TWELVE SINGLES

This isn’t an ICA as such, but it could quite easily pass for one, albeit a very lazy one.

The Monochrome Set, formed in 1978 in London, would go on to release twelve singles between 1979 and 1985, before their initial break-up. Almost all twelve of the singles are worthy of sitting in the collection of any fan of fiendishly catchy, clever and danceable indie-pop.

The one constant throughout this time was singer and main song-writer Bid, whose real-name is Ganesh Seshadri. The original line-up also include Lester Square (real name Thomas Hardy) on guitar, John D Haney on Drums and Charlie X on bass, albeit he was only part of the line-up for a short time, being replaced by the time they went into the studio by Jeremy Harrington. The first three singles came out in 1979 on Rough Trade:-

mp3 : The Monochrome Set – He’s Frank
mp3 : The Monochrome Set – Eine Symphonie des Grauens
mp3 : The Monochrome Set – The Monochrome Set

I’ll be honest and say that I wasn’t huge on the band at this time, only very occasionally hearing one of their songs via the John Peel show and there was nobody at school championing their cause. If I had been aware of the quality of these singles, I’d have snapped them up at the time…..or at least I’d like to think I would have…..the 15/16 year old me might have thought them just a tad too quirky and maybe it was best that I didn’t discover them for a few more years, courtesy of these and later singles being aired at nights in the student union.

1980 saw the band switch to Dindisc, becoming the fourth act after Martha & The Muffins, Orchestral Manoeuvres in The Dark and The Revillos to record an album for a label that was an offshoot of Virgin Records. By this point, they were onto yet another bassist, Andy Warren who proved to be very durable. The debut album, Strange Boutique, received fairly mixed reviews with most journos uncomfortable at being unable to pin-down the band into a genre or come up with any suitable comparisons to any other group doing the rounds at that point in time. It is fair to say that the album wasn’t as immediate or accessible as the earlier singles, as evidenced by the fact that only one song was deemed worthy of an a-side, and even that was a different recording from what appeared on the album:-

mp3 : The Monochrome Set – The Strange Boutique

The album had been recorded with Bob Sargeant, one of the most prolific producers of the era, but he was ditched for the sophomore effort, Love Zombies, which was issued just eight months after the debut, meaning that the band had pulled off the impressive feat of two albums in a calendar year. The production duties were taken on by Alvin Clark, better known at the time as an engineer, but who was an attractive option as he could add keyboards to the band’s sound. Two 45s were lifted from the album:-

mp3 : The Monochrome Set – 405 Lines
mp3 : The Monochrome Set – Apocalypso

The band left Dindisc shortly afterwards and 1981 proved to be a very quiet time with just one single issued, on PRE Records which was a sub-label of Charisma Records between 1980 and 1982 that was used primarily to issue singles by new wave and reggae acts.

mp3 : The Monochrome Set – Ten Don’ts for Honeymooners

1982 was the year that I finally discovered The Monochrome Set. By this point in time, JD Haney had taken his leave to be replaced on the drummer’s stool by Lexington Crane – and as a parting gift, the band decided to make an new instrumental track for use as a b-side which they lovingly called J.D.H.A.N.E.Y. They had also switched to another indie label – Cherry Red – for whom they would record what many feel was their finest ever album, Eligible Bachelors. It was a collection of tunes that harked back to the earliest singles, fitting in wonderfully with the increasingly off-kilter sounds of successful indie-pop in the era when the likes of Orange Juice finally made a breakthrough. Two tracks were issued by Cherry Red as 45s:-

mp3 : The Monochrome Set – The Mating Game
mp3 : The Monochrome Set – Jet Set Junta

To be accurate, the version of Jet Set Junta that was issued as a 45 was different from that made available on Eligible Bachelors. It was only released in 1983 to accompany Volume, Contrast, Brilliance…which was a Cherry Red compilation of radio sessions and hard-to-find B-sides from earlier singles dating back to the Rough Trade era. Jet Set Junta was from one of the radio sessions, recorded in December 1981 and which had marked Lexington Crane’s first formal involvement with the band.

You’ll have worked it out by now that this was a band that wasn’t the greatest at hanging on to members. Things had taken an took an alarming turn for the worse immediately after the release of Strange Boutique in that Lester Square, regarded by most fans as not just the perfect foil for Bid but the de facto depute leader of the band, decided to quit as did the new drummer, meaning that The Monochrome Set, just as it appeared they could reach into the mainstream, had been reduced to a duo of a frontman and bassist. I think it’s a fair assumption to feel that ‘musical differences’, however widely you would want that defined, was at the heart of matters.

Keyboardist Carrie Booth, drummer Nicholai Weslowski and percussionist Camilla Weslowska were soon brought on board and this five-piece recorded a single, released on Cherry Red, before the year was out:-

mp3 : The Monochrome Set – Cast A Long Shadow

Things went quiet for a while, with just the aforementioned Cherry Red compilation to keep fans happy in 1983, an album on which six musicians were credited of whom four were no longer associated with the band.

There was no new material in 1984 but the band returned in 1985. They were back to being a four-piece with Carrie Booth and Camilla Weslowska having been jettisoned. Unbelievably, they were on yet another new label, their fourth in six years, having been enticed by their old mate Geoff Travis to sign for Blanco Y Negro, the label backed by Warner Brothers and which was already home to Everything But The Girl. This was, by far, their best chance to make it big.

There was one album and two singles, both of which sold enough to be acknowledged as reaching the Top 100, but nowhere close to the success hoped for by the label bosses:-

mp3 : The Monochrome Set – Jacob’s Ladder (6 weeks in the Top 100, peaking at #81)
mp3 : The Monochrome Set – Wallflower (1 week in the Top 100, reaching #97)

Before the year was out, the band broke-up, reforming in 1990 as five-piece that included Bid, Lester Square and Andy Warren from the old days, releasing five new albums of material and touring extensively before again calling it a day in 2000…..except, they reformed yet again in 2010, with Bid, Square and Warren all involve yet again. Three more albums followed before Lester Square decided to take his leave at the end of 2014 (he had not long turned 60 years of age) although this time round the band kept going, and earlier this year they released Fabula Mendax, their fifteenth studio album.

JC

A SYMPHONY OF HORRORS

The second ever single released by The Monochrome Set was entitled Eine Symphonie des Grauens, which translates as ‘A Symphony of Horrors’. It must be one of the few, if indeed perhaps the only, indie-pop classic that’s written from the perspective of a vampire falling head over heels for the beautiful young thing he is about to seek his fangs into:-

I’m dead and dank and rotten
My arms are wrapped in cotton
My corpse loves you, let’s marry

Get smart, once – Every night at sleepy time
Get smart, twice – I hang my skin out on the line
Get smart, sing – Oh, darling, would you be, be mine

I’m in love, I think I’m in love
I’m in love, I think I’m in love
I’m in love, I think I’m in love, oh ho-ho-ho

I’m caught in a mesh of veins
My fingers and flesh and brains
My skull gives head, so let’s wed

Get smart, once – Every night when all alone
Get smart, twice – I drape my flesh around the phone
Get smart, pray – Oh, darling, would you be my own

I’m in love, I think I’m in love
I’m in love, I think I’m in love
I’m in love, I think I’m in love, oh oh-oh-oh-oh-oh-oh

Don’t cry, beautiful, it’s just a phase
To the father and the son and the holy ghost
I chant and I pray, I love
You know, God works in mysterious ways
To the father and the son and the holy ghost
I sing and I pray, I love

I’m soft and slightly stinking
My arms are small and shrinking
My lips kiss dirt, oh, let’s flirt

Get smart, once – Every night at half-past-one
Get smart, twice – There’s a little taste of things in come
Get smart, chant – Oh, darling, can I be your son?

I’m in love, I think I’m in love
I’m in love, I think I’m in love
I’m in love, I think I’m in love, oh oh-oh-oh-oh-oh-oh

Don’t scream, baby, it’s just a coma
To the father and the son and the holy ghost
I chant and I pray, I love
You go to heaven, I go to Roma
To the father and the son and the holy ghost
I sing and I pray, I love

mp3 : The Monochrome Set – Eine Symphonie des Grauens

The song title, and indeed its entire premise, is based on Nosferatu, a silent horror film released as long ago as 1922. Widely regarded as a masterpiece, the film had the full title of Nosferatu, eine Symphonie des Grauens, and was the first ever adaptation of the Bram Stoker novel, Dracula, that had been published 25 years earlier. The only problem for the filmmaker F.W. Murnau was that his work was unauthorised and led to Stoker’s widow successfully suing him and the production company with part of the court ruling being that all copies had to be destroyed. It didn’t quite materialise and indeed an existing copy made its way to the USA where it was released to much acclaim in 1929.

But enough of the cinematic stuff….this is a music blog after all.

Eine Symphonie…..is an absolute belter of a single, coming with an infectiously catchy sing-a-long chorus riding its way along a tune that just screams to be danced to. I’d love to say that I picked up on it when it was released on Rough Trade in 1979 but this was a band I didn’t really begin to listen to until they were brought to my attention by a flatmate. The late 70s saw many amazing and often unheralded bands forming in the immediate aftermath of the punk/new wave explosion and this London-based combo slipped well under my radar. I think it would have been a different story if I had lived in that part of the country instead of Glasgow….

Here’s yer jaunty instrumental track that was on the b-side:-

mp3 : The Monichrome Set – Lester Leaps In

JC

FOOLS IN LOVE (APRIL AND OTHERWISE)

MSTT

This is loosely adapted and then expanded from a post over at the old place back in February 2010.

One of the minor reasons I ever started a blog was to bring attention to otherwise unavailable or difficult to find very fine records that had only ever been placed on the b-sides of long-deleted singles and while there is a growing tendency for album re-issues to bring together such tracks and label them ‘bonus’, nothing beat finding bits of vinyl with the crackly old originals.

One of the songs I really loved from my old vinyl days but had missed for many a year was Goodbye Joe, originally recorded as a b-side to a 1979 single :-

mp3 : The Monochrome Set – Goodbye Joe

It begins as if it is a live track, and one that is of poor sound quality at that. You can hear some crowd sing-a-long at the outset in what is clearly a small venue, then some cheering as a guitar as struck. After just under 50 seconds, lead singer Bid utters the words ‘Let’s Have Some Decorum’ and suddenly we switch to a quite gorgeous and moving studio track.

It’s about watching a film performance of this bloke here in case you were wondering.

Oh and for the record, the song was later recorded by Tracey Thorn, and again was consigned to obscurity on a 1982 b-side :-

mp3 : Tracey Thorn – Goodbye Joe

The original posting also featured the A-sides of the singles which, in Tracey’s case was also a beautiful piece of music:-

mp3 : Tracey Thorn – Plain Sailing

In the Feb 2010 posting I mentioned in passing how both of Tracey’s songs had featured heavily on compilation tapes in the era of 82/83/84 as a way to demonstrate to would-be girlfriends that I really did have a sensitive side but it never ever worked all that well. Seems I wasn’t alone in that failing as my good mate Dirk from Sexy Loser left behind the comment:-

“Yeah, mate: those tapes, ey?! I only wish I still would own a few of the dozens of them I made up back then with all my passion, heart and soul … instead I gave them away to girls who didn’t give a fuck. Literally.”

I remember that as being a genuine ‘splutter the tea all over the monitor’ moment when I read it. Still makes me smile………

And while I’m here, I just can’t resist:-

mp3 : The Style Council – The Paris Match (LP version)

Days of skinny-ribbed hooped t-shirts, a headful of perfectly coiffured hair and a devil-may-care attitude to life that I thought would last forever. How the fuck has Johnny Marr changed so little since those days???????

mp3 : The Smiths – Please Please Please Let Me Get What I Want

Sigh.

THE TEN-MINUTE INDIE DISCO

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Three songs came up in a row on random shuffle the other week. I closed my eyes and imagined that instead of sitting on a train heading to work  I was at my favourite indie disco where 50-somethings can still go along and not be frowned upon as making fools of themselves as they try to relive their halcyon days.

A bit like the photo above.

mp3 : The Wedding Present – Brassneck
mp3 : Talulah Gosh – Talulah Gosh
mp3 : The Monochrome Set – Jet Set Junta

Every one a classic.