SATURDAY’S SCOTTISH SONG : #514: MONTJUIC

Montjuic, aside from being a well-trodden part of the tourist trail in Barcelona, is the name adopted by two veterans of the Glasgow music scene for a collaboration that resulted in a debut album appearing in late 2025.

James Hackett is the lead singer of The Orchids, an indie-guitar band who first came to prominence in the mid-late 80s, with their initial singles and albums being on the legendary label, Sarah Records.

Ian Carmichael is a producer of note, who worked with The Orchids from near enough the outset, before building and opening his own studio in Glasgow in the late 80s and then branching out as a writer and performer with One Dove, whose sole album Morning White Dove went Top 30 in 1993 and spawned a fabulous single, White Love, that has been featured a few times on the blog. He would also become a friend of Andrew Weatherall, with who he would often collaborate.

James and Ian have, obviously, known each other and worked closely together for decades, but was only during the COVID lockdown that they began to work on the idea of being a duo, deciding to name themselves after the hill in Barcelona, writing and recording remotely.

mp3: Montjuic – Let’s Change

Taken from Things Must Change, a 14-track album, was released on Last Night From Glasgow Records last September.

 

JC

 

THE 12″ LUCKY DIP (37): Communards – You Are My World

My introduction to The Communards came via seeing them perform on the TV show The Tube, which went out on Friday evenings on Channel 4 between 5.30 and 7pm.  This would have been November 1985, a few months just after I’d left university and moved to live in Edinburgh, where I’d started working in July 1985.  It wasn’t a great paying job, and while the flat I was living in was shared with two others, the rent I was paying didn’t leave too much to live off, and I hadn’t bought the NME or any other music papers for a while.  As such, I’d missed that Jimmy Somerville had now formed a new band, one in which he would be signing with the music coming from the classically trained Richard Coles.

The debut single, You Are My World, may well have been getting played on the radio, but I certainly never heard it any evening I had it switched on.  The live performance on the telly was a helluva way to learn about the duo and the song.

I’ve always been a sucker for strings on pop songs, so this was right up my street.  Jimmy’s falsetto has long been one of the wonders of the 80s pop scene, and to hear him hit, and maintain, many of those notes was joyous.  If nothing else, got to 3:29 of the clip and watch the next ten seconds – the smile that breaks out over Jimmy’s face as he realises he’s nailed the performance is a fabulous TV moment.

I went out and bought the single the next day from HMV on Princes Street in Edinburgh, which is where I learned it was already in the charts, as the shop had the ‘top’ singles laid out in racks in accordance with the chart position in any particular week.  Looking up the chart history, You Are My World would have been sitting at #30, which is where, criminally, it peaked.

mp3: The Communards – You Are My World

There were two tracks on the b-side. The first was a bitter-sweet ballad bemoaning what Thatcher and her cronies were doing to the country:-

mp3: The Communards – Breadline Britain

The other was a cover, a big band song from the 1940s on which Doris Day had first performed the lead vocal, while a version from Ella Fitzgerald would follow a couple of years later:-

mp3: The Communards – Sentimental Journey

The Communards would, in due course, become ridiculously successful for a short time, when their take on Don’t Leave Me This Way spent four weeks at #1 in September 1986.

JC

THE RESPLENDENT RETURN OF LITTLE LOSER’S LOTTERY : #11

aka The Vinyl Villain incorporating Sexy Loser

‘GIGS FROM YESTERYEAR, WHEN I WAS YOUNG + PRETTY AS A PICTURE’

#11 Bizarre Festival, Alsdorfer Weiher (June 1992)

Dear friends,

1984 didn’t start nicely for me. I was 15 ½ and I thought The Clash were the best thing since sliced bread (still do in a way, but less said about that the better). No internet, of course, all you had were UK music papers you’d get at the station in town (the town being 40 kilometres away from where I lived) plus a German one, Spex, a bit easier available. Now, rumour had it, presumably in one of those papers, that The Clash would play the Philipshalle in Düsseldorf (100 kilometers away) in February and understandably my mate Arthur and me were electrified – little did we know about Mick Jones having been sacked and The Clash MK II being by and large a different cup of tea in comparison to their previous output which we had in our record collection.

So we did our utmost to convince our parents to get permission to attend said gig. We would have gone there by bicycle, even bloody walked there, so desperate were we to see The Clash – we would literally have done everything! We were not in the best of positions to argue, it must be said, because both of us had to stay down this year in school – so all beggary was in vain, our parents just laughed and told us to bugger off, basically.

And that’s it – I did not see The Clash then, and from a semi-psychological point of view this might be one reason why I became the frustrated old fart that I am now, perhaps.

But either way, here comes the link to Little Loser’s choice of today: information-wise nothing much had changed in the eight years which had passed, still no internet, still the same music papers. And another rumour: apparently The Pogues’ Shane McGowan has finally completely lost his head, so much so that The Pogues had recruited Joe Strummer to take over his vocal duties. And who were to play this year’s Bizarre Festival? Right, The Pogues were … so I desperately tried to strum up a friend to come along with me. Bizarre had re-located the venue in 1992 and Alsdorf was just 40 kilometres away, which of course was convenient. Entry was not convenient though: 53,- Deutschmarks, which was a bit steep, even in those days. But hey, it was The Clash, at least a quarter of them, so off we went!

Also, in order to tell the whole truth: not only Joe Strummer was supposed to be there, The Ramones were as well – but more importantly also a stunning young girl I had a total crush on back then, Celia. Certain looks had already been exchanged in the local pub between her and me previously and when having been in conversation with her, I always had the feeling that she fancied me as well.

Right, convincing my mate to come along with me plus getting hold of sufficient cash took quite some time, means we only got there early in the afternoon. So we missed some of the ‘earlier’ bands, if memory serves correctly I saw Blur, but for the life of me I cannot remember whether I saw Kirsty MacColl or not. A shame if I didn’t, of course, in hindsight. I definitely saw Carter USM (excellent) and The Ramones (don’t ask me why they weren’t even mentioned on the ticket) – I remember that some pogoing idiots destroyed parts of the stage whilst they played. I think their set was brutally brief because of this (six tunes only plus C.J. injured), but detailed memory has left me there

This, friends, might have something to do with the fact that it hadn’t taken me long to find Celia in the crowd and, believe it or not, my assumption was correct: she liked me as well, it turned out. A lot, in fact. So maybe I cannot tell too much about the bands and their sets because I spent too much time on kissing & caressing … it certainly distracted me from the music, that’s for sure!

Fun fact: Alsdorf is just 5 minutes away from where I now live and the venue, which was a hilly park near to a big pond, had been transmogrified into a petting zoo in the late 90s. So when Little Loser was little, we went there quite often – and whenever he would caress a goat or whatever, I stood there and smiled sheepishly whilst recalling my own caressing actions at the very same place some 20 years before …

So, to cut a long story short: today – with the benefit of hindsight – we all know now that Joe Strummer handled lead vocals for the Pogues’ 1992 tours across Australia, Japan, and North America. But by the spring of 1992, he left the band. Longtime tin-whistle player and founding member Spider Stacy then took over as the permanent lead vocalist. The Bizarre Festival, let me remind you, took place in June …

So shamefully I never got to see any member of The Clash in all of my life. On the plus side, Celia and me left the festival as a couple and were together for nearly a year, so there you are … not too much of a shabby day altogether, right?

Here’s some music, tracks specifically chosen to fit the dead romantic atmosphere:

Carter USM – ‘Lean On Me I Won’t Fall Over’ (live @ Reading ’94)
Ned’s Atomic Dustbin – ‘Happy’ (live JB’s, Dudley ’02)
Blur – ‘It Could Be You’ (live Budokan, Tokyo ’95)
Slowdive – ‘Celia’s Dream’ (’91)
Ramones – ‘I Wanna Be Your Boyfriend’ (live Roxy, Hollywood ’76)

I could of course have killed two birds with a stone and go for the well-known version of ‘Fairytale’, “the Christmas one”, if you like – featuring Kirsty. But no, instead:

Kirsty McColl – ‘There’s A Guy Works Down The Chip Shop Swears He’s Elvis’ (’81)
Pogues – ‘Fairytale Of New York’ (early version (from ’86), with Cait O’Riordan on vocals and different lyrics: absolutely ace!)

Enjoy,

 

Dirk

 

 

I’M EVERY WOMAN MIXTAPE

A guest posting by Mopyfop

mp3: Various – I’m Every Woman (mix tape)

Janet Jackson – Control
I Wanna Dance With Somebody (Who Loves Me) – Whitney Houston
Just Be Good To Me – S.O.S. Band
Somebody Else’s Guy – Jocelyn Brown
I’m Gonna Tear Your Playhouse Down – Anne Peebles
California Soul – Marvin Gaye and Tami Terrell
Just Squeeze Me (But Please Don’t Tease Me) – Marvin Gaye and Mary Wells
Tyrone (live) – Erykah Badu
You Oughta Know – Alanis Morissette
Shitlist – L7
Celebrity Skin – Hole
Hollywood (French Soller remix) – Marina and The Diamonds
Videogames (Omid 16B remix) – Lana Del Ray
I Wish I Didn’t Miss You – Angie Stone
This Used To Be My Playground – Madonna
No Regrets – Randy Crawford with Joe Sample

Mobyfop

 

IT REALLY WAS A CRACKING DEBUT SINGLE? (87)

The debut EP that really isn’t?

It was Pages 121-122 of Grant McPhee‘s hugely enjoyable book Postcards From Scotland : Scottish Independent Music 1983-1995 when I fully learned the story behind the debut EP by The Soup Dragons.

On 7 December 1985, the band recorded their first 7″ single, and it was to be for the Bristol-based Subway Organisation.  The band went into an Edinburgh studio and recorded three songs, with a fourth added later on in Glasgow.  Here’s what Sean Dickson, the lead singer with the band, told Grant McPhee:-

“We did a four-track EP called The Sun Is In The Sky, and it shows you how naive we were because you don’t know things like that, on a 7″ record…..if you have a certain amount of time on a 7” inch single it deteriorates the quality….so basically the EP didn’t sound that great, it sounded awful when it got pressed.

And the cover, the Letraset had slipped as it went to the printer so the cover was just a complete dog’s dinner.

And I remember us all sitting there nearly crying, you know, put it on, it sounded like shit and the cover looked like shit and so we were ‘Shit, what do we do?  So we pulled it, much to the hatred of Martin (Whitehead) that ran the Subway Organisation, but you know, a lot of gratitude to him that they actually did agree to it then.”

The EP, while never officially being released, did make it into a few shops, which is how you can still come across copies on the second-hand market today.

mp3: The Soup Dragons – Quite Content
mp3: The Soup Dragons – Swirling Round The Garden With You
mp3: The Soup Dragons – Fair’s Fair
mp3: The Soup Dragons – Not For Humbert

A short while later, the Whole Wide World EP would be recorded and in due course be accepted more widely as the debut, one which went to #2 in the UK indie charts and sold more than enough copies to make up the costs involved with the withdrawn single.

 

JC

THE 7″ LUCKY DIP (48) : Pauline Murray & The Invisible Girls – Dream Sequences

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This is a direct copy of a post dating back to May 2015, one which attracted a fair bit of positive dialogue in the comments section.

Today I’m featuring a single that I picked up a few years ago in a charity shop for the princely sum of 25p.

mp3 : Pauline Murray & The Invisible Girls – Dream Sequence I
mp3 : Pauline Murray & The Invisible Girls – Dream Sequence II

Pauline Murray was one of the first girls to come out of the punk movement. She was just 18 years of age when she came to prominence as lead singer with Penetration, whose debut single from November 1977 is a true landmark effort:-

mp3 : Penetration – Don’t Dictate

Sorry, I couldn’t resist including that – a rare example of a single from punk era that has just not lost any of its appeal the best part of 40 almost 50 years on.

Penetration split up in 1980 after just two albums and five singles. Pauline was just 22 years of age at the time, and her next project was with the aforementioned The Invisible Girls who were in fact the backing band for the Salford poet John Cooper Clarke. The new combo released a self-titled album in 1980, a piece of work that was critically acclaimed but didn’t sell all that well.

It was a record that came out on Illusive Records which was a subsidiary of RSO Records which, if memory was the biggest label in the world at the end of the 70s as it was home to The Bee Gees as well as being the label for the soundtrack to Grease.

But it would have been perfectly at home, and indeed a better fit, if it had been on Factory Records as it had production from Martin Hannett (who also played on the record) and a sleeve by Peter Saville, both of whom of course are central characters in the rise and fall of the best label to ever come out of Manchester. Oh and the drummer was John Maher of Buzzcocks….

I was delighted to grab a copy of the single as I used to have a copy of the subsequent self-titled Pauline Murray & The Invisible Girls debut album but as I’ve not seen it in the cupboard for years so I can only assume that I loaned it to someone and forgot to ask for it back. What I do remember is that it was a record slightly ahead of its time, relying on the then largely unfamiliar sound of synthesisers with Pauline’s vocals often being well back in the mix as if they were an instrument. It really is one of the great lost albums of the era (literally in my case…..).

I do see that last year (2014) the album was re-released with a bonus disc of Peel Sessions, remixes and live versions.  I might well go and track it down….or I might go to the online second-hand market for a copy of the vinyl.  Either way, it’s on a list of things to do.

JC

PS – I did later track down the 2014 re-release……but not on vinyl!

THE TESTIMONIAL TOUR OF 45s (aka The Singular Adventures of Edwyn Collins)

#40: Outside : Edwyn Collins (AED Records, AEDEC26, 2019)

There was a six-year gap between the eighth and ninth studio albums, with Badbea being released in March 2019.

As was mentioned last week, Edwyn had devoted a great deal of time and energy to the documentary film The Possibilities Are Endless, as well as its accompanying soundtrack album.  There was also the not insignificant step of Edwyn and his family making a move out of London and to the village of Helmsdale in the far north of Scotland, a move that would also involve Edwyn building a brand-new studio.

Badbea was the first record to be made in the new facility at Helmsdale.  In an era when going making the effort to physically produce an actual single on vinyl was really more bother than it was worth, then it can be no surprise that the album was trailed only by a promo CD containing one song

mp3: Edwyn Collins – Outside

A real throwback.  A new-wave song sound and texture that comes in at under two minutes in length.  It was 1977 all over again.  A truly wonderful surprise that has proven to be one of my favourites of all his singles.

Was it a precursor to an entirely new direction via this entirely new album?  Well….yes and no.

Badbea contained 12 songs, but only Outside was a punk thrash.  Many of the other songs were a continuation of the sounds on Losing Sleep back in 2010 and Understated in 2013, but there were also some songs that were wholly nostalgic in nature, with perhaps the new surroundings stirring up memories that at one point in time had probably been totally forgotten in the wake of his illnesses.  Some of these were ballads, but on the autobiographical ‘Glasgow to London’ we find a song that is a synth-led mid-tempo dance track that’s just the perfect tempo for those of us on the cusp of (or indeed, already in receipt of) our bus passes.

mp3: Edwyn Collins – Glasgow to London

Long ago back in Glasgow
Ambition drove my life
Now I note I must admit
I couldn’t give a fuck

I’m on that train
Glasgow to London
I’m on that train
Glasgow to London

It’s in the past

On the streets the couple blames
The fruit play fetch, the market stalls
In the 80’s, wild and free
Herring round the town

I’m on that train
Glasgow to London
I’m on that train
Glasgow to London

It’s in the past

Back to reality
Back to the grind
Look at the state of me
But I don’t mind
I don’t mind

I really thought it would have made for the next ‘single’ to push the album, but I was wrong.

 

 

JC

SATURDAY’S SCOTTISH SONG : #512: MICHAEL M

I hope you can cast your minds back to June 2025 when I put forward You’re Doing It Wrong by Michael M as book of the month.

And if you were paying close attention, you’ll have spotted that one of Michael M’s songs featured in the Scorchio! mix tape just a few days ago.

At long last, the alphabetical run-through of Scottish singers and bands (second-time around) has landed on Michael M.

mp3: Michael M – Morality Maths

From his second studio album, Glasgow Moths, released in 2022.

 

JC

 

FICTIVE FRIDAYS : #19

a guest series, courtesy of a very friendly lawyer

OH, THE DIVORCES

Being in a band really is like being in a marriage.  Relationships between band members are key and, when they get strained, they can kill it off.  It’s hard enough keeping it together when you’re just a group of like-minded friends. I have no idea how married couples can function as bandmates without driving each other nuts, so maybe these folks can tell us: 

Cities in Dust – Banshees (Siouxsie Sioux and Budgie, 1991 – 2007).  Ms. Ballion and Mr. Clarke connected in the middle of the Banshees’ run and kept it together as The Creatures after the first band dissolved.

I Give Up – Quasi (Janet Weiss and Sam Coomes, 1990 – 1995).  Divorce didn’t get in Quasi’s way—they’re still a going concern after 23 years.  A lot of fun in concert, too, if you get a chance to see them.

Hotel Yorba – White Stripes (Jack and Meg White,1996 – 2000).  When I first saw them at the Troubadour Jack and Meg were still pretending to be siblings, although their marriage was already over by that point.  All their albums were released after the split, and they kept the band going for another 11 years.

Disappearer – Sonic Youth (Kim Gordon and Thurston Moore,1984 – 2011).  They had a 30-year run, but Thurston’s affair ended it.

Intervention – Arcade Fire (Win Butler and Régine Chassagne, 2003 – 2025).  Mr. Butler’s infidelities also tanked his marriage, although the band did release an album after the split.  It’s a recent development, so it remains to be seen if the lead couple can keep the act together.

Walking in L.A. – Missing Persons (Dale and Terry Bozzio, 1979 – 1986).  Dale and Terry met while recording Joe’s Garage with Frank Zappa.  They released a couple of successful records but, when Color In Your Life flopped, the tensions were too much to keep the band going.  Warren Cuccurullo went on to replace Andy Taylor in Duran Duran for a few albums.  Terry played with high profile legends like Mick Jagger and Jeff Beck.  Dale reformed Missing Persons a couple of years ago, with The Knack’s Prescott Niles on bass.

True Love – X (Exene and John Doe, 1980 – 1985).  X’s two singers were married when the band released their first four (and best) albums.  The fifth record, Ain’t Love Grand!, wasn’t the success they hoped for and it led to guitarist Billy Zoom quitting.  Exene married Viggo Mortensen for a while, but X soldiered on. After a few fits and starts with Tony Gilkyson as guitarist, Zoom returned, and the band are still recording and performing shows.

Seems So – The Apples in Stereo (Robert Schneider and Hilarie Sidney, 1994 – 2004).  The Elephant 6 Collective’s principal act had a married couple for most of its tenure.  Hilarie drummed on the first eight records, including two after the divorce.  The band is theoretically still active, despite Robert’s academic career in mathematics and countless musical side projects, but they haven’t released a record since 2010’s Travellers in Space and Time.

Gronlandic Edit – Of Montreal (Kevin Barnes and Nina Grøttland, 2003 – 2013).  Frontman/songwriter/bandleader Barnes is the man behind this Athens, Georgia art-rock experience and used to record everything himself.  But their live performances are a real spectacle, with costumes and stage sets, and the non-musical dance group the Sneakies.  Nina played bass for a bit and had a daughter with Barnes.  That ended a while ago and Barnes has since come out as non-binary genderqueer, which may or may not have had something to do with the marriage’s end.

Velvet Ring – Big Thief (Adrianne Lenker and Buck Meek, 2015 – 2018).  I read a recent interview with the band, in which Adrienne and Buck described themselves as best friends.  Although the marriage didn’t last, it was sweet that the pair “couldn’t imagine” not making music together.

Bonus Track: Oh, The Divorces – Tracy Thorn.  After 28 years as a couple, Tracy married Ben Watt.  That was 17 years ago for the members of Everything But The Girl, who took some time off for side projects and to raise their three kids, then regrouped for another couple of albums.  They’re the poster children for bands with couples that manage to remain married, but that’s a different post for another day.

 

Jonny

 

 

 

C86 : THE ULTIMATE SERIES (Parts 55, 56, 57, and 58 of 114)

The Bachelor Pad, a five-piece band from Glasgow, released six singles/EPs and one album during the years they recorded music between 1987 and 1991.

They first came to notice via a flexidisc that was given away with two fanzines which led to an offer to sign to what was to be a brand-new indie label, as yet unnamed!  The band happened to sign on the day Andy Warhol died, and in tribute the founder and owner, Mike Stout, then and there decided the label should be called Warholasound.  The Bachelor Pad’s debut, The Albums Of Jack, was released in 7″ and 12″ version in the spring of 1987:-

mp3: Jack and Julian – The Bachelor Pad

Track 17, Disc 2 of CD86.

This was on the b-side of the 7″ and one of five songs on the 12″. Before the year was over, there would be two further singles for Warholasound after which they switched to Glasgow-based Egg Records for whom there would be three singles, while Imaginary Records, based in north-west England, would be responsible for issuing Tales of Hoffman, their sole album, released in early 1990.

The June Brides, from London, were initially active between 1983 and 1996, before reforming in 2012.  They’ve long been a favourite of mine, and I’ve always been a bit bemused that they are associated with the C86 movement, given that they had broken up in advance of the genre becoming a thing.

The band’s first two singles (one of which will come up later in this alphabetical series) were issued by The Pink Label, as was the mini-album There Are Eight Million Stories, which went to #1 in the Indie Charts just after its release in September 1985.  Shortly afterwards, they switched to In Tape Records on which two singles would appear in November 1985 and May 1986.  The June Brides were seemingly asked to contribute a track to C86 but turned the request down.  Before the year was out, the band split and frontman Phil Wilson embarked on a solo career after being snapped up by Creation Records.

In 2012, the band reformed for some live gigs followed afterwards by two new singles on Slumberland Records.

mp3: Just The Same – The June Brides

Track 1, Disc Two of C86 The Deluxe 3CD Edition

One of the three tracks on the This Town EP, released on In Tape in May 1986.

A second and much-welcomed (by me at least) appearance from Close Lobsters in this series.

mp3: Just Too Bloody Stupid – Close Lobsters

Track 11, Disc 2 of CD86.

Just Too Bloody Stupid was recorded and included on their 1987 debut album, Foxheads Stalk This Land. But the version on CD86 was a bit different.  I posted both versions on the blog back in 2015 at which point our dear friend Brian, all the way from Seattle via his old blog Linear Track Lives provided a wonderful and perfect explanation:-

The cd86 version is a demo that came out as a 7″ on Caff Records in 1989. Makes sense since that was Bob Stanley’s label, and he was the one that assembled the CD86 comp. That 7″ goes for $60-$70 now. Like you, I prefer the more polished version, but it’s nice to have both. Stanley didn’t agree with us. He called the studio take the “bastardised” version. So it’s no wonder he used the demo on cd86.

Cheers Brian…you truly are a walking, talking encyclopaedia.

A second and much-welcomed (by me at least) appearance from Mighty Mighty in this series.

As mentioned last time out, the band’s first two singles were on their own Girlie Records before they made the switch to Chapter 22. I didn’t mention last time out, as I didn’t want to spoil this particular posting, that they also contributed to the original C86 cassette:-

mp3: Law – Mighty Mighty

Track 6 on side 1 of the C86 cassette; Track 6, Disc One of C86 The Deluxe 3CD Edition

The band would re-record Law in 1987 as the b-side to One Way, their third and final single for Chapter 22. That’s the picture sleeve above.

 

JC

SCORCHIO!

I’d never have imagined getting home from Barbados and finding the weather hotter and the humidity far more uncomfortable in Glasgow.

mp3: Various – Scorchio!

Heat Wave – The Jam
Well Done Sonny – The Weather Prophets
Mistaken For Strangers – The National
We Don’t Care – Audio Bullys
Munich – Editors
White Mice – The Mo-Dettes
Bluetooth Hell – Dancer
The Search For Cherry Red – Jonathan Fire*Eater
Ain’t That Always The Way – Paul Quinn
Real Thoughts In Real Time (Vince Clarke Mix) – Hi-Fi Sean & David McAlmont
Age Of Panic – Senser
Do People In America Wear Easterhouse T-Shirts? – Michael M
When It All Comes Down – Miaow
I Could Be In Heaven – The Flatmates
Mangetout – Wet Leg
Portland Town – Heavenly
Stupid Kid – Sultans of Ping F.C.
Blister In The Sun – Violent Femmes
Hidden track to take it to the hour mark

I’m off on my travels again today….Cork and Westport in Ireland…..I won’t have the laptop with me, so if anybody fires over emails/guest contributions etc, I apologise in advance that you won’t get any response for the best part of a week.

JC