THE SINGULAR ADVENTURES OF MAGAZINE (11)

The Light Pours Out Of Me/The Anti Hero (OMNI-RSB1) : Released May 2022 on 7″

Anti-Wire would go on to issue two more bits of vinyl for Record Store Day 2016 and Record Store Day 2017.

The first of these, a 12″ release, made available on 16 April 2016, was called Once@The Academy, and consisted of five songs – The Light Pours Out Of Me, Permafrost, Twenty Years Ago, Definitive Gaze and Thank You (Falettinme Be Mice Elf Agin) – as recorded at the two shows Magazine played at the Manchester Academy on 14 and 17 February 2009.

The second was also a 12″ release, made available on 22 April 2017. It was called Old World Charm (BBC Electric Proms), and consisted of six songs – Shot By Both Sides, Rhythm of Cruelty, A Song From Under The Floorboards, Sweetheart Contract and I Love You You Big Dummy – as recorded on 22 October 2009 when Magazine played the BBC Electric Proms at the Roundhouse in London.

And then, in May 2022, there came a bit of an unusual release.

The Light Pours Out Of Me – The Authorised Biography of John McGeoch, written by Rory Sullivan-Burke, was published in May 2022 by Omnibus Books.  It’s a superb read, and it’s been a bit of an oversight on my part not to have reviewed it on TVV.

A 7″ single was pressed to be part of a limited and signed slipcase edition of the book, consisting of these two tracks:-

mp3: Magazine – The Light Pours Out Of Me (live at The Russell Club, Manchester, 1980)
mp3: Dave Formula – The Anti-Hero (featuring John McGeoch)

I didn’t buy the slipcase edition of the book, but to my astonishment and delight, while pulling this series together back in July, I found a copy for sale on Discogs direct from Anti-Wire, seemingly one that was part of a very small stock overrun back in 2022.  And the asking price was very reasonable.

The Magazine track is from the same show that supplied the live tracks that came with the extra 7″ single with Sweetheart Contract back in 1980 (see Part 8 of the series), and The Anti-Hero is one I referred to last week, being the track Dave Formula put together for his 2007 solo album, Satellite Sweetheart, on which he used John McGeoch’s voice from a previously unreleased track from their time together in Visage to create a new song.

And that brings to an end what was a short(ish) series of 11 parts plus an interlude, but which featured singles releases between 1978 and 2022. I hope you’ve enjoyed reading it as much as I’ve enjoyed writing it.

 

 

JC

SATURDAY’S SCOTTISH SONG : #527: POLICECAT

Policecat emerged out of Edinburgh in 1994.

The initial members were Gordon Kilgour (vocals/guitar), Jonathan Kilgour (vocals/guitar), Katrina Dixon (drums) and John Harrington (bass).  Their first two singles in 94/95 came out on the then very underground and largely unknown Domino Records, after which they recorded for Creeping Bent Records, with two split-singles emerging in 1997 and 1998.  The band would also record a Peel Session in 1997, by which time Yvonne Slaven (keyboards) had joined, while Katrina Dixon had departed and been replaced as drummer by Scott Hall.

They then signed to American label, Fantastic Records, for who there was one single in late 1998 before they split up.

mp3: Policecat – Dark Holiday

This is the second of the split 45s for Creeping Bent, released in June 1998.  It had previously been recorded for the above-mentioned Peel Session, which was broadcast on 31 July 1997.

 

 

JC

 

THE 7″ LUCKY DIP (51) : Squeeze – Another Nail In My Heart

I’m still trying to get back up the same levels of energy and enthusiasm associated with pulling together the 800 songs series.  So, if you don’t mind, here’s a repeat of the words used in the Squeeze ICA (#334), back in March 2023:-

One of the main strengths of Glenn Difford and Chris Tilbrook as songwriters was their ability to marry up catchy music with lyrics that told stories. In this instance, Tilbrook came up with the tune, making use of a moog synth all the way through as well as a classic ‘tennis racquet’ guitar solo straight after the first chorus, while Difford sings of a failed romance while putting all the blame on himself.

mp3: Squeeze – Another Nail In My Heart

It reached #17 in March 1980, and history will show that only four other Squeeze 45s performed better – Cool For Cats (#2), Up The Junction (#2), Labelled With Love (#4) and Hourglass (#16).   If this had been the subject of a quiz question, I’ll admit I’d never have come up with the fourth song on that list.

The b-side is one that, from its opening notes, can be identified immediately as a Jools Holland composition.  And that’s before he croons some ten seconds in:-

mp3: Squeeze – Pretty Thing

It’s perfectly understandable why Difford and Tillbrook consistently turned down the pianist’s requests to be allowed to write the A-sides.

 

 

JC

THE CULT CLASSICS :THE RE-RUNS (9)

16 February 2014.  This came from Craig Neale, getting in touch all the way from New Zealand.

– – – – –

Great idea for a series JC, hope you get some more contributions.

I’ve agonised over it for ages – (would’ve done ‘Revolutionary Spirit’ if you hadn’t – great choice) thought of some classic songs but found they weren’t released as singles, or weren’t the a-side, thought of others but couldn’t think of anything to write, so have gone with ‘Son of Mustang Ford’ by Swervedriver.

I really love this band, and this, their first single put out in 1990 is one of my ‘wow!’ songs… yes, I have a playlist on my ipod labelled ‘wow songs’, which as the name suggests are all songs that i thought “wow!” when i first heard them – my variation on the ‘desert island discs’-type lists people make… not necessarily my favourite songs of all time, or even my favourite track by that artist (i restricted it to one song per band) they just all knocked my socks off!

Anyway, the first time I heard this song was the classic cliche – browsing in a record shop, it came on (very loud), I ran up to the desk asking who is this? what’s it called, I’ll buy it, what else have they done? (which unfortunately at the time was nothing, but this kept me going till their next one ‘Rave Down’, which was also a ripper, came out) raced home to listen to it again and was rapt to find the b-sides were awesome too. these guys were doing exactly what my band at the time were trying to do (only much, much better) – they seemed to be a perfect blend of most of the influences we were trying to incorporate into our sound: my bloody valentine/sonic youth/dinosaur jr/cyberpunk/J G Ballard novels/road movies etc … great stuff!

Hailing from Oxford, they released 4 albums and various ep’s/singles (another of those bands noted for the quality of their b-sides), split up in 1999 and did solo/side projects, then reformed in 2008 and are still playing. a really good live band, I saw them with a friend who was only familiar with their first album ‘Raise’.

They played ‘Son of Mustang Ford’ as an encore, after which my friend said “How do they top that!”. They then launched into a scorching version of ‘Kill the Superheroes’, after which i said “That’s how!!!”

I hope at least some of you might enjoy these

mp3 : Swervedriver – Son Of Mustang Ford
mp3 : Swervedriver – Volcano Trash
mp3 : Swervedriver – Kill The Superheroes
mp3 : Swervedriver – Juggernaut Rides

Cheers,

Craig

THE CD SINGLE LUCKY DIP (38) : One Dove – Why Don’t You Take Me

I’ve pulled this one off the shelf partly to add my own very belated tribute to the late Dolly Parton.

There were countless words across all forms of media in the days and weeks after the country superstar passed away on 25 August, but I don’t think I read anything better than that pulled together by Jez over at A History of Dubious Taste.

I can’t claim to be an expert on the songs written and/or performed by Dolly Parton, and I certainly don’t own any of her singles or albums.  I do have a couple of covers of Jolene, one being on vinyl courtesy of the 7″ cover version back in 1985 by Strawberry Switchblade, while the other is an additional track on the very last single released by One Dove in the final week of 1993.

mp3 : One Dove – Jolene

One Dove are one of those bands whose reputation and legacy seems to grow with the passing of time, with many looking back with huge fondness to 1993.  There was just the one album, Morning White Dove, containing eleven tracks, but just eight different songs as three of the tracks were remixes.  Five of the songs were released as singles.  The most revered, and timeless, has proved to be White Love, and such is the way it is written and talked about more than 30 years on that it is kind of hard to equate it with the fact that it spent just three weeks in the singles chart, peaking at #43 in August 1993, with the parent album reaching #30 during at two-week stay the following month.

A lot of the end of the year write-ups praised the album, so it was no real surprise that, between Christmas and New Year, Why Don’t You Take Me was released as a single ,and it made its way into the charts in January 1994, reaching #30.

mp3: One Dove – Why Don’t You Take Me

There was one slight difference with this release in that the original trio in the band – Dot Allison, Ian Carmichael and Jim McKinven – were joined by two new members, Colin McIlroy and Ed Higgins, both of whom played on Jolene and the other tracks on the single:-

mp3: One Dove – Skanga
mp3: One Dove – Why Don’t You Take Me (Rank Outsiders Mix)
mp3: One Dove – Untitled

The five musicians did, later in 1994, go back into the studio to begin work on a proposed second album, but nothing came of it and One Dove split up.

 

JC

C86 : THE ULTIMATE SERIES (Parts 83, 84, 85, and 86 of 114)

Bogshed, from Hebden Bridge in Yorkshire, were active between 1984 and 1988, during which they released four singles/EPs and two albums. There were also five John Peel sessions, such was the late DJs fondness for their idiosyncratic musical style.  The band’s lead singer, Phil Bryson, once explained their approach to songwriting –  “We start out being totally out of order and out of key, and we turn things like that into a pop song. Most people try to do it the other way round.”

The first EP, Let Them Eat Bogshed, was issued on John Robb‘s Vinyl Drip Records in 1985 and reached #8 on the Indie Chart.  They then established their own label, Shelfish Records, and all five of their later recordings would come out via that imprint.

mp3: Run To The Temple – Bogshed

Track 8, Side 1 of the C86 cassette and Track 8, Disc one of C86 The Deluxe 3CD Edition

Yup.  Bogshed were part of the original cassette, while being as far removed from the jangly sounds of pop as can be imagined.  Run To The Temple was later released on  Bogshed’s debut album, a record that got to #4 on the Indie Chart in late 1986.

 

Razorcuts, as mentioned before, formed in London in 1984.  They would break up in 1990, leaving a legacy of two flexidiscs, four singles and two albums.  The third single, I Heard You First Time, released on the short-lived London label Flying Nun UK in 1987, is the one that I have more time for than most of the other songs of theirs that I know of. Sadly, it wasn’t included on either the CD86 release in 2006 or the 3CD extended take on C86 that came out in 2014.  This, however, was:-

mp3: Sad Kaleidoscope – Razorcuts

Track 4, Disc Three of C86 The Deluxe 3CD Edition

This was actually the band’s first ever release, courtesy of being on one half of a flexidisc given away with Issue 5 of The Legend! fanzine in 1986.

The story of Shop Assistants was told last time out within Part 54 of this series.

Their third single, in 1986, was the first ever release on what was a newly-established Edinburgh label, 53rd & 3rd.  It had the catalogue number of AGARR 1.  AGARR was short for ‘As Good As Ramones Records’

mp3: Safety Net – Shop Assistants

Track 10, Disc 2 of CD86

It sounds just as marvellous today as it did all those years ago.  It proved to be their only recording for 53rd & 3rd as Shop Assistants were grabbed by Geoff Travis and signed to the Blue Guitar/Chrysalis two-headed monster.   53rd & 3rd Records  would continue through to 1992, with BMX Bandits, The Vaselines, Talulah Gosh, Beat Happening, The Pooh Sticks and The Boy Hairdressers being among the bands involved.

mp3: Scoop – The Auctioneers

Track 22, Disc Three of C86 The Deluxe 3CD Edition

There’s actually a bit of a feelgood story to this one.

The Auctioneers, from Southend, were active from 1985-88, but never managed to have anything released in that period.  Demo tapes were worked on, live gigs, particularly across the smaller venues in London, were frequent, some of which attracted decent reviews in the music papers. There was one ‘close, but no cigar’ involvement with the record industry in 1988, but when it finally did amount to nothing, the band called it a day.

Their manager, Darrall Knight, kept copies of all the various recordings, and in 2011 he put a few up on YouTube and wrote a few blog posts about the band.  In 2013, having heard that Cherry Red were looking for extra songs for what would become C86 The Deluxe Edition, and he sent some over to the label, of which Scoop was chosen to be slotted in.

On the back of this, Darrall contacted Firestation Records in Berlin and was delighted to hear back from the label that The Auctioneers had been on their list of bands they had been looking for more info on, having heard and liked a demo tape a few years previously.

In January 2015, Firestation Records proudly released a new CD, Before Lost and Found a 22-song collection of studio recordings, home demos, and live tracks recorded 1985–1988, with one new and final recording from 2014.  At long last, The Auctioneers had made it.

 

JC

 

THE RESPLENDENT RETURN OF LITTLE LOSER’S LOTTERY : #13

aka The Vinyl Villain incorporating Sexy Loser

‘GIGS FROM YESTERYEAR, WHEN I WAS YOUNG + PRETTY AS A PICTURE’

# 13 The Hotknives & The Quicksteps, AZ Aachen (April 1996)

Right friends, back to business after a joyful month of glorious tunes all chosen by JC – and what fun it was, to be sure!

I’ve always been a great admirer of Ska in all its “waves”, as some people like to style it: be it original Jamaican Ska from the 50’s/60’s, the second wave from around 1980 (The Specials, The Selecter et al), but also the third wave, which, to my understanding came even later.

The Hotknives from Horsham in Susssex came together in 1982, but their first output was a mini album which was recorded live at The Boatman in London in the April of 1988 … which makes them “third wave” for me, not that these details matter anyway.

Thing is, you see, this mini album is so awesome, all eight tracks on it! I am by no means a dancing man, believe me – normally you will only see me on the dancefloor when I’m crossing it on my way to the bar – but what The Hotknives managed to record here is so outstanding, one simply HAS to move his or her feet.

I was so taken aback when I first heard it, I took every chance to a) witness the band live and b) to eagerly wait for a follow-up record. As for b) there was no problem, another live album was issued one year later, an ’89 show from the Hurst Road Youth Club in Horsham. ‘Live & Skankin’ the LP was called and it’s not one iota worse than the debut.

But what made The Hotknives so special? In my eyes the reason was that originally there were eight members: Gary Marshall (vocals/guitar), Mick Clare (vocals), Mick Matthews (sax/vocals), Dave Clifton (guitar), Jim Mills (keyboards), Mick Merritt (bass), Nigel Clements (drums) and Kev Clements (trumpet). And each one was great in his role, as simple as that. Probably though it’s fair to say that Gary Marshall and Mick Clare were the key elements in the band, mainly because most songwriting credits are theirs. But ALL of them were great blokes – and I can tell because (coming back to a)) I did see them quite often, got to know – and drink – with them and even stayed with Gary Marshall and his (then) girlfriend Jan at his home in Brighton for one or two nights.

Well, the original line-up existed until 1993, and it went a bit downhill from then, as these things tend to do. There were four more albums until 2010, but they did not come close to the both mentioned above. One reason, for sure, is that it were all studio albums, another one was that the band more and more diminished itself. Understandably so, I mean the third ska wave was long drained away in the dunes by then. Nevertheless, they are still going and if you have the chance to see them, do so. As far as I know none of the founding members are left, but I’m sure the new lads will play some of the old tunes. And those are nothing less than excellent, especially in the versions recorded live:

• ‘W.L.N.’ (Boatman)
• ‘Don’t Go Away’ (Hurst Road Youth Club)
• ‘Dick Barton’ (Hurst Road Youth Club)
• ‘Turkey Stomp’ (Hurst Road Youth Club)
• ‘Skin Up Harry’ (Boatman)
• ‘Doing Alright’ (Hurst Road Youth Club)
• ‘Driving Me Mad’ (Boatman)
• ‘Holsten Boys’ (Hurst Road Youth Club)

As I mentioned, I have seen them so often, I cannot remember details of the specific gig Little Loser chose. I think it may well have been The Quicksteps‘ first ever gig, they were an Aachen band which included two chums of mine. They, too, are still going, all these years later. Quite impressive, I must admit!

Great times indeed!

 

Until then, enjoy,

 

Dirk

 

 

THE SINGULAR ADVENTURES OF MAGAZINE (10)

 

Hello Mr Curtis (With Apologies)/Holy Dotage (Wired 17) : Released 10 December 2011 on 10″

The death of John McGeoch, aged 48, in 2004 made me think that I’d forever lost the chance to see Magazine play live.  I had always hoped, despite the fact that Howard Devoto had seemingly totally withdrawn from the music business, that somehow a promotor would persuade the band members that there was no shame in jumping on the nostalgia bandwagon, particularly given that their influence and legacy seemed to grow with each passing year (as long as we quietly ignored the fourth and final studio album).

In 2007, Dave Formula began work on a low-key solo album called Satellite Sweetheart. It featured over 30 guest musicians including those who had been in Magazine.  He was also also able to use John McGeoch’s voice from a previously unreleased track from their time together in Visage to create a new song called The Anti-Hero, which meant that, across the solo album, for the first time since 1980, the contributions of Formula, Adamson, Doyle, McGeoch and Devoto could be found on the same recording (it was only ever issued on CD).

This gave a little bit of momentum to a Manchester-based promotor to talk to the remaining four members and progress was made to the extent that by late 2008 there was a firm proposal on the table for shows in Manchester, London and Glasgow for February 2009.  The auditions for a guitarist to play the shows were left in the hands of Dave Formula, John Doyle and Barry Adamson, and they settled on Noko, a Manchester-based guitarist who had worked with Howard Devoto in the late 80s as Luxuria, releasing two albums.

The tour proved to be a triumph, with critics and fans, old and new alike, united in awe at the performances. More shows, including festival performances, followed in 2009.

In January 2010, Noko officially joined the band and it was announced that they were writing new material. Later in 2010, Barry Adamson decided to leave to concentrate on his film work and solo recordings. In his place came Jon “Stan” White, who made his live debut in June 2011, during which a number of new songs were aired.

On 24 October 2011, the fifth Magazine studio album, No Thyself, was released on Dave Formula’s label Wire-Sound.  The reviews were universally positive. Dave Simpson, in the review for The Guardian wrote:-

No Thyself could be the fourth album they should have made instead of 1981’s Magic, Murder and the Weather, which badly missed departed John McGeoch. Here, guitarist Noko and bassist John “Stan” White (replacing Barry Adamson, who had film commitments) help recapture the sonic blueprint laid down on the first three classic albums”

On 10 December 2011, Wire-Sound issued a 10″ single for Record Store Day, consisting of two of the best-received tracks on No Thyself:-

mp3: Magazine – Hello Mr Curtis (With Apologies)
mp3: Magazine – Holy Dotage

By this time, Magazine had played nine shows to support the promotion of their new album, ending at the Shepherd’s Bush Empire in London on 10 November.

The only activity since has been a couple more Record Store Day releases along with limited edition 7″ single to coincide with the publication of a book….and I’ll cover those next week in the final part of this series.

 

 

JC

SATURDAY’S SCOTTISH SONG : #526: THE POISON SISTERS

Just last week, I referenced the recently issued, by Cherry Red Records, the 3 CD boxset  Something For The Longing (Scottish Independent Pop 1985 – 1999), as having given me a few more names to help keep this series running a wee bit longer!!

The Poison Sisters are another who can be found on SFTL.  In their own words:-

Since they first landed on this here planet, The Poison Sisters have built up a reputation for gob-smacking their audiences with their own unique mixture of bone-crunching rock’n’roll, punk bravado, jazz sneakiness, wilful experimentalism, pop sensibilities and tales of murder,lust, loss and lurid duplicity.

Their origins date back to 1989 in the small village of Tighnabruaich (population less than 700) located on the Cowal Peninsula, along the Kyles of Bute some 2 hours from Glasgow via a winding and spectacular road, with the music being courtesy of brothers Sandy and Peter Black with the aid of a drum machine.  They are still very much on the go, with their most recent release being a digital single just eight months ago.  The band has been based in Glasgow since 1992, and given the length of time involved, it’s hardly a surprise that musicians have come and gone, but the current trio is Sandy Black (Vocals/Guitar/Keyboards), James A. Davidson (Bass/Backing Vocals) and Gordon Brady (Drums and Percussion).

They’ve not exactly been prolific, with just four 7″ singles, five albums and a handful of digital-only releases to their name.

mp3: The Poison Sisters – Chicane

The lead track from an EP that was released in June 1995.

 

JC

 

FICTIVE FRIDAYS : #24

a guest series, courtesy of a very friendly lawyer

HARRISON SELECTS

JC SAYS…..

I’m incredibly grateful that my most regular correspondents, JTFL (aka fiktiv) and Dirk were happy to take a short break from things to enable the 800 series to proceed smoothly across the month of September.

On the eve of the final two parts of that series, the latest missive from Santa Monica dropped into the inbox, where I greeted it with a huge ‘WOW!!!!!’ given that it is, in effect, a guest mixtape from one of the world’s most in-demand young DJs/musician/producer/mixers.  Now, it might well be that the old fogies who tend to frequent this place might find it a tad noisy for their sensitive ears, but trust me, getting this sent over is a huge deal.

Here’s Jonny to tell you more……

Fabulous Jane‘s boyfriend Harrison DJ’s, writes, records, produces, and performs music as The Dare. I’ve seen him in concert a couple of times, but I’ve never been to a DJ gig. We were all vacationing recently, so I asked him to list 10 songs that are likely to find their way into a set when he’s behind the CDJ’s. Here’s what he came up with, and why:

Leave Home – The Chemical Brothers
Breakbeats, acid bass, one lyric: “The brothers gonna work it out.” An excellent set opener.

What You Need – Tiga
The huge theatrical sub drop at the beginning resets the energy of the room every time. Then it cranks it up to 11.

Canned Heat – Jamiroquai
Funny, sexy, and sensuous. Always good to work in if things are getting a little too serious and minimal. Or if one is in London.

Bellhead – Liquid Liquid
Acoustic percussion and vocals only. Really fun to blend into more electronic tracks and does so much with so little.

Sandwiches – Detroit Grand Pubahs
Classic Detroit Techno with an irresistibly funny lyric. “You can be the bun, and I can be the burger, girl”

Guess – Charli XCX
A song that started as a remix I made specifically to DJ, which became the official version of the song. No better outcome!

Firebreak – Confidence Man
Has sort of a ridiculous Loveparade / soccer-anthem vibe to it. Even if people haven’t heard it, it still connects immediately.

Wake Up – Les Pelit Pilous
The most boneheaded French electro group out there. Not a single chord change to be found here, just huge risers and sirens.

Erotic Discourse (original mix) – Paul Woolford
A song that sort of deconstructs and reconstructs as it goes on. Excellent if you want to take things in a more psychedelic direction.

Rock Solid – Two Shell
Sounds like the distant past and the near future in equal measure.

Anything else, Harrison?

Shout out to the big man SWC!

Bonus Track: The Dare – All Night

Jonny & Harrison

 

JC adds….double bonus.  Here’s all ten songs as an attempted continuous mix across approx 41 minutes….it’s my work and not that of Harrison.  It’s the effort of a well-intended amateur!!

mp3: Various – Harrison (aka The Dare) Selects

 

AND NOW FOR SOMETHING NOT SO COMPLETELY DIFFERENT

mp3: Various – Return of The Mixtape

I’ve Been Waitin’ For Tomorrow (All Of My Life) – The The
It’s The New Thing – The Fall
Panic Room – Jim Bob
Accident Waiting To Happen – Billy Bragg
Divine Hammer – The Breeders
You’re Gonna Need A Little Music – Yard Act
Can Your Pussy Do The Dog? – The Cramps
I Found That Essence Rare (Peel Session) – Gang of Four
Them’s The Vagaries – Half Man Half Biscuit
The Village – New Order
I’m Gonna Love You Too – Blondie
Statuette on the Console – Bodega
Escort Crash on Marston Street – Heavenly
I Made A Work of Art – Swansea Sound
All Day Long – Shop Assistants
I Wanna Be Sedated – Ramones
U.F.O. – The Wedding Present
My Little Tony – Bar Italia
R&B – English Teacher
Three Girl Rhumba – Wire

 

JC

A POSTSCRIPT TO THE TVV 800

The first of what will be two posts today…….

I’m not one for using streaming platforms, but SWC suggested that it might be worthwhile pulling together the TVV 800 into one playlist.

I’ve done my best over at Spotify.  Not all the 800 songs (or the versions I included) were available, so there’s a fair few substitute songs (40 all told).  Apologies if your favourite is missing.

open.spotify.com/playlist/4Q14jcHQp3fRe4eRxr9Jc4

 

#58: Bagged Out Ken by Julian Cope has been replaced with East Easy Rider

#81:  Shot-Down You Summer Wannabees by Adam Stafford has been replaced with Vanishing Tanks

#88: Safety Net by The Shop Assistants has been replaced with All Day Long

#135: Don’t Ever Go Away Again by Basil Pieroni has been replaced with English Lady by Jonny (one of six tracks Basil highlighted in a Desert Islands Disc style feature back in 2011. 

#174: Splashing Along by Jesse Garon & The Desperadoes has been replaced with I’m Up Here

#181: Burn The Bastards by The Justified Ancients of Mu Mu Has been replaced with It’s Grim Up North

#199: Sister by TeenCanteen has been replaced with You’re Still Mine

#261: Won’t Turn Back by Vic Godard has been replaced with Stop That Girl

#264: I Believe in Rock & Roll by Bill Drummond has been replaced with Bill Drummond Said by Julian Cope

#265: Shout To The Top (feat Loleatta Holloway) by Fire Island has been replaced with Love Sensation by Loleatta Holloway

#266: Don’t Worry Babe, You’re Not The Only One Awake has been replaced with This Arsehole’s Been Burned Too Many Times Before

#279: Joe by Sophisticated Boom Boom has been replaced with America Blue by His Latest Flame

#309: I’m Not Your Slave (US Remix) by Revenge has been replaced with 7 Reasons – Demo

#311: The Theme by Sabres of Paradise has been replaced with Tow Truck

#349: Suicide Girl by Baby’s Got A Gun has been replaced with Living In Hell by The Primevals

#350: Theme for Flightpath Estate by Hardway Brothers has been replaced with The Best of Stealth by Two Lone Swordsmen

#351: Stop Your Crying by Chin-Chin has been replaced with Dark Days

#393: Reverse The Hearse by Dumb Instrument has been replaced with Suffering From Scottishness

#429: Scars VI by The Affectionate Punch has been replaced with The Affectionate Punch by Associates

#436: Somebody’s Gonna Get Hurt by His Latest Flame has been replaced with Take It In Your Stride

#446: I Sold My Soul On E-Bay by Swansea Sound has been replaced with Corporate Indie Band

#453: The Church of John Coltrane by Saint Jude’s Infirmary has been replaced with When We Were Wolves by My Latest Novel

#483: Do You Always Dress Like That….by Mambo Taxi has been replaced with Mr Spaceman

#486: Foxtrot Vandals by Zoey Van Goey has been replaced with Sweethearts In Disguise

#522: Gotta Keep Truckin’ by The Ponderosa Aces has been replaced with Honky Tonkin’ My Life Away

#523: U.S.A. by Chronic Citizens has been replaced with I’m So Bored With The U.S.A. by The Clash

#569: Lions In My Own Garden (Exit Someone) by Prefab Sprout has been replaced with Don’t Sing

#579: With Handclaps by Y’All Is Fantasy Island has been replaced with Atheist Money by Adam Stafford

#603: Razor by Sharkboy has been replaced with Spell

#624: When I Grow Up by Michelle Shocked has been replaced with Marlene On The Wall by Suzanne Vega

#633: Maybe by The Wild Indians has been replaced with Penniless

#651: On Tape by The Pooh Sticks has been replaced with The World Is Turning On

#663: Human Nature by Gary Clail has been replaced with Bad Natured

#722: Man Without Qualities II (Peel Session) by New Fast Automatic Daffodils has been replaced with Big

#748: Jumper Clown by Marc Riley & The Creepers has been replaced with Jumper Clown by The Wedding Present

#757: Alex Discord by Port Sulphur has been replaced with The Faith Healer

#765: Strawberry Letter 23 by Pop Wallpaper has been replaced with Over Your Shoulder

#775: When No-One Is Around by Barn Owl has been replaced with Chlorine Dream by Spirea X

#776: Please Don’t Play A Rainy Night In Georgia by Twa Toots has been replaced with Hold Me by Trixie’s Big Red Motorbike

#796: My Baby Loves The Secret Agent by The Detroit Cobras has been replaced with Right Around The Corner

 

JC (aka Fatboy Jim)