Up until March 1990, Nick Cave was best known for fierce and uncompromising music. There had been the occasional ballad but never an all-out soppy love song. His new 45 was as far removed from the goth-rock, dark- as-night singles such as Tupelo, The Mercy Seat and Deanna as you could imagine. It was the first sign of a singer-songwriter maturing as he aged and not being afraid to put his feelings down on paper.

mp3 : Nick Cave & The Bad Seeds – The Ship Song

It’s still, all these years on, seen as one one his finest ever moments, always getting a huge cheer and prolonged applause whenever he plays it in the live setting.

The b-side also had a mode of transport referenced:-

mp3 : Nick Cave & The Bad Seeds – The Train Song

Another stripped-back effort that took long-standing fans by surprise. It’s maybe not one of Nick’s greatest lyrics or tunes but it is still a sign of him looking to do things a bit differently than in the past.



All the greats eventually get the full-blooded cover version treatment with singers and bands queing up to pay tribute to those who greatly influenced them. The late Leonard Cohen has had his songs covered more than most, including various compilation LPs over the years which have been commercially released or given away free with music magazines. There’s even been specially curated gigs at which some of the great and good have appeared on stage to pay tribute.

So many tracks to choose from, but I’ve gone for one which, in its original recording, is not much more than a gravelled voice and some backing oohs and aahs over a toy synthesiser with its cheap drum pattern:-

mp3 : Leonard Cohen – Tower of Song

The opposite tack was taken by Nick Cave & The Bad Seeds who, in a drink and drug fuelled frenzy one day in a studio, eventually cut what became an infamous 33 minute version of the track in which all sorts of musical genres are eventually thrown in. It’s not for the faint hearted:-

mp3 : Nick Cave & The Bad Seeds – Tower of Song (full length)

An edited version was made available for inclusion of the tribute/compilation album I’m Your Fan, released in 1991:-

mp3 : Nick Cave & The Bad Seeds – Tower of Song (album version)

Here’s two more versions worth giving a listen:-

mp3 : Lloyd Cole – Tower of Song
mp3 : Martha Wainwright – Tower of Song

And finally, the daddy of them all in which Lenny C is given the shoegaze treatment:-

mp3 : The Jesus & Mary Chain – Tower of Song




Those of you who are fans of Nick Cave & the Bad Seeds will know today marks the release of the new album, Skeleton Tree. You’ll also know that the release was preceded by the one-off showing last night in more than 650 cinemas worldwide of One More Time With Feeling, a documentary about the making of the record in which fans had the first opportunity to hear the new material.

Album launches tend to be happy and joyous affairs – indeed just a mile or so at the other end of the city centre of Glasgow from the cinema I was sitting in, such an event involving the wonderful and exciting Teen Canteen was taking place (with early reports from friends who were there indicating it was one of the gigs of the year). After such launches, the singer or band tends to take to the road and promote the new material via the live setting (such as Teenage Fanclub did earlier this week).

Neither of these options would have been appropriate for the launch of Skeleton Tree.

For those of you who don’t know, work was already underway on the new record when Nick Cave and his family were hit with the most unimaginable personal tragedy.

The subsequent inquest, in November 2015, found that Arthur had taken some form of hallucinogenic drug, most likely for the first ever time, shortly before he fell to his death.

At some point in time, and I’m sure as part of the grieving process, Nick Cave returned to the studio to finish work on the new record. He knew that at some point when work was complete that he would need to promote the record but he could not, understandably, bring himself to be subject to widespread media attention nor go on stage not knowing just how he would react.

In December 2016, he called up his film-making friend Andrew Dominik and floated the idea of a documentary to capture the band performing the new album. Work began in February 2016 at a time when the band came together again to mix the record but it soon became clear that the bond between the two men, and the trust placed in the film-maker by the Cave family and circle of friends, would allow something much more substantial to emerge from the process.

The finished work, shot almost exclusively in black and white and 3D, has long sections in which Nick Cave tries to talk and muse on what has happened to him over the past year and a bit. It also has some of the most astounding performances of some of the most astounding songs that the Bad Seeds have ever recorded.

It is an extraordinary, powerful and moving piece of film. It goes beyond belief that Nick and his wife Susie should so openly share their feelings about their sense of loss and grief in such a bold and frank fashion without ever looking for the man behind the camera, and by extension the audience, to offer up any pity.

The other thing that was most striking was watching a man whose very strength has always been his lyrics and prose at such a loss to find the words to adequately articulate the pain he feels every waking day.

One More Time With Feeling wasn’t something to be enjoyed in the same way as other music documentaries. It was haunting and sad and yet it was full of beauty and dignity. It’ll stay with me a long long time and I’ll recall many of its scenes any time I play the new album.



Nick Cave & the Bad Seeds were near the top of those for my stab at an ICA but they were also one of the first to be offered up by a guest contributor, courtesy of The Robster back in May 2015. Click here for a reminder.

However, I think there’s now enough time passed since to come up with a second volume on the proviso that I don’t include any of the ten actual songs selected by The Robster (and there’s a few that would have been certainties!!). It also acts an introduction to what, over the coming weeks, will be a run of ICAs that have been submitted by guest contributors, new and old alike, that I haven’t had the capacity to pull together into the standard shape and style or do the really time-consuming bit which is get the files into a shape and form that you can listen to via the links.

There’s some great stuff coming your way, but for now, back to Nick Cave….and the different thing I’ve done this time is match the tracks on this ICA with their position on the album on which they were released. This means that I’ve also looked at everything as a CD as the albums had different numbers of songs. Thus, having gone for Track 1 from a particular album, then no other opening song was eligible. It also ruled out b-sides…..

Despite such restrictions, it still makes for a cracking listen.

1. Do You Love Me? (Track 1 on Let Love In, 1994)

This was included within the 45 45s at 45 rundown but it wasn’t a stick-on to open up the ICA. Indeed, this was an instance when Robster’s choices prevented me going for my real preference but then again I’d probably have fretted about not including what is one of the best examples of the Bad Seeds being such a great foil for Nick’s incredible brand of lyrics.

2. Deanna (live) (Track 2 on Live Seeds, 1993)

There have been few, if any, better examples of a band that have been consistently brilliant in the live setting for what is now over 30 years. Every tour offers something different, whether that be an altered line-up from last time out, the use of additional backing singers or a well-known and much-loved song being given a completely new interpretation (The Mercy Seat in particular has experienced this over time) and as such a Bad Seeds show is never dull or predictable. There’s been four live releases in addition to the fifteen studio albums. This frantic and chaotic rendition of an infamously raucous number on 1988’s Tender Prey appears on the first of the live releases.

3. People Ain’t No Good (Track 3 on The Boatman’s Call, 1997)

From the album that took everyone by surprise thanks to its minimalist approach and heavy reliance on the piano. It’s the album when Nick Cave began to feature very heavily in the UK broadsheets as he finally had made an album that middle-aged people could listen to without any fear or dread. It’s his album of love and regret and at times his vocal delivery is as fragile as his mood was during its recording. I know why so many folk love it and rate it among his best but at best I’m only able to listen to it right through about every 2-3 years nowadays. It’s just too sad and morose in places. The selected track is as sad and morose as any of them but has a certain transcending charm that indeed led to it being included for a sad moment in a family movie – Shrek 2 – as well as being beautifully covered by Lloyd Cole.

4. Jubilee Street (Track 4 from Push The Sky Away, 2013)

There was a five year gap between Push The Sky Away and its predecessor during which time Mick Harvey, who was widely regarded as having long been at the forefront of the actual sound of the band, had taken his leave. The Bad Seeds had always been an evolving and interchangeable group of musicians but Mick Harvey had always seemed the perfect foil for the mercurial frontman, although there had been increasing signs through the Grinderman side project, the soundtrack work and the changes in sounds on the albums of the 21st century that Warren Ellis was now key to everything. Long-time fans were nervous about the first non-Harvey album but such fears were unfounded as it proved to be outstanding and with a staggering range of subject matters.

This slow tempo number with its surreal and imaginative lyric is the centrepiece of the album. And it’s the first of two cheats on this ICA – it was part of The Robster’s selection but he went for a live version which sort of opens the door for me to include the studio version.

5. Red Right Hand (Track 5 on Let Love In, 1994)

One of the most popular and enduring tracks in the entire back catalogue. And thanks to its extensive use in movie and TV, probably among the best-known Nick Cave songs. Not only a lyric which is psychotically disturbing and humorous in equal measures, it’s a tune that brings out the multiple talents of its players.

6. The Singer (Track 6 on Kicking Against The Pricks, 1986)

Nick Cave has never been shy to take a stab at cover versions and indeed in 1986 he released an entire album’s worth. Let’s put aside the fact that, (a) there was a bit of a contractual obligation for a new record at the time and the singer’s addiction issues were causing problems in coming up with new material, and (b) some of the versions on Kicking Against The Pricks border on the unlistenable, and rejoice in the crazy fucked up take on The Folk Singer, co-written by the C&W legends that are Johnny Cash and Charlie Daniels.

7. Into My Arms (Track 7 on The Best Of…., 1998)

This is my second and final sleight of hand. The track that opens The Boatman’s Call is also the seventh song on the 1998 compilation of which initial copies came with a live CD. It’s very much a classic love song and I’m surprised that nobody has ever attempted to give it the full band/orchestra treatment via a cover version. Surprised but glad as it’s the very simplicity of piano, bass and heartfelt but understated vocal that make it so memorable and special. Interesting to read that Nick Cave, while appreciating the visual beauty of the video that was made to accompany its release as a single thought the depressing and sad shots are at odds with the optimism at the heart of the song.

8. Stagger Lee (live) (Track 8 on The Abattoir Blues Tour CD 1, 2007)

Along with Red Right Hand, a perennial favourite when aired live, which it has been on just about every tour since it originally appeared on Murder Ballads in 1996.

This particular version is all that more special thanks to the contribution of soul/gospel backing vocals and the addition of a new verse in which the protagonist, having been executed for his crimes, finds himself on judgement day where he faces up to Lucifer himself. The end result is bloody, violent and, given Stag’s history, somewhat predictable.

9. Jack The Ripper (Track 9 on Henry’s Dream, 1992)

Sing-a-long with St Nick. Yeah, Yeah, Yeah.

Some say this is a macho and wholly misogynist number but they’re wrong.

10. God Is In The House (live) (Track 10 on Live from KCRW, 2013)

Given the personal tragedy that Nick Cave and his family have had to deal with over the past two years, I had thought he may at some point announced his retirement from writing and performing; if so, this double live album, recorded at a concert for a Los Angeles radio station, would have been a fine and somehow appropriate way to quietly take leave; but it does seem as if new material is coming our way later in 2016.

The album displays a rarely seen side to the Bad Seeds in the live setting with the emphasis on slower songs, which are given a different arrangement from when first released. As is the case with this track from 2001’s No More Shall We Part. What is really worth noting is that four of the five musicians who made this wonderfully understated LP were the members of Grinderman, the side project which is better known for grimy and sweaty material rather than this sort of ballad. It’s a demonstration of the diverse talent required if you want to be a Bad Seed.

Oh and the fifth musician is none other than Barry Adamson – he first came to prominence as the bassist with Magazine before linking up with the Bad Seeds and playing on their first four albums. He left in 1986 and carved out a successful solo career, particularly as a score composer. But it’s really the case that nobody ever leaves the Bad Seeds and he came back in 2013 to play on Push The Sky Away and to be part of the touring band but this time on keyboards which is the role he plays on the KCRW album, which was very impressively recorded live in one take.

11. More News From Nowhere (Track 11 from Dig, Lazarus Dig!!!, 2008)

Just as about all the Bad Seed albums tend to open with show stoppers, so they inevitably end with songs that make you want to either turn the vinyl over or push the CD back to Track 1. I’ve extended this ICA out by one more tune as this is one of my personal favourite LP closers – it’s an epic tale that extends out to almost eight minutes in length over a tune which is eminently danceable, although an edited version was later cut for release as a 7” vinyl single. The band are, as ever in fine form here, also adding the perfect level of backing vocals on this occasion, as Nick chirps away quite contentedly about past loves and muses, real and imaginary alike, in a way that is diametrically opposite that from the songs on The Boatman’s Call.

There’s not many occasions when the word ‘delightful’ can be applied to a Nick Cave song. Indeed, this may be the only genuine time when you can. And it seems a perfect way with which to close this ICA.




I’ll begin with an apology.

Sometime towards the end of last year, one of you kind readers dropped me an e-mail in which reference was made to the rare art of the 10″ single.  I’ve misplaced the e-mail (probably deleted it in error if the truth be told) and so I’m unable to give you the credit for inspiring what will be an occasional series – but please feel free to identify yourself in the comments so that I can turn sorry into thank you.

I only have eighteen bits of vinyl that are 10″ in size, with the majority being singles/EPs. I’ll try to get them all on the blog over the course of time, but for now here’s the list:-

Adult Net – Where Were You?
Aloha Hawaii – Towns On The Moon/I’ve Been Bad For Years and Years
Arctic Monkeys – Brianstorm
Arctic Monkeys – My Propeller
Arctic Monkeys – Don’t Sit Down Cos I’ve Moved Your Chair
Aztec Camera – The Crying Scene
Breeders – Head To Toe
Curve – Clipped
Dave House/Jenny Owen Youngs – Split EP
Gil Scott-Heron – Winter In America
Joe Jackson – One More Time
Lemonheads – Confetti/My Drug Buddy
Madder Rose – Car Song
Nick Cave & The Bad Seeds – Bring It On
OMD – Messages
Sultans Of Ping FC – Where’s Me Jumper
Tom Robinson – Still Loving You
The Wedding Present ‎– Ukrainski Vistupi V Johna Peela / Українські Виступи В Івана Піла

First one to feature is this 2003 single, an edited version of a track on the mostly underwhelming LP Nocturama

mp3 : Nick Cave & The Bad Seeds – Bring It On

Bring It On features a co-vocal from Chris Bailey whose most famous song is this punky effort from 1977:-

mp3 : The Saints – (I’m) Stranded

The two b-sides are typical of the sort of ballads and slower-tempo numbers the band was mostly churning out at the time. It was a period of real transition as the sound became ever more reliant on Nick Cave‘s piano/organ playing and the violin contributions from Warren Ellis. It’s not the most fondly remembered period in the band’s long and illustrious history.

mp3 : Nick Cave & The Bad Seeds – Shoot Me Down
mp3 : Nick Cave & The Bad Seeds – Swing Low





When I was the new wave kid on the block, I used to snigger behind the backs of the guys at school who were fans of bands like Pink Floyd, Genesis, Led Zeppelin and Yes. (I didn’t do it to their faces as they were bigger than me and would have giving me a right good kicking).

I did so because, unlike them, I got to hear the songs that I liked getting played on the radio, and sometimes I even got to see the bands that were my favourites appearing on the telly. I was of a very impressionable age, and my attitude was that you were a nobody if you didn’t get played on Radio 1 or Radio Clyde this side of midnight. And an even bigger nobody if Noel Edmonds, Jimmy Saville, Tony Blackburn or Dave Lee Travis didn’t read out your name in a rundown during Top Of The Pops.

In my wee world, it wasn’t relevant that the sorts of bands – the ones that so excited the guys with long hair, the combat jackets and the patchouli oil – could sell LPs in their millions and play concerts that recreated all the albums note-for-note in shows lasting three hours in length – mainstream recognition was the be-all and end-all.

So, it’s just as well that as I’ve got older my attitude has softened –for I would never have found a place in my heart and mind for the greatest act to ever come out of Australia.

In a career that now goes back more than 30 years, Nick Cave, whether with The Birthday Party, The Bad Seeds or Grinderman has had one commercial hit that got him on TOTP. And even then, that was because fans of Kylie Minogue bought the single….

He has released one great LP after another throughout his career. Each LP has spawned two or three singles, some of which have been astonishing in their ambition. Some have been tremendously catchy with great tunes and big choruses, while others have been gorgeous yet understated ballads that are poems set to music. He’s even made all sorts of promotional videos, many of them entertaining and eye-catching in an effort to get some mainstream attention.

All to no avail.

Instead his fame and career is now so similar to the dinosaurs of the 70s in being based entirely on critical acclaim album sales and live performances that leave you panting for more without ever troubling the compilers of the singles charts.

All this means is that an awful lot of folk who have an interest in music, but no real depth of passion or soul for it (i.e. they’ll maybe buy what they hear on the radio but never take risks) are missing out on his genius and talent. I suppose that’s good in one way as it means Nick Cave will ever get so big and famous that his live shows move to arenas and stadia. But overall, don’t you agree that his music should be in every household?

Yet again, there were a number of singles that I hummed and hawed over before selecting one for this rundown. It goes back to 1994:-

mp3 : Nick Cave & The Bad Seeds – Do You Love Me? (single version)
mp3 : Nick Cave & The Bad Seeds – Cassiel’s Song
mp3 : Nick Cave & The Bad Seeds – Sail Away

A single drum note. The haunting sound of the staccato Hammond organ. Nick mumbling the one line over and over to himself. The bar-room piano that comes crashing in on top of everything. And that’s just the introductory 45 seconds – a sort of overture for all that follows.

Is this a song that is a plea for affection from someone who wants so much to be loved back??

I’m not sure….

I’ve always thought it is something altogether far more creepy and sinister – the song of a dominating control-freak who breaks the soul and spirit and eventually the body of their lover because although she gave him everything, it was never ever enough to satisfy his lust.

In many ways, it’s a bit like The One I Love by REM. If you just catch the most audible part of the song, it all seems innocent enough. But listen closely and you’ll notice that there’s a lot of venom and poison lying within……




Exactly one week ago tonight I sat in the stalls of the Edinburgh Playhouse (Row J : seat 17 with Mrs Villain beside me in seat 16) and witnessed what I reckon must be my 20th or so show by Nick Cave.  While every single one of those love shows has been a standout in one way or another, thanks in part to his willingness to rotate the Bad Seeds who go out on tour and thanks in part to each show being about 50% new material and 50% from the now extensive back catalogue, there was something truly wonderful about this latest show.  It wasn’t a full Bad Seeds back-up nor was it a solo show – the five-man line-up ensured it pitched itself somewhere in-between.  I came away thinking that it may even have been the best show I’ve ever seen from the great man – he was in fine voice, great humour and the arrangements he had made to some of the old classics had to be heard to be believed.  I came away determined that he would be next up in the compilation album series but only after I’d recovered from the ordeal of whittling The Clash down to ten songs.

And then, this dropped into my inbox from The Robster – long-time reader, frequent commentator and the brains behind this wonderful space on t’internet.  His timing was impeccable…


I always knew it would be a tough task choosing just ten songs for a best of Nick Cave compilation. It was never what to include, more what to leave out. That’s why I expect so many “you should have included…” and “I would have had…” comments, but that’s the fun of doing it, right?

I’m a huuuuuuuuuuuuuuge Cave fan, but I came to him rather late. I’d heard bits and pieces of his work over time, but it wasn’t until ‘Murder Ballads’ in 1996 that I began to engage with his music properly. Now I can’t get enough of the guy.

So for better or worse, here’s my contribution to JC’s excellent series – ten brilliant tunes by Nick Cave and the Bad Seeds, a studio side and a live side. This was tough and the result is controversial (nothing from Let Love In – set the flame wars alight!) but I don’t regret a single one of these choices.

Side one

1. Papa Won’t Leave You, Henry (from ‘Henry’s Dream’, 1992)

‘Henry’s Dream’ is one of my top 5 Bad Seeds albums, and this is one of the best opening tracks of any record. It’s dark and menacing, but poetic and stirring. Nick’s an amazing storyteller and few songs illustrate this better than Papa Won’t Leave You, Henry. A great way to start.

2. Tupelo (from ‘The Firstborn Is Dead’, 1985)

Talking of dark and menacing, how about the tale of Elvis’ birth delivered Cave-style? A fine example of how a rock band can create an uncomfortable atmosphere and mood. Nick’s growling vocals, Barry Adamson’s ominously brooding bass, Blixa Bargeld’s scratchy guitars and Mick Harvey’s pounding drums combine to create a song that’s blacker than black.

3. He Wants You (from ‘Nocturama’, 2003)

But it’s not all fire and brimstone, sometimes Nick writes the most beautiful and touching ballads. Here’s one of his very best and one of my all-time fave songs of his.

4. The Curse Of Millhaven (from ‘Murder Ballads’, 1996)

‘Murder Ballads’ is equally disturbing and hilarious. It’s also ridiculously misunderstood by people who don’t get what Nick Cave is about. I loved this track on first listen and it still rates as my fave on the album.

5. We Call Upon The Author (from ‘Dig!!! Lazarus Dig!!!’, 2008)

The Grinderman project undoubtedly had an effect on Nick and his cohorts. ‘Dig!!! Lazarus Dig!!!’, the first Bad Seeds album following that side-project was altogether rougher, tougher and meaner than anything they’d done in a long time. Really hard to pick a single track from it, but I went for this one because I think it sums up the whole record. And the lyric “I feel like a vacuum cleaner/A complete sucker” cracks me up every time!

Side two

6. The Mercy Seat [live] (from ‘Live Seeds’, 1993; originally from ‘Tender Prey’, 1988]

Cave has done countless versions of this track and each one is absolutely TERRIFYING. It’s the first of his tracks I ever heard and I felt really uneasy on hearing it, but utterly intrigued at the same time. This version, from the ‘Live Seeds’ album, is very probably the best version of all.

7. There She Goes, My Beautiful World [live at Maida Vale] (b-side of ‘Get Ready For Love’, 2005; originally from ‘Abattoir Blues’, 2004)

Ridiculously upbeat song in which our Nick laments the loss of his muse and the onset of writer’s block. Hard to believe Nick Cave made a gospel (or should that be ‘gothpel’) record, but here’s proof that he can turn his hand to anything. I love this track so much.

8. God Is In The House [live] [from ‘Live From KCRW’, 2013; originally from ‘No More Shall We Part’, 2001]

As cutting comments on gated communities and the God-fearing citizens who populate them go, this song has to be the best, doesn’t it? I remember he did a quite extraordinary rendition of this on Jools Holland’s show around the time of its release. At the end of the show, Jools asked a few of his guests who their favourite act on the show was, and a soul singer I’ve forgotten remarked: “Oh, Nick Cave. So spiritual.” She had completely missed the point. But isn’t that Nick all over?

9. Jubilee Street [live at the Sydney Opera House] (b-side of ‘Give Us A Kiss’, 2014; original from ‘Push The Sky Away’, 2013)

‘Push The Sky Away’ was/is an absolutely remarkable album. It’s like Nick has found a new wave of creativity of late, you feel he could go on forever and always remain unique and relevant. Jubilee Street is as good a song as he’s ever written.

10. The Ship Song [live at Brixton Academy] [from ‘Abattoir Blues Tour’ DVD, 2007; originally from ‘The Good Son’, 1990]

I suppose if Nick Cave is going to be remembered for just one song, this will probably be it. It has become like an unofficial Australian National Anthem, but it’s live that it takes on a new life and at times it’s spine-tingling.

The Robster

mp3 : Nick Cave & The Bad Seeds – Papa Won’t Leave You Henry
mp3 : Nick Cave & The Bad Seeds – Tupelo
mp3 : Nick Cave & The Bad Seeds – He Wants You
mp3 : Nick Cave & The Bad Seeds – The Curse of Millhaven
mp3 : Nick Cave & The Bad Seeds – We Call Upon The Author
mp3 : Nick Cave & The Bad Seeds – The Mercy Seat (live)
mp3 : Nick Cave & The Bad Seeds – There She Goes, My Beautiful World (live)
mp3 : Nick Cave & The Bad Seeds – God Is In The House (live)
mp3 : Nick Cave & The Bad Seeds – Jubilee Street (live)
mp3 : Nick Cave & The Bad Seeds – The Ship Song (live)

JC adds……

This will, I’m sure spark as lively a debate as last week’s on The Clash. I’m gearing up to make my own contribution to the debate.  I’m with The Robster on the particular live version of The Mercy Seat that he has selected….but only until the point when, and I really hope it is a when, the version being played on the current tour is given a release.

Big thanks Robster….and without giving anything away to T(n)VV readers, feel free to throw in that further contribution you mentioned in your e-mail.