The debut pioneering single, as featured yesterday, was August 1972. Ten years later, Roxy Music released the utterly unlistenable AOR album Avalon. It’s another great demonstration of having it and losing it, but depending on your viewpoint, the band had perhaps long passed their sell-by date sometime previously.
For all that there was a run of classic singles in the early-mid 70s, Roxy Music were always judged on the contents of their albums. The self-titled debut was followed quickly by two albums in 1973 – For Your Pleasure and Stranded, and Country Life (1974) and Siren (1975). It really is astonishing to look back and see that five full studio albums were issued in a period of just forty months, all of which went Top 10 in the UK. The other thing to factor into this achievement is that, as a consequence of him being unhappy with the media focus seemingly all being on the frontman, Brian Eno left the band shortly after the release of the sophomore album. Any concerns that Eno’s departure would see Roxy Music’s popularity plummet were soon put to be bed; indeed Stranded, the first post-Eno LP became the band’s first ever #1 LP.
It wasn’t as if the band were wedded to the studio as each release was accompanied by live tours. A little bit of research reveals that Roxy Music played the major Glasgow venue (Green’s Playhouse/Apollo) in April 1973, November 1973, October 1974 (three nights) and October 1975 (three nights) which indicates this was a band that worked incredibly hard at all aspects of their trade.
They broke up in 1976, essentially as Bryan Ferry wanted to pursue a solo career. I was only 12/13 years old at that time and to be honest, was aware of the band less from their music (outside of their singles) and more from their evocative record sleeves in which you got to look at beautiful and scantily clad women in full colour at a time when such images were found only on top-shelf magazines. But this coincided with a time when I made new friends at secondary school, one of whom, Tam, was a huge Roxy Music fan as a result of his older twin sisters liking the band and playing their music non-stop, and through visits to his house I got to know the songs beyond the hit singles.
Fast forward to 1979. It’s Tam’s last year at school as he has already decided he’s going determined to leave as early as possible to get a job while I was set on staying on to University. We hear that Roxy Music have reformed and we both rush out and buy the comeback single Trash and later on the comeback LP Manifesto. We like what we hear but are shocked at the vitriol poured on the records by his older sisters. It’s the first time I can ever recall anyone who was such a huge and devoted fan of someone really being savage about their music – at that stage I’m in my musical development I was sure that once you were a fan, that was you for life.
Maybe what myself and Tam liked most about this era Roxy Music was that the new singles were being remixed and re-recorded for the disco markets and we were weekly regulars at a few church halls where you would turn up to receive your weekly humiliation at the hands of more confident, street-wise and sassy members of the opposite sex at the end of the night when the slow songs came on. But prior to that, you spent time in their company, not necessarily talking to them, but making awkward an unusual shapes with your body to the likes of Angel Eyes and Dance Away.
To those who were in their 20s and older, Roxy Music had already lost it. To us teens, they still had it in spades and more so in 1980 when Flesh + Blood spawned not only more dance singles but allowed Tam and myself to go see them at the Glasgow Apollo in July 1980 – the tickets given to us by his twin sisters for whom the latest LP was a step too far.
Not long after, Roxy Music enjoyed their biggest selling hit in the UK when their cover of Jealous Guy, released in the wake of the murder of John Lennon, went to #1. I didn’t like the single – I thought it bland, dull and unlistenable. In April 1982, Roxy Music released More Than This, another Top 10 hit single that I thought was appalling. By now, I cared little for the band and could finally understand why Tam’s sisters had disowned them three years previous when they too had left their teenage years.
So, I won’t argue that you can date Roxy Music losing it to when they reformed in 1979 as I was a huge fan for a while thereafter. But what I will say is, that if I was to piece together an ICA all these years later, it would almost certainly be made up of music that was recorded and released in the period 72-75.
I think we can all agree these demonstrate they had it:-
These will satisfy fans of a certain age:-
These, however, are shockers:-