.

#396: BMX Bandits – Come Clean

It was back in 1991 when BMX Bandits recorded ‘Star Wars’. The make-up of the band had always been fairly fluid, but the cast for this particular album was fairly stellar with Duglas T Stewart being joined by Gordon Keen, Norman Blake, Joe McAlinden, Eugene Kelly and Francis MacDonald. The fact that members of Teenage Fanclub, The Vaselines and The Groovy Little Numbers were all present meant that we got as close to a Bellshill super-group as could be imagained.

#395: The Police – Can’t Stand Losing You

It is almost impossible to admit your love for a band when the frontman has been such an insufferable and pretentious prick for such a long time and has been involved in projects that just make you cringe with embarrassment. But I will argue long into any night that some of the best post-punk pop singles ever to be released were the work of Sting, Stewart Copeland and Andy Summers.

#394: Cornershop – Sleep On The Left Side

Reaching #1 in 1998 with the Norman Cook remix of ‘Brimful Of Asha’ meant that Cornershop finally had a profile after seven years of obscurity. If there was any justice in the world, then its follow-up would also have crashed high into the charts. Sadly, ‘Sleep On The Left Side’ stalled at #23, proof that the record-buying public would only really embrace the band’s unique mix of indie, dance and Asian music if someone famous like Fatboy Slim put their name to it.

#393: Dumb Instrument – Reverse The Hearse

One of the most significant songs in terms of the history of the blog.  Here’s Comrade Colin:-

“This is the best anti-death song ever written and it’s a piece of music, like a certain Go-Betweens song, that JC and myself immediately bonded over. We both laughed (out loud, yes) at the dark humour and the sentiments. It was a giant V-sign to the fact we all check-out eventually, some, alas, sooner than others. Our mutual appreciation of the lyrics, and their Ivor Cutler-like delivery, signed the deal on our early-years friendship. Indeed, this was the first band JC and myself ever went to see play live together. It was also the night of our very first meeting! We’d put it off and put it off but eventually we went beyond an electronic/digital friendship to something else. It seems like forever ago now, that night in a stupidly cold January at the 13th Note in Glasgow.

I remember being rather nervous and, weirdly, it felt a bit like a first date! I needn’t have worried though as JC was not at all indie-precious or a pompous prick and I managed, just about, to not project my 100 MPH verbal diarrhoea or music/Goffman geekdom all over him. It was a brilliant night, all round, and we’ve since become very good friends indeed, with music (and a shared sense of humour) at the centre of this connection”

JC adds…..I’ve looked it up, and it was 8 January 2008.  The 13th Note has since closed as a music venue and re-opened as a pub.  I reckon there should be some sort of blue plaque or  the likes to commemorate our meeting.

#392: Credit To The Nation – Call It What You Want

In which a 22-year-old English rapper called Matty Hanson boldly uses the riff from ‘Smells Like Teen Spirit’ to preach a message about racism.  Kind of ground-breaking back in 1993.

#391: Add N to (X) – Plug Me In

The advent of the blog did reignite my love for vinyl, and over the past 20 years I’ve got my hands on more than a few things that I hadn’t bothered with when I was strictly a CDs only man.  ‘Plug Me In’ was picked up almost twenty five years after its 2000 release when it was spotted during a browsw among the small selection of vinyl in a bric-a-brac shop on the south side of Glasgow.

#390:World Party – Put The Message In The Box

A cracking bit of pop music from 1990. All lovely and warm and perfect for a summer’s day of which, even in Glasgow, there were plenty in 2026. Scientists are suggesting global warming has a lot to do with it….so maybe the late Karl Wallinger should have been promoting something more environmentally friendly than driving around the word to deliver his message in a box.  Still, at least he wasn’t suggesting using a jetplane.

#389: James Kirk – Rehab

I think you probably all know that James Kirk was a founder member of Orange Juice but left after the release of the debut LP and before the chart success of ‘Rip It Up’. While there was a one-off single as Memphis, and the occasional contributions to other bands, he more or less put music on the back burner and instead trained to become a chiropodist.  Out of the blue, at the tail end of 2003, a solo album called ‘You Can Make It If You Boogie’ was released. It proved to be an astonishingly good record, but all too soon, and without really doing any promotion, James had again retreated to the shadows

#388: The Wonder Stuff – Unbearable

Before they signed to a major label, The Wonder Stuff released two superb and catchy singles on their own Farout label in 1987, the second of which had the cracking sing-a-long line of ‘I didn’t like you very much when I met you’ repeated a few times in succession.

#387: Belle and Sebastian – If You’re Feeling Sinister

1996.  The whispers on the streets of Glasgow were growing louder by the day that an exciting, talented and innovative band calling themselves Belle and Sebastian had emerged from a group of students studying a music course at a local FE college. By the time the whispers reach the ears of your humble scribe it is too late to pick up any of the 1000 copies of the debut LP ‘Tigermilk’ that had been pressed by the college.  Luckily enough, the band was snapped up by a new independent label called Jeepster Records which enabled a second LP to be released before the year had ended, which is why mine and many people’s first exposure to the music of B&S was ‘If You’re Feeling Sinister’.

#386: M|A|R|R|S – Pump Up The Volume

Can’t be too many acts, if any, who only ever released one single which subsequently became a worldwide hit and then chose not to release anything further.

#385: The Decemberists – Summersong

Happiness personified. Formed in 2000 in Portland, Oregon, it took until I started blogging in 2006 before I learned about them, by which time they were onto their fourth album.  I still find it hard to understand why so many in the music industry believed that bloggers, by sharing mp3s, were helping to destroy things, when the vast majority were actively encouraging readers and listeners to go out and buy new music in the form 0f over-priced CDs.

#384: Bettie Serveete – Hell=Other People

Another of the 2006 discoveries in the first few months of blogging. This is indie-pop from the Netherlands from a four-piece who initially tried to make a go of it in the mid 80s but to no avail. By the time the four musicians were in their 30s they tried again, this time with a fair degree of success and longevity with ten albums between 1992 and 2016.  This one is from the 2006 album, ‘Bare Stripped Naked’.

#383: Ida Maria – I Like You So Much Better When You’re Naked

Typing the last three words of the #384 in the rundown and my thought processes immediately turned to this #13 hit from August 2008. There’s an interesting sideline which illustrates just how much differently music was beginning to be ‘consumed’ in 2008 as this single, by a then barely known Norwegian pop star, entered the UK Singles Chart at #18 on downloads alone the week before it could actually be bought in the shops.

#382: Goodbye Mr Mackenzie – The Rattler

This was the band’s calling card in 1986, released on a newly emerging label, Precious Recordings, which was also home to the soon-to-be chart conquering Wet Wet Wet.  ‘The Rattler’ didn’t sell well, but that didn’t stop Capitol Records dangling a contract in front of the band.  The first couple of singles for the major failed to chart and so they went into the studio and re-recorded ‘The Rattler’ as the next 45.  This time round it reached #37, a ludicrously poor showing for such a wonderful piece of pop music.

#381: Garbage – Stupid Girl

Surely you’d guessed that this would be the next act in the rundown??? Unless you thought that Garbage were destined for the Top 120.

GMM got belated recognition for their music once Garbage became international superstars.  They may well have formed in Wisconsin in 1993, but their lead singer, Shirley Manson, was undeniably Scottish and her recording career had begun as keyboardist and backing singer with GMM.  Jonny the Friendly Lawyer once was seated next to Shirley Manson at a wedding in Hollywood.  He shared the story with us back in November 2019.  Click here if you’d like to be reminded of it or maybe to read it for the first time.

#380: The Coral – Dreaming Of You

The eponymous debut album from Merseyside-based The Coral stood out back in 2002 for the simple reason that it was damn near impossible to categorise. Neo-psychedelia, folk rock and garage punk were just some of the styles suggested in the music press along with the all-embracing ‘indie’.  The catchiest of all the songs  features the prominent use of a trombone and a xylophone.

#379: The Field Mice – Emma’s House

Bristol-based Sarah Records is widely accepted as the label most associated the indie-pop of the late 80s and early 90s, and London-based The Field Mice was probably their ‘flagship’ act given that they released three albums, seven singles/EPs and one compilation, which accounts for 11% of the label’s entire output. ‘Emma’s House’ was the debut recording, a single in 1988.  I can think of no better description than the one I used when I wrote about it previously – ‘achingly gorgeous.’

NB: As I go back and look at what I’ve written about songs in years gone by, I realise how limited my vocabulary really is!  I could never make any sort of living as a professional critic…..

#378: Japan – Life In Tokyo

Here’s yet another great song from 1979. It was a co-write between the band’s vocalist David Sylvian and Italian disco producer Giorgio Moroder in a year when just about everything the latter was involved in turned to gold.  But for some reason or another, ‘Life In Tokyo’, which came out on Hansa Records, turned to dust and came nowhere near the charts.   By 1982, and now on Virgin Records, the band are all over the charts with hit singles and the album Tin Drum.  Hansa try again, this time it reaches #28.

#377: Mazzy Star – Fade Into You

If I was ever to be asked to name just one song that would act as a reminder of the writings of SWC, either on his own blogs or here on TVV, it would be this.

“You probably already know this song. We probably all know it. It’s beautiful. Wonderful.  The sort of song that makes you half smile because it reminds you of another time when you might have been happier than you are right now or just associate it with a lovely moment in your life, but it’s also the sort of song that makes you half weep because it reminds you of a time when you felt fragile or lonely or that you missed someone or never got an opportunity to right a wrong.”

I wish I could write like that.

#376: Pete Shelley – Homosapien

The former frontman of Buzzcocks stunned many, fans and critics alike, when he released this as his debut solo single in September 1981. Few people knew that Pete Shelley was in fact revisiting his first love, having dabbled unsuccessfully in electronic music before meeting Howard Devoto at college and forming one of the most important punk/new wave bands to emerge out of the UK.

#375: Say Sue Me – Old Town

I’m being villainous and stealing again, this time from Paste Magazine. What follows is high praise, but it is fully merited:-

“The best pure indie-pop record of 2018 is not from Brooklyn or Glasgow or Melbourne or Olympia but Busan, South Korea. The album, ‘Where We Were Together’ from the band Say Sue Me, is a perfectly paced fusion of jangling guitars, bouncing bass and sighed melancholy. The album’s best track, ‘Old Town’, is sleek and slightly frazzled, lithe but potent, and ridiculously catchy—as much so as any pop-rock you’ll hear this year.”

#374: White Lies – To Lose My Life

White Lies burst onto the scene in 2008, one of those bands who get hyped all over the media on the back of some journalists having caught them at a gig and prior to any music being available to buy. This is normally a recipe for disaster, but for once the music did just about live up to expectations.

#373: Tanya Donnelly – Pretty Deep

The second of what will be three appearances by Tanya Donnelly in this rundown.  Belly has already featured and Throwing Muses will appear in due course.  It was in 1997 that she took the decision to make a solo album, one that turned out not to be too dissimilar in sound from those of the bands she had been part of.  This is the debut single.

#372: Allo Darlin’ – If Loneliness Was Art

Allo Darlin’ began as a vehicle for the solo songwriting exploits of Elizabeth Morris, an Australian by birth who, at the age of 22, had moved to London in 2005. In due course, it would become a four-piece band and they signed in 2009 by Fortuna Pop!, one of the foremost indie labels of the time, fow whom there would be three albums before the band broke up in 2014, eventually reforming and recording in 2025.  This delightful offering is from the eponymous debut.

#371: Graham Coxon – Bittersweet Bundle Of Misery

Very few paid all that much attention to the three solo albums released by Graham Coxon while he was still part of Blur. To be fair, none of the records were remotely commercial and could easily be dismissed as vanity projects to while away the time in between recording and touring with his ‘mates’. After he unexpectedly and rather messily left the band in 2002 he seemed to make more of an effort to write and record material that would be more easily enjoyed as exemplified by the release of ‘Happiness In Magazines’ in May 2004, on which this #22 hit single can be found.

#370: The Kane Gang – Printer’s Devil

The Kane Gang consisted of two vocalists and a multi-instrumentalist, with all three members knowing each other from school days in Sunderland in north-east England.  They signed to Kitchenware Records, based in neighbouring Newcastle, with the label having belief that trio’s take on soul and gospel music had commercial potential. The belief was well-founded as there were three hit singles in 1984 while a debut album in 1985 reached #21.  It’s an album track that’s made this rundown, and is a song  full to the brim with early 80s production techniques.

#369: Penetration – Don’t Dictate

Penetration were from Ferryhill, a small coal-mining town some 25 miles south of Newcastle.  They took their name from an Iggy Pop song and ‘Don’t Dicate’, a genuine artefact of the punk era, sung with gusto by Pauline Murray, was a great debut.

#368: Meursault – A Few Kind Words

Meursault were founded in 2006 in Edinburgh by singer-songwriter Neil Pennycook. Their musical style has been variously categorised but folktronica is quite accurate.  And if The Field Mice were the ‘flagship’ act for Sarah Records, then it could be said that Meursault fulfilled a similar role for Song, By Toad Records, the label founded in 2008 by the legendary Matthew Young whose first involvement in music was, like myself, as a mere blogger.

#367: Siobhan Wilson – Dear God

My introduction to this singer-songwriter was when she supported Meursault in Glasgow in 2017.  My mate at the gig whispered to me as applause rang out at the end of another stunningly delivered song that her delivery and vocal range reminded him a lot of Harriet Wheeler. Me? I was thinking of Hope Sandeval during some of the quieter moments.  Siobhan has recorded albums for some small but established labels in Scotland, but is increasingly releasing her music direct to her fans through a very active presence on social media and digital outlets. ‘Dear God’ was one of the highlights of that 2017 gig and was later on her debut album ‘There Are No Saints’.

#366: Grandaddy – Hewlett’s Daughter

“Their blend of vintage electronics, psychedelia, Americana, alternative rock and acoustic melancholy gave them a sound of their own. Their discography boasts only five proper studio albums, but there’s a plethora of singles, EPs and compilations in there, which makes compiling a satisfactory ICA all the more difficult.”

The words of The Robster back in August 2017, when he lovingly compiled (as he always does, complete with unique artwork), an ICA, this being #131. The song chosen for the rundown is from what is perhaps their best-known album,  ‘The Sophtware Slump’, released in 2000.

#365: Jill Lorean – Kneading

Jill O’Sullivan has been part of the Scottish indie/folk scene for almost 20 years, playing in a number of bands, and her most recent two albums, ‘This Rock’ (2020) and  ‘Peace Cult’ (2022) have been as part of the three-piece Jill Lorean. ‘Kneading’ is taken from ‘This Rock’.

#364: English Teacher – Albert Road

‘This Could Be Texas’, the debut album by English Teacher took a while to grow on me. I eventually made the time to listen to it properly (without distractions!!)  and discovered there was a lot to like, particularly this, its closing song, in which singer Lilly Fontaine, unflinchingly and movingly, recalls how difficult it had been to deal with growing up as a mixed-race child in a tight-knit, small working-class town.

#363: Lloyd Cole – Undressed

I think the blog has shown over its entire lifetime that I’m one of Lloyd Cole’s biggest fans, and yet, as far as his solo material goes, I couldn’t find a place for him in the Top 120.  I suppose he can console himself that he’ll appear in a very high position alongside the band with whom he made his name – not that I am arrogant enough to think he would actually give a jot about this self-indulgent rundown!  His eponymous debut solo album rocks in many places, but my favourite moment comes from this whimsical quieter number, complete with occasional harmonica.

#362: Veruca Salt – Seether

Listening to the pace, energy, and noise within this song makes me wonder why the band’s two female members –  Nina Gordon and Louise Post – ever really had their hearts settled on being sort of the acoustic duo that they had started out as.  It was after they brought in  Steve Lack (bass) and Jim Shapiro (Nina Gordon’s half-brother) on drums that their songs became fully formed.  This is the 1994 debut single.

#361: Win – Super Popoid Groove

It was after the break-up of his post-punk outfit The Fire Engines that Davy Henderson formed Win, embarking on a real effort to make more accessible pop music.  It remains a real mystery as to why their popularity never really extended much beyond the confines of Scotland, despite a handful of great singles and two albums which, while having dated largely because of their reliance on the 80s production trends, still have a smattering of excellent and catchy tunes.

 

 

JC

#440: Isaac Hayes – Theme From Shaft

The hi-hat opening…..the wah-wah guitar…..the menacing piano notes….the synthesized keyboard that could pass for flutes and horns, all in perfect combination for two minutes and forty-two seconds which is when the spoken baritone vocal comes in, closely followed by the trio of back-up female singers.  Ground-breaking stuff as it was arguably the first ever disco record.

#439 : Bauhaus – Bela Lugosi’s Dead

Bauhaus never quite made it in the way that so many expected them to. Of the 11 singles and 4 EPs released at their peak between 1980 and 1983, only two of them actually cracked the Top 40, and one of these was a cover of ‘Ziggy Stardust’. But no matter what, they will always be responsible for the greatest nine-minutes in length single of all time.

#438: The Drums – Let’s Go Surfing

An infectiously cheery offering to counteract Bela.  Debut 45 from an NYC band, released back in 2009.  There used to be four of them in the group, but nowadays it’s really a solo vehicle for singer/songwriter Jonathan Pierce.

#437: Franz Ferdinand – I’m Your Villain

I’ll admit to being mildly surprised that Franz Ferdinand are still on the go more than 20 years after the stupendous debut album was released. Two of the founding members may have come and gone, but they remain an interesting act to watch and listen to, particularly in the live setting, and especially in front of a home audience here in Glasgow. I reckon this track, from the 2005 album, ‘You Could Have Had It So Much Better’, is appropriate for the rundown.

#436: His Latest Flame – Somebody’s Gonna Get Hurt

Named after an Elvis Presley song, and formed in the mid 80s in Glasgow, His Latest Flame were thought by many as the nearest Scotland ever got to producing an all-girl pop band akin to The Bangles. There would be a handful of 45s and one LP, ‘In The Neighbourhood’, before they called it a day in 1990. This was the debut single, released in 1986.

#435: The Blue Nile – Tinseltown In The Rain

A perverse moment in the rundown.  I’m very much in the minority as thinking this song is dull, dreary and devoid of any sort of soul. It’s utterly antiseptic. But whenever I have suggested this on TVV, the comments section has exploded in derision.  I’ve always regarded TVV as community orientated, and given so many readers do have such affection for what Comrade Colin has described as ‘a love letter to Glasgow’, it would be churlish not to include it in the rundown.

#434: The Pipettes – Judy

Again, I make no apologies to repeat that the guest ICAs have become the most important part of TVV.  The Pipettes were the subject of ICA #93, penned by strangeways in November 2016. As ever, the writing was of the highest imaginable quality, and the songs weren’t too shabby either.

#433: The Shamen – Possible Worlds

The early incantation of The Shamen in the mid-80s was right there among the UK guitar-led indie-scene in the UK. A complete change of direction (and personnel) took place in 1988 and by 1991, their brand of dance/club music had crossed over into the mainstream with a string of hit singles.  This one is from the 1990 album ‘En-Tact’.

#432: David Byrne – Independence Day

I never saw Talking Heads play live, but I have seen David Byrne a couple of times,  The first was in 1989 at the Glasgow Barrowlands when he was touring the album ‘Rei Momo’, complete with a cast of 15 musicians.  It’s a celebration of Latin American culture and music, and the live show was a riot of colour and choreography. Come the end, the vast majority of the audience weren’t too fussed he had played just one Talking Heads song.

#431: Geneva – No One Speaks

This Glasgow band were often lumped in with their labelmates Suede and other contemporaries such as Gene and Strangelove.  One listen to their debut single, which reached #32 in 1996, and you’ll see why the comparisons were made.  Their debut album, ‘Further’, was a Top 20 hit in 1997, but the much-delayed follow-up, ‘Weather Underground’, which eventually came out in 2000, flopped very badly and led to the band being dropped by Nude Records. They split almost immediately.

#430: 1990s – 59

There are two ways to get to Villain Towers from Glasgow city centre. The best and quickest way is to take a train from Central Station, with it being just one stop and five minutes to Dumbreck, itself a couple of hundred yards away from the tower’s turrets. The alternative is to take a 59 bus, which nowadays is a pale imitation of its glory days some twenty-five years ago when it used to meander from the south side through the centre, over to the west end via Glasgow University every twenty minutes or so. Now, it’s merely an hourly service, from the city centre to the south side only.  And yes, the 1990s did include a song about the bus route on their sophomore album, ‘Kicks’, released in 2009.

Bonus track : 1990s – Pollokshields

The 59 bus makes it way through Pollokshields, an area of the city celebrated in song on the debut album ‘Cookies’, released in 2007.

Told you that this rundown was self-indulgent.  Talking of which……

#429: The Affectionate Punch – Scars VI (featuring The Vinyl Villain)

A number of amazing things have happened over the past 20 years as a direct result of getting this blogging show on the road, not least me being asked to contribute to a commercially released piece of music. This came about in 2020 when The Affectionate Punch got in touch and asked if I would consider doing a spoken vocal version of a new song that the collective had just written.  It took me all of a nanonsecond to say ‘yes’.  I still really can’t quite believe it ever happened.

#428: Father Sculptor – Lowlands

Continuing on the theme of amazing things to happen.  After I gave a glowing review to a live performance by up-and-coming Glasgow band Father Sculptor, the band got in touch to say thanks, after which there were further two-way exchanges of correspondence over a period of months.  It all led to me being asked to promote a gig that would see the launch of their vinyl debut, the ‘Faith and Violence EP’.  I did all the necessary – booking the venue, printing and putting up the advertising posters (with which Aldo helped me out as we traipsed around Glasgow), sorting out support acts (with thanks to Song, By Toad Records) and then crossing my fingers.  The sales were decent and I was on course to make the expected small loss that I was happy to absorb, but then in the week of the gig, the latest edition of the NME highlighted it as one to make sure you didn’t miss!!!

Stereo in Glasgow has a capacity of 300 and it ended up being around three-quarters full.  It meant that I could pay the two support bands and Father Sculptor much more than we had agreed beforehand, and I went home having broke even.  A great outcome to what was a memorable night.

#427: Josh Rouse – Winter In The Hamptons

Here’s one which evokes memories of The Go-Betweens at their finest and, dare I say it, the jauntier side of The Smiths. ‘Winter In The Hamptons’ is the only single from Josh Rouse to ‘crack’ the UK charts.  It did so for one week, entering at #100 on 19 February 2005.  A ridiculous state of affairs.

#426: Madonna – Hung Up

Unlike this lady, who can boast 71 singles going into the Top 40 of the UK charts going back to ‘Holiday’ in 1983 all the way through to Danceteria earlier this year. 13 of those hits have gone to #1, including Hung Up which did so in 2005.  Spoiler alert…..the Abba sample in this one is the only time the music of the Swedish superstars will appear in the rundown, although the band name will be namechecked.

#425: The Rezillos – Top of The Pops

A programme on which Madonna would have featured regularly, although more often than not via a promo video as she was too famous and busy to drop into the studio other than on a handful of occasions.  The Rezillos were great fun back in the late 70s….two albums and five singles of which this is easily the best known and most remembered.  There was a short comeback with a third album in 2015 while singer Fay Fife continues to entertain and perform as The Countess of Fife.

#424: Mighty Mighty – Everybody Knows The Monkey

A personal favourite from the C86 era, the 40th anniversary of which is being celebrated with its own year-long series on the blog.  This was the Birmingham band’s self-released debut single which was followed up by five further mighty 45s and one album.  The band reformed briefly in 2009/10 to play at Indietracks in the UK and at Popfest in Berlin and then in 2012, Cherry Red Records issued a compilation double CD which captured everything they had recorded, including material that had been intended for a sophomore album.

#423: Razorcuts – Sorry To Embarrass You

The first TVV celebration of C86 actually came back in 2015 with a year-long series called ‘Next Year’s Nostalgia Fest’.  One of the song was ‘I’ll Still be There’ by Razorcuts which I dismissed as “….the  perfect example of the off-putting whining, struggling-to-hit-the-right notes delivery that quickly became synonymous with much of the C86 genre.”

Thankfully, I later came across a few more Razorcuts songs and in October 2022, I posted ‘Sorry To Embarrass You’ with a small apology for my words back in 2015 and saying this about what was the band’s second single – “It’s a very solid, enjoyable and catchy piece of mid-80s indie pop, albeit the vocal does occasionally verge towards being very off-key, but I suppose that all becomes part of its charm.”

#422: Silver Biplanes – Just One More Thing

The C86 era and the wider indie-pop genre still gets celebrated in many ways, including the annual Glas-Goes-Pop Festival, which had its fifth staging back in August. Myself and Aldo have gone along to all of them, and along the way there’s been a few very pleasant surprises, not least the set in 2025 from Silver Biplanes, a self-described ‘indie pop post-punk psychedelic krautrock glam band’.  One of the mainstays in Silver Biplanes is Tim Vass, who many years ago was the bass player in Razorcuts.

#421: Tuff Love – Duke

Tuff Love released three EPs across 2014/15 on the Fife-based label, Lost Map.  They were a duo of Julie Eisenstein (guitar/vocals) and Suse Bear (bass/vocals) who specialised in catchy songs of an indie-pop bent that wouldn’t sound out-of-place at a C86 evening albeit there are noticeable influences from later acts such as The Breeders, Elastica and Bikini Kill.

Fun fact.  Scottish soul/pop singer Paolo Nutini personally invited Tuff Love to be on the bill of his one-off outdoor show at Glasgow’s Bellahouston Park in 2015. The bill also featured the legendary Grace Jones.  The show was attended by a sold-out audience of 35,000.

#420: Age of Chance – Kiss

In June 1996, just three months after Prince had taken ‘Kiss’ into the Top 10, a little-known indie-band from Leeds, with just two self-released singles to their name, decided to perform the song as part of their second session for the John Peel Show on BBC Radio 1, after which an indie label offered a one-off single deal, but on the proviso that Kiss is part of the release.

November 1986.  The cover version is released with the band stating they had “removed the sex and replaced it with lump hammers”. It reaches #50 in the UK charts.  Prince is reported to have approved of everything.

#419: Fun Lovin’ Criminals – Scooby Snacks

Call it the Tarantino effect as Fun Lovin’ Criminals breakthrough in 1996 came thanks to a single which sampled dialogue from ‘Reservoir Dogs’ and ‘Pulp Fiction’, two of the biggest films of the early 90s that had turned a previously unknown scriptwriter and director into the hottest name in Hollywood. Worth noting that the catchy guitar riff was also sampled.

#418: Les Négresses Vertes – I Love Paris

Les Négresses Vertes arose from the alternative-music scene in Paris in 1987.  I don’t have too much in the collection and this comes from its inclusion on the ‘Red Hot + Blue’ compilation of Cole Porter covers released in December 1990 to raise money for AIDS charities.  Maybe it’s all down to the accordion and the accent in which the lyrics are sung, but this is the song I always find myself singing to myself when I visit the French capital.

#417: Stornoway – I Saw You Blink

There was a brand of indie folk that became quite fashionable towards the end of the first decade of the 21st Century. The problem was that too many of the emerging bands sounded like the loathsome Mumford & Sons.  I always felt Stornoway managed to rise above the dross, albeit the record buying public didn’t agree with me as none of their singles were hits.

#416: Wolf Alice – Yuk Foo

Wolf Alice had burst onto the scene in 2014/15 with a series of critically acclaimed singles and the debut album ‘My Love Is Cool’.  In June 2017, they released a new single.  When I heard it on the radio, I thought the copy being played was faulty and jumping all over the place. Turned out that the mute button had to be hit on what seemed like every second or third word.  The music critic in The Guardian later that week described it as “a two-minute surge of self-indulgent punk fury”.  Works for me.

#415: Tom Tom Club – Wordy Rappinghood

As evidenced by Yuk Foo………..‘Words are Stupid, Words Are Fun’

#414: Northside – Shall We Take A Trip

Northside were a Manchester band, and given what Factory Records was becoming famous for at the beginning of the 90s, it was a natural home for them. This was their debut single for the label and I’m thinking that it will bring back fine memories for those of you who loved popping your Ecstasy tablets (I was too old and, even worse, in gainful employment to consider engaging in such behaviour in 1990)

#413: Madder Rose – Car Song

Madder Rose were a four-piece band from New York. The main songwriter was lead guitarist Billy Cote, but the vocal duties were taken by rhythm guitarist Mary Lorson. They emerged in 1993 with a sound quite different from the grungy stuff that had dominated indie music for the preceding two years, and a million miles away from Britpop that was shortly to take over. In other words, they were doomed to be no more than a cult footnote in history thanks to being in the wrong place at exactly the wrong time.

#412: I, Ludicrous – Preposterous Tales

This lot have kicked around from the the mid 80s and their most recent album dates back to 2017. But they are probably best known for the song on their debut flexidisc which was voted in at #11 in John Peel’s Festive Fifty of 1987.  I’m sure we all know and tolerate someone like Ken McKenzie……….

#411: Blondshell – T&A

Is it right that a 60-something male music fan should be a fan of the sort of indie-rock songs with a feminist bent that are written, recorded and released by a 20-something from Los Angeles?  No need to answer as the question is wholly rhetorical.

#410: Dead Hope – Swordz

Dead Hope were a three-piece group. In September 2017, they released a debut album, ‘Songs From The Second Floor’. It contained ten tracks and took about 34 minutes from start to end. In some ways, the songs were a mild variation on the one tune, but in all honesty, it was a belter of a tune that stood up to repeated listening.

In October 2018, the band’s drummer, Keith Martin, died from cancer at the age of 51.  I was only on nodding terms with Keith thanks to the music scene in Glasgow, but I’m good pals with a lot of people who were very close to him, including some who had known him all their lives, from their time playing in bands in their home town of Irvine, a new town that had been built in the 60s to deal with urban overspill from Glasgow.  Keith’s friends miss him greatly and think of him every day.  He was also the inspiration for one of the main characters in the novel ‘Mayflies’, written by Andrew O’Hagan.

#409: The Big Gun – Heard About Love

I’m typing these words and wondering to myself why this isn’t in the Top 120.  History doesn’t say record much about The Big Gun. They only ever released one single, ‘Heard About Love’, on their own Hi-Fibre label in 1986.  Thirty years later, a Berlin-based record label, Firestation Records, issued all six bits of music known to have been made by the band, including three previously unreleased demos, on a limited edition 12″ EP.  It is one of my most treasured bits of vinyl.

The vocals and lead guitar on this one?  The very same Keith Martin who later drummed with Dead Hope.  The percussionist on ths one?  Andy O’Hagen.

#408: Girls At Our Best – Getting Nowhere Fast

I was intrigued when noticing that ‘Getting Nowhere Fast’, a Wedding Present b-side, had been written by ‘Alan, Evans, Swift, Oldroyd’.  But the names meant nothing to me and in the pre-internet days couldn’t readily be looked up.  It was to be some time before I learned that the original had been by a Leeds band called Girls At Our Best, released in 1980. Even when furnished with that information, I was still none the wiser. Eventually I got to hear the original. And loved it more than the cover.

#407: Sam Cooke – A Change Is Gonna Come

Written in 1964.  Things may have got slightly better in some instances, but many are still waiting for the change.

#406: Withered Hand – Horseshoe

Withered Hand is the stage name adopted by Dan Willson, an English-born but Scottish-based musician. He was a relative latecomer to music, seemingly not picking up a guitar until the late-90s, by which time he was in his 30s. It took until 2009 before he released his debut album ‘Good News’, and a further five years for the follow-up, ‘New Gods’ to appear.  The wait was worth it as the end result was a tremendous blend of indie/pop/folk/acoustic music of what often seemed to be short stories set to memorable tunes. Horseshoe is one of the singles to be found on it.

#405: Belly – Feed The Tree

It’s not just ICAs that have formed the basis of guest postings.  One of my favourites was the £20 challenge in which SWC and the late, and much missed, Tim Badger came up with and supplied ten posts outlining how they managed to spend that total amount on CDs in charity shops.  Tim spent £1.50 on Star, an album released in 1993 by Belly, to the great delight of SWC as he offered up this review

” ‘Star’ is a stunning record. It has aged very well, full of happy/sad sugar-coated indie pop that has this excellent wooziness running through it. In tracks like ‘Gepetto’, ‘Feed the Tree’ and Slow Dog’ it had three tracks which filled the indie dance floors of my early(ish) 20s.”

The thing is, I reckon that if I was at an indie disco in what is now my early-mid 60s, those three songs would still fill the floor.

#404: Duran Duran – Girls On Film

As might this.  But only if the dancers were being ironic.

#403: Malcolm Ross – Lowshot

The only man who has recording credits with all three of the Scottish bands who signed to the original Postcard Records. He was a founding member of Josef K while Edwyn Collins later made him an integral part of Orange Juice after the initial line-up of that band had imploded, and Roddy Frame, having recognised that a second guitarist was essential for the live setting, drafted him into Aztec Camera initially for touring purposes but afterwards for studio work.

Malcolm Ross is one of the great unsung heroes of the Scottish indie music scene.  He spent the latter half of the 80s and much of the 90s as a musician for hire, including stints with Barry Adamson, Blancmange and Paul Haig, He also released the above fantastic solo single in 1993

#402: The Monkees – Last Train To Clarksville

I’m just too young to remember the first airing of ‘The Monkees’ TV show which ran from September 1966 to March 1968. It was, however, a programme which was seemingly on constant repeat within the children’s segment of BBC1 in the 70s and therefore was one of my earliest exposures to pop music outside of the radio and whatever was played by my folks at home. I loved the show.

‘Last Train To Clarksville’ is sung by Micky Dolenz, my favourite of The Monkees. Oh and it also has the word Clark in part of its title and that’s my surname…

#401: Randolph’s Leap – Hermit

Another of the great moments of my blogging life can be found on the wiki page of Randolph’s Leap. Tucked away within the section dealing with their 2014 single ‘Hermit’ are some words lifted from T(n)VV : “the keyboards, violin, trumpet and trombone invoke marvellous memories of Dexys at the height of their powers but with lyrics that invoke the gentle humour and playfulness of Neil Hannon.”

That’s the sort of thing that makes all of this seem worthwhile.

400 down. 400 to go.  Thanks for sticking with me.

 

JC

#480: Billy Joel – It’s Still Rock’n’Roll To Me

1 April 2016.  A Billy Joel ICA.  It was hatched over a few beers with Jacques the Kipper – the fact that we have an otherwise indie-music loving pal whose passion for Billy Joel knows no bounds has always been a source of amusement and bemusement to us.  I was keen to do something riduculous for 1 April as I never want to be accused of taking this blogging lark too seriously. I’ll repeat what I said back then….thanks to everyone for seeing the funny side, especially those readers who are Billy Joel fans and didn’t take too much offence. 🙂 🙂

#479 : The Cramps – Human Fly

A breathtaking and extraordinary single from 1978.  A throwback rockabilly offering with a gothic and surreal twist.  In December 2017, our dear friend Dirk came up with ICA # 149, and in his introduction he said, and with some justification, that there’s a case to be made that The Cramps, while perhaps not the most sophisticated band on the planet, could be the ones who invented rock ‘n’ roll in the truest sense of the word, including all the dirt and filth it brings within.

#478: Nelly Furtado – I’m Like A Bird

Most singers and bands in this countdown have an extensive body of work to select from.  Nelly Furtado gets in on the basis of one rather sad but upbeat break-up tune that was a worldwide hit back in 2000.  I honestly couldn’t tell you the name of any of her other songs.

#477: Sons Of The Descent – Look At The Sky

Edinburgh duo Hugh Duggie and Ian White are ex-Factory Records and ex-Mute Records artists, and between them, they were in the Wendys, Foil, and Lowlife. Their collaboration as Sons Of The Descent was brought to the attention of the TVV community back in 2017 thanks to their debut album, ‘Lazy Glamour’, being championed by Jacques the Kipper. ‘An album that contains more hooks than Vinnie Jones’s rucksack on a wild fishing weekend’

Indeed.

#476: Paris Motel – Mr Splitfoot

I can’t celebrate 20 years of TVV without acknowledging that what kept things going in the early days was reading what other bloggers had to say and giving listens to their recommendations, which is how I initially was introduced to Paris Motel, a London-based outfit, led by singer and multi-instrumentalist Amy May, whose dark alternative chamber-pop songs struck a chord.  This Bad Seeds influenced number was part of their debut EP, ‘071’, that had been released in 2005.

#475: Bow Wow Wow – Go Wild In The Country

Formed in 1980, Bow Wow Wow were a band you tended to read far more about than actually get to hear for yourself thanks to the role taken by Malcolm McLaren in constantly seeking to manufacture one outrage or another in the tabloid press. Thankfully, the music did prove to cut the mustard, and ‘Go Wild In The Country’ brought a deserved Top 10 hit in March 1982.

#474: The Human League – Empire State Human

Another which came close to the Top 120. ‘Empire State Human’ is a magnificent record. I cannot to this day understand why it failed to chart either time it was released in 1979 and 1980.  It wasn’t as if radio stations were totally adverse to electronic pop as Gary Numan was riding high in the charts throughout that year. It’s one of those songs that sticks with you when you play it and you just can’t get it out of your head. And it’s not an unpleasant feeling.

#473: Marion – Violent Men

Now I know it’s easy to get all nostalgic about these sorts of things and creep into hyperbole….but the fact remains that the first Marion gig I got along to in late 1994 was one of the best performances I’ve ever seen at King Tut’s. I remember coming away convinced I’d seen the 90s equivalent of The Smiths after with a set that consisted of songs which fell into two distinct camps – instant pop classics that would sound great on the radio or instant bedsit classics that would soundtrack many a students’ life. Got that one wrong (and not for the first time)

#472: The Just Joans – No Longer Young Enough

Named after a long-standing agony aunt from a popular Scottish tabloid newspaper, The Just Joans have been described as ‘the missing link between The Magnetic Fields and The Proclaimers’.  They’ve been on the go, in one shape or other, since 2007, and from the outset have been given the classification of a cult band, seemingly content to be appreciated by a discerning but loyal fan base. The track selected for this rundown comes from their third LP, ‘You Might Be Smiling Now’, released in 2017.

#471: Horace Andy – You Are My Angel

August 2021 saw a blog piece on the sublime ‘Angel’ by Massive Attack, after which Swiss Adam left the comment about it being “like a late 20th c Joy Division with Horace Andy on vox”.  It’s only right that tribute is paid in this rundown to Horace Andy, a long-time superstar in the Caribbean, but who only became really well-known in the UK as a result of his collaborations with the afore-mentioned Massive Attack. The Bristol trip-hoppers, however,  didn’t just see Horace Andy as a voice for hire and they very much involved him in the creative process.

#470: Alexi Murdoch – Song For You

Alexi Murdoch was born in London in 1973 to a Greek father and Scottish-French mother. He lived in Greece until he was ten, when his family moved back to Britain, settling in Scotland. In 1992, he moved to America to study, and it was on the west coast, in and around Los Angeles, that he began to build a reputation as a singer-songwriter of some note. He never became the most prolific of artists – one EP and two albums between 2002-2011, but it was all of the very highest quality, This is  from the 2006 album ‘Time Without Consequence’.

#469: The Jesus and Mary Chain – April Skies

Another one whose absence from the Top 120 might well cause some surprise, or even outrage, in some quarters.  I do like the Jesus & Mary Chain, but not to the extent that I have loads of their records and I certainly can’t claim to be some sort of expert on them….if it was my specialised subject on Mastermind, I’d probably score about five points with fifteen or so passes.

#468: One Thousand Violins – Please Don’t Sandblast My House

One Thousand Violins, from Sheffield, were active between 1985 and 1989 during which time there were seven singles and three albums released across a number of different indie labels.   This was their second single, released in 1986 on Dreamworld Records, a label set-up and run by Dan Treacey of The Television Personalities

#467: Television Personalities – Part Time Punks

One of many bands inspired by the DIY nature of the punk/new wave scene, London-based Television Personalities second release in 1978 was the EP ‘Where’s Bill Grundy Now?’, with the lead track having a dig at the TV presenter whose notorious live interview with the Sex Pistols had caused such fury.  Tucked away on the b-side was a true classic, wittily disparaging those who, every weekend, would cluelessly flock to London from afar, simply to pose down the King’s Road close to Malcolm McLaren and Vivienne Westwood’s clothes shop.

#466: Billy Reeves – Never Cross

Billy Reeves formed Theaudience in the mid-90s, a London-based indie-band who enjoyed a couple of minor hit singles but who later became better known for being the first band of singer Sophie Ellis-Bextor (of Murder On The Dancefloor fame).  A lot happened to Billy after theaudience split up, but he gradually returned to music and by 2022 had signed to Last Night From Glasgow for whom there has now been three solo albums.  This electro-pop anthem with an important message can be found on 2024’s ‘When Lord God Almighty Reads The News’.

#465: The Beat – Mirror In The Bathroom

TUNE!!!!!!!!!!!!!  Particularly the bass lines and the saxophone playing.

#464: British Electric Foundation (feat. Billy Mackenzie) – It’s Over

The 1982 compilation ‘Music of Quality and Distinction Volume One’, was the work of British Electric Foundation (B.E.F.), the two blokes who had earlier been booted out of The Human League but would go on to enjoy huge success with Heaven 17.  The idea of the album was to bring in guest singers to perform cover versions with modern musical interpretations supplied by Martin Ware and Ian Craig Marsh.  For this one, which closed the album, B.E.F. threw the kitchen sink at it. Cellos, harps, violins, french horns, castanets and timpanis are all high in the mix. The astounding vocal delivery was the cherry on top.

#463: Kelis – Caught Out There

Another astounding vocal delivery in which the song deals with the ending of a relationship.  I always thought that Kelis would have taken this to #1 if the song had been called ‘All Men Are Bastards’.  Everyone had to make do with #4 in March 2000.

#462: Otoboke Beaver – Datsu.Hikage No Onna

If the translation from Japanese to English is on the right lines, then this is a close cousin to everything Kelis was singing about.  I love Otoboke Beaver…they’ve been one of the best discoveries since I started up the blog. I’ve hoovered up everything they’ve released and made available here in the UK and seen them a few times too.  The only reason they’re not in the Top 120 is because the song is such a perfect fit at this juncture in the rundown.  This can be found on the 2019 album, ‘Itekoma Hits’.

#461: M – Pop Muzik

Some might argue that this was a novelty number and a bit of an annoyance, but the passage of time has more than convinced me that it’s a bona-fide pop classic. Pop Muzik spent 14 weeks in the charts in 1979, peaking at #2. It was also a huge hit in many other countries, and probably sold enough copies to ensure that its composer, Robin Scott, would never again have any financial concerns.

#460: Sacred Paws – Strike A Match

The title track from the winner of the Scottish Album of the Year Award in 2017.  The emergence of Sacred Paws generated a fair bit of buzz round these parts thanks to an energetic blend of spiky guitars, funky drumming/percussion lines and vocals that were chanted as often as they were sung. Throw in the fact that the two musicians, Rachel Aggs and Eilidh Rodgers, were obviously enjoying themselves on stage and you had a decent recipe for success.

#459: Tom Waits – Emotional Weather Report

Tom Waits has had just one appearance on the blog since 2013, and that was through being part of the series ‘Some Songs Make Great Short Stories’ .  But I am absolutely certain that I wrote something up on the old blog sometime between 2006 and 2013, expressing some love for his 1975 album ‘Nighthawks At The Diner’, and in particular the cleverness and wit of ‘Emotional Weather Report’.

#458: Yazoo – Don’t G0

Vince Clarke let it be known that debut smash hit ‘Only You’ wouldn’t be atypical of  much of the new material he was writing. His target was to fill the dance-floors of the new wave of disco nights sprouting up all over the country in the wake of the explosion in synth-pop. ‘Don’t Go’ certainly did that, being an incredible blast of high-energy music with the catchiest of riffs along with a blistering and pleading vocal which highlighted Alison Moyet’s blues and soul influences.

#457: The Magic Numbers – Forever Lost

A #15 debut single hit from the summer of 2005. It doesn’t seem as if was as long ago as that. A bittersweet break-up song clothed in a ridiculously upbeat and zestful tune. The Magic Numbers never bettered this.

#456: Black Box Recorder – The Facts Of Life

Black Box Recorder’s debut LP, ‘England Made Me’, got a fair bit of critical acclaim upon its release in 1998 but didn’t sell all that well, perhaps because it was a very downbeat take on the struggles of everyday life where the gap between the haves and have-nots was ever-increasing and life for many seemed to be mundane and not worth bothering about.  Coming (ahem!) to the conclusion that sex sells, the follow-up LP ‘The Facts of Life’ kept the style of music while many of the lyrics were a bitter commentary on the peculiar attitude us Brits – or more precisely the demograph referred to as Middle England – have to sex and pornography.

#455: Iceage – Hurrah

ICA #221 arrived in August 2019.  It’s full of the sort of outstanding writing we’ve come to love from SWC, packed with nuggets.  I was particularly taken by “Iceage were formed in 2008, in Copenhagen, and comprised four teenagers raised on a diet of Black Flag, Dead Kennedys, Crass and a liking for highbrow references about art, French Philosophers and Nietzsche. They were widely touted as being the greatest thing to hit the post punk pop gothic world since Joy Division (if Joy Division looked like The Strokes that is). “

There’s now been seven albums.  The song that made the cut for this rundown is from the fourth of them, ‘Beyondless’, released in 2018.

#454: Rote Kapelle – These Animals Are Dangeroos

An 80s post-punk band from Edinburgh whose members all played in other bands based in the city.  The success of an initial self-released debut EP in late 1985, led to them being signed to the In-Tape label which was owned by Marc Reilly (ex The Fall and future BBC Radio icon).  They would record three singles, and album and a mini-album between 1986 and 1990.  This was their first single for the label.

#453: Saint Jude’s Infirmary – The Church of John Coltrane

This Edinburgh ensemble made two albums in the 00s.  Their music? Well, it’s actually quite hard to pin down. They described themselves in an interview back in 2007 as ‘noisy, modern European folk music’, in which they also cited their influences as being The Velvet Underground, The Jesus and Mary Chain, The Replacements and Tom Waits, along with stoner rock and krautrock, which really is a helluva melting pot. This is the opening track on their first album ‘Happy Healthy Lucky Month’, released in 2007.

#452: Pop Will Eat Itself – Ich Bin Ein Auslander

Formed in 1986 in Stourbridge, a town in the English Midlands. Kicked around till 1996, reformed briefly in 2005 and then for a second time in 2010, Pop Will Eat Itself are still entertaining the masses today.  Their style of music has changed on a number of occasions, as perfectly captured in a stupendous guest ICA (#234) back in January 2020, courtesy of acidted.

“A turn for the straightforwardly political. A track that asks us to face attitudes in England towards immigration and identifies with the other. It talks of the “rise of the right”….and takes Eastern instruments and a load of Led Zep samples to produce probably their most powerful track. Musically works today, politically still sadly works today.”

#451: Big Country – Angle Park

I loved the early material from Big Country.  I was delighted they crossed over into mainstream success as it proved Stuart Adamson could make it in the pop/rock world without relying on Richard Jobson, the effervescent and show-stealing frontman of The Skids.  I have to admit to becoming a wee bit bored with some of the later music and didn’t pay too much attention to anything after the second album. They were always going to make the rundown, and I’ve plumped for the b-side to ‘Fields Of Fire’, their first hit single back in February 1983.

#450: Sister John – Thinner Air

I love the idea that the blog has sometimes succeeded in bringing music to the attention of a wider audience.  Khayem offered up a guest ICA (#408) in March 2026, looking at another of the acts to be found on Last Night From Glasgow, in which he wrote:- “Chances are, Sister John may have passed me by altogether, were it not for the recommendation from the blogging community, which would have been a tragedy.”   This one is from the debut album, ‘Returned From Sea’, released in 2017.

#449: The Vultures – Good Thing

I love the idea that the blog has often succeeded in bringing music to my own attention!!  I’ve gathered the material for the long-running Saturday’s Scottish Song Series in different ways, including buying various CD boxsets devoted to Scottish bands and musicians, and that’s how I discovered The Vultures, an Edinburgh four-piece whose sole output was an EP back in 1988.

#448: Otis Redding – (Sittin’ On) The Dock Of The Bay

I could never dream of calling myself anything other than a total novice when it comes to soul music. There’s not a great deal of it to be found in the collection. This really is quite a beautiful song, one that I can’t imagine too many folk saying they don’t like it.

Spoiler alert.  The whistling on this tune will feature on one of the songs that made the Top 120.

#447: Rage Against The Machine – Killing In The Name

Bit of a contrast from #449 in the rundown…….

This one from the eponymous RATM debut album released in 1992 was featured on the old blog as part of a post which mulled over some songs packed with swear words.  The post concluded that sometimes it was stupid to do so, but there were some instances, such as this, when it was wholly appropriate.  plus ça change

#446: Swansea Sound – I Sold My Soul On EBay

A band that came into being during lockdown and decided that fast, loud, political indiepop punk was the answer to being stuck indoors. An indie supergroup (of sorts) given that members of Talulah Gosh, Heavenly and The Pooh Sticks are involved. Unsurprisingly, the music is upbeat and, punchy, packed with intelligent, hard-hitting and occasionally nostalgically warm lyrics. This one, however, is firmly in the here and now.

#445: The Lotus Eaters – The First Picture Of You (12″ version)

Everyone involved in The Lotus Eaters was part of that great Liverpool scene of the early 80s, albeit the band didn’t come together till long after the demise of Zoo Records.  In October 1982, they were  invited to record a session for the John Peel Show before they had signed to any label. There proved to be a particular buzz about one of the songs aired during the session, and it was no real surprise that it would prove to be the debut single.  This wonderfully dreamy laid-back piece of pop reached #15 in July 1983.

#444: Gold Blade – Hairstyle

Another that I’m sure I wrote about on the old blog. It pays to occasionally appreciate silly songs. Goldblade allegedly make punk music, but the little I know of their music makes me think it’s of the less serious almost cartoon type. I could be wrong, but then again I am basing my views on things like this 1998 single.

#443: F.O. Machete – Kids Of The Summer

A Glasgow duo whose debut album back in 2004 totally passed me by.  For all sorts of reasons, it took until 2025 for a follow-up to appear, and the fact it came out on Last Night From Glasgow is how and why a copy landed in my hands.  Hooks and riffs abound on ‘Mother Of A Thousand’ and it proved to be the sort of album which seemed to throw up something fresh and different with each and every listen.

#442: The Cardigans – Rise and Shine

So much of this Swedish band’s early material was a real delight, particularly the period from 1994 through to 1996 which brought three albums of superbly crafted pop songs.  And then, in 1997, they released ‘Gran Turismo’ which spawned three hit singles but turned The Cardigans into a run-of-the-mill, dull and indistinguishable band. The light touch and humour that was so obviously on display on previous releases was replaced by boom and bombast, It sold in huge quantities and brought them a wider audience but in doing so everything that had been attractive about the band was lost.

#441: Interpol – PDA

In the days before blog’n’roll I used to spend quite a few hours watching music videos on MTV2 which is where I learned about Interpol. I had no idea that this NYC band had a little-known Glasgow connection in that, before they signed to Matador Records and hit payola from 2002 onwards, there had been a limited edition EP issued on Chemikal Underground. For this rundown, I’ve turned to the first song of theirs I ever heard via MTV2, an earlier version of which had been recorded for that EP on Chem.

 

JC

#520: Flaming Lips – Yoshimi Battles The Pink Robots (Part 1)

I’m thinking most would have preferred to hear ‘Do You Realize??’ as the offering from Wayne Coyne & co. in this rundown, and while there’s no denying that it is one of the most incredibly moving indie-rock songs ever written, I’ve always leaned towards the title track of the band’s tenth album, released in 2002.

#519 : Klark Kent – Don’t Care

Released by Stuart Copeland (drummer with The Police) under a pseudonym on Kryptone Records back in 1977.  As JTL once wrote on this blog, it’s a great little new wave tune with Copeland singing and playing all the instruments.

#518: Popup – Chinese Burn

Another great little new wave type of tune.  This time from 2006 by a Glasgow-based band who recorded this 45 for a Leeds based DIY-label. It was later included on the band’s debut album, ‘A Time & A Place’, released in 2008.

#517: Nada Surf – Popular

An incredibly catchy 1996 debut single from a band from New York. The choruses are sung, but each verse is sarcastically delivered in a spoken voice, with every word lifted from a 1964 etiquette book for girls that had been written by a B-list Hollywood actress.

#516: Shampoo – Trouble

Maybe if London teenagers Jacqui Blake and Carrie Askew had paid attention to said 1964 book, then the duo might have avoided everything that happened to them on a night out.  A great little anthem from 1994 that reached #11 in the UK charts.

#515: The Tourists – I Only Want To Be With You

And once again we find the rundown returning to 1979, a year in which this London-based pop-rock band (with a Scottish-born lead singer) enjoyed three hit singles, of which, this radio-friendly take on a song that was originally a debut hit for Dusty Springfield back in 1964.  Fun fact : both The Tourists and Dusty’s versions peaked at #4 in the charts.

#514: Dusty Springfield – I Just Don’t Know What To Do With Myself

One of the UK’s most successful pop exports of the 60s.  Elton John, when inducting her into the Rock’n’Roll Hall of Fame in 1999, which happened just two weeks after her death from cancer at the age of 60, said “I just think she was the greatest white singer there ever has been … every song she sang, she claimed as her own”.  She certainly does so on this 1964 hit, co-written by Burt Bacharach and Hal David.

#513: Jonathan Fire*Eater – The Search For Cherry Red

A New York-based band, but originally from Washington DC, who released two albums and a handful of singles between 1993 and 1998. My personal favourite is this, the lead track from the ‘Tremble Under Boom Lights EP’ (1996).   Have always felt this was a band just a few years ahead of its time and who quietly and subtly influenced many guitar bands who came along just a few years later.

#512: Poster Paints – Number 1

Poster Paints emerged in 2021 after two Glasgow musicians – Simon Liddell (ex- Frightened Rabbit) and Carla J Easton (ex-TeenCanteen) began to collaborate by e-mail during that awful period when we were in lockdown from the COVID virus.  This, their debut single, is fine blend of indie and dream pop.  There would later be an eponymous album, released in October 2022, after which they went off to do other things.

#511: U2 – The Fly

I first heard ‘The Fly’ on the radio.  I was quite stunned by it as it was, to coin the cliché, a million miles away from what I had been expecting. Bono has since said that the song was the sound of four men chopping down ‘The Joshua Tree’, such was the extent of the departure from the album which had won them millions of fans the world over.  Just a pity that they haven’t really come close to doing anything as interesting again over the past 35 years.

#510: The Siddeleys – What Went Wrong This Time?

“It feels like The Siddeleys were indiepop’s perpetual bridesmaids. The band was a fixture on that rampant UK scene of the late 80s, but never quite ascended to wider prominence. It’s an old story, of course, and one that’s in no way exclusive to this group. But it’s an odd thing when set against the quality of the lyrics and music, and the appetite of the scene.” 

As penned in ICA #265, a guest offering from strangeways in October 2020. This was the debut single.

#509: The Durutti Column – For Belgian Friends

It’s impossible to really define Vini Reilly, the now 73-year-old guitar virtuoso.  He’s been making music for the best part of 50 years, and not once has he leaned towards the commercial side of things.  Some night say he was indulged by Factory Records mogul Tony Wilson, as most other labels would have dropped him for poor sales.  I like some stuff….but all too often it goes right over my head.  But I easily found a place for this one in the rundown.  It was released on the compilation album, ‘A Factory Quartet’, back in 1980.

#508: Mogwai – Ritchie Sacramento

A Glasgow band whose output at times delights me, while all too often confuses and bemuses me.  My preference really is for the songs with lyrics rather than the noisy and occasionally difficult post-rock instrumental efforts. This one is from the 2021 album ‘As The Love Continues’.

#507: Kristin Hersh – Your Ghost

1994 debut solo single from the Throwing Muses main protagonist.  Kristin called in a favour from her dear friend Michael Stipe. It’s a song that caught a lot of people by surprise – aficionados of Throwing Muses were astonished at the stripped-back beauty and simplicity of the track while R.E.M.‘s newest batch of fans were left scratching their heads and wondering why Stipe would feature so prominently on a recording by a musician more or less unknown in commercial or mainstream circles.

#506: Ice-T – Shut Up, Be Happy

The menacing and haunting opener for the LA rapper’s third solo album, ‘The Iceberg/Freedom of Speech… Just Watch What You Say!’, released in October 1989.  Jello Biafra supplies the vocal over a Black Sabbath sample.  Four decades on, and it doesn’t sound too far-fetched a tale given how America has been governed in recent times.

#505: At The Drive-In – One Armed Scissor

Almost as a rule, I don’t do noisy shouty-shouty bands/songs, but I’m prepared to make an exception for this 2000 debut offering by a bunch of hardcore punks out of El Paso, Texas.  Not sure if I could last more than a couple of songs in the live setting, mind you.

#504: Blink 182 – I Miss You

Mrs Villain (aka Rachel) is a huge fan of this pop-punk lot.  I have next to no time for their juvenile, annoying and very often misogynist antics – Rachel thinks it’s all very tongue-in-cheek and that I shouldn’t take things so seriously.  Out of the blue, they released a single in early 2004 that sounded like The Cure when Robert Smith has decided to compose another of his superb songs about his relationship with his wife.  ‘I Miss You’ is more than worthy of a place in this rundown.

#503: She’S HiT – Shimmer Shimmer

Two magical minutes from a band, who in 2010, blew me away when I saw them as a support act in a tiny basement venue in Glasgow. Over the course of a set that lasted maybe 35-40 mins, they delivered tunes that at times had me thinking of the Jesus and Mary Chain, The Birthday Party/Bad Seeds, The Cramps, My Bloody Valentine, The Stooges, Sonic Youth, Velvet Underground, The Raveonettes and The Pixies. So much to take in!!!

#502: Such Small Hands – Do I Belong Here?

Such Small Hands is the solo project from Melanie Howard, who, between 2018 and 2023 was the bass player and occasional vocalist with The Wedding Present. The sole album thus far, ‘Carousel’, was released in 2020.  It’s a dark offering in that the lyrics dwell on many personal issues Melanie has faced in her life, but the music, which is almost exclusively acoustic with an occasional touch of electronica, is rather lovely.

#501: St Etienne – Only Love Can Break Your Heart

The debut single from back in 1991 features Moira Lambert on vocals as it pre-dates Sarah Cracknell joining the band. It was also from when they were known as St Etienne with the fuller name of Saint Etienne being adopted from the second single onwards.  I’ve loved plenty of their songs over the years, but I still reckon this is their finest offering.

#500: Momus – A Complete History of Sexual Jealousy (Parts 17-24)

Nick Currie is regarded by many as a genius.  He records as Momus, named after the Greek god of mockery, and he records hyper-literate, quirky songs that often blend accessible dance-pop with heavy non-radio friendly themes such as paedophilia, necrophilia and adultery. My introduction came via this track being included on a Creation Records sampler album, ‘Doing It For The Kids’, released in 1988.  I’ve picked up a few of his singles and albums since, as well as giving a listen to 12 tracks selected by Khayem for a guest ICA, #323 in December 2022.  The verdict?  Some I’ve enjoyed, others not quite so much.

#499: Lush – Ladykillers

It’s a cracking pop song. Great riff, melody and lyric. You can’t really ask for anything more.  But then again, the fact it does take a pot-shot at 90s lad culture, toxic masculinity and pretentious men just makes it all that bit more special.

#498: iLiKETRAiNS – The Beeching Report

iLiKETRAiNS were brought to my attention by Comrade Colin. Wiki describes them as “an English alternative/post-rock band who play brooding songs featuring sparse piano and guitar, baritone vocals, uplifting choral passages and reverberant orchestral crescendos. They draw their inspiration from historical failings and a pessimistic world view.”

The thing is, I’m not sure what came first, the band’s name or the fact they wrote a song called ‘The Beeching Report’, named after a 1963 publication that was acted upon the UK government, leading to the decimation of large parts of the railway network.  But I reckon you could take from this particular song any modern-day metaphor you like, even to the extent of a loving relationship that has fallen apart. No wonder that back in January 2016, I described it as being the darkest offering on my i-pod.  But where, on the rundown, can we go from here??????

#497: Haircut 100 – Love Plus One

I don’t see any point in staying gloomy for too long. Dismiss this 1982 hit (#3 in March 1982) as lightweight pop all you want, but it’s not too far removed from the sort of sound that the record bosses were trying to get out of Orange Juice and many other Scottish pop bands of the day. It may be disposable and have no depth, but I’ll willingly hold my hand up and say I love it. And I’ll bet almost all of you prefer it to iLiKETRAiNS…..

#496: The Boo Radleys – Wish I Was Skinny

There can’t be many better examples than The Boo Radleys of a band being wrongly pigeonholed on account of their only single to reach the Top 10. ‘Wake Up Boo!’ was very unrepresentative of the often complex indie music they made throughout the 90s. This one in the rundown is a personal favourite notwithstanding the strange and noisy outro.

#495: Dizzee Rascal – Fix Up Look Sharp

‘The Big Beat’ was a song written and recorded by Billy Squier back in 1980.  Although a flop, it soon became one of the most sampled bits of music in modern-day hip-hop, with something in the region of 300 recordings now having leaned on it.  Dizzee Rascal’s second hit single, lifted from his 2003 debut album ‘Boy In Da Corner’, is one of them and possibly, certainly here in the UK, the best-known use of Billy Squier’s talents.

#494: Bar Italia – Punkt

Two-and-a-half minutes of mid-tempo, brooding post-punk from 2023 which helps to highlight how influential Wire have been on bands that have come along more than 40 years after they first came to the fore.

#493: Hamish Hawk – Calls To Tiree

It took me a while to appreciate Hamish Hawk, having first seen and heard him play a solo set in support of an acoustic show by Arab Strap in October 2021 and been less than impressed. His shows with a full band, as well as the three most recent studio albums he’s released between 2021 and 2014, have won me over.  This is one from ‘Heavy Elevator’ (2011).

#492: The Lightning Seeds – Pure

After the best part of a decade of being in the shadows, either as a producer using the nom de plume of Kingbird or as guitarist under his own name, Ian Broudie gained a higher profile after ‘Pure’ crashed into the UK Top 20 in the summer of 1989. I recall being blown away with the realisation that Kingbird actually had a voice to perfectly match the music he had been so involved with previously. Kind of like Dave Grohl years later coming out from behind the Nirvana drum kit and leading the Foo Fighters to rock stardom….totally unexpected but so natural.

#491: The Ruts – Babylon’s Burning

Coming from London, The Ruts were contemporaries (of a sort) to other punk/new wave bands from the capital such as The Sex Pistols and The Clash, but they always seemed to be in their shadows. Babylon’s Burning was their first release for a major label. It’s a genuine classic of the era, eventually reaching #7 in the singles chart.

#490: Strawberry Switchblade – Trees and Flowers

Strawberry Switchblade are often held up as one-hit wonders, thanks to their second single, ‘Since Yesterday’, hitting #5 a few months after its release in late 1984.  It’s a  great wee bit of pop music, but it doesn’t hold a candle to their debut.  Voted in at #47 in the 1983 John Peel Festive Fifty, this one features a lyric penned by Jill Bryson who genuinely suffered dreadfully from agoraphobia with long spells in her life where she couldn’t leave the house.

#489: Warren McIntyre & James Kirk – Miss Green Tea

Glas-Goes-Pop is an annual two-day festival of indie-pop magic that takes place indoors in early August at the Glasgow University Union.  2025 saw the release of the first ever single on the Glas-Goes-Pop label, involving a collaboration between two veterans of the local scene, albeit from different generations.  This is one side of that single and features James’s distinctive and charming vocals, as first enjoyed more than four decades ago when Orange Juice began making music.

#488: The Psychedelic Furs – Sister Europe (album version)

This dates back to February 1980.  It was the second 45 to be released by The Psychedelic Furs, and it came out just a few weeks in advance of the eponymous debut album.  As it turned out, the album version was about a minute-and-a-half longer.  It was a very strange choice as a 45, and I can’t imagine there was much airplay outside any nighttime shows.  ‘Pretty In Pink’ it most certainly isn’t. The album version is offered up as it’s less crackly than the 45.

#487: Paul Weller – Wild Wood

This blog has had more than its fill of posts on The Jam and The Style Council, but next to nothing from when Paul Weller embarked on a solo career. I’ve never got into  it as I’ve found the tunes rather dull and dreary. Lots of folk tells me that ‘Stanley Road’ is one of the best LPs of the 90s. I’ve tried listening to it a few times and it just bores me.  I don’t mind ‘Wild Wood’ but that’s really down to it being a more acoustic, pastoral sounding tune rather than those which were re-hashing his love for the 60s.

#486: Zoey Van Goey – Foxtrot Vandals

A Glasgow-based band whose three members came originally from Canada, Ireland and England respectively. They got off to the most wonderful of starts in 2007 with their debut single, ‘Foxtrot Vandals’, released on the locally-based Say Dirty Records, being produced by Stuart Murdoch of Belle and Sebastian. They soon signed to Chemikal Underground with the label releasing two albums – ‘The Cage Was Unlocked All Along’ (2009) and ‘Propeller Versus Wings’ (2011). Despite a lot of love for them in and around their adopted city, they never managed to make a wider breakthrough.

#485: Swervedriver – Son Of Mustang Ford (demo version)

These rockers from Oxford formed in 1989 and remain on the go today. ‘Son Of Mustang Ford’ was the lead track on their debut EP, released in July 1990.  I’m more fond of the demo version, which came with a free tape, given away with the April 1992 edition of Select, a monthly music magazine whose prime focus was indie music.  Grunge meets Teenage Fanclub??

#484: The Porch Song Anthology – Hang Me Good

Based in Glasgow, this four-piece were a half-Irish, half-Scottish band whose influences embrace pop, folk and rock. This is the opening song on their 2006 album, The Spell Of The Trembling Earth, and has been described elsewhere as “a big, doomy lament about what is quite clearly a bonkers girl who has done her man seriously wrong – it’s as good a song about deception, infidelity and capital punishment as you’ll ever hear in your lifetime.”  I think, in places, there’s a touch of R.E.M.’s Country Feedback.

#483: Mambo Taxi – Do You Always Dress Like That In Front Of Other People’s Boyfriends

Mambo Taxi weren’t with us for very long, and most commentators of the day described their sound as a mix of garage, punk and pop.  There were three singles in 1993 and an album in 1994.  I bought this, their third single, as I thought the title alone would make it worth having a listen.  I wasn’t disappointed.

#482: Idles – Danny Nedelko

It took me a few years to become acquainted with IDLES, and when I did, I found myself thinking of John Lydon, who once, very memorably screamed that ‘anger is an energy’, in which case then I’d wager that  Joe Talbot, lead vocalist and main songwriter with IDLES, is capable of single-handedly powering up a small town.

#481: Devine and Statton – Bizarre Love Triangle

In 1990, Alison Statton, the singer with Young Marble Giants (minimalist post-punk band from Cardiff) teamed up with the guitarist Ian Devine, from Ludus (art-rock band from Manchester). Their material was released on the Belgian-based Les Disques Du Crépuscule, and this beautifully understated cover version ‎of the New Order song was one half of their debut Double-A side single back in 1989.

 

JC

#560: Black Grape – In The Name of The Father

Black Grape, initially, may not have been with us all that long, but it was great fun across 95/96. Just about all of their singles are belters with some of the best lyrics Shaun Ryder has ever written.

#559 : Hadda Be – Another Life

The title track from an album released on Last Night From Glasgow back in 2021.  It’s a record that’s a very tasty slice of indie-pop, filled with shimmering guitars, punchy choruses, wonderful melodies and songs that, for the most part, come and go around the three-minute mark.

#558: The Horrors – Who Can Say

OK. So they don’t do anything us now 50/60-somethings haven’t heard before, but it has to be said that these Southend boys (a seaside town in the south-east of England) do it rather well.  This one is from their second studio album, ‘Primary Colours’, released in 2009.

#557: Scout Niblett – Kidnapped By Neptune

I’ve previously used this rindown to mention my first gig in Toronto – St Vincent at The Horseshoe tavern – when I lived across there in the summer of 2007.  Scout Niblett was the opening act on the night, fresh on the heels on recording her third album with Steve Albini as the engineer.  I bought the CD from the merch stall before I headed home.  Played it again recently for the first time in ages – it remains a very decent listen.

#556: Lykke Li – Youth Knows No Pain

As with Scout Niblett, here’s another female singer/songwriter who hasn’t been the subject of a specific blog post, albeit songs have featured on some of the monthly ‘mix tapes’.  Martin, aka the blog’s Swedish Correspondent, provides us with an annual rundown of all that’s been great in music in his native land over the previous 12 months, and it’s an email I always look forward to receiving. Not sure, however, if he’s ever given a mantion to Lykke Li.  This one’s from the ‘Wounded Rhymes’ album, released in 2011.

#555: Cousteau – The Last Good Day Of The Year

Around the turn of the century, Cousteau briefly enjoyed a fair bit of media exposure with many comparing their sound to the likes of Scott Walker and Burt Bacharach. Such comparisons were the results of the songwriting and arrangement talents of multi-instrumentalist Davey Ray Moor and vocalist Liam McKahey whose delivery and style were indeed a real throwback to the easy listening era some 40 years previously. This is, IMHO, the most enduring track from the eponymous debut album, released in 1999.

#554: Dexys Midnight Runners – There There My Dear

If anyone is still reading this self-indulgent way of how TVV’s 20th anniversary is being marked, then I imagine most of you will have just experienced a sudden intake of breath with the realisation that Kevin Rowland hasn’t made the cut for the Top 120.  Please don’t think bad of me.

#553: The Hidden Cameras – Ban Marriage

I can’t emphasise enough just how much music I belatedly discovered after hearing it (and occasionally dancing to it) at the Little League Nights, at which John Hunt, of Butcher Boy, was the brains behind the playlist of an evening.  November 2021 was, I reckon, my first exposure to this 2003 single by this Toronto-based indie-band. I bought a second-hand copy of the single via Discogs a few days later.

#552: The Man From Delmonte – My Love Is Like A Gift You Can’t Return

I can’t emphasise enough just how much music I belatedly discovered after hearing it thanks to the C90 homemade compilation tapes lovingly curated by my former work-colleague (and still very good friend) Jacques the Kipper – most of which were designed to help keep my sanity as I undertook the daily Glasgow-Edinburgh commute between April 1990 and November 1994.  This fine tune is the work of a Manchester band, and dates from 1989.

#551: Bob Marley & The Wailers – Could You Be Loved

I don’t think there’s anything to be gained from me again apologising for the lack of reggae in the collection here in Villain Towers and why the genre has featured so infrequently on the blog.

#550: The Flowers – Ballad of Miss Demeanour

The Flowers formed in 1978, and being one of the first punk bands in Scotland, would go on to have a huge influence on what and who followed them, particularly in Edinburgh.  This was their second and final single for the Pop Aural label.

#549: Neutral Milk Hotel – The King Of Carrot Flowers (Part 1)

Ten years after its release, I bought ‘In The Aeroplane Over The Sea’ by Neutral Milk Hotel after hearing it played in a record store in Toronto. The CD remained on heavy rotation for the remainder of my stay in the city and probably for the best part of six months after I came home, by which time I had fully immersed myself again in the local music scene, and in particular making up for lost time by going to see bands who were emerging or growing in popularity.  CDs that were more than a year old soon began to gather some dust on the shelf, and while I still enjoy giving it a listen every now and again, I don’t hold it in as high a regard as I did back in 2007.

#548: Poppy Factory – Little Princes

A trio from the Bradford/Leeds area who, based on a handful of live shows and a sharp demo tape, were signed in 1991 to a major label – Chrysalis Records – after a bit of an industry bidding war.   But within a few months it had all gone sour and after three initial singles/EPs had flopped, the plans to release an already recorded debut LP were shelved and the band was let go. This is one of the b-sides on their debut single

#547: Soul II Soul – Back To Life

The opening lines of this timeless classic might well have been muttered by the Poppy Factory boys after getting the boot from their label.  A deserved world-wide hit in 1989.

#546: Roddy Frame – Western Skies

After six albums as Aztec Camera between 1983 and 1995, Roddy Frame began releasing music under his own name beginning with ‘The North Star’ in 1998.  Since then, we’ve had ‘Surf’ (2002), ‘Western Skies’ (2006) and ‘Seven Dials’ (2014).  They all contain songs of distinction and quality but none quite enough to be on a parallel with many of Roddy’s earlier compositions, one of which, (spoiler alert), will be included within the Top 120 of this rundown

#545: Dum Dum Girls – Heartbeat (Take It Away)

I made passing reference earlier to Martin, the blog’s Swedish Correspondent.  Just about everything I have on the hard drive by the Dum Dum Girls, an indie-rock band out of Los Angeles who were active between 2008 and 2016, comes courtesy of Martin’s stupendous ICA, #287, back in June 2021, and here’s what he had to say about this particular track : “Guitars and a bit of attitude. All you need.”

#544: Glasvegas – Geraldine

For a while, the UK and slightly further afield went mad for a band whose lead vocalist sang in a Glasgow accent and whose lyrics were very much from the heart, often in a gut-wrenching way.  Meanwhile, his bandmates made loud music that was often dependent on feedback and a modern-day wall of sound.  I can’t think of any other song which pays tribute to the job done by social workers…certainly none that ever hit the Top 20 as this did in 2008.

#543: Catatonia – I Am The Mob

A surprise Top 40 hit back in October 1997 given that radio play was near non-existent thanks to lyrics about kneecapping, oral sex, murder and extortion, all on the back of a stupendous opening line which pays the ultimate tribute to The Godfather.

#542: The Birthday Party – Release The Bats

Written and recorded as a bit of a self piss-take and the lazy way the band was being portrayed in the music press at the time, hamming up the whole goth thing which was gaining a head of steam back in 1981.  I think it’s fair to say Nick Cave has come a long way since.

#541: MGMT – Time To Pretend

I’m incredibly lucky that SWC has provided so much material for the blog over the years.  I’d certainly have included this track in the rundown, but I’d never have been able to describe it in the way that he did when he came up with ICA #138 in September 2017:-

“Lets make some music, make some money, find some models for wives…” this track couldn’t be any easier on the ear if it tried. Shamelessly poking fun at rock star dreams and ‘living fast and dying young’. Brilliantly drenched in synths and catchy riffs, MGMT announced their arrival to the world with not just a terrific single but with one of the best tracks in the last ten years.

#540: The Perfect English Weather – The Waves Upon The Shingle

The Popguns will feature in the rundown a bit later on.  Meanwhile, here’s a song from an offshoot, consisting of Simon and Wendy Pickles.  This gorgeous ballad is from their second album, ‘Do You Wanna Feel The Rain?’, released in 2018.

#539: Sleaford Mods – West End Girls

Sleaford Mods have, to a large extent, passed me and the blog by.  But I do like this from 2023, in which they covered the Pet Shop Boys classic, with all the proceeds going to the homeless charity, Shelter.

#538: The Orchids – It’s Only Obvious

I missed out on the whole Sarah Records thing  – you can put it down to bad timing with me having a lot going on in life from 1988 – 1990 that saw me lose track of what was happening in indie-music.  I therefore missed out on Glasgow-band The Orchids, which is something I regret.  This is the opening track from their 1989 mini-album ‘Lyceum’.

#537: The Pop Group – She Is Beyond Good and Evil

This Bristol-based post-punk group were much feted in the UK music papers when they burst onto the scene in the late 70s, and have remained revered ever since as evidenced by this 2015 quote in The Guardian: “they – ahead of Gang of Four, PiL, A Certain Ratio and the rest – steered punk towards a radical, politicised mash-up of dub, funk, free jazz and the avant-garde.”

This was their debut single, released in March 1979.

#536: Morcheeba – Tape Loop

This English trip-hop/electronica group formed in 1995 and are still on the go today.  They have never, for some reason, ever featured on The (New) Vinyl Villain, but I know that this 1996 single, and its predecessor, ‘Trigger Hippie’, were both highlighted on the old blog.

#535: Quad 90 – Anodyne

One of the previously unfeatured bands who were part of my ‘best of 2025’ round-up.  The duo of Amelia Lironi and Naomi Mackay met while attending a Glasgow college which offers courses in music production and performance.  A debut single was released in 2023 before the eponymous debut, courtesy of Last Night In Glasgow, appeared last September.

#534: Senseless Things – Too Much Kissing

London-based indie band of the late 80s/early 90s much loved by our much missed late friend Tim Badger. This 1989 single allegedly reached #167 in the UK singles charts (I had no idea that the thing had ever gone beyond a Top 100), but it was voted in at #42 in the Peel Festive 50 of that year.

#533: Snoop Dogg – What’s My Name

Los Angeles-based rapper who has been making music and mischief since 1993.  I have no idea if he was loved or loathed by our much missed late friend Tim Badger.  This, his debut single, reached #20.

#532: Sub Sub (feat. Melanie Williams) – Ain’t No Love (Ain’t No Use)

There’s a certain timeless element to great pop songs, especially the type that make you want to get up off your chair and dance. Sub Sub were an English dance act trio consisting of Jimi Goodwin and twin brothers Andy and Jez Williams and this banger was a chart hit in 1993.

#531: Doves – Pounding

Doves are an English indie rock band formed in 1998 by singer and bassist Jimi Goodwin and twin brothers, guitarist Jez and drummer Andy Williams.  But then again, you all knew that didn’t you??  There have been six albums, all going at least Top 20, while nine singles have gone at least Top 40, including this, a #21 hit back in 2002.

#530: Faith No More – Everything’s Ruined

Up at #552 in this rundown, I made reference to Jacques the Kipper and his mixtape cassettes.  Just to prove he isn’t a one-dimensional indie-kid, here’s one he included back in 1993.  I later found out this was the only track by Faith No More that JtK actually knew, having picked up on it from its inclusion on a free CD given away with a magazine.

#529: The Darling Buds – If I Said

This Welsh-band are from Caerleon, a village just outside Newport, famous for its Roman fortifications and amphitheatre, (thanks to The Robster for that great nugget of info!), Their self-released debut was a double-A sided single in February 1987 with one side was taken up by ‘If I Said’, which seemed to mesh so many different influences from the past into something quite new.  It wasn’t long before the major labels were sniffing around, and the band would enjoy some minor chart success in 1988/89.

#528: Eyes of Others – Once, Twice, Thrice

John Bryden is an Edinburgh-based electronic musician who records under the name of Eyes of Others.  He was brought to my attention by Adam, my Manchester-based blogging buddy, after he had seen him play live in 2023. This earworm of a tune opens up the eponymous debut album, again from 2023.

#527: The Kinks – Waterloo Sunset

There are very few offerings in this rundown which predate the late-to-mid 70s.  A beautiful and timeless love song, despite being very much a product of the 60s in sound and texture. It’s an evoking number, quite possibly the unofficial anthem of the city of London, although there have been so many changes to the skyline over the decades that it must be nigh on impossible to recreate the scenes imagined by Ray Davies.

#526: Marvin Gaye – What’s Going On

And just like London buses, two songs which predate the late-to-mid 70s arrive in quick succession.   Hard to believe that while this went to #2 in the US charts back in 1971, it didn’t make a dent over here in the UK.

#525: Paris Angels – All On You (Perfume)

A song that has been written about on TVV by myself, Dirk and SWC, while Adam over at Bagging Area will also have waxed lyrically about this club classic from the summer of 1990. Paris Angels fused indie guitars with electronic dance music. They were heavily influenced by acid house and the nascent Madchester scene of the late 1980s.  This is another that came close to making the Top 120.

#524: Odyssey – Native New York

Time for another curveball.  A disco/soul offering from 1977 which reached #5 in the UK charts.  Dedicated to JTFL, a long-time resident of Santa Monica, but very much a native New Yorker.

#523: Chronic Citizens – U.S.A.

Chronic Citizens were a five-piece indie/punk/garage band out of New York City. There was one studio album, released in 1987, which, for the most part is a high-tempo effort, with nine songs coming in at just over 35 minutes. It would be stretching it a little to say that it should be an essential part of everyone’s record collection, but there are enough moments to make it an enjoyable listen, capable of being returned to every now and again.  JTFL was the band’s bassist.

#522: The Ponderosa Aces – Gotta Keep Truckin’

The first time I met JTFL was Sunday 23 April 2017.  It was in Manchester, and he was masquerading as Jonny Bottoms, the newest member of The Ponderosa Aces, a country outfit from Long Beach, California.  The band’s first album, ‘Honky Tonkin’ My Life Away’, had been recorded in 2016 before Jonny had joined, but he was on board for the follow-up, ‘No Particular Way’, released in 2018.  The Aces are still very much on the go today, albeit Jonny hung-up his Stetson not long after the release of the second LP.

#521: The Velvet Underground – Rock & Roll

Before Jonny was in either of Chronic Citizens or The Ponderosa Aces, he was a child prodigy who played, uncredited (due to NYC’s labour laws regarding underage children) in one of the most influential bands ever to come out of his home city.*

*This part of the rundown may not be entirely accurate.

 

JC

Welcome back to the continued and prolonged postings marking the upcoming 20th anniversary of the blog.

#600: Semisonic – Closing Time

I posted about this song in July 2015.  It attracted nine comments.  I don’t recognise just over half the names of the folk who contributed, which indicates just how the level of engagement with long-form music blogs has fallen off the proverbial cliff in recent times.  Incidentally, I’m still happy to describe this 1998 offering as one of the great alt-rock love songs, even if most of everything else by Semisonic that I’ve listened to has underwhelmed me.

#599 : PAWS – Catherine 1956

PAWS were one of many great new bands to emerge out of Scotland in the late 00s and into the next decade.  Their music was a bit louder and punkier than almost all their contemporaries. ‘Catherine 1956’ is the opening song on debut album ‘Cokefloat!’, released in 2012 and is an extraordinary tribute to the late mother of lead singer Philip Taylor after she had died of cancer at a young age and when he was just 18 years old himself.

#598: Kate Bush – Cloudbusting

I’ve been more of an admirer of her music than an ardent lover.  Thankfully, The Robster did his bit for the blog back in January 2026 with ICA #403 that was full of ‘deep cuts’ – ie no singles.  ‘Cloudbusting’ is therefore today making its long-overdue debut appearance on TVV.

#597: Gil Scott-Heron – The Revolution Will Not Be Televised

My university years (1981-1985) exposed me to a lot of musicians from previous years that I had not been aware of.  Gil Scott-Heron was one such performer.  It was also timely that in 1985, a rekindling of interest in his work led to his record label issuing a new ‘Best Of’ collection promoted by a 10″ EP of some of his best protest songs from the 70s.  It’s an EP I’ve held onto ever since.

#596: The Adventure Babies – Camper Van

The last band ever to be signed to Factory Records….with a sound that’s a very very long way from the Hacienda.  Fate hasn’t been kind to The Adventure Babies in that their songs have dated badly, but I’ll always have a soft spot for this, the lead track from their debut EP back in September 1991 as it was part of a number of homemade cassettes that got me through the daily commute between Glasgow and Edinburgh for more than four years in the early 90s.

#595: The Catenary Wires – Mirrorball

Amelia Fletcher and Rob Pursey will feature a few times in this rundown, and here they are as The Catenary Wires, whose music that perhaps can best be summed up as 80s indie-pop packed with lyrics based on a lifetime of experiences rather than from the perspective of naive but excited youth.

#594: Eels – Novocaine For The Soul

An extraordinary record. It has the most downbeat, almost helpless sounding of lyrics which mention, among other things, living with the undead and being told by your mum that your birth was a mistake, but it is set against the most catchy and sing-a-long of tunes.

#593: Flowered Up – Weekender

I missed out on the hedonism celebrated in this Top 20 hit from May 1992.  I was nearly 30 years of age, working hard to make ends while settling into a new relationship that I’m delighted to say remains intact to this very day.  I could only look on from afar and wish good things to those who were fully immersed in the lifestyle, all the while knowing there would come a point in time when those very revellers themselves would wake up of a morning with a realisation that they had passed their partying peak.

#592: The Beloved – Up Up and Away (Happy Sexy Mix)

Talking of revellers……here’s an album track from a remix album called ‘Blissed Out’ that was released in 1990.

#591: The Pogues – Fiesta

There are great tunes such as #592 in this rundown which make me smile. But I’d argue with that ‘Up Up and Away’, being a hymn to the age of  and this a pharmaceutically supported sort of happiness, can’t be classified as real euphoria.  For that, you need to seek out things such as this madcap music complete with comedy whistle. And apologies to Pogues fans as I know the band wrote and recorded many ‘better’ and more socially/politically aware songs that were probably more worthy of inclusion in this rundown…….

#590: The Men They Couldn’t Hang – Gold Rush

A fair few of the singers and bands I picked up on in the 80s came from their appearances on TV shows like ‘The Tube’ and ‘Whistle Test’.  The Men They Couldn’t Hang were one of them, and while I never became that big of a fan, this will always take me back to their solid, unpretentious appearance on Whistle Test back in 1985, The footage is easily found online.

#589: McAlmont & Butler – Yes

A song I never fully appreciated till quite a few years after its release thanks to it being played at high volume, over a sensational sound system, at one of the Little League nights in Glasgow. Joyous, glorious, anthemic and wonderful to dance to.

#588: St Vincent – Now Now

A few days after I arrived in Toronto where I was to spend almost six months working in the summer/autumn of 2027, I stumbled across a venue called The Horseshoe Tavern.  Not having anything else to do that night, I went inside and bought a ticket for the show, which is how I ended up being lucky enough to see St Vincent play a very small venue promoting her debut album. It was also my introduction to the fact that most gigs in Toronto often started long after shows in Glasgow ever ended. I’m sure this one didn’t finish till 1.30am.  Just as well, the city had a decent enough through-the-night public transport system to get me back home to my condo flat some 14 miles away!

#587: Ian Dury & The Blockheads – What A Waste

He could have been a lorry driver, poet, teacher, soldier, lawyer, doctor, writer, ticket collector, revolutionary, inmate or dreamer. But his career of choice was the fool in a six-piece band…and it most certainly was a welcome one as he and his mates brought untold pleasure to fans of new wave music in the late 70s.

#586: The Big Moon – Trouble

Another band introduced to the blog via a guest ICA, and once again, it was thanks to The Robster with #370 back in June 2024.  In his words…” Seriously good musicians fronted by a brilliant songwriter (Juliette Jackson) – what more could you ask for? The Big Moon are one of my ‘happy’ bands,. They just sound warm and comforting.”   JC adds – he’s bang on with those observations

#585: Drugstore – El President

Drugstore were around for much of the 90s, highly regarded and respected among their peers. They were the sort of band that more established acts loved to have as special guests while out on tour, which is why fans of the likes of Radiohead, Tindersticks, Jeff Buckley and The Jesus and Mary Chain would have had opportunities to catch them.  Thom Yorke provided a guest vocal for this, the only Drugstore single to reach the charts, being a #20 hit in May 1998.

#584: Handsome Boy Modeling School – The World’s Gone Mad

Another that has the presence of guest vocalists, but in this instance couldn’t help the song become a hit single. Handsome Boy Modeling School was a collaboration between hip hop producers Dan the Automator and Prince Paul.  Jamaican reggae superstar Barrington Levy, American rapper Del the Funky Homosapien and the then king of UK indie-pop, Alex Kopranos all sang on this one back in 2004. It didn’t crack the Top 75.

#583: Carmel – Bad Day

I think many of us who were aged 20/21 in the early-mid 80s went through a spell where music with a touch of jazz and soul crept into the collection.  Was it down to being subconsciously influenced by the direction Paul Weller was heading or was it the fact the NME, the music paper of choice, had a number of writers extolling the virtues of singers like Carmel McCourt?  Can’t answer those questions in any definitive way, but this one still gets my feet tapping and my fingers clicking.

#582: Sade – Smooth Operator

I can’t deny that I really liked Sade, as her debut album sound tracked of a lot what was going on in my life in 85/86, having left uni and now working and living in Edinburgh, all too often on the lookout for Love und Romance.  If I had courage, I’d write a blog post about it…..

#581: Supergrass – Alright

The opening piano notes make this one instantly recognisable. It’s often the case that over-exposure to a tune can make any listener grow sick and tired of it. Alright was everywhere in the summer of ’95, being played on the radio for months on end, as well as having a brilliant, funny and memorable video that was on heavy rotation across different channels, but somehow it never quite reached the irritating stage.

#580: Underworld – Moaner

The same applies to Underworld’s best known-song, ‘Born Slippy (Nuxx)’. But, and this will come as no surprise to regular and long-time readers of the blog, the big hit has been nudged out of this rundown to be replaced by a flop single from August 1997.  I’ve written about ‘Moaner’ on countless occasions, but even I was surprised that the first time was as far back as February 2009.  It was a post called ‘In which your humble scribe tries to show that there’s more to him than jangly-guitars, indie-pop and great haircuts from days of old.’

#579: Y’All Is Fantasy Island – With Handclaps

Again, regular and long-time readers will be aware that I’m a huge fan of the work of Adam Stafford, and he will appear a bit later on in the rundown.  In the meantime, here’s a throwback to the first time I ever heard him play, as frontman/main song-writer with this indie-rock band from Falkirk.  A cracking single from 2008.

#578: Dream Wife – Hey! Heartbreaker

SWC brought this lot to my attention.  “Dream Wife take all the best bits of timeless indie pop, throw in some attitude lifted almost directly from the days of L7 or Bikini Kill add a bit of colour and then sprinkle brilliance over the top of it. The end result is utterly brilliant.”  Sadly, there has been a bit of diminishing returns with each of their three albums, but this, from their eponymous debut back in 2018, still makes for a great listen.

#577: Rhoda Dakar – The Man Who Sold The World

In 2023, Rhoda Dakar released ‘Version Girl’, a covers album on which she only included songs that, as far as she was aware, had no previous definitive Reggae, Ska or Rocksteady versions.  Like many covers albums, some songs work better than others.

#576: Heaven 17 – Let Me Go

Heaven 17, more or less, dropped the politics and went for the pop on their sophomore album, ‘The Luxury Gap’, released in April 1983. The change of direction paid off as it yielded two Top 10 hit singles and another that went top 20. This beautifully crafted break-up song is one, however, which didn’t crack the Top 40.

#575: Longpigs – She Said

March 1995 was when Radiohead first took the album ‘The Bends’ into the charts.  Four months later,  Sheffield-based Longpigs debuted with a tune sounded like a  Radiohead off-cut.  The single flopped, but when re-released in June 1996, it took the band into the Top 20.

#574: Martha Wainwright – Bloody Mother Fucking Arsehole

Martha Wainwright’s father, the 70s folk singer Loudon Wainwright III, used to speak to her through his songs, so she decided to return the favour in 2005.  She had been particularly angered by ‘I’d Rather Be Lonely’ a song he’d written about a year in which he had spent helping to raise Martha when she was 14.

#573: Smashing Pumpkins – Cherub Rock

Another of my guilty pleasures….well, the early stuff anyway from ‘Gish’ (1991) through to some of ‘Mellon Collie and the Infinite Sadness’ (1995) when it all began to go a bit sideways.

#572: The Wake – On Our Honeymoon

The self-released 1981 debut single from a Glasgow-band who would later be able to make the unique boast of being the only act to record for both Factory and Sarah Records.

#571: Tricky – Hell Is Round The Corner

The rapper chose to leave Massive Attack after the first album as he felts his talents were being not being fully utilised.  I think it’s fair to say that the split benefitted both parties as not only did Massive Attack enjoy continued success, but Tricky went on to have six Top 40 albums between 1995 and 2001. This is the lead track from the ‘Hell EP’, a partial collaboration with American hip hop group Gravediggaz, which reached #12 in the singles chart in July 1995.

#570: Swell Maps – Dresden Style

A single from February 1979.  I’ll own up that, at the age of 15, I wasn’t all that aware of Swell Maps.  I possibly had the time heard this, their second single (but their first on Rough Trade) when it was released but at the time I would very much have dismissed it as tuneless rubbish.  Nowadays, without ever getting to ever fully fall for the ‘charms’ of the band, I’ll admit to quite enjoying this one, which I picked up via someone else’s blog (forgotten who) waaaaay back in time

#569: Prefab Sprout – Lions In My Own Garden (Exit Someone)

In an era of a number of very clever wordsmiths fronting gentle-sounding guitar bands, Paddy McAloon took the crown as the cleverest of them.   This catchy sing-along number seems to make no sense whatsoever until someone whispers in your ear that the first letter of each of the words in the title spell Limoges, the city in France where Paddy’s girlfriend had moved to live, breaking his heart in the process.

#568: Modest Mouse – Float On

A band whose UK sales never matched the critical acclaim offered them.  Even the presence of  Johnny Marr, between 2006 and 2009, didn’t deliver any chart success. The best they ever achieved was this catchy, almost indie-rock by numbers (which I offer as a complement as it’s not an easy thing to do!!), that reached #46 in July 2004.

#567: Jetstream Pony – Sixes and Sevens

There haven’t been too many interviews carried on the blog over the past 20 years, but there was a genuine thrill back in March 2022 when the legendary Beth Arzy took the time to speak to The Three Masketeers (a name adopted by myself, flimflamfan and strangeways for a short three-part series).   Jetstream Pony have been responsible for a lot of very fine music over the past decade, including this single from 2023.

#566: Grinderman – Get It On

Grinderman came into being in 2006, consisting of Nick Cave and three of his Bad Seeds, Warren Ellis, Jim Sclavunos and Martyn P. Casey. The first ever release was this snorting piece of low-fi garage rock that had many of us panting immediately for more. But then again, a few of the more recent Cave converts, perhaps brought to the party by the duet with Kylie and much of the melancholy stuff that he was recording around the turn of the century, were a tad bamboozled.

#565: Ash – Goldfinger

The fourth single to be lifted from their debut album.  OK, the opening few bars owe something to the grunge acts of the day but once the lyric kicks in and the song slows down there’s a real sense that the 18-year old Tim Wheeler was, again, proving to be highly capable of writing stuff well beyond his tender years.

#564: The Lilac Time – The Girl Who Waves At Trains

A perfectly polished piece of radio-friendly pop from 1989, a time when there was almost exclusively a focus on baggy/Madchester and thus the sounds being offered up by The Lilac Time were deemed by many to be old-fashioned toe-tapping stuff belonging to a different era.

#563: Memphis – You Supply The Roses

In 1985, James Kirk, part of the original Orange Juice line-up, rather surprisingly came out of what had been self-imposed retirement and, adopting the name Memphis, wrote and recorded what rather sadly turned out to be a one-off 45 for the Swamplands label that was being run by Alan Horne (ex Postcard).  One of the great lost 45s of the indie/twee-pop genre.

#562: A Tribe Called Quest – Can I Kick it?

Sampling.  It’s such a dangerous area to be involved in.  A Tribe Called Quest used ‘Walk On The Wild Side’ for this Top 20 hit from October 1990.  They didn’t ask for clearance in advance.  The inevitable outcome is that Lou Reed (via his rapacious lawyers) was able to claim 100% of the song’s royalties.

#561: Girls Aloud – Something Kinda Oooh

A lenghty extract from a blog post back in December 2006.

“Something I saw today got me thinking about music. And the shallowness of anyone who slags off any song as ‘shite’ just because they, as a person, don’t like it, the singer or the band.

“My organisation holds an annual Christmas party for around 200 young kids with physical handicaps or learning difficulties. A load of our staff get dressed up in costume as cartoon characters; we bring along all sorts of kid’s entertainers; and of course at the appropriate magical moment, Santa makes an appearance.

“But the mainstay of the three or so hours that the party goes on is the disco. And believe me, song after song after song after song would normally have had me screaming in agony and racing for the nearest exit. The thing that stopped me was the sheer joy on all of these kids’ faces. They were on the dance-floor having a real blast. Most of them needed help and support from the adults, whether it was the folk in fancy-dress or the teachers/parents/volunteers who are with these kids every day. Many of the kids were wheelchair-bound, but that didn’t stop them making their way onto the dance-floor.

“Now if the DJ had spun something that I was wanting, there is no question he would have cleared the room, far less the dance-floor. He knew his audience, and he gave them exactly what they wanted. And they loved him for it.

“Music is there to be enjoyed. If what you or I hear every day on the banal radio stations or on prime-time television annoys us, we can always find an alternative station, or turn on the PC and surf for a while.

“So let’s not just have a go at someone else because their taste is wholly different from ours.

“Here’s one that filled the dance-floor earlier today. I had to ask a work colleague who and what it was”

I like to think the lesson I learned that day has played a big part in the way TVV has developed over the past 20 years.

 

 

JC

Bless My Cotton Socks…

#680 : The Teardrop Explodes – Reward

Even I’m wondering how this never quite made it into the Top 120.  And just in case you’re asking, the answer is yes, Julian Cope will feature again later on in the rundown.

#679: The Valves – Ain’t No Surf in Portobello

I think it’s worth mentioning that this rundown isn’t necessarily my favourite 800 singers/bands, but is designed to give a flavour of what TVV has come to represent over the past 20 years as well as opening a window to the record/CD collection here in Villain Towers.  This new wave tune dates from December 1977.  For those of you wondering, Portobello is a district of Edinburgh, located on the Firth of Forth but boasting a fabulously expansive sandy beach.  It was, in its Victorian heyday, a town in its own right and a popular holiday destination.

#678: Tears For Fears – Mad World

A deceptively brilliant song.   A tune that demands you get up and dance, but with a lyric that is all about depression, isolation and helplessness. From ‘The Hurting’, the one decent album ever made by Tears For Fears back in 1983.

#677: Howard Devoto – Rainy Season

The post-Magazine career wasn’t really all that much to get excited about.  ‘Rainy Season’ was the first solo single, released in the summer of 1983.  In an era of the charts publishing a Top 100, this one stumbled in for one week at #97.

#676: Luxuria – She’s Your Lover Now

More Howie D. Included to meet the rule that every rundown needs at least one Bob Dylan cover.   This was the b-side to Luxuria’s debut single back in 1988.

#675: Bob Dylan – Like A Rolling Stone

It’s the real thing, baby.

#674: Rolling Stones – Paint It Black

Oh, I’m getting lazy, aren’t I?   Echo & The Bunnymen used to do a great version of this in their live shows.  But no….they’re not up next!

#673: Inspiral Carpets – This Is How It Feels

36 years (and counting) since this was composed and recorded. It’s a shameful indictment of successive governments, in both London and Edinburgh, that so little has changed in so many places that the issues raised in this pop hymn to isolation, depression and utter misery are just as abundant as they were after a decade of Thatcherism.

#672: Martha & The Muffins – Echo Beach

Another from the class of ’79.  A great example of new wave in its broadest definition. It’s not a rock song, it’s not a punk song and while it has a pop feel to it, it can’t be classified as pure pop.

#671: Sugababes – Overload

Another guilty secret comes tumbling out of the closet. I’ll go to the crematorium still arguing with dissenters that this is a magnificently crafted piece of pop music. It was released in September 2000 and reached #6 in the UK.

#670: The Colourfield – Sorry

Some of the best songs are tucked away on b-sides.  This was the flip side to the eponymous debut single back in January 1984.  Thankfully, the band had the good sense to later include it on their debut album which wasn’t released until April 1985.  A reminder, if it is indeed needed, that Terry Hall was a superb lyricist. This one is dedicated to my fellow members of the fanclub for bitterly honest and straight-from-the-heart break-up songs.

#669: Department S – Is Vic There?

Another example of a post-punk outfit enjoying some unexpected success.  ‘Is Vic There?’  has to be one of the most catchy singles of the new wave era.  A #22 hit in 1981.

#668: Malcolm McLaren & The World’s Famous Supreme Team – Buffalo Gals

Malcolm McLaren was always a bit of a musical magpie, but the input from Trevor Horn and Anne Dudley really made this piece of music work. OK, it has dated somewhat and sounds way more gimmicky than it did back in the day (1982), but there was no denying that it was different and did act as something of introduction to hip-hop for us millions of Brits living a long way away from its spiritual home.

#667: Neneh Cherry – Buffalo Stance

Seven years on, and hip-hop is nothing to be scared of. An absolute classic fully deserving of its Top 3 placing in the singles chart back in January 1989, with one of its samples being from ‘Buffalo Gals’.  Incidentally, I had no idea until doing a wee bit of research that an early version of ‘Buffalo Stance’ was recorded as a b-side in 1986 on a Stock Aitken and Waterman produced single.

Bonus track; Morgan & McVey (feat. Neneh Cherry) – Looking Good Diving With The Wild Bunch

#666: Beck – Devil’s Haircut

What else did you expect to be listed randomly at #666?

#665: David Essex – Rock On

Another that made an impact in my pre-teen years and has stuck with me ever since.  Was mentioned on the blog back in June 2020.

#664: Ned’s Atomic Dustbin – Kill Your Television

The summer of 1990 saw the crusties and the grebos beginning to enjoy some commercial success, thanks in many ways to the old-fashioned method of the bands going out on the road, gigging constantly and growing a fanbase who loved the energy of the shows. Ned’s Atomic Dustbin were a great example of this….this was their second single, and while they would have bigger hits in later times, this has, arguably, proven to be their signature tune.

#663: Gary Clail On-U Sound System – Human Nature (12″ mix)

Brought to my attention back in 1991 courtesy of its inclusion on a homemade mixtape compiled by the legendary Jacques the Kipper.   I liked it so much, I went out and bought the parent album ‘The Emotional Hooligan’ on CD.  I’d be lying if I said I had played the album in its entirety since probably 1993, but this remains a killer tune.

#662: Tubeway Army – Are ‘Friends’ Electric

Inserted here to keep the Gary thing going a wee bit longer. Another from the Class of ’79, a year dominated largely by post-punk and fast guitars.  A record made by the then oldest-looking 21-year-old on the planet.

#661: The Low Miffs & Malcolm Ross – I’m The Man Who Too On Love (And Won)

The Low Miffs. A Glasgow band who made the sort of intelligent, catchy but different guitar-pop that has always found such favour with your humble scribe. Oh and there’s the bonus that lead singer, Leo Condie, has a vocal delivery that can be eerily reminiscent of the late, great Billy Mackenzie. In 2009, the band teamed up with the legendary Malcolm Ross and released an album of eight perfectly constructed songs that should have sold by the barrowload.

#660: The Passions – I’m In Love With A German Film Star

The Passions released three albums and ten singles between 1979 and 1983.  I’m willing to bet that very few people can name any of their songs other than this ethereal offering which went to #25 in February 1981.   The thing is, I’d have sworn it was at least a Top Ten hit.

#659: dEUS – Hotellounge (Be The Death Of Me)

“With an erratic musical identity located somewhere between John Cale, Captain Beefheart and Sonic Youth and a 15-track debut album (1994) which veers effortlessly from the sublime to the ridiculous and back again, they have a truly unique appeal.”  A review which sums up perfectly this Belgian band who are impossible to categorise.

#658: Hi-Fi Sean (feat. Crystal Waters) – Testify

Possibly the happiest sounding and most upbeat track in my entire music collection.  Hifi Sean is probably better known to most folk who visit this blog as Sean Dickson, frontman of The Soup Dragons, one of the finest bands to come out of Bellshill. And as much as I’ve loads of time for everything he did with that band back in the day, none of it really comes close to the magnificence of the tunes he put together for the album ‘Ft.’ which was released in 2016.

#657: Joe Jackson – Is She Really Going Out With Him?

A single that was #42 in my 45 45s@45 rundown back in 2008.  It was always going to make the cut for the TVV 800, but the fact it’s not made the Top 120 shows how much my musical tastes have diversified since the blog got up and running, as well, of course, the need and desire to take into account the new music I’ve come across over the past two decades.

#656: Lime Garden – Cross My Heart

One of my very newest discoveries.  They’ve been releasing music since 2020, but I only heard them earlier this year thanks to the release of their second album, ‘Maybe Not Tonight’ back in April.  I previously included this song as part of a monthly mix a wee while back. Oh, and I’m off to see Lime Garden later this year when they play a show in Glasgow.

#655: Muse – Sunburn

Please….don’t run away.  This isn’t the fully pomped-up and totally OTT Muse, but instead is from their 1999 debut album when they were a more than acceptable Radiohead tribute band.

#654: Hangman’s Beautiful Daughters – Don’t Ask My Name (Call Me Jack)

Some thirty years after the fact, Cherry Red Records made a great habit of releasing CD boxsets of indie music from the mid-80s through to the end of the decade, These boxsets introduced me to a good number of bands that I regretfully missed out on back in the day, although for the sake of balance, I have to say there are some real duff tunes also included. This lot have been described as a cross between The Jefferson Airplane, MC5 and The Velvet Underground which is touch of hyperbole but they are decent enough.

#653: Thin Lizzy – The Boys Are Back In Town

I’ve never really been much of a rocker, per se.  But I’ll always have time for this earworm from 1976.  Teenage kicks indeed.

#652: Veronica Falls – Found Love In A Graveyard

Without reading other blogs, I’d more than likely never have heard anything by Veronica Falls, a London-based indie band who were around between 2009 and 2014.  This was their rather splendid debut single, one which, in my mind I’ll always associate with Halloween (the celebration that is, not the film!)

#651: The Pooh Sticks – On Tape

A brilliant record on so many different levels. It sounds as shambolic and cheaply recorded as most of the C86 tracks were, it pays homage to the humble cassette which, after all, was the medium under which C86 thrived and above all else it gently mocks the trainspotter obsessiveness of so many music fans (myself included!!) with lyrics such as “I’ve got Falling and Laughing – the original Postcard version” and “I sent for the Soup Dragons single, mail-order only; £1.30 to Martin Whitehead, but it never came!”

Oh and in Trudi Tangerine (tambourine/piano) they surely have the best-named indie pop star of all time.

#650: Weezer – Buddy Holly

Has the phrase ‘oo-ee-oo’ ever been deployed to better effect?  Weezer have been with us for a very long time now, forming back in 1992.  Having now visited Santa Monica, I can see why frontman Rivers Cuomo fits in so well with that environment.  This one reached #12 in May 1995.  You must know what’s coming next…

#649: Buddy Holly – Rave On

ICA #285 in May 2021 was a total cheat. It contained 14 songs with the running order being exactly the same as can be found on a budget-priced album ‘The Best of Buddy Holly’, released on Hallmark Records back in 1986.  It’s widely accepted that Buddy Holly was the artist who best established the ‘classic’ set-up of two guitars, bass, and drums. He was among the first to write and record his own material, albeit many of his best known songs were covers (such as the one featured in this rundown) or had been written by others for him. I sometimes wonder what direction pop music might have gone in if he hadn’t died in that plane crash at the age of 22

#648: Cabaret Voltaire – Sensoria

From 1984. One for flailing around the disco floor with your raincoat flapping behind you like Batman’s cape as he chases the bad guys.

#647: EMF – Unbelievable

From 1990.  My dancing and clubbing days were over by this time otherwise I’d have flapped around shapelessly to this one.  Later on, I’d go back to dancing around a bit thanks to John Hunt’s unforgettable Little League nights across Glasgow.  But he never played this, so I haven’t made fool of myself in public to it.

#646: The Phantom Band – The Howling

Indie-rock from Scotland. Four albums, all released on Chemikal Underground.  Plenty of great gigs. An untimely end in October 2015 when all the band’s equipment, worth over £13,000, was stolen from their tour van after a gig in Lille, France.  A single from 2009 is the tune that’s made the cut for this rundown.

#645: Moby – Find My Baby

In 1999/2000, Moby and his bloody record ‘Play’ was everywhere you turned and it wasn’t difficult to feel bored about it all. In retrospect, it was simply overexposure at the time as it’s an album full of very listenable music, Just a pity that Moby himself appears to be a bit of a dickhead.

#644: The Triffids – Wide-Open Road

A band that hasn’t featured too often on the blog, but you will find a superb guest ICA (#155) penned by The Swede back in February 2018. He wrote at the time “The Triffids left a towering body of work and selecting just ten pieces from it for this compilation has been a painful task.”  Very interestingly, he didn’t include this, the one single lifted from their most acclaimed album, ‘Born Sandy Devotional’, released in 1986.

#643: Wannadies – You And Me Song

Good things come to those who wait. The Wannadies, from Sweden, released many a great single in the 90s and the early part of the 20th Century.  They are probably best remembered for ‘You And Me Song’ which was a bit of a flop when first released in 1994 but which soared to #18 some two years later after it featured on the soundtrack of the to the hit film ‘Romeo + Juliet’ – the updated one directed by Baz Luhrmann.

#642: 14 Iced Bears – Come Get Me

There’s a C86 series ongoing on TVV this year.   14 Iced Bears, from Brighton, have featured.  A band who were never really tied to any one label during their existence, and were also more than happy to be on shared releases with other bands, often on flexidiscs. As far as I can work out, there were ten singles and two albums. This was their sole release for the much-revered Sarah Records.

#641: Devo – Come Back Jonee

They would go on to enjoy 50 years in the music business, but it shouldn’t be forgotten that in the early days, rock magazine critics (in their native USA) and rock newspaper critics/columnists (here in the UK) were often scathing of Devo; that they were among the early pioneers of the use of videos, including during live shows, led to all sorts of accusations of being non-authentic.  Thankfully, they took the brickbats with grace and went on to make all sorts of great records.  This was their fourth single, released over here in 1978 on Virgin Records.

 

 

 

JC

Everything is wonderful, being here is heavenly????

#720 : Danny Wilson – Mary’s Prayer

When your debut single goes Top 3, as this did back in April 1988 (albeit at the third time of asking) you’ve got to believe the upper echelons of the sky will be your limit.  Sadly, for the Dundee-based trio, only one further Top 20 hit was achieved before the split in 1993.  Lead singer and chief songwriter Gary Clark has forged a decent career out of penning tunes for others.

#719: Cats On Fire – Draw In The Reins

I have tried soooooo hard over the years on TVV to drum up interest in this rather wonderful indie-band from Finland. There’s even been two separate ICAs – #314 in May 2022 and #374 in July 2024.  Most of my efforts have been met with great indifference.  Oh well…….

#718: Fountains of Wayne – Radiation Vibe

American indie-rock can be a bit hit’n’miss, but Marc Goldstein’s guest ICA (#393 in August 2025) highlighted just how Fountains of Wayne, from New York City, write songs which lean on many British traits, and in particular how they specialise in 3 or 4 minute vignettes about the real lives of recognizable types of people, with humour and catchy melodies.  I’ve long been very fond of this, their debut single from back in March 1997 which peaked at #32 in the UK charts.

#717: Grant Lee Buffalo – America Snoring

Grant Lee Buffalo come from the other side of the states, being a Los Angeles band.  Their sound leans more towards the Americana side of things, with 12-string acoustic guitars often to the fore, while the lyrics often look quite critically at life in their home country.  ‘America Snoring’ dates from 1993 and is something of a politically motivated protest song, with references also to the band’s dismay with the LA riots of 1992.

#716: Jilted John – Jilted John

Time for a handbrake turn.  Back in 1978, the then 18-year-old drama student Graham Fellows wrote and recorded a memorable tale of teen angst, rejection and confrontation. It became an instant classic….and went on to sell more than half a million copies.  The bona-fide punk bands who were trying so hard to get any sort of chart success must have looked on in frustration.

#715: Graham Fellows – Love At The Hacienda

In 1985, Graham Fellows recorded ‘Love At The Hacienda’, an LP of songs that were mostly about mid-20s angst, rejection and confrontation.   It should have become an instant classic, but despite great reviews, it sold poorly.  It was out of print for decades until Firestation Records over in Hamburg repressed it in 2020.  I made sure I grabbed myself a copy.

#714: Missy Elliot – Get Ur Freak On

This is probably Missy Elliot’s best-known tune, and to quote wiki “It is based on heavy bhangra elements, and  features a six-note base that is a Punjabi melody played on a tumbi, and rhythm and bassline played on tabla” It also has a memorable promo video. It reached #4 in April 2001 – I’m stunned that it was quarter-of-a-century ago.

#713: Pretenders – Kid

This will always be my favourite 45 of all those that Chrissie & co ever put down on vinyl. It spent seven weeks on the chart in July and August 1979, but never got higher than #33. Should have got to #1. It’s a far better song than ‘Brass In Pocket’

#712: Bluetones – Slight Return

When I was scrolling through the songs on the laptop looking to select the final 800, there were a few instances of me thinking ‘Oh, I forgot about that one – haven’t heard it in ages’.  ‘Slight Return’ suffers from me having it as a CD single as I rarely play them in contrast to those i have on vinyl.   Britpop did deliver more than it’s share of monstrosities, but this isn’t one of them.  Reached #2 in January 1996.

#711: The Spook School – I Only Dance When I Want To

From Edinburgh, The Spook School were a band much championed by good friend Aldo. He must have seen them dozens of times when they were around between 2012 and 2019.  They have been perfectly described as playing a brand of indie pop that combines the hookiness of C-86 bands like Shop Assistants with the punky energy of  Buzzcocks, then adding lyrics that deal passionately with sexuality and gender. This one can be found on their third and final LP ‘Could It Be Different?’ (2018).

#710: The Ukranians – Batyar

They grew from being a side project of The Wedding Present to form their own clear and distinct identity primarily under the stewardship of Peter Solowka and Len Wiggins.  In 1993, the band went into the studio to record an EP of Smiths covers as imagined in the style of Ukrainian folk music.  The results were marvellous.

#709: Young Marble Giants – Eating Noddemix

Minimalist but very effective post-punk music from Cardiff, the capital city of Wales.  For a band whose entire output was one album and two EPs between February 1980 and March 1981, they have influenced many who have followed over the decades.  I finally got to see them in 2014 when they reformed for a bro+ief time and played a handful of gigs, including one in Glasgow.

#708: S’Express – Theme From S’Express

At the other end of the scale, a tune that has everything on it, including the kitchen sink.  A #1 hit in May 1988, made up entirely of samples.  Fourteen of them all told.

#707: Nas – N.Y. State of Mind

This one has just the five samples, but it also has an astonishing lyric highlighting and celebrating parts of New York City the tourists never see or experience.  It is one of many very fine tracks on Nas’s debut album Illmatic, released in 1994 but bizarrely was never officially released as a single

#7o6: Daft Punk – Da Funk

Kind of staying in NYC given that the unforgettable promo video, directed by the genius we know as Spike Jonze, was set in the city and also kind of reflects on the side that the tourists never see or experience.  Daft Punk would later record bigger-selling singles, but I don’t think they ever bettered this from 1995.

#705: The Beta Band – She’s The One

It was so difficult to settle on just one song from The Beta Band.  In the end, SWC, in effect, chose this one, From his ICA, #60, in February 2016:-

“She’s the One is the sweetest, most smile inducing and best song the Beta Band ever made. After all this is a simple song, that chant…which gains more power with each repetition, that takes your focus so much that the climax almost burst out of nowhere. A brilliant way to spend eight and a half minutes.”

#704: Miaow – When It All Come Down

From February 1987.  It’s on Factory Records with the catalogue number FAC 179.  Pure indie-pop with a tip of the hat to 60s girl/harmony groups.  An absolute joy of a 45.

#703: Elastica – Waking Up

If it wasn’t for the fact that so many of their best songs, including this single from February 1995, were total rip-offs, then Elastica would have certainly made the Top 120.

#702: The Stranglers – No More Heroes

If it wasn’t for the fact that a different band took this 1977 hit and then turned the tune into something even more special (and danceable!), then The Stranglers would certainly have made the Top 120.

The truth is that both missed out by narrow margins.

#701: The Suede Crocodiles – Stop The Rain

Glasgow in 1983 was a great place and time to be a music fan.  The city was awash with young musicians making fabulous jangly-guitar based music, much of which has been greatly celebrated on TVV over the decades and much of which will appear in this rundown, including a few in the Top 120.  This was named as ‘Single of The Week’ in both the NME and Melody Maker.  But it didn’t get much airplay outside of Glasgow and failed to chart.

#700: Depeche Mode – Personal Jesus

There’s not been too much on Depeche Mode on TVV over the past 20 years, and that’s down to me not really liking that much of their output.  But it would be churlish to leave them out of this rundown, and so I’ve gone for the one I probably know best of all, and that’s largely down to Johnny Cash covering it many years later.

#699: Album Club – Make No Bets

Album Club are a loose collective of creative people assembled from other bands, along with novelists, actors, journalists and various artsy Glasgow types. Thus far, there’s been one eponymous album, released on Last Night From Glasgow back in 2022, full of low-key narratives that knit together in a rather lovely way.

#698: Dee-Lite – Groove Is In The Heart

A song title that could, as a phrase, be applied to the Album Club record.  This is another that might seem out of kilter with your typical TVV offerings, but is an undoubted pop/dance classic. I’d have placed good money on it having been a #1 hit back in the day, but it was denied the top spot in September 1990 by a truly awful offering from The Steve Miller Band.

#697: Vulture Party – New Humans

I think it would be fair to say TVV has tried to shine a light on singers and bands from Scotland, especially those whose records maybe don’t sell too much beyond their immediate environs. Vulture Party, from Falkirk,  have made two very interesting albums of ‘disquieting alt-pop for the socially conscious’. This was the song with which they introduced themselves to the world back in 2020.

#696: The Thrills – One Horse Town

If you’re feeling a bit low, then perhaps a chirpy upbeat pop song is what’s needed to put a smile on your face.  This one always works for me. A #18 hit in March 2003.

#695: Siouxsie & The Banshees – Spellbound (12″)

So many Banshee songs to consider.  In the end, I went for one of those on which John McGeoch weaved his magic. This distinctive and unworldly sounding single should have been much more successful than a #22 hit in June 1981.

#694: Goldfrapp – Strict Machine

Just the one major specific appearance for Goldfrapp on the blog over the past 20 years, courtesy of Swedish Herring Accident’s guest ICA (#203 in January 2019).  The previously mentioned Alexis Petridis, writing in the Guardian in April 2003, described ‘Strict Machine’ as ‘not only fantastic, but quiveringly sexy to boot’  And he’s right.

#693: Monaco – What Do You Want From Me?

This is, by a long way, the finest solo outing from Peter Hook.  It was a real and pleasant surprise that he chose to make music sounding more like a New Order record than anything else he had ever done before via his other side-projects, and it went all the way to #11 back in February 1997.

#692: Jane Wiedlen – Rush Hour

Placed here deliberately as I reckon it would sit perfectly on a mix tape immediately after the above song by Monaco.  Can’t deny the production very much places it in the late 80s, but that is very much all part of its poptastic charm and magnificence.

#691: Kid Creole & The Coconuts – Annie, I’m Not Your Daddy

I’m still in mixtape mode.  Shut Up and Dance.

#690: Breakfast Muff – R U A Feminist

Breakfast Muff were a hugely entertaining pop-punk trio from Glasgow who left us with just one album, released in 2017.  It contained 13 bouncing and boisterous tracks across just 25 minutes. As the band said, this one’s about sexuality, feminism and feelings, delivered with an all-round giant dose of fun.

#689: Cameo – Word Up

This one is all about the testosterone. And codpieces.  Top of The Pops, September 1986.  The complaints came flying in afterwards.

#688: Baz Luhrmann – Everybody’s Free (To Wear Sunscreen)

With every passing day, my body more and more reminds me that I am not the indestructible force I once believed I was.  For example, I can no longer dance like the Cameo boys.

#687: It’s Immaterial – Driving Away From Home (Jim’s Tune)

It’s Immaterial joined the ranks of one-hit wonders in 1986, when this spent 8 weeks in the UK chart, attaining the dizzy heights of #18.  There was so much more to them than that, as evidenced by ICA #299, penned by Khayem back in October 2021.

#686: Eurythmics – Sweet Dreams (Are Made Of This)

Annie Lennox and Dave Stewart made some of the best-selling pop music of the 80s, but that’s not to say it was always essential listening.  But before they hit payola, there were a couple of albums, the first of which sold dismally, while the second was eventually rescued by this, its fourth single, becoming an unexpected #2 hit in March 1982, kept off the top spot by one of Bonnie Tyler’s insufferable power ballads.

#685: Meat Whiplash – Don’t Slip Up

I think this might be the only entry in the 800 songs featuring the only single a band ever recorded before breaking up.  Meat Whiplash, from East Kilbride (a town with multiple entries in this rundown), were one of the first to sign to Creation Records.  Their sole single was released on September 1985 and spent five months in the UK indie singles chart.

#684: Richard Hawley – Something Is….

I really have tried. but Richard Hawley just doesn’t do it for me…..other than this one song from his 2001 album ‘Late Night Final’.  Brings back memories of the one time I saw him, as the support for Tindersticks, at a London gig back in October 2003. He opened his set with this which got me sitting up and paying attention, but he quickly lost me again.

#683: Aberfeldy – Love Is An Arrow

I don’t think too many folk will recall Aberfeldy, an indie-pop/folk combo from Edinburgh who were initially on Rough Trade Records back in the early 00s, before later signing to 17 Seconds Records, a label established by blogger and all-round good guy, Ed Jupp.  I don’t listen to them all that much these days, but I’ll always make time for this single, which actually reached #60 in February 2005.

#682: Railcard – Disco Loadout

Railcard formed in 2025 and could, with some justification, be described as an indie-pop supergroup. All four members have been in previous much-loved bands, particularly of the twee-pop genre.  Three of them are now 64 years of age!!!  Indeed, it was the realisation that they all qualified for the Senior Citizen’s Discount Card for train travel that led them to come up with the band name.

#681: T.Rex – Children Of The Revolution

Another band where I found it tough to home in on one particular song. In the end, I went for a heavier offering – a more rock than glam number.  I was nine years old when this was all over the radio stations in 1972.  I can still, just about, sing along to every word.

 

 

 

JC

Thanks so much for all your kind words and comments yesterday.  It came as a bit of a relief that folk were happy enough to plough through the lengthy post.  Just the 760 songs to come 🙂 🙂 🙂

#760 : The Assembly – Never Never

The synth-pop genius,  Vince Clarke, decided he wanted to collaborate with singers on a one-off basis under the moniker of The Assembly. First up was Feargal Sharkey, formerly of The Undertones, and this electro-ballad was a smash in the UK hitting #4 in late 1983 and showing a side to Sharkey that few imagined possible. It turned out there was no follow-up single from The Assembly, and after a one-off effort with Paul Quinn flopped, Clarke reconsidered his options and formed Erasure.

#759: Echobelly – Bellyache

The lead track on Echobelly’s debut EP, released in late 1993. And in my mind, it sounds as if a cracking Smiths tribute band (with added didgeridoo!!) was being fronted by the winner of a Debbie Harry soundalike contest.  Mesmerised me then and still does today.

#758: Frankie Goes To Hollywood – Relax

We all know it and we all have an opinion on it.  It wouldn’t have made this rundown if I disliked it.

#757: Port Sulphur – Alex Discord

A collective co-ordinated by Douglas MacIntyre of Creeping Bent Records. There’s been three ‘proper’ studio albums and a compilation of songs previously released digitally. Far too many collaborators to mention, but ‘Alex Discord’ is an eight-minute epic on which the late punk-poet Jock Scot provides lead vocals on a tune combining ‘Faith Healer’ by the Sensational Alex Harvey Band with ‘Discord’ by The Fire Engines.

#756: Rilo Kiley – Portions For Foxes

2004 single from American indie rock band fronted by Jenny Lewis.  Originally together from 1998-2013 and reformed in 2025. It might be a tad indie rock by numbers, but I do like Jenny’s voice, which is why………

#755: Jenny Lewis & The Watson Twins – Rise Up With Fists!

2006 single lifted from the first ‘solo’ album which was recorded with the Americana/indie folk twin duo of Chandra and Leigh Watson.

#754: I Am Kloot – Over My Shoulder

Manchester-based band who released six albums between 2001 and 2013. This is from ‘Gods and Monsters’ (2005), bought purely on the basis of hearing ‘Over My Shoulder’ on the radio.  Album proved to be a bit of a disappointment.

#753: Life Model – Sit Still

The PR blurb says “A 5-piece dream pop band from Glasgow who mix classic indie and pop of the likes of The Sundays and Belle and Sebastian with the noisier leanings of bands like Sonic Youth.”.   It’s a fairly good description.  From their 2021 debut album ‘Lost on Weekdays, Lonely By Sundays.’

#752: Maxine Nightingale – Right Back Where We Started From

I’d have been just 12 years old when this went Top 10 in November 1975, but it’s one that has stuck with me ever since.  I didn’t buy it back then, and I’ve only a digital copy in the collection.  When I was responsible for selecting and playing pre-match tunes for Raith Rovers FC, I aired this a few times prior to important games as we chased promotion to a higher division.

#751: The Slits – Typical Girls

I’d have been 16 years old when this came out in September 1979.  I didn’t take to it at all.  Only as I’ve grown older, and my musical tastes have developed/matured, have I been able to realise just how astonishing and ground-breaking it was. Nobody was making music like this back in the day and very few have done so since.

#750: Utah Saints – Something Good

In which a then largely unknown electronic duo take one of Kate Bush’s chamber-pop hit singles from 1985, and turn it into one of the biggest dance numbers of 1992.  Still sounds fresh and somewhat astonishing more than 30 years later.

#749: The View – Superstar Tradesman

The Dundee band’s second single, released in October 2006. It reached #15 in the charts which was actually a bit of a disappointment for all concerned as there was a confidence that it was at least destined for the Top 5.  It’s a song that was never going to change the face of pop music, but it was, and still is, great fun to listen to.

#748: Marc Riley & The Creepers – Jumper Clown

Mark Riley was sacked from The Fall in 1982 after a four-year stint. He was still just 21 years old and very ambitious, and so he started up his own band. The second ‘solo’ single grew out of what had been a previously untitled instrumental that had previously part of The Fall’s live sets.  Mark E Smith was thoroughly pissed off by it.

#747: Gloria Jones – Tainted Love

Did I know this Northern Soul number before Soft Cell covered it?  Absolutely not…..and the later discovery put a big smile on my face.

#746: Spandau Ballet – The Freeze

I did say there would be some guilty secrets among these 800 songs. I’ll stand by my long-held view that ‘Journeys To Glory’, the 1981 debut album by Spandau Ballet is one that would be held up as being a very influential synth-pop offering, if only they hadn’t made such shite MOR music later in their career.

#745: Black Rebel Motorcycle Club – Spread Your Love

One of my long-time favourite music critics is Alex Petrides who writes for The Guardian newspaper. He said this back in 2002 about the eponymous BRMC debut album

“… an indie album of the old school, moody and monotonous, black-clad and pointy-booted. It sounds like it lives in a dingy bedsit, really hates dance music and has trouble making conversation with girls.”

Take away the dance music reference and that was me in the mid-80s!

#744: Bananarama – Shy Boy

Some might think I’ve gone from the sublime to the ridiculous in this rundown.  Others might suggest I’ve gone from the ridiculous to the sublime. Either way, I’ll never deny my love for this hit single from 1982.

#743: Peaness – Kaizen

An all-female band from the north-west of England who I saw live when they played The Edge of The Sea festival in Brighton in 2023.  They had two albums under the belt by then (released in 2017 and 2022), but sadly, there’s been nothing since.

#742: The Corn Dollies – Shake

I’m 100% in agreement with the person who wrote, in the booklet which came with the Cherry Red Records C87 boxset that ‘Shake’ revealed a debt to Lloyd Cole & The Commotions.  It’s not just the tune….but the vocal delivery is almost as if lead singer Steve Musham was auditioning for a part on Stars In Their Eyes.

#741: Freeeze – I.O.U

Of course New Order will appear in the rundown, and they will be somewhere in the Top 120.  In the meantime, feel free to enjoy ‘I.O.U’, a #2 hit in the UK charts in June 1983, a couple of months before producer Arthur Baker took the tune and helped to deliver ‘Confusion’ directly onto the floors of NYC nightclubs.

#740: The Heart Throbs – I Wonder Why

An indie-band from the late 80s/early 90s who deserve to be looked on more fondly by history. Their story wasn’t helped by ever-changing line-ups in the rhythm section across all three of their albums.  But maybe regular TVV contributor strangeways nailed it when he suggested they were too accomplished for the indie crowd but too introvert for the rock fans.

#739: A House – Endless Art plus A House – More Endless Art

‘Endless Art’ is a song consisting of the names, birth and death dates of performing and visual artists. They’re all male.  ‘More Endless Art’  is a song consisting of the names, birth and death dates of performing and visual artists who are all female. A House are from Dublin and with the song being spoken rather than sung, that lovely lilt comes through clearly.  Edwyn Collins was in the producer’s chair.

#738: Johnny Marr – Easy Money

He’s not the greatest singer to ever grace the planet, but he’s written some of the best tunes ever to come out of a wireless set.  Yes, The Smiths will be in the Top 120.  No, the band’s lead singer will not be featuring in the rundown.  If you click here, you’ll find a blog post from 2018 which goes a long way to cementing Johnny Marr’s position as one of the really good guys.

#737: Nadine Shah – Holiday Destination

I’ve loved the last three Nadine Shah albums – ‘Holiday Destination’ (2017), ‘Kitchen Sink’ (2020) and ‘Filthy Underneath’ (2024) but I’ve never properly featured her on TVV.  The main reason being that other bloggers out there, who are far better writers than I’ll ever be, cover things best.

#736: Pale Fountains – Thank You

Another of the ‘should have been massive’ band of the early 8os.  Signed to Virgin Records in 1982, both studio albums by this Liverpool band were critically acclaimed but criminally ignored by radio stations and the record buying public. The delightful ‘Thank You’ did reach the giddy heights of #48 in November 1982. Also responsible for the album ‘From Across The Kitchen Table’ which was later adopted by Drew for his blog.  I’m not alone in wishing Drew would come of out of his self-imposed retirement.

#735: RM Hubbert – Car Song

Robert McArthur Hubbert (born 12 May 1974 in Glasgow, Scotland), commonly known as Hubby, is primarily a Scottish guitarist and occasional singer. He’s been part of the DIY indie scene in his home city since as far back as 1991. He came to some prominence in 2013 when ‘Thirteen Lost and Found’ was named Scottish Album of the Year with the accompanying prize of £20,000.  ‘Car Song’ is taken from that album,  Aidan Moffat supplies the vocal.

#734: The Rakes – Work Work Work (Pub Club Sleep)

One of the many bands to emerge when guitar-music of an indie-bent became briefly fashionable again the early 00s. Debut album, ‘Capture/Release’ is a tremendous and fun listen.  The longest offering was this, its closing track at just over four minutes, an edited version of which went to #28 in the singles chart in August 2005.

#733: The Saints – This Perfect Day

July 1977 was when this lot from Australia hit #34 in the UK singles chart.  I first heard it many years later, and was bemused that I couldn’t recall it from ’77, before realising that its release coincided with me spending six weeks on holiday in Canada over that particular summer, and it had come and gone while I was out of the country. And with no follow-up hit forthcoming, they became a band who passed me by completely.

#732: The Luxembourg Signal – Cut The Bridle

A band who came to my attention via an appearance at the Glas-Goes-Pop festival in 2023, which led me to visit the merch stand and buy ‘The Long Now’, an album dating back to 2020. It’s a genuine indie-pop classic, with ten quality tunes packed into 35 minutes which fly by all too quickly. It’s one of those records that having got to the end of Side 2, it is irresistible not to flip it over and enjoy things all over again.

#731: Seona Dancing – More To Lose (extended version)

1982/83.  Two friends by the names of Ricky Gervais and Bill Macrae formed a synth-pop duo called Seona Dancing and sign to London Records. There were just a couple of flop singles, neither of which troubled the charts. But they must have got played on the radio, as I wouldn’t have bought their debut offering on 12″ vinyl without having heard it beforehand. A copy in the condition that mine is in (Near Mint) can fetch as much as £400 on the second-hand market.

#730: Townes Van Zandt – Kathleen

The first time I heard ‘Kathleen’ was courtesy of it being a single released by Tindersticks in 1994.  I would have sworn it was an original and not a cover, as it was atypical of the Tindersticks sound of that particular era. The original, which dates from 1969, is quite brilliant.  As is the cover.

Bonus Track : Tindersticks – Kathleen

#729: Urusei Yatsura – Hello Tiger

Glasgow’s very own Urusei Yatsura are another who really should have been far more famous than they turned out to be. They were largely an out-and-out pop band with a sound  influenced by so many others….Sonic Youth in terms of the guitars….a hint of Pavement in respect of weird lyrics…..glam-rock as evidenced by the Glitter Band style chants……the buzz and feedback of the Jesus & Mary Chain…..and the delights and harmonies of Teenage Fanclub.…and yet, they somehow always seemed to make distinctive records. ‘Hello Tiger’ was the one time they almost had a big hit.  #40 in February 1998.

#728: The Rockingbirds – Jonathan Jonathan

In which a mid-90s London-based band with a penchant for Americana, released a single that sang the praises of a Boston musician whose career was inspired by The Velvet Underground.  Don’t fear….Mr Richman will feature in the rundown later on.

#727: Smog – Dress Sexy At My Funeral

Smog is the name previously used by American musician Bill Callachan – he reverted to his own name in 2007. He’s prolific – there’s been 25 albums since 1990. The twelve Smog albums were the subject of a guest ICA (#192), penned by former blogger Richard in October 2018. ‘Dress Sexy At My Funeral’ is from ‘Dongs of Sevotion’, released in 2000.  The lyric is typical of the dry humour he employs across many of his songs.

#726: Dubstar – Not So Manic Now

Britpop was mostly bands with guitars. Dubstar were from the same mid 90s era but made more use of synths which in turn led to a more dreamy type of pop music. ‘Not So Manic Now’ remains my favourite of theirs, making it (just) into the Top 20 of the singles chart in January 1996

#725: A Flock of Seagulls – Modern Love Is Automatic

A UK band who made it big in the USA before achieving anything of note in their homeland.  While they remain one if the worst live bands I’ve ever had the misfortune of seeing (Strathclyde Students Union, 1982), the studio take on things was slightly better as evidenced by this, the lead track from a 1981 EP.

#724: Jurassic 5 – Concrete Schoolyard

Los Angeles-based hip-hop act whose eponymous debut album spawned this, their only hit single in the UK. It reached #35 in October 1998

#723: Ladytron – Seventeen

UK electronic act who formed in 1999 and are still going strong today, with their eighth studio album, ‘Paradises’, being released earlier this year. I haven’t followed their career too much, but I’ve long had a liking for this 2002 single, with its creepy minimalist lyric, which peaked at #68.

#722: New Fast Automatic Daffodils – Man Without Qualities II (Peel Session)

Manchester band who were around between 1988 and 1995 and thus were contemporaries of quite a few who made it big.  It didn’t quite happen for the New FADs (as they were often referred to) despite having a substantial local following and a fine reputation as a live act.  This is a Peel version of one of their singles.

#721: Dub Sex – Swerve

Manchester band who were around between 1987 and 1989 and thus were contemporaries of quite a few who made it big. Dub Sex veered more towards raw and angry music, albeit with a pop bent, rather than wanting to be played at The Hacienda. ‘Swerve’ wouldn’t have been out of place on a Pixies record.

I hope you’re enjoying this glimpse into the record/CD collection held here at Villain Towers, and hopefully you’ll be happy to come back for #681-#720 of the rundown.

 

 

JC

The first ever posting on the Vinyl Villain blog was on 30 September 2006.  The original blog was hosted by Blogger/Google, but was taken down on 24 July 2013 for what was alleged to be continued violations of copyright policy.

The very next day, The (New) Vinyl Villain emerged blinking into the sunlight, hosted on WordPress, with a paid annual subscription taken out for the little bit extra protection.

The 20th Anniversary is fast approaching, and having given a lot of thought as to how to best mark it, I’m going to go all self-indulgent. On Mondays to Fridays, between now and 30 September  there will be a daily posting of songs that have a connection with TVV.  I’ve been ambitious as 800 songs have been picked out, with no repeat artists on offer, technically speaking.

For instance, it’ll be no surprise that Paul Quinn features more than once, but it will be in different guises.  Picking out another at random, Tracey Thorn’s voice will be heard a few times.

I want to stress that, for the most part it’s not a rundown.  The songs listed from #800 down to #121 have more or less been randomly allocated, although you’ll soon see the occasional patterns developing.  Those songs will form Parts 1 to 17 of the series with 40 songs offered up each day.

Parts 18 to 23 will feature the final 120 songs and these have been ranked in my order of preference.

There will be loads of stuff you all know along with hopefully a few surprises as well as some that might best be described as skeletons in my closet.  Apologies in advance that each of the daily posts will be lengthy. I’ve a rough estimate of how many words are involved, and it adds up to a medium-sized book. Oh, and there will be spelling mistakes and grammar will be strangled.  I’m not a professional writer. 🙂 🙂 🙂

I hope there’s enough to get folk interested, and please, feel to comment as often or as little as you like.

Let’s get this party started……..

#800 : McFadden & Whitehead – Ain’t No Stopping Us Now

I’ve always said that 1979 was the best ever for music. It wasn’t all down to the brilliance of new wave/post punk, either. A little bit of disco with R&B roots, from Philadelphia seems an ideal way to kick things off.  A #5 hit just as I was celebrating my 16th birthday.

#799: Hipsway – The Honeythief

There’ll be loads of Scottish-based (and indeed Glasgow-based acts) in the rundown.  I reckon all the members of Hipsway, like my good self, were teenage mutant disco dancers back in the day, with it later spilling over to the music they would go on to make.   Peaked at #17 in March 1986.

#798: Cake – Short Skirt/Long Jacket

It took me until 31 May 2025 to make my performing debut on stage with a band. The Dial-Ups, a fabulous cover band from Santa Monica, had me join them for their very last song of the evening.  I played cowbell….and had the time of my life.

#797: Fizzbombs – Sign On The Line

Out of vanity, I once asked AI to describe The (New) Vinyl Villain.  One of the sentences it offered up was, “The blog is heavily intertwined with the UK music scene, specifically around Glasgow and Edinburgh”.  Fizzbombs were a short-lived four-piece from the capital city, and this came out in 1987 on the locally-based Nardonik Records.

#796: Detroit Cobras – My Baby Loves The Secret Agent

This blog wouldn’t be half the place it is without guest contributions, particularly to the Imaginary Compilation Albums series.  There have been over 400 ICAs since the first appeared in June 2014, and around 75% have come from elsewhere.  It’s an incredible stat….especially as one of my sentences in ICA #1 was “This series will likely be short-lived.”.

Dirk penned a fantastic ICA (#34) in September 2015 on the Detroit Cobras. This is a cover of a song written by the late Fred Sledge Smith, whose gravestone in Los Angeles says  “Never boring, always loved – he made America dance.”

#795: Lou Reed – Walk On The Wild Side

There’s quite a few ‘big hitters’ who didn’t make it into the Top 120 and will be subject to a random position in the rundown.  Please put your hands together for Mr Lewis Allan Reed (2 March 1942 – 27 October 2013).

#794: Pele – Raid The Palace

Nope.  It’s not the famous Brazilian footballer issuing a revolutionary call to arms.  This lot were an indie-band from Ellesmere Port, in north-west England, active in the early 90s.  This was their debut single from back in October 1991. I first heard this when my mate Jacques the Kipper included it on a homemade compilation tape.

#793: Foil – Reviver Gene

This lot’s lead singer, Hugh Duggie, is a lifelong friend of Jacques the Kipper, and there was an ICA (#89) in August 2016.  This, their 1996 debut single, was described as ‘The Scottish Huskers, playing Sugar-y speed guitar in the middle of a stampede of Buffalo Toms. Splendid!”  Which nicely leads into……..

#792: Sugar – Changes

Recently reformed after a period of 30 years, and by all accounts still as superbly entertaining as ever.  This was their debut single, released on Creation Records in August 1992.  It wasn’t a hit.

#791: Grrrl Gang – Honey

If it wasn’t for blogging, I’d never have come across this indie pop band from Indonesia.  This single dates from 2021, and, yes, it is very derivative of the indie-pop of the 80s, particularly of the sort which emerged from Glasgow and the surrounding towns, but so what?

#790: Divine – You Think You’re A Man

Included in the rundown no other reason other than the live performance I witnessed at Strathclyde University Students Union in 1985 being one of the most fun and enjoyable shows of them all.

#789: Spear of Destiny – Liberator

As with Divine, this brings back memories of a live show in the Students Union….but this one was all about my young brother, SC, at the age of 18, ripping off his shirt and leaping fearlessly into the mosh pit.

#788: Janet Kay – Silly Games

I’ve more than 50,000 tunes on the hard drive of my laptop, but not all that much in the way of reggae/lovers rock.  ‘Silly Games’ is from 1979, the more than any other that’ll feature in the rundown.   Janet Kay proved to be a ‘one-hit wonder’ in terms of the charts, but she has enjoyed a long and illustrious career in musical theatre.

#787: The Lucksmiths – T-Shirt Weather

I posted this one back on 13 March 2015, ending with the words “Does any reader who knows more about the band fancy contributing a posting? Perhaps as part of the Imaginary Albums series?”  Within days, Eric from Oakland obliged and his guest ICA, #10 in the series, appeared on 7 April 2015

#786: HighSchool – Sony Ericsson

One of the ‘newest’ bands among the 800. I picked up on them thanks to SWC posting links to tunes over at No Badger Required.  Went to see them play a small venue in Glasgow earlier this year, and they were outstanding.  I was by far and away the oldest person watching on (and dancing!!).

#785: The 101’ers – Keys To Your Heart

One of the ‘oldest’ bands among the 800. The 101’ers, formed in 1974, were regulars on the London pub scene. ‘Keys To Your Heart’ was their debut single, but by the time it was released, they had spilt as their lead singer and main songwriter had left to join another band. His name was Joe Strummer….and he’ll be back a couple more times in this rundown.

#784: Sleeper – Sale Of The Century

There will be a smattering of Britpop among the 800.  Sleeper had eight Top 40 hits between 1995 and 1997, with this peaking at the #10 spot.  They were the inspiration for the phrase “Sleeperbloke”, referring to the disparity between having a glamorous female singer and the other frequently ignored male members of the band.

Bonus Track : The Just Joans – Sleeperbloke

#783: Portishead – Glory Box

As I said, if a song didn’t crack the Top 120 of this rundown, it gets a random number.  This one came close, and I mean very close, to making the cut. A #13 hit in January 1995.

#782: The Woodentops – Plenty

The debut single from July 1984.  Another band who were the subject of a guest ICA. It was #70 in the series, penned by Strictly Rockers in April 2016.

#781: Soho – Hippychick

In which a Johnny Marr riff was used to great effect to create a dance track that went Top 10 in January 1991.

#780: Raconteurs – Steady As She Goes

This 2006 debut single, peaked at #4.  It was a time when everything touched by lead singer Jack White seemed to turn to gold, coming amidst more than a dozen Top 30 hits for The White Stripes.

#779: The Orb – Toxygene

Another song that peaked at #4,  in February 1997.  My dear friend ctel, who knows a lot about these things wrote these words on TVV back in November 2008. “The Orb virtually invented the electronic genre known as ambient house, resurrecting slower, more soulful rhythms and providing a soundtrack for early-morning ravers once the clubs had closed their doors.”

#778: Lene Lovich – Lucky Number

Yet another from 1979.  Some days this one irritates me, some days I find it quite charming.  You can probably guess what I was feeling the day I picked out the 800 songs.  Chosen specifically at 778 as these were the first three digits (after the area code) of the phone number in the house I grew up in.

#777: The Who – I Can’t Explain

There’s less than a handful of songs among the 800 which predate the 70s when I first developed an interest in music.  This was one I dedicated to my great friend Kenno when it was posted in February 2019.   Kenno, tragically, succumbed to cancer in March 2024, aged 59.  I miss him.

#776: Twa Toots – Please Don’t Play A Rainy Night In Georgia (Peel Session)

John Peel gets loads of mentions on TVV.  And rightly so.  Plenty of Peel Session songs have featured over the years, and this one dates from October 1983. While this song was never given a studio recording, it was released a few years later as part of the Strange Fruit series of Peel Sessions on vinyl.

#775: Barn Owl – When No One Is Around

One that I downloaded in the early 2010s.  It was by a band called On The Day We Met Gambas Pil Pil.  A few years later, I saw a band called Barn Owl as the support for a gig at King Tut’s in Glasgow, and they played ‘When No One Is Around’ note-for-note.  Turned out that there had been a band name-change. Still not sure if this Arcade Fire-style tune was ever given a physical release.

#774: BOB – What A Performance

A London-band championed by Peel back in the late 80s.  I first learned about them years later thanks to this song being included within a Cherry Red Records compilation box called C87.  It was their debut single, on Sombrero Records, and  I’ve since picked it up on 12″ vinyl.

#773: D.A.F. – Der Mussolini

D.A.F. is short for Deutsch Amerikanische Freundschaft, a Dusseldorf-based band who were originally with us at the tail end of the 70s and into the early 80s. I danced to this one a fair bit back in the student days. Don’t worry folks, it’s not a track praising the merits of the old fascist – indeed it is merely encouraging Benny boy to shake his ass with his dancing partners Adolf and Jesus. If it wasn’t for the pounding electro-beat, it’d be as camp as can be.

#772: Captain America – Flame On

A rather wonderful piece of indie pop from 1990. Captain America was formed by vocalist and guitarist Eugene Kelly following the dissolution of his former band, The Vaselines. The name of the band had to change soon after following an injunction threat from Marvel Comics who claimed copyright. They changed it to Eugenius which just happened to be the frontman’s affectionate nickname.

#771: Death In Vegas – Dirge

Electronic dance group whose second album, ‘The Contino Sessions’, released in 1999, used a range of guest singers including Dot Allison from One Dove (and yes, Dot will be back later on in the series!). It never charted but is one of their best known tunes thanks to it being used in commercials and within film soundtracks over the decades.

#770: Act – Absolutely Immune

Late-80s synthpop duo consisting of Scots-born musician Thomas Leer and West German-born singer Claudia Brücken. Released four singles and one album in 87/88 on ZTT Records, none of which sold in any great numbers. This one is quite similar sounding to Propaganda, which was Brücken’s former band.

#769: Hindu Love Gods – Raspberry Beret

In essence, a side-project of R.E.M. with vocal duties handled by Warren Zevon, whose career stretched back to the late 60s and who, for over 30 years until his death from cancer in 2003 at the age of 56, was a huge influence on many big hitters and popular artists within the American music industry without himself ever enjoying much mainstream success. He was also an almost complete-unknown here in the UK.  And yes, it is a fabulous cover of the Prince song.

#768: Juliana Hatfield – Nirvana

Released on her debut solo album in 1992, by which time Juliana Hatfield, at the age of 25, was already a veteran of the music scene having been part of the Blake Babies and The Lemonheads.  A tribute to the grunge rockers who were, at the time, taking the world by storm.

#767: Kraftwerk – The Model

Another of those that, on another day, might have made the Top 120…….

#766: The Members – Sounds Of The Suburbs

Back to 1979 again.  If ever a song signified what that year was going to hold in store, this was it. A previously unknown band outside the London pub scene get picked up by the record industry and given the chance for a brief dalliance with fame. It was Virgin Records who took a chance on The Members, and it paid off with this fast, frantic tune and lyric about boredom which was an understandable hit with teenagers and adolescents.

#765: Pop Wallpaper – Strawberry Letter 23

Edinburgh-based pop band from the 80s who never gained much traction outside the central belt of Scotland.  This was their second and final single, a cover of a Shuggie Otis song, released in 1984 on the very short-lived Rosebud Records. I like it but it is very much of its time.

#764: Sex Pistols – God Save The Queen

Next year will mark the Golden Jubilee of this incendiary 45.  A scary thought in itself as to how time really does fly, especially the older we get.

#763: Timezone – World Destruction

Back-to-back Lydon. From 1984/85 when he collaborated with New York hip-hop pioneer Afrika Bambatta. The production values have dated the tune somewhat, but worth remembering that it was one of the first to fuse hip-hop with electro and rock elements, and helped paved the way for acts like the Beastie Boys to find fame and fortune.

#762: Wojtek The Bear – Second Place on Purpose

One of the more recent bands to make it onto the list of 800 songs, this is from their 2023 album ‘Shaking Hands With The NME’, released by Last Night From Glasgow. This lot make the sort of intelligently enjoyable indie-pop that has never quite gone out of fashion, certainly in the environs of Villain Towers,

#761: Van Morrison – Brown Eyed Girl

OK.  We are all most likely heartily sick of this one thanks to its over exposure on the radio and the fact everyone who goes to a karaoke night thinks they can nail it.  But there’s no denying it is a lovely and catchy tune is there?

Tomorrow will see the #721-#760 part of the rundown.

 

JC