My first exposure to Propaganda came one night at the end of an episode of what by then was called Whistle Test, when a memorable pop promo for a song called Dr Mabuse was played out over the credits sometime around early 1984.
It turned out that this was to be the second single released on the ZTT label – the first being the amazingly successful Relax by Frankie Goes To Hollywood. I was immediately captivated by its charms – it was a big booming tune that offered something different each time you played it. Oh and in co-vocalist Susanne Freytag, they had one of the most stunningly gorgeous women in the pop world.
The single was only a minor hit, peaking at #27, and with subsequent FGTH singles also being multi-million sellers, the relatively small ZTT had to put all its eggs into one basket, so Propaganda were left to one side for the best part of 12 months and it was April 1985 before the follow-up single Duel was released.
For the rest of the year, the band enjoyed quite a high-profile, including a number of TV appearances, live gigs and the release of the debut LP A Secret Wish in July 1985. Incidentally, the vinyl and CD versions of the album are very different – they were released some three months apart, and the CD has extended and slightly remixed versions of a number of the tracks.
I loved A Secret Wish. It was the sort of record I had imagined Simple Minds going onto make on the back of their earliest releases instead of gravitating towards the stadium rock behemoths they were becoming. And it was no real surprise that the Propaganda which went out on tour featured the ex-Minds bassist Derek Forbes…..
The debut single offered different versions on the 7″ and 12″. My 7″ copy has long gone – a victim of stupidity when all my 7″ singles were ‘lost’ in Edinburgh in 1986 but I do have the 12″ songs to offer up:-
mp3 : Propaganda – Das Testaments Des Mabuse
mp3 : Propaganda – Femme Fatale
Yup, another 80s band besotted by The Velvet Underground…..
Oh and there’s another version of Dr Mabuse also tucked away on the b-side, but it’s just a bit too industrial for my liking today.