One week down.  One to go.  Friday nights tend to be a wee bit special round these parts.

Wish You Were Here.

mp3 : Various – Beach Bumming (Volume 5)

Track Listing

I Hope You’re Happy Now – Elvis Costello & The Attractions
Revenge of The Hammond Connection – Primal Scream
Penelope Tree – Felt
Truth Be Told – Dead Hope
Heard About Love – The Big Gun
Big Rock Candy Mountain – The Motorcycle Boy
Wonderful Lie – The Hardy Boys
Sparky’s Dream – Teenage Fanclub
Stars – Dubstar
Triple Trouble (Graham Coxon remix) – Beastie Boys
M.O.R. – Blur
Home – P.I.L.
Apply Some Pleasure – Maximo Park
Lullaby – The Cure
I Miss You – Blink 182
Shellshock – New Order
How I Wrote Elastic Man – The Fall



I’m nowhere near the above beach.  Indeed, i doubt the above beach looks that way in mid-December.

Today’s mix is, indeed, A Postcard from Scotland

mp3 : Various – Beach Bumming (Volume 4)

Track Listing

Bee – Hairband
Don’t Make Me Wait – Emma Pollock
The Shy Retirer – Arab Strap
Michael – Franz Ferdinand
Fall Forever – Honeyblood
Promised You A Miracle – Simple Minds
Gut Feeling – Malcolm Middleton
You Heald The World In Your Arms – Idlewild
No Longer Young Enough – The Just Joans
Fake Fur – Urusei Yatsura
Shimmer Shimmer – She’s Hit
Sore Tummy – PAWS
Taste The Last Girl – Sons & Daughters
These Animals Are Dangerous  – Rote Kapelle
Since Yesterday – Strawberry Switchblade
Blue Boy – Orange Juice
You Can’t Spend You Whole Life Hanging Around With Arseholes – Ballboy
Down The Dip – Aztec Camera



Oh look….it’s another reminder that I’m not around just now.

Today, I’m searching for hidden treasure.

mp3 : Various – Beach Bumming (Volume 3)

Track Listing

You Supply The Roses – Memphis
This Arsehole’s Been Burned Too Many Times Before – Nectarine No.9
Parks and Recreation – Emma Pollock
Youth Knows No Pain  – Lykke Li
Sister – Tracey Thorn feat. Corinne Bailey Rae
Primitive Painters – Felt feat. Elizabeth Frazer
I Walk The Earth – King Biscuit Time
Old Town – Say Sue Me
With Handclaps – Y’All Is Fantasy Island
Munich – Editors
Dream Sequence – Pauline Murray & The Invisible Girls
Love Is A Deserter – The Kills
Look At The Sky – Sons of the Descent
Surfing USA – The Jesus and Mary Chain
The Heinrich Maneuver – Interpol
Sweet and Tender Hooligan – Nouvelle Vague



Second of the hour-long mixes made especially to listen to on the beach this and next week.

Let me show you baby, I’m a talented boy 🙂 🙂 🙂

mp3 : Various – Beach Bumming (Volume 2)

Track Listing

Gett Off – Prince
Psycho Killer – Talking Heads
Paper Planes – M.I.A.
212 – Azelia Banks
Speak Like A Child – The Style Council
Rollercoaster by the Sea – Jonathan Richman
Breathe – The Prodigy
My Doorbell – The White Stripes
Shady Lane – Pavement
The Official Colourbox World Cup Theme – Colourbox
Blues for Ceausescu – Fatima Mansions
Push Upstairs – Underworld
What A Waste – Curve
The Sun A Small Star – The Servants
Don’t Ask My Name – Hangman’s Beautiful Daughters
Revolutionary Spirit – The Wild Swans



I’m off on holiday to tropical climes for the next 12 days. Rather than close things down completely, I’m going to use Monday – Fridays to post some hour-long mixes made especially to listen to on the beach while keeping the usual series going at weekends.

mp3 : Various – Beach Bumming (Volume 1)

Track Listing

Television, the Drug of the Nation – Disposable Heroes of Hiphoprisy
Sweetheart Contract – Magazine
April Skies – Jesus & Mary Chain
Know Who You Are At Every Age – Cocteau Twins
Deceptacon – Le Tigre
No Bulbs 3 (unedited) – The Fall
Nancy Boy – Placebo
Lee Remick – The Go-Betweens
Sick, Tired and Drunk – The June Brides
Ring Ring Ring (ha ha hey) – De La Soul
Protection – Massive Attack
Helicopter – Bloc Party
Orient Express – Port Sulphur
Do I Love You (Indeed I Do) – Frank Wilson
Geno – Dexy’s Midnight Runners
Crocodiles – Echo & The Bunnymen

Me, I’m all smiles.



Recorded in 1982, but not released until 1985, this is arguably the strangest of the Paul Haig solo releases.

It had been laid down in the studio for Crépuscule in Brussels but, as was mentioned in earlier parts of this series, the licensing deal with Island led to a number of planned releases being shelved in favour of work commencing on Rhythm of Life.

A magazine interview given by Paul does throw some light on the thinking behind it all.

“After listening to lots of Sinatra records I became aware of these fantastic old songs. I think the music and the lyrics are absolutely incredible – especially the lyrics. The ‘swing’ side starts with The Song Is You, then All of You and Let’s Face the Music and Dance. The ‘dream’ side is Love Me Tender, The Way You Look Tonight and Send In the Clowns. I think the first side is around 1938, with songs by Cole Porter, Irving Berlin, people like that. The second side is slightly more modern.”

“The basic instrumentation on side one is just drums, double bass and piano, with the addition of string synthesiser on side two. We had to try about three sets of musicians before we found these old session musicians that had been playing jazz all their lives. The plano player must have been 70 years old! The drummer was quite young, in his mid twenties, so it was quite a challenge for him to keep pace with these brilliant jazz musicians, as it was for me too. I’m sure they thought it was a joke. I remember I turned up at the studio the morning they arrived. They said, ‘Are you the singer? The producer?’ They looked at each other in disbelief.”

As menationed at the outset, Swing in 82 belatedly emerged in 1985, but with with the original six tracks whittled down to five:-

mp3 : Paul Haig – The Song Is You
mp3 : Paul Haig – All Of You
mp3 : Paul Haig – Let’s Face The Music and Dance
mp3 : Paul Haig – Love Me Tender
mp3 : Paul Haig – The Way You Look Tonight



A re-post from just five months ago….

Here’s a single which is kind of like a skeleton in my closet in that I don’t admit to many folk that I like it; indeed it is one I rarely play given nowadays given that I’ve never transferred it or anything else by the band onto the i-pod or i-phone.

Just as I’m finding it really hard to listen to anything involving Morrissey, so it has been for some 30 years with Hue and Cry. For those of you who perhaps aren’t familiar with the group, (which I imagine will be the case with almost all the non-UK readers), it is basically a duo, formed by brother Pat Kane (vocals) and Greg Kane (everything else!) in the mid-80s.

After a debut single in 1986 on a small Glasgow-based independent label, they came to the attention of Virgin Records who signed them to a subsidiary label Circa for whom there was immediate success which was sustained for a few years with a number of chart singles and two albums which went Top 20. They were incredibly popular in Scotland, emerging at a time when a number of others acts across the country were embracing that late 80s big-sounding production with big vocals and big social statements to match, selling out much bigger venues up here than anywhere else.

It soon became apparent that Pat Kane was never going to be content with being a mere pop star.

He made use of his fame to promote himself as something of an intellectual, penning newspaper columns and appearing on television programmes in which he never shied away from airing what he considered to be left-wing credentials. He was also a very strong advocate for independence for Scotland and, to be fair, his arguments and viewpoints did make for interesting reading, gaining more than enough traction to ensure his success when he stood in an election in 1990 for the post of Rector at Glasgow University, which in effect is the highest office that can be held by a non-academic person at that particular seat of learning.

There was seemingly nothing on which Pat Kane didn’t have an opinion, and there was seemingly nothing on which his opinion was wrong. I don’t think I was alone in growing very bored of him very quickly, switching the telly over any time he appeared and completely by-passing any articles I came across in any newspapers. There was an arrogance about him that jarred and, looking back, it is clear to see that he was one of the first ‘champagne socialists’ who would rise to power in later years, albeit at the UK level of politics rather than in Scotland.

All of this made it tough to enjoy his music anymore, but to compound things, he and Greg announced that having enjoyed the rewards from two hit albums they were now going to embrace their lifelong love of jazz, which was my cue to bail out entirely.

Hue and Cry are still on the go today and Pat Kane still has something of a profile as a journalist and political activist but I continue to pay no attention.

But….and this came from looking deep for stuff that might go down well at the Simply Thrilled night(s)….there’s no denying that the duo did write and record an absolute belter of a radio-friendly tune back in 1987:-

mp3 : Hue and Cry – Labour of Love

This was the second single lifted from the debut album and it climbed all the way to #6 in the UK charts. It’s big, bold and brassy with a defiant message. Yes, it could be interpreted as a break-up song with someone telling their other half that the love they had endured for seven years was now over; but let’s not kid ourselves – this was very much an open letter to a right-wing government which was causing havoc to so many communities, including many in and around where the Kane brothers had been brought up. If Billy Bragg had penned this lyric, we’d be still celebrating it as genuine classic.