It was back in July 2017 that I gave the most fleeting of mentions to Sacred Paws, congratulating the duo on their debut recording, Strike A Match, winning the Scottish Album of the Year award. I’m annoyed with myself that I failed to follow up with a feature on what is a really enjoyable and unusual listen, certainly in comparison to the sounds most closely associated with Glasgow. Hopefully this appreciation of the sophomore offering goes some way to rectifying things.

Sacred Paws is made up of Rachel Aggs (vocals, guitar) and Eilidh Rodgers (vocals, drums) who have known each other for years through various bands they have been part of.  It was back in 2015 that they decided to work together, although things were complicated a bit by the fact that Rachel was living in London and Eilidh was in Glasgow. The development of technology and home recording has perhaps made such geographical issues less than a problem than they were a few decades ago but it still meant that things weren’t rushed.

The duo were signed to Rock Action, the label owned by Mogwai, and the first fruits of their labour was the Six Songs EP , released to a fair bit of buzz round these parts thanks to an energetic blend of spiky guitars, funky drumming/percussion lines and vocals that were chanted as often as they were sung which really made for a breath of fresh air. Throw in the fact that the girls were clearly enjoying themselves on stage and you had a decent recipe for success.

The debut album took over where the EP had ended, delivered with just a bit more polish and confidence. It gave a few nods to the 80s female-led bands such as The Slits and The Raincoats while the increased use of upbeat African-style drumming provided a real energy that bordered on the infectious. It made for a hugely entertaining listen and was a deserving winner of SAY 2017, albeit the vast majority of people in the country had never heard of them nor, with next to radio play, had heard any of the songs.

Sacred Paws had a rather quiet 18 months on the back of winning the award, with just a handful of live appearances and no new material.  Rock Action didn’t try hard to cash in on the increased profile with an re-release of earlier material and instead encouraged the duo to go about things in the way they themselves most wanted. Rachel re-located to Glasgow which meant they could spend more time writing and arranging the new material but it did take until the end of May 2019 for the follow-up Run Around The Sun to hit the shops.

Having said that, it had been preceded by a couple of digital singles and a BBC Radio 6 session with Marc Riley, who in effect is becoming a part-replacement for John Peel in terms of providing a platform for bands to come into a studio to band out three or four songs in one go to be broadcast to the nation. I was delighted with the singles which indicated that the duo weren’t tampering with what had made them so interesting to begin with. The album proved to be a huge delight, again full of bright, sunny and infectiously happy songs that were very welcom in a year when so many events and happenings seemed to cast a long shadow.

mp3 : Scared Paws – The Conversation
mp3 : Sacred Paws – Brush Your Hair

It’s an album that I’ve found myself prone to putting on while I’m embarking on a road or rail journey, and outside the skies are dark and brooding while the rain batters off the windows – it is the perfect antidote to such situations and as I sit back and close my eyes, I’m transported thousands of miles south to where the sun is beating down and the mood and vibes are carefree. And when the last of its ten songs comes to an end after a little more than 32 minutes, I’ll hit the repeat button.



BONUS POST : THE NOT SO SECRET DIARY OF JC (aged 54 and a smidgin)

Wednesday 28 June : Paisley, 2017 Scottish Album of the Year Award Ceremony

The sixth year of the SAY Award and I keep my 100% attendance record. As ever, delighted to make it along and I’m in the company of Aldo. I see a few well-known faces who I manage to say hello to, some involved in the music industry, others who have become friends in recent years from this blogging lark. Someone I know happened to be talking to Stephen Pastel and so I politely barge my way in just to say thank you to the pop star for making Teenage Superstars such an enjoyable view. Turns out Stephen hasn’t seen the finished version nor indeed any of his own contributions. As ever, I come away from a few seconds in his company amazed at his modesty and the fact he doesn’t ever seem to understand how so many of us are in awe of him.

Last year’s winner Anna Meredith gets things off to a decent start before The Spook School take to the stage and deliver a 15-minute mini-set that channeled the energy and fun of Buzzcocks when they were at their peak.

mp3 : The Spook School – Books and Hooks and Movements

The next two acts to perform didn’t do anything for me so I won’t waste time writing about them.

The night ends with the announcement that the 2017 SAY Award is to Sacred Paws for Strike A Match. I’m pleased as it is a record I’ve gotten a lot of enjoyment out of since its release back in March but it wasn’t the one from the long list of 20 and then the shortlist of 10 that I’d have put my money on.  Rachel and Eilidh were thrilled and stunned in equal measures when told they were to receive the £20,000 prize.

mp3 : Sacred Paws – Strike A Match

Thursday 29 June : Glasgow, launch of Reverse Drift by Adam Stafford

Regular readers will know how much I love the work of Adam Stafford.  There was no way I was missing out on the launch of his latest piece of work, Reverse Drift, which has just come out on the local indie label Gerry Loves Records.

It’s an ambitious piece consisting of a 40-minute piece of improvised music that was recorded live in one take with no overdubs featuring just a synthesizer, a sequencer, some effect pedals and Adam’s occasional vocal, along with a 48-page book containing photos he had taken over a period of eighteen years, between 1999 to 2017, mostly of landscapes in and around his home town of Falkirk.

Adam announces that as Reverse Drift was wholly improvised on the day it was recorded, he won’t be playing any of it at the show to launch its release!  Instead we are treated to 50 minutes of new, mostly instrumental music. Just one man and his guitar, foot pedals and various effects mics and made for an unforgettable and special evening. He’s hopeful that the music will be recorded in October this year for future release. It was everything those of us who like Adam have come to expect and appreciate, but it had added anger and energy that translated the music into gothic landscapes. Something to look forward to in the months ahead. In the meantime, here’s a lovely nimber that was an outtake from his 2015 LP Imaginary Walls Collapse

mp3 : Adam Stafford – Sound Of Fear Evaporating

It’s a song that features a vocal contribution from Siobhan Wilson who herself was launching her latest album the following night in Glasgow, an event I’d have gone along to except it clashed with something else….

Friday 30 June : Dunfermline, The Skids Homecoming Show

This was a huge surprise.  The 1,500th posting on the blog a few weeks back was an ICA featuring The Skids. I lamented that I had missed their show in Glasgow as they embarked on a 40th Anniversary Tour but I hadn’t minded as it had clashed with the bloggers’ weekend and the unforgettable hook-up with Dirk, Walter, Brian, Adam and many others.

I took a call from Mr John Greer, past contributor to these pages, saying that he had come into possession of four tickets for the band’s long sold-out gig in their home town; not only that, but it was part of a package that had been bid for at a charity event that enable the ticket holders to attend the sound check and have a meet’n’greet with the band. There was also some food and drink at a nearby pub thrown in (but not with the band!!)

I was thrilled to be invited along as one of the guests, mainly as I was keen to see the band on the back of consistently great reviews on the tour, but especially for the fact I would meet a long-time hero.

Yup. In a year that is proving to provide all sorts of wonderful first-time happenings, this was right up there.

The gig could have been an anti-climax but that was far from the case. In front of a manic but brilliantly behaved 600-strong audience in the splendour of the art-deco Glen Pavilion (another new venue for me), Richard Jobson and co really did turn the clock back. As he said, in his head he was on the stage still thinking he was a 16-year old punk looking out at an audience of 16-year old punk music fans – fat and bald 16 year olds for the most part, but still determined to singalong and dance away as if there was no tomorrow.

The set-list was majestic:-

Of One Skin
Melancholy Soldiers
Dulce et Decorum Est (Pro Patria Mori)
Working for the Yankee Dollar
The Saints Are Coming
Scared to Dance
The Olympian
Out of Town
Hurry On Boys
Circus Games
Into the Valley


A World On Fire
TV Stars
Of One Skin

Yup….they ended with a song they had aired before as they didn’t want to leave the stage. I’ve no idea just how these old troupers managed to keep up the sort of energetic pace throughout the near 100 minute set. It was sweltering hot from the word go but not once did any of them appear short of breath. Richard Jobson remains a front man who so many could learn from – utterly charismatic, witty and performing throughout with the widest grin imaginable. It was wonderful.

mp3 : The Skids – The Olympian

Saturday 1 July : Villain Towers, Glasgow

Lazy day to recover.  Was able to reflect on a few personal things such as my parents celebrating 55 years of marriage earlier this week, my many Canadian friends today celebrating 150 years of theirs becoming a country and the fact that one of my younger brothers would have been 50 years old today if he hadn’t passed away in a car crash in 2010.  I toasted his memory as I recharged my batteries

Sunday 2 July : Edinburgh, world premiere of England Is Mine

Once again, a late and unexpected invite courtesy of Mr John Greer as the 2017 Edinburgh International Film Festival comes to an end with the screening of England Is Mine:-

For all that the subject matter of the film is an utter twat these days, there was no way I was missing out on this invite. I’ll be on my way east as these words are posted.



Your humble scribe turns 52 years of age today.  My body is beginning to get its own back on me for decades of abuse and neglect.  My hearing is going, I need glasses to read, my hangovers last a minimum of two days and when I go out to indie-discos or to gigs where I don’t have a seat, my bodyfat, creaking bones and underused muscles prevent me from gyrating in the way my mind believes I still can. Oh and in recent weeks I’ve developed a foot problem near my heel which hurts like hell when I’ve been walking about or merely standing up for a few hours.  And yet in my mind I still think I’m 22……

I know some of you may well be tempted to offer birthday wishes via the comments section and I will therefore be so bold as to offer my heartfelt and sincere thanks in advance. But what I’d really like you to do is have a listen to these magnificent seven previously unfeatured acts from Scotland and when you like what you hear – and I can say that with confidence as I know you all have great taste – then please click on the provided links and spend your currency on physical product. Here they are in alphabetical order:-


Turns out that you can’t buy anything by Bastard Mountain, so this post hasn’t gotten off to a good start!!  This lot were a sort of one-off supergroup of Scottish indie/folk musicians comprising Pete Harvey & Neil Pennycook from Meursault, Jill O’Sullivan from Sparrow & the Workshop, Rob St. John from eagleowl & Meursault, Rory Sutherland from Broken Records & Reuben Taylor formerly of James Yorkston & the Athletes.

A one-off album, Farewell, Bastard Mountain was recorded in October 2012 featuring a mixture of new songs and new versions of stuff released previously by bands associated with the individual musicians. The idea was to make an ad-hoc largely improvised record on the back of minimal rehearsal and while it may sound like a recipe for an umitigated disaster, the results are stunning and often beautiful.

For one reason or another, it took until May 2014 for the album to be released on Song, By Toad Records, with two live shows to promote it; I was fortunate enough to make it along to the Edinburgh gig and hear the entire record gorgeously and perfectly performed.

mp3 : Bastard Mountain – Meadow Ghosts

More details here:


This duo may well be all over the newspapers today as last night they were one of the ten acts shortlisted for the Scottish Album of the Year (it’s not a calendar thing – the competition is open to any album that was released in a 12-month period since the 2014 competition long list was announced in April of that year).

Honeyblood came together in late 2012, consisting of Stina Tweeddale (vocals and guitars) and Shona McVicar (drums and vocals) and their blend of low-fi indie rock, heavily influenced by early PJ Harvey, Throwing Muses and The Breeders quickly gained them a fair following across their native land, and just as Frightened Rabbit and The Twilight Sad had done previously they signed to Brighton/Brooklyn-based Fat Cat Records with the label releasing the self-titled debut album in the summer of 2014.  Within a matter of months, McVicar decided to quit the band but was replaced seamlessly by Cat Myers.

A review of the band in The Guardian here in the UK said “The lead track on their self-financed and self-recorded debut , ‘No Spare Key’, sounds like Taylor Swift’s ‘We’re Never Getting Back Together’ performed by two Scottish goth-girls doing an impression of the Jesus and Mary Chain in a tomb, or an enervated, dejected Haim in need of a square meal.” 

See what you think from this re-recorded version lifted from the debut LP:-

mp3 :  Honeyblood – No Spare Key

More details here :


This is another lot who are on Fat Cat Records and who were also on the shortlist for the Scottish Album of the Year Award, but for their sophomore rather than debut LP.

PAWS are one of the most exciting and lively acts around right now.  I was late on picking up on them but became a convert just about a year ago after catching them perform in a tiny pub venue in the east end of Glasgow on the launch night of a cultural festival linked to the staging of the 2014 Commonwealth Games.

They formed in 2010 with a line-up of Phillip Taylor (guitar and vocal), Josh Swinney (drums) and Matt Scott (bass) and by late 2013 had released a number singles as well as debut LP Coke, played every small venue imaginable in Glasgow and Edinburgh and toured extensively, often as the support act, across the UK, Europe and North America.  They had also lost a founder member with Matt Scott moving on but again there was a seamless transition with Ryan Drever stepping in.

This time last year their latest LP Youth Culture Forever was released to great critical acclaim and rightly so.  Twelve loud indie punk/rock tunes over 42 minutes – the first eleven flash by in just over half an hour before the closing track stretches out to almost twelve minutes.  PAWS are a long way removed from the sort of music most normally associated with T(n)VV but I can’t recommend them highly enough to you.

mp3 : PAWS – Tongues

More details here :


Not to be confused with the previous act….nor with Honeyblood albeit this is another all-female duo with a guitar and drums line-up.

Sacred Paws are a relatively new band in terms of releasing records with their 6-track debut LP, snappily entitled 6 Songs, being released in March 2015 but the two musicians Rachel Aggs (guitar/vocals) and Eilidh Rodgers (drums/vocals) have been part of other bands and their local music scenes respectively in London and Glasgow and their demos have been kicking around on the internet since 2012.

The EP is on Rock Action Records which has been formed by Mogwai.   So you might think that Sacred Paws are another duo whose music is heavily influenced by the Glasgow noisters….well think again.  It’s more the offspring of Vampire Weekend and Sleater Keaney

mp3 : Sacred Paws – Vince

More details here :


Enough of these all-female duos….it’s time now for an all-female four-piece.

Teen Canteen, aside from having a tremendous name, make tremendous old-fashioned pop music that makes you want to just dance and sing along. The band consists of Carla Easton (lead vocals/keyboards), Sita Pieracinni (vocals/bass), Amanda Williams (vocals/guitar) and Deborah Smith (vocals/drums). Note right away the emphasis on all four members contributing on vocals as that is central to their sound, not just on record but in the live setting.

My mate Aldo had been raving about Teen Canteen for a while as he had caught them on a number of occasions since 2013 and I got to see them late last year at a gig at a small venue on the south side of Glasgow not too far from my home and I was highly impressed.

You can still pick up copies of their excellent 7″ single You’re Still Mine/Vagabond (on glittery vinyl no less!!) and so rather than offer up one of those songs for your enjoyment I thought I’d offer a recorded as live version of a previous sold-out single :-

mp3 : Teen Canteen – Honey

More details here:


More female musicians, but this lot also include a boy drummer when they play live.  Tuff Love are centred around Julie Eisenstein (guitar/vocals) and Suse Bear (bass/vocals) and specialise in catchy songs of an indie-pop bent that wouldn’t sound out-of-place at a C86 evening albeit there are noticeable influences from later acts such as The Breeders, Elastica and Bikini Kill.  They formed in 2012 and are on Lost Map Records for whom there have been two enjoyable 10″EPs over the past year – Junk, on white vinyl, was released in May 2014 while Dross, on pink vinyl, hit the shops and on-line places in February 2015

If I have one criticism of Tuff Love is that they have proven to be inconsistent in the live setting, sometimes even within the same short show!  I’ve seen them be the best band of an evening and I’ve seen them be the most disappointing band of an evening, struggling to get the sound right to for the venue and the occasion.  But both EPs are well worthy of your attention. The track chosen here is from Dross:-

mp3 : Tuff Love – Slammer

More details here:


Withered Hand is the stage name adopted by singer/songwriter Dan Willson. He’s not Scottish born and bred but has lived in Edinburgh since 1996 and with a Scottish wife and family is very happy to be pigeon-holed as a Scottish act (indeed his latest LP was nominated but not shortlisted for the Scottish Album of the Year.)

Willson came very late to the music industry, initially as part of Edinburgh-based and highly unsuccessful rock bands, but shortly after turning 30 years of age he got an acoustic guitar and tried a whole new direction and in August 2006 he began performing as Withered Hand.  He was a total natural with his fragile vocal delivery complimenting perfectly his mature,  intelligent, thought-provoking and often amusing lyrics that brought a smile to the face of any listener.  A number of low-fi home recordings led to him getting increasingly noticed and in 2009 his debut LP,  Good News, was released on SL Records. It seemed to be universally praised and was a real ‘word-of-mouth’ grower with some magazine reviews being some nine months or so after it was first released!

Much was made of the fact that a lot of the songs refered to Willson’s religious upbringing – he is a lapsed Jehovah’s Witness – but there was much to admire in his wry take on life and love from someone whose upbringing and development, even in his 20s and 30s, was more unusual than most.

It took five years for the follow-up album to appear and New Gods, released on Fortuna Pop!, brought Withered Hand a whole lot of new fans.  The songs are fleshed out by guest appearances from some of the finest musicians Scotland has produced in recent years including King Creosote, Eugene Kelly of The Vaselines, Stevie Jackson and Chris Geddes of Belle & Sebastian and Scott Hutchison of Frightened Rabbit and the end result is a tremendous blend of indie/pop/folk/acoustic music of what seems like short stories set to memorable tunes. Here’s one of the singles lifted from it:-

mp3 : Withered Hand – Horseshoe

More details here :

And with that I’m off to see if being 52 is bearable…..