DISPOSABLE FLUFF THAT GOT TO #1

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This was the second successive UK #1 for Blondie, in May 1979, just a few months after Heart Of Glass.

mp3 : Blondie – Sunday Girl
mp3 : Blondie – Sunday Girl (French Version)
mp3 : Blondie – I Know But I Don’t Know

They didn’t get the hat-trick however, as the next release, Dreaming stalled at #2 some 17 months later.

But Blondie would go on to enjoy another three #1 hits in 1980, making them, without question, the most commercially successful band of the era.

And with the unexpected success of Maria, they would also go on to have a sixth song reach #1 come 1999. Not sure if nineteen years between #1 singles is some sort of record or not….particularly when it involves a new and not re-released song. Can’t be bothered looking it up though.

Oh and it was pure chance that a band from NYC was scheduled to feature the day after I found the space for the lastest treat from JTFL and Echorich.

READ IT IN BOOKS : HARRY PAPADOPOULOS

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I rarely get any satisfaction from books that are simply filled with illustrations or photographs. It usually needs a decent narrative to keep me happy or satisfied. But not What Presence! : The Rock Photography of Harry Papadopoulos.

The re-kindling of the interest in Harry’s work was initially sparked off by an exhibition that was held in a Glasgow gallery between December 2011 and February 2012.  It was an exhibition that I was drawn to time and time again….and every time I paid a visit I found myself changing my mind about what was my favourite photo.  Here’s what was written to publicise that particular exhibition:-

Harry began his photographic career in his Glasgow home town, standing outside the Apollo, flogging gig-goers newly-developed shots from bands’ Edinburgh shows the night before. Harry’s impulse to guerilla lensmanship swiftly drew him to London: from 1979 to 1984 he was a staff photographer for the music weekly Sounds, providing countless front covers. During those five years, Harry’s photographs covered the post-punk waterfront, from Blondie to David Bowie; the Associates to Devo by way of Joy Division, Bryan Ferry, Siouxsie and the Banshees, The Birthday Party, The Cramps, The Clash, Altered Images, Penetration, The Specials and Suicide (not to mention Wham!, ABC and Spandau Ballet).

At that time, Harry’s London flat also became home to fellow Scots migrants like Orange Juice, Aztec Camera, Josef K and the Bluebells. Harry thus became one of the first few photographers to capture the fey arrogance of Edwyn Collins and his Postcard cohorts and subsequently appeared in the Derek Jarman video for ‘What Presence’. Several of these photos comprise Harry’s first career retrospective at Street Level Photoworks.

In addition to the expected band portraits and live-action front-row shots, there are a host of unique photos: salute the militant gay triumvirate of Jimmy Somerville, Tom Robinson and Andy Bell as they march for homosexual equality. Savour Peter Capaldi – years before he learnt to swear and mutated into Malcolm Tucker – looking cute and wholesome as bow-tied front man of Glasgow band The Dreamboys (with favourite US late-night chat show host, Craig Ferguson on drums). Taste the flying mud, baying skinheads and noxious aroma at T In The Park’s ill-fated grandsire, the 1980 Loch Lomond Festival. The exhibition will be accompanied by guest writers and events documenting the Post Punk explosion in Glasgow in an era when the city’s musicians were a focus of the global music industry.

The exhibition is co-curated by Ken McCluskey.

That’s the basics. The full story behind the exhibition hid a sad story that Harry had suffered a brain aneurysm in 2002 and had come home to Glasgow in 2006. One of the city’s pop stars – Ken McCluskey of The Bluebells learned this a couple of years later from a chance encounter with Harry’s brother who just happened to be doing some electrical work in Ken’s house.

Ken paid a visit to Harry and found that his house had thousands of negatives and images just lying about in cardboard boxes and bags, some of which were the worse for wear.  Harry’s poor health was such that  he was about to move into a care home and so Ken took on a mission to salvage and digitize the negatives, a process that took the best part of a year. He then took the results to a curator whose expert eye very quickly concluded that the work was very worthy of an exhibition.

As I said earlier, I went along a few times to the exhibition.  It wasn’t just great photos that made it such a joy but the reproductions of magazine and fanzine covers that stirred so many memories.  I bought a few momentos from that particular exhibition, including packs of postcard sized photos containing some of my favourite shots. There was an opportunity to purchase larger sized limited edition prints but I wanted them all and couldn’t justify the expense. If only someone would curate a book.

In April 2013 my prayers were answered and my wee brother arranged to give me a copy for my 50th birthday.

The book is a real joy. It has a cover whose colours pay homage to the Sex Pistols debut LP and it has contents that take me back to that time when music was the most important thing in my life and when I couldn’t imagine it being any different. It is also a reminder that I fell in love with so many musicians not simply as a result of the sounds they made but for the way they looked, how they dressed and the attitude they had on stage and in real life.

It’s 120 pages long and regrettably it only captures a fraction of the images that were on display at the 2011/12 exhibition but I’m guessing the cost of a larger book would have been prohibitive – there’s a certain quality production level essential for books of this nature to make them worthwhile in the first instance.  The foreword from Peter Capaldi captures perfectly what makes the book so worthwhile:-

“Nowadays celebrity photography is ubiquitous and strangely anonymous, but here we have a collection of photographs that succeed time and time again in getting to the heart of the subjects and giving us a glimpse of the youthful dreamers behind all the noise.”

The book also enables Ken McCluskey to flesh out Harry’s life story a little bit more with the reminder that his home in London, shared with fellow photographer Robert Sharp along with Edwyn Collins and Grace Maxwell, was nicknamed The House of Camp and was where so many musicians from Scotland bedded down for the night when they ventured down to the capital for a gig.  I’m sure a separate book could be written about the nonsense that happened within its four walls and back garden such as the time when it became the location for a fantastic pop video directed by Derek Jarman:-

 

Harry has a cameo in the video – he’s the fully clothed hipster in the bath!!

My decision to review the book today was partly inspired by a comment from Charity Chic in the Billy Mackenzie posting last week as he mentioned Harry’s work was on display eight miles down the road from Glasgow in Paisley. (It was also partly inspired by a wee tale I’ve told in the footnote…)

The Paisley exhibition closed yesterday. I didn’t manage to get myself along and I’m annoyed with myself for that. But I’ve a feeling it won’t be too long before it pops up again, whether here in Glasgow or nearby.

Here’s three of excellent examples of Harry’s work with songs to accompany them:-

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mp3 : The Birthday Party – Release The Bats

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mp3 : The Clash – Janie Jones

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mp3 : Blondie – Rip Her To Shreds

A wee footnote to all this.

Last week, Mrs V asked me if, during my blogging activities, I’d come across the name of Harry Papadopoulos. When I asked back what prompted the question she told me his name had come up in conversation with two sisters (Rena and Maria) who she bumps into and chats to every Sunday when she goes for a post-walk/jog beverage in a posh tea room in a nearby park. Turns out the sisters are second cousins of Harry and they are proud of his legacy of work….sometimes Glasgow feels like a village.

A second wee footnote…..

Great minds think alike!!

AS SEEN OVER AT THE OLD PLACE : MARCH 2007

I was thinking of posting this song up anyway without recourse to the archives, but using the words typed on 22 March 2007 tells the tale from my youthful days:-

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What were you all doing in 1979? I know that some, indeed, many of you probably weren’t born. I imagine that others would be running around dressed in nappies and looking for a feed from a nipple (but what you did, and do, in the privacy of your own home is no business of mine).

1979 was a momentous year in my life. I was 16 years of age and I had passed a whole bundle of exams that would let me go back to school to take more exams that would let me get to university. Over the summer months, I got a full-time job for six weeks which gave me, for the first time, a degree of financial independency. I was able to buy loads of singles and albums, but more importantly, tickets for gigs at the Glasgow Apollo to see loads of new wave/post-punk bands.

1979 was also the year that I fell in love for the first time. But the problem was that me, and hundreds of thousands, possibly even millions of others, were in love with the same person. And she didn’t really love us back. Not when she was shagging the guitarist in her band.

Debbie Harry. The voice and look of Blondie. Sigh.

So when the news came through that Blondie were to play a UK tour at the tail-end of 1979, including a gig on 31st December at the Glasgow Apollo, it was all systems go to obtain a ticket. And that meant getting out of bed at 5am and getting my dad to run me into town where I joined the queue of those who were sleeping out overnight outside the front door of the box office at the venue. It was a long drawn-out five hours with only a small radio, and a mate from school to keep me company. But we got our tickets. And from memory they were £5 which was way way more than I had ever paid for a concert ticket in my life up to that point (bear in mind, my wages in the summer job had seen me take home £26 a week…)

A couple of weeks later, the BBC announced that the Glasgow gig was to be broadcast live on television and radio as part of the special programmes for Hogmanay. I took a fair bit of stick at school, and at home, for seemingly wasting my money on something I could now be watching on the telly….but nobody seemed to understand just how important it was to actually be in the audience gawping at the love/lust of my life.

The gig was all that I looked forward to for months on end, and I played and wore out all of my Blondie singles and albums, learning every note and every word so that I could fully sing-a-long.

The night itself started off brilliantly, as I ended up speaking on Radio 1, for about 5 seconds. Millions of listeners would have heard a squeaky-voiced adolescent say he was ‘Jim from Sandyhills who wanted to wish his mum, dad, his brothers and all his mates a Happy New Year’. I’ve no idea what record was played as I was shaking with excitement at the fact I had just been live on the biggest radio station in Europe. I thought I was a star….

That turned out to be the highlight of the night, for the gig itself was a huge disappointment. The sound was poor – it was incredibly loud which I think was to try and disguise the fact that Blondie were an appalling live act. Debbie’s vocals were lost amidst all this, and the gig wasn’t helped by the fact that part of the way through the set, there was a lengthy pause to allow the TV network to come in on cue.

But until now, I never admitted any of that to anyone. To the world and its auntie, the Blondie gig was the ‘best I’d ever been to’. Thinking back on all this, it’s hardly a surprise that I have spent a large part of my working life in the dark and unsavoury world of political spin….

So here, all the way from 1979, and courtesy of a winning bid on e-bay last week, are two tracks from a 12” single, the cover of which was sellotaped to my bedroom wall.

Was it really almost 28 years ago????

mp3 : Blondie – Heart Of Glass (12″ version)
mp3 : Blondie – Rifle Range

2013 Update…………..it’s now coming up for almost 34 years since said gig!