I really don’t have anything to say, other than Paul Quinn is, IMHO, the finest vocalist ever to come out of Scotland. If you need any further info, then I will simply direct you to a fabulous fansite, one that may not have been updated for a few years, but has everything that is relevant.

Today’s track is taken from an NME cassette, Tape Worm, released back in 1985.

mp3: Paul Quinn – Ain’t That Always The Way (demo)

This would, in due course, be released as a single later the same year on the Swamplands label, itself run by Alan Horne a few years after Postcard Records had imploded.  It is, technically speaking, the only solo single that Paul ever released.


NB: tempting as it is, I’ll not use the next two weeks to have a look at songs by Paul Quinn & The Independent Group or by Paul Quinn & The Nectarine No.9.



This is another one of those compilations that, on the face of it, should be easy to pull together. After all, Paul Quinn never achieved anything more than cult status and his career was cruelly cut short by a degenerative illness. But, as is always the case when it involves a real favourite, the very notion of limiting it to ten songs turns into a tortuous exercise.

It was also very tempting to go for things in a chronological order as that would have supported an effort at plotting Paul’s career in some detail, but I just love this man’s voice so much that I stuck to the principle of trying to create the perfect album.

Here’s a link to what was eligible for consideration, compiled with great care by the Proprietor of The Punk Rock Hotel. I decided immediately that unless Paul was on lead or at least co-lead vocal then I wouldn’t look to include it. I’m lucky enough to have just about everything which is on that list, including some of the unreleased material, but some of the quality is a bit on the ropey side and not having the professional tools to clean things up or improve them then these too had to be ruled out. But having said all of that, it would have been difficult in the end for any of the ten songs included today to have been displaced….

Oh and in case anyone is wondering why there’s a slew of records from 84/85 and then nothing till ’92…..the contract which Paul signed in the 80s precluded him being able to appear on any other label for a certain number of years.  Criminal.


1. Will I Ever Be Inside Of You? (album track by Paul Quinn & The Independent Group, 1994)

Even if this had been the only song that the great man had ever been part of then his legendary status would have been sealed.

The opening track of the band’s second and final LP may extend to over nine minutes in length but there isn’t a single second of waste or excess. The Independent Group were ridiculously talented but then again what else would you expect when it was made up of some of the greatest musicians to ever have come out of Scotland at any time in our history, never mind that short period in the aftermath of punk and when a certain type of indie music gained a foothold. Add in lush orchestration and a contribution from one our then leading opera singers and you have a recipe for something unique and unforgettable.

2. Pale Blue Eyes (12” single by Paul Quinn & Edwyn Collins, 1984)

Paul and Edwyn were great friends and Alan Horne was determined that somehow he could get them working together. In 1984, Orange Juice had finally imploded and Edwyn was in the throes of establishing himself as a solo artist and Paul had just quit Bourgie Bourgie before the debut album was finished. The conditions for the perfect storm were completed by London Records deciding to give Alan a wad of money to operate a new label which he christened Swamplands. This stunning cover of a Velvet Underground number was the first release on the new label. It’s ridiculous that it failed to garner much radio support and subsequently flopped, especially when you think just how much dross was dominating the charts that year.

3. The Damage Is Done (album track by Paul Quinn & The Independent Group, 1992)

Legend has it that Alan Horne resurrected Postcard in 1992 for the sole reason of putting out records featuring Paul Quinn. It’s certainly the case that The Phantom & The Archetypes was the first release on the label in more than eleven years and the excitement among those of us of a certain age in Glasgow was palpable when news emerged that the band would include James Kirk, Campbell Owens, Bobby Bluebell and Blair Cowan with Edwyn Collins also involved via the production desk. The end result however, turned out to be a lot different from what was imagined as it was not in the least bit indie nor was it any point jangly.

Indeed, a lot of the album sounds on initial listens as if it has been delivered by a Las Vegas lounge band – the sort of music that you hear in the background of a suitably noir or cult crime thriller – not all that attention grabbing except for the velvet-like vocal delivery.  Perhaps the point wasn’t to allow the music to dominate at any point but after repeated listens, things start to dawn and there’s a gradual appreciation of the nuances of the instrumentation, with Cowan’s keyboards in particular proving to be at the heart of the material, albeit beautifully buried deep in a masterful production. This is one of the best examples of what I’m rabbiting on about.

4. Breaking Point (12” single by Bourgie Bourgie, 1984)

The opening burst of cello will grab you and look to get you hooked immediately. If that doesn’t work, then surely you won’t be able to resist the voice.

This was my personal introduction to Paul Quinn as a lead vocalist in his own right (I’d first heard him on Barbecue which was a b-side to the 12” of I Can’t Help Myself by Orange Juice). In all truth I was as excited by the fact that Bourgie Bourgie was going to have a number of ex-Jazzateers in its line-up as I felt they were one the great ‘lost’ Scottish bands of the era. (If you don’t have a copy of their 1983 self-titled debut album on Rough Trade then I can only recommend you track down a copy – there’s a few out there at not too stupid a price.) But once I heard that voice I was smitten.

Worth also noting the classy and crisp production courtesy of the then little known Kingbird, aka Ian Broudie, whose work with so many bands in Liverpool and then later in his guise as Lightning Seeds has lit up many an indie disco over the past 30 plus years

5. Change Of Attitude (12” b-side by Bourgie Bourgie, 1984)

The follow-up single was Careless which is a decent enough stab at making a lush pop single in a style that was all the rage for a short while in the 80s – again it enjoyed a fine production courtesy of Mike Hedges who was usually found working alongside the Banshees, Cure or Associates for the most part. But to my ears, it’s the eight minutes plus on the b-side of the 12” which gives an indication of just how different and influential a band Bourgie Bourgie could have been if they hadn’t messily imploded after just two singles.  Having said that, I’ve no doubt MCA Records would have baulked if the rest of their output turned out this way. Production duties courtesy of Stephen Lironi who had done so much to shift the sound of latter day Altered Images.


1. Stupid Thing (single by Paul Quinn & The Independent Group, 1993)

Even if this had been the only song that the great man had ever been part of then his legendary status would have been sealed.

The lead track on the single that came between the two albums.

I’d even make a case that it is the greatest ever single in the history of Postcard Records (but I’d likely withdraw it when provided with the counter argument of Blueboy….but it’s a close run thing).

I’d even make the case that the two other tracks on the single – Passing Thought and a cover of Superstar – make this the greatest 3-track single in all of history (and then immediately withdraw it when provided with the counter argument of William/How Soon Is Now/Please Please Please….not quite such a close run thing).

I can’t think of anything else to add. It’s an impossible task with mere words to do this song justice.

2. Punk Rock Hotel (album track by Paul Quinn & The Independent Group, 1992)

The strength of this ICA is the voice, but here’s a track in which the other members of the Independent Group are allowed to shine and there’s a lot of enjoyment to be had from the guitar solo which comes courtesy of James Kirk. Or it might well be the work of Robert Hodgens. I can’t say for sure as the sleeve notes have the two of them down as guitarists but don’t indicate who played what part on each track.

Punk Rock Hotel is of course the name taken for the tremendous fan site dedicated to Paul Quinn. It’s inclusion here on the ICA is as much of a tip of the hat to the Proprietor as anything else. But it does fit in well at this juncture.

3. Passing Thought (album track by Paul Quinn & The Independent Group, 1994)

Each of Stupid Thing and Passing Thought were re-recorded for inclusion on the subsequent album a year later. It was a worthwhile exercise as some of the band personnel had changed and in particular the addition of the very talented Mick Slaven added a new dimension, certainly on the very few occasions that they were ever able to play live. This newer version is lusher and at times more menacing sounding than the original and demonstrates that there was lot more to Blair Cowan’s keyboard skills than he’s generally been given credit for going back to his time as a Commotion.

4. Louise Louise (radio session, 1984)

As mentioned earlier, Paul worked with Orange Juice providing a lead vocal on a b-side and backing vocal on other tracks such as Mud In Your Eye and Rip It Up (it’s his very distinctive wail that you hear as the hit single goes into its outro phase). It was no real surprise during the time that he and Edwyn worked as a duo that their material would include OJ songs but the only recording that has survived in any decent shape or form is from a session recorded for BBC Radio 1 back in 1984 and broadcast by Richard Skinner.

Louise Louise is one of the oldest OJ songs, dating back to the Postcard era but not given an official release until the second Polydor LP. It features some fantastic guitar work but suffers a bit from a rather fragile almost twee vocal partly as it was on the edge of Edwyn’s vocal range. No such issues with Paul who somehow pulls off the trick of maintaining the beautiful sentiments of the song despite a delivery that is the polar opposite of Edwyn’s.

Obscure fact – guitar on this track is played by Craig Gannon, ex-Aztec Camera and ex-Smith.

5. Tiger Tiger (single by Paul Quinn & the Nectarine No.9, 1995)

Following Fire Engines and Win, 90s Postcard signing Nectarine No.9 became the third of the great groups to be fronted by Davey Henderson.

I’m guessing it would have been Alan Horne’s idea to have Paul Quinn link up with them. The first result of the fruits of their collective labours was Tiger Tiger, a cover of a song by Head, a band who had briefly shone in the 80s without ever getting beyond cult status.

Worth noting that one of the members of Head was Garth Sager who had first come to notice with post-punk outfit The Pop Group in the late 70s; by 1995, Sager was a member of……The Nectarine No.9!!!

It was the lead track on a 4-song CD entitled Pregnant With Possibilities Vol.1 which was really a Postcard sampler. Whether it was always going to be a one-off collaboration or there were further irons in the fire, nobody other than Paul and Alan can truly say as this turned out to be the last time the great man performed a lead vocal of any sort as the sad news came not long after that he had been struck down by a debilitating illness that would subsequently be revealed as MS.

It’s a song that has always filled me with sadness. I don’t think anyone realised that it would be Paul’s final release and even when word came out that he was ill there was always hope that somehow he’d be well enough to sing again. No such luck.

Still, we’ll always have these and the others that didn’t make the cut….

mp3 : Paul Quinn & The Independent Group – Will I Ever Be Inside Of You?
mp3 : Paul Quinn & Edwyn Collins – Pale Blue Eyes (12″)
mp3 : Paul Quinn & The Independent Group – The Damage Is Done
mp3 : Bourgie Bourgie – Breaking Point (12″)
mp3 : Bourgie Bourgie – Change Of Attitude (12″)

mp3 : Paul Quinn & The Independent Group – Stupid Thing (single version)
mp3 : Paul Quinn & The Independent Group – Punk Rock Hotel
mp3 : Paul Quinn & The Independent Group – Passing Thought (album version)
mp3 : Paul Quinn & Edwyn Collins – Louise Louise
mp3 : Paul Quinn & The Nectarine No.9 – Tiger Tiger



frontquinn1Hey Jim

Hope you’re good – if I’m sending you a note it generally only means one thing. There is more Paul Quinn goodness to be had…

So here’s the story.

Up until about a week ago, the general consensus on the career of Paul Quinn was that after the Vince Clarke single flopped in late 1985, Quinn and Alan Horne set about recording his debut solo album for London Records.

Nothing ever came of these sessions and the relationship was terminated, leaving a gap of 7 long quiet years before he finally reappeared on the reactivated Postcard label in 1992.

Then I came across an ebay listing for a film soundtrack LP from 1987. The film in question was The Fantasist.

Discogs lists it as an instrumental soundtrack by Stanislas Syrewicz, but this ebay listing was adamant that Paul Quinn appeared.

The listing helpfully scanned the back of the sleeve, and guess what – they weren’t lying. There was Mr Quinn’s chiselled face and a cover version of the Goffin/King standard “Up On The Roof”

That voice – on such a classic song? How could it be anything other than fantastic?

Well, having tracked down a copy of the LP, I can present the track in all it’s mono glory (yep the LP appears to be in mono for some strange reason), and what can I say? It’s hardly the highlight of his career. The incessant thud of bass drum and 80s synth bass make for a difficult listen. The voice though. THAT voice is sublime as ever and when he starts to ad-lib lines from “Everybody’s Talkin'” half way through, you know we’re in business.

The film itself is by the same chap who did The Wicker Man and I’ve never seen it, but I have it on good authority that it’s atrocious AND that the Paul Quinn song doesn’t obviously appear anywhere in the film! There is a painful 80s discos scene with Level 42 appearing live – which perversely DOESN’T appear on the soundtrack LP (small mercies etc)

The review here seems to sum it up quite well.

As the sole officially-released document of what Paul Quinn was up to in those lost years between Swamplands and Postcard II, it doesn’t make us feel like we missed anything too special, but it’s a fascinating snapshot of where things might have been going wrong. Plus, with the chances of any further archival material from this period appearing (or any period for that matter) and such a small canon of work, any additional treasure we can find has to be worth it’s weight in gold.

mp3 : Paul Quinn – Up On The Roof





I’ve reached a great part of the alphabetical rundown.  The word Paul followed by the word Quinn.

Today it’s just those two words.  The next three Saturdays have the word ‘and’ to follow. I make no apologies at all.  All you need to know about this talent and genius can be found at the The Punk Rock Hotel

This single has already featured on T(n)VV back in October 2013.  As I said at the time, it’s from 1985, it’s on Swampland Records and it is credited to Paul Quinn alone for the reason that the song’s composer, arranger and main instrumentalist had contractual issues preventing him being fully credited as a performer.  Here’s the tracks from the 12″:-

mp3 : Paul Quinn – Ain’t That Always The Way
mp3 : Paul Quinn – Punk Rock Hotel (closing time)
mp3 : Paul Quinn – Corrina, Corrina

The middle track is an instrumental by Edwyn Collins & Paul Heard. Now…..the only info I can find on any musician called Paul Heard is that he was a keyboardist with M People. Does anyone know if it is the same bloke on this track?

Oh and Corrina Corinna is a song that dates back to 1928…it has a fascinating history.




If you thought that the best cowboy/country and western songs date back to the golden era of Johnny Cash or the chart blazing hits of the likes of Glen Campbell or Kenny Rogers, then I provide the following as evidence that 1985 had a wonderful example:-

mp3 : Paul Quinn – Ain’t That Always The Way

The follow-up single to Paul and Edwyn’s majestic cover of Pale Blue Eyes, this single on Swamplands Records ended up being credited as a solo recording due to contractual issues Edwyn had at the time.  Despite the single receiving positive reviews in a number of the weekly papers, as well as the teen-orientated mag Smash Hits, it sold poorly and got nowhere near the charts.

Four years later, the song’s composer provided his own take on it, although by making it a b-side on a 12″ single which sold even fewer copies than the Swamplands effort, it too is not the easiest to track down:-

mp3 : Edwyn Collins – Ain’t That Always The Way

My previous musings on this song over at the old place led to a reader sending me an e-mail with an attachment that contained something quite special.  The audio quality is far from perfect but I’m very proud to have a copy of a version recorded for an early evening show on Radio 1. Worth noting the added harmonica which makes the song sound like a close cousin of What Presence?! and the fact that this recording pre-dates, by quite some months, the release of the song as a 45:-

mp3 : Paul Quinn & Edwyn Collins – Ain’t That Always The Way (Richard Skinner Session)

I’ve also since got my hands on the demo version of the song which was made available on an NME compilation cassette:-

mp3 : Paul Quinn – Ain’t That Always The Way (demo)

Finally.  Another wonderful reader once sent me a bundle of home made compilation CDs to listen to and enjoy.  Basing his selections on the sort of material I was going on about on the blog, one of the many excellent songs was this very lovely cover:-

mp3 : Secret Goldfish – Ain’t That Always The Way

There’s more postings about Secret Goldfish coming your way soon.