
This particular book was published in March 2019. The reason for it taking more than seven years to be reviewed on this blog is simple – I never owned a copy until a few weeks ago when I was generously given the book as a gift, purely out of friendship.
I’ll open with the blurb from the publisher:-
Poly Styrene was a singer-songwriter, an artist, a free-thinker, a post-modern style pioneer and a lifelong spiritual seeker: a true punk icon. But this rebel queen with the cheeky grin was also a latter-day pop artist with a wickedly perceptive gift for satirising the world around her – her brightly coloured, playful aesthetic sharply at odds with the stark monochrome style and nihilism of punk.
Here, for the first time, the vibrant jigsaw of Poly’s inspiring and often moving story has been lovingly pieced together by her daughter, singer-songwriter Celeste Bell, and writer/artist Zoe Howe. From growing up mixed-race in Brixton in the 1960s, to being at the forefront of the emerging punk scene with X-Ray Spex in the 1970s, to finding faith with the Hare Krishna movement, to balancing single motherhood with a solo music career and often debilitating mental health issues, the book honestly and openly explores Poly’s exceptional life, up until her untimely passing in 2011.
Up until 2020, my knowledge of Poly was very minimal – I could have told you she found fame in the punk era with X-Ray Spex; that she later became part of the Hare Krishna movement; there was a comeback gig in the late 00s which got great reviews; and that she died young in her early 50s from cancer, a few months after one of her contemporaries, Ari Up, had also succumbed at a young age to that dreadful disease.
This guest posting by flimflamfan, who it turns out was a real uberfan, provided me with a bit more context in terms of how much more (and yet how little) music there had been other than the one album from the punk era. The following year, I did get to see the documentary Poly Styrene: I Am a Cliché, in which her life and times, and the journey to India after her death. It is only now, after reading the book, do I realise that it goes hand-in-hand with the film, with the screenplay credited to Celeste Bell and Zoe Howe, the co-authors of Dayglo, but without any question, the book is far more enlightening.
Dayglo is very much an oral history, based on interviews with those who knew and loved Poly whether personally or through music, and is lavishly illustrated across its 192 pages, with an oversized hardback giving it the look of a coffee-table book. The unusual style of using constantly changing voices, with most people ‘speaking’ in short bursts, made for a very engaging read, and yes, it did feel as it was akin to a well-paced documentary, one which paused occasionally at all the right places to allow the reader to reflect on things.
The joyful use of brightly coloured photos, illustrations and flyers/posters from the era, all of which seem have been lovingly curated over the decades by Celeste, are a further delight as the reader has no idea what is going to come next with each turning of the page. More often than not, the particularly difficult passages of narrative, in which Poly’s ongoing struggles with her mental health are told candidly, are followed by the most gorgeous and surprising photographs, illustrating just how often the light and dark went hand-in-hand and offering a sharp reminder of how incredibly complex it is for families, loved ones and friends to cope with someone with a bipolar personality.
Poly was quite a unique and unconventional person, and it seems very fitting that her story has been told in this unique and unconventional way rather than as a straightforward biography. It was a book I finished the book in two sittings, which is my way of saying that I couldn’t put it down, and am only sad that I had to wait all these years to read it. It also made me sigh out loud more than once….wondering what Poly, if she was still with us, would make of a world that many of her lyrics seemed to predict
I am a poseur and I don’t care
I like to make people stare
I am a poseur and I don’t care
I like to make people stare
Exhibition is the name
Voyeurism is the game
Stereoscopic is the show
Viewing time makes it grow
mp3: X-Ray Spex – I Am A Poseur
From the album Germfree Adolescents, released in November 1978. Poly was barely out of her teens when she penned it.
I thank JC for his grand descriptor of my good self but would perhaps downgrade that description to fan.
I enjoyed the book more than the documentary which I found to be wafer-thin in places. While Celeste’s intentions at the time right up till late May 2026, could be argued as keeping her mum’s legacy alive, it was just a bit grating to see yet another repress, this time Obsessed With You – The Early Years. It hit the shelves (in three separate vinyl colours). I bought them all, of course despite having the original LP (Receiver Records 1991 and CD).
The Dayglo book was available as a standalone book and was also a key element of the Identity Box Set. Limited to 250 copies it includes: a specially re-released 7” single (‘Identity’/‘Let’s Submerge’) on pink vinyl in a brand new sleeve, a print of a classic Pennie Smith B/W photograph, a Poly Styrene tote bag, Poly’s handwritten ‘concept of X-Ray Spex’ note, an ‘Identity’ card, Poly’s handwritten lyrics for ‘Oh Bondage, Up Yours!’ and ‘I Am A Cliché’, Poly’s handwritten sheet music for ‘Identity’ and ‘The Day The World Turned Dayglo’, three classic button badges, Poly’s hand-drawn draft artwork for the Translucence solo album cover, Poly’s hand-drawn illustrations, with signature, three rare record press releases and two flyers for classic X-Ray Spex gigs. The person who wrote the blurb for the box set seemed never to hear of the phrase facsimile copy re: signature, handwritten lyrics etc.
Lora Logic and Paul Dean have been involved in the re-releases and often attend signing sessions of the ‘latest’ release.
I digress…
The book is well worth a look. Thanks to JC to adding a wee smile to my face with the inclusion of one of my favourite bands/people.
Flimflamfan