INDULGE ME. I’VE TURNED 54

With apologies for those of you who were expecting and hoping for the latest instalment of the XTC series. I promise it will return next Sunday.

It’s my 54th birthday today. For much of my life I had an irrational fear that I wouldn’t reach that number. I can’t explain why and I was quite nervous this time last year just in case I wasn’t totally crazy but in fact scarily psychic. But thankfully, it did turn out I was just crazy. My state of mind was helped midway through the year by SWC and Badger inadvertently finding the real reason #53 was significant in my life – it turned out it was to do with Billy Bragg and Waiting For The Great Leap Forwards

I thought I’d share another mix thing today. It’s based on something I did for an event a few weeks ago in Glasgow.

The folk who have been running Strangeways, a club night in which 90%+ of the tunes were from The Smiths or Morrissey, felt that, after more than five years, a wee change was needed. Thus was born There Is A Night That Never Goes Out.

As the poster above indicates, the idea was to go with The Smiths alongside the sort of stuff with which I tend to populate this place.  The sort of night that I reckon dreams are made of.  The first one was arranged for Friday 26 May but as it clashed with a number of gigs, including The Wedding Present just up the hill from the venue for Strangeways, it was decided to make it 9pm – 2am instead of the usual 8pm – 1am to allow folk to make the most of things.

I got in touch with a few suggestions, including what I thought could make for a decent 90 minute run of tunes early on in the night.  To my absolute delight, I was asked if I wanted to take the slot from 9.30 – 11pm. Honoured and thrilled as I was, my overriding concern was that the date also coincided with my brother and his family being over here on holiday and I might have ended with an unavoidable diary clash.  And to be perfectly honest, I was nervous about possibly making a mess of things and getting the evening off to a start that would be impossible to recover from.

So…the compromise was I’d supply the tunes on a memory stick.  A full 9o minute mix in the preferred running order but with each tune in stand-alone fashion so that Robert, Hugh and Carlo from the Strangeways crew could take the temperature of the crowd and alter things if necessary.

The good news was that I was able to get along, in the company of Aldo with Comrade Colin also along for a bit of moral support.  It was fascinating to stand and watch people react to the songs I had chosen and which Robert was cueing up and playing.  Initially, there was a lot of smiling, nodding and quietly mouthing along to the tunes, but nobody seemed too keen to dance.  It was blisteringly hot in the venue – Glasgow had enjoyed a day of scorching sunshine – and between that and folk still being sober there seemed a bit of reluctance to get on the floor.  Not even a couple of Smiths songs for the regular crowd from the old format of the night did the trick.

And then, just after 10pm something just seemed to click.  Almost as if everyone decided at the same time that too many good tunes were being passed up.  Or maybe that’s the new witching hour. Anyways, it was a song by The Cure that was the trigger, which was great news as it provided the evidence that going with a wider selection of music than the previous Strangeways nights was the going to work out just fine.

The next four hours proved to be an absolute triumph.  The crowd began to ask for requests, all of which were met.  A smattering of tunes from the late 70s and the second half of the 90s were also sneaked in to keep folk happy.  Everyone seemed very happy judging by the smiles on all the faces and there was a real and obvious buzz being generating; the subsequent feedback on social media over the following days only confirmed what everyone had been feeling on the night. It was an absolute triumph.

My only regret was that I had to leave just before midnight to catch the last train home as I had much to do over the weekend and needed a reasonably clear head.  I’ve been asked to take part in the next night on a date yet to be determined.  I’m delighted about that and incredibly excited.  Never dreamed that I’d be doing such things at 54…..

The whole night contained 86 songs.  I thought I’d shove up the first 43 of them in a single, downloadable mix.  It lasts a handful of minutes over two-and-a-half hours all told. My set list goes from songs 9-31.

It was all predetermined before the crowd arrived; there was one addition thrown in on the night (at song #29) and another shifted from earlier in the set list to #30 as these made for better links from some goth tunes to the Postcard classic that I wanted as my closer.  A couple of my initial suggestions were rightly dropped once it became clear what was going to work and what wouldn’t click with the crowd which meant in the end my ‘turn’ came in at a shade under 85 minutes that for the most part was bang on and helped set things up nicely for the main DJ acts as the space filled its 200 capacity.

1. Ceremony – Galaxie 500
2. Oblivious – Aztec Camera
3. Obscurity Knocks – Trashcan Sinatras
4. A Better Ghost – Butcher Boy
5. Round and Round – New Order
6. Unfinished Sympathy – Massive Attack
7. What Difference Does It Make? – The Smiths
8. Everything Counts – Depeche Mode
9. Let’s Dance – David Bowie
10. Don’t Talk To Me About Love – Altered Images
11. The Boy With The Thorn In His Side – The Smiths
12. Take The Skinheads Bowling – Camper Van Beethoven
13. Talulah Gosh – Talulah Gosh
14. Bye Bye Pride – The Go Betweens
15. Still Ill – The Smiths
16. Blister In The Sun – Violent Femmes
17. Driver 8 – R.E.M.
18. In Between Days – The Cure
19. Age Of Consent – New Order
20. Girl Afraid – The Smiths
21. Waiting For The Winter – The Popguns
22. Our Lips Are Sealed – Fun Boy Three
23. A Song From Under The Floorboards – Magazine
24. Speed Your Love To Me (extended mix) – Simple Minds
25. Pretty In Pink – The Psychedelic Furs
26. I Want The One I Can’t Have – The Smiths
27. Hong Kong Garden – Siouxsie & The Banshees
28. This Corrosion – Sisters Of Mercy
29. April Skies – The Jesus and Mary Chain
30. When All’s Well – Everything But The Girl
31. Blueboy – Orange Juice
32. Sparky’s Dream – Teenage Fanclub
33. Why Are You Being So Reasonable Now? – The Wedding Present
34. Here Comes Your Man – Pixies
35. Ask – The Smiths
36. It’s The End Of The World…. – R.E.M.
37. Rise – P.I.L.
38. Street Life – Roxy Music
39. She Bangs The Drums – The Stone Roses
40. Connection – Elastica
41. Homosapien – Pete Shelley
42. Enola Gay – OMD
43. The Cutter – Echo & The Bunnymen

Feel free to recreate Strangeways in the comfort of your own home or garden.

mp3 : Various – Studio 54

JC

 

CHARGED PARTICLES…..HERE’S JONNY!!!!!! (3)

THE GUEST SERIES FROM JONNY THE FRIENDLY LAWYER

I believe it’s TVV pal Jacques the Kipper who sometimes rolls his eyes at our, er, nostalgic appreciation of bands gone by. I’m guilty of that — I did contribute an ICA about Spoon, who are still active, but the first ones I wrote were about XTC and the Stranglers, bands that began in the 1970’s. So here are a handful of contemporary charged particles just so’s you don’t get the impression that I’m not paying attention to what’s happening musically these days.

Ascension: Gorillaz

Migration: Bonobo

Stimulation: Preoccupations

Tesselation: Mild High Club

Calcination : JLin

 JTFL

A COVERS EP (x2)

Everything But The Girl enjoyed a #13 hit in 1992 with the Covers EP, four songs that, unsurprisingly, were their takes on some classic songs originally released by Mickey & Sylvia, Bruce Springsteen, Cyndi Lauper and Elvis Costello.

mp3 : Everything But The Girl – Love Is Strange
mp3 : Everything But The Girl – Tougher Than The Rest
mp3 : Everything But The Girl – Time After Time
mp3 : Everything But The Girl – Alison

I thought I’d do something similar today to commemorate the current Singles on Sunday series:-

mp3 : Joe Jackson – Statue of Liberty
mp3 : Charlotte Hatherley – This Is Pop?
mp3 : Nouvelle Vague – Making Plans For Nigel
mp3 : Erich Sellheim – Sgt Rock (der wird mir helfen)

And finally a filthy little mash up in which XTC meet Tweet (feat Missy Ellliot)

mp3 : Go Home Productions – Making Plans For Vinyl

My goodness, is that the time? Can’t believe tomorrow sees us reach June.

JC

DIVING DEEPER FOR MORE PEARLS

Thought it might be worth it 24 hours on, for a bit of fun, to try and pull together all the b-sides from the tracks featured on the Diving For Pearls compilation album.

SIDE A

mp3 : Department S – Solid Gold Easy Action

Originally released as b-side on 7″ of Is Vic There? Demon Records, 1980

mp3 : Stone Roses – Here It Comes
mp3 : Stone Roses – All Across The Sand

Originally released as b-sides on 12″ of Sally Cinammon. Revolver Records 1987. These versions from the 1989 re-release.

mp3 : Paul Quinn & Edwyn Collins – Burro

Originally released as b-side on 7″ of Pale Blue Eyes. Swampland Records. 1984

mp3 : Kirsty MacColl – Patrick

Originally released as b-side on 7″ of A New England. Stiff Records 1984

mp3 : Everything But The Girl – Feeling Dizzy
mp3 : Everything But The Girl – On My Mind

Originally released as the b-sides on 7″ of Night and Day. Cherry Red Records. 1982

mp3 : Red Guitars – Paris France

Originally released as the b-side to the second issue of Good Technology. Self Drive Records 1984

SIDE B

mp3 : Sugarcubes – Birthday (Icelandic)

Originally released as the b-side of Birthday. One Little Indian Records. 1987

mp3 : Spacemen 3 : Just To See You Smile (Honey Pt 2)

Originally released as the b-side of Hypnotized. Fire Records. 1989

Mari Wilson – Rave (live version)

Originally released as the b-side of Cry Me A River. The Compact Organisation. 1982

mp3 : The Monochrome Set – Love Goes Down The Drain
mp3 : The Monochrome Set – Noise (Eine Kleine Symphonie)

Originally released as the b-sides of Jet Set Junta. Cherry Red Records 1983. Both tracks from a February 1979 session for the John Peel Show

mp3 : The Au Pairs – Diet

Originally released as one of two ‘A’ sides alongside It’s Obvious. 021 Records/Human Records. 1980.

mp3 : Robert Wyatt – Memories Of You

Originally released as the b-side of Shipbuilding. Rough Trade Records. 1983

Sorry if you desperately wanted the Mari Wilson track.

JC

BONUS POST : IT’S GOING TO GET AWFULLY REAL IN THE COMING WEEKS

My good lady Rachel has long referred to the folk I correspond with through the blog as my imaginary friends.

But over the years I have been lucky enough to meet up with a fair number of great people whom I first got to know through interacting via e-mail around TVV – Comrade Colin, FiL, Ctel, Drew, Ed, Matthew, Brian, Tricia, Lis, Lloyd and Aye Tunes Jim all spring to mind. Next month, I get to hook up for the first time with some more friends in the shape of Jonny the Friendly Lawyer and Swiss Adam – the former being in Manchester on Sunday 23 April as bassist with The Ponderosa Aces and the latter living in that great city and intending (all being well) to hook up on the day.

That’s exciting enough, but early May is going to be genuinely special.

Dirk Huppertz was the first overseas reader to latch onto TVV in as much that he posted loads of comments and sent over e-mails of encouragement as I gingerly stumbled into the blogosphere. He had a great ability to make me laugh and we seemed to have a great deal in common in terms of musical tastes – I just found it incredible that someone from Germany was so knowledgable and enthusiastic about new wave and indie music.

For over ten years I’ve been wanting to buy Dirk a drink to say thank you. And at long last I’m going to get the opportunity…….

Dirk has been really keen for a while to try to get various bloggers together but his efforts have been in vain – it’s just been impossible for 15-20 folk to find the same day or weekend when they have no prior commitments through work or family. So he decided that he would set a date that suited him best and make his way to Glasgow with an open invite for folk to join him. I was delighted at long last I was going to meet him and geared myself up for the two of us, with maybe a couple of other local bloggers in tow, to have a few beers on the first weekend of May 2017.

But then a few others said they would also come long, although sadly a few others just could not make it for very good reasons. Others at this stage some five weeks out are still thinking about it. My other great German blogging friend – Walter – is flying in. Brian, whom I met and had a great day in Glasgow a few years back, is seriously contemplating coming in from Seattle**. Swiss Adam is coming up from Manchester. Drew is going to make a night of it in the city. I’m also going to meet Charity Chic for the first time (although when we see each other I’ve a feeling we’ll recognise one another from being at the same gigs). Friends of the blog such as Jacques the Kipper, Aldo and Comrade Colin are going to come along and I’m hopeful too that a couple of others might be able to make a late call to be part of what will be an incredible experience.

I’m excited about it, but nervous too. Not from meeting everyone as I’ve never yet hooked up with a previously imaginary friend and been disappointed – if anything they’ve all proven to be even more handsome, gorgeous, witty, charming and delightful in real life than they come across via the typed word. I just don’t want to let anybody down by choosing the wrong bars, restaurants and places of interest and they end up going home slightly underwhelmed by it all.

But I’m sure that won’t happen. Fingers crossed.

mp3 : Orange Juice – Simply Thrilled Honey
mp3 : Buzzcocks – Friends of Mine
mp3 : The Wedding Present – You Should Always Keep In Touch With Your Friends (Peel Session)

JC

** Update : Brian IS coming all the way over from Seattle.

Wow.

78 AND COUNTING

That above is a replica of the ticket for the first gig I ever went to. There were two support acts – Bobby Henry and The Cramps. It’s coming up for nearly 38 years since that unforgettable and historic night in my life and I only wish I had been the type to have kept a journal of who I’ve seen, and where, ever since.

As it is, I’m going to try from memory to list all the Glasgow venues that I’ve ever paid money to see a singer or group perform. It could very well be exhaustive but there’s also the possibility that folk might mention somewhere in their comments and that’ll jog my memory further. Oh and there’s a reason for this particular posting that will become clear in the next 24-36 hours.

1. Apollo

Legendary venue that began as Green’s Playhouse in 1927, where Mrs JC, as a young teenager, saw David Bowie on the Ziggy Stardust tour in 1972. A year later it changed its name to the Apollo under which banner it operated until 16 June 1985 when The Style Council became the last act to play there. I was at that particular gig but it wasn’t thought at the time that it would be the end as there had been previous false alarms about the venue closing its doors and, besides, where else was there in the city for gigs that could attract 3,500 fans?

The location is now a multiplex cinema.

2. Barrowlands

The best live venue in the world – without question.

Originally opened in 1934 but rebuilt in 1960 after a fire. It was a traditional ballroom rather than a gig venue but Simple Minds had shown what could be possible when they utilised it as a location for filming a promo video and then played live gigs at the end of 1983. The venue, with its 2,100 all-standing capacity quickly became very popular and began to draw events away from the Apollo thus leading to its eventual demise.

3. SECC

Christened ‘the big red shed’ on its opening in 1985 – and the final nail in the coffin of the Apollo. The Scottish Exhibition and Conference Centre was built as a flexible space to host all sorts of events, including concerts, within a variety of different sized halls. The sound, for years, was absolutely appalling, as the main income was derived from the exhibition and conference market and so the building wasn’t built to the best of specifications for music lovers. I’ve been to all the different halls in the main SECC building over the years but I’ll count it as one location for the purposes of this exercise

4. Clyde Auditorium (The ‘Armadillo’)
5. SSE Hydro

Two purpose-built venues in the grounds of the SECC complex which opened in 1997 and 2013 respectively. The former will always hold special memories as it was where I saw Leonard Cohen for the first and only time back in 2008; the latter I’ve only been to once so far, and it was for a bitterly disappointing gig by Belle and Sebastian in 2015. Hated the experience so much that I’m missing out when Nick Cave & The Bad Seeds play there later in the year.

6. Glasgow University Debating Chamber

One of many student venues I’ve caught bands in over the years. The most recent was a fantastic gig by Belle and Sebastian in 2016. The difference in them playing at this intimate sized venue in comparison to the Hydro is beyond words.

7. Strathclyde Students Union – Level 8
8. Glasgow University Queen Margaret Union
9. Glasgow Technical College Students Union

#7 was where I spent almost every weekend between the ages of 19 and 22. Too many great gigs to single out one above others. #8 was where I first saw The Smiths in 1984. #9 I hadn’t been back to in years until Jacques the Kipper and myself went along to freak out to Carter USM in February 1991.

10. Tiffany’s
11. Plaza Ballroom
12. Maestro’s
13. Henry Afrika’s
14. Soundhaus
15. Barfly
16. The Arches
17. Night Moves (later changed name to Rooftops)

All of the above are no longer with us. Tiffany’s was the choice of venue for bands who couldn’t quite fill the Apollo and was where I saw many up and coming post-punk bands between 1981 (when I was old enough to get in under the licensing laws) and 1987 when it was converted into a casino.

The Plaza was where I first saw a number of bands including New Order, Suede and Blur – it was demolished and turned into flats in 1995. Maestro’s and Henry Afrika’s were discos occasionally used for gigs – can only recall being at them on one occasion and that was to see Tears for Fears and The Wake.

Barfly, I was at once to see Young Knives in 2006. I cannot recall who I saw at Soundhaus but it was to watch a band for whom the bass player was a young relative of a good friend of Mrs V’s.

Night Moves was the venue where bands played midweek as the student unions, for the most part, only hosted live gigs at weekends – my most memorable time at NM was The Fall supported by Cocteau Twins in 1982. It’s still in use but only as Victoria’s nightclub.

The Arches was a superb basement venue deep in the bowels below Glasgow Central station. It was more renowned as a club, and it was drugs-related issues within the club that led to its closure in 2015, but I was lucky enough to see a number of great performances there over the years, including British Sea Power, Lambchop, Frightened Rabbit, Aidan Moffat and Billy Bragg.

18. King Tut’s Wah Wah Hut
19. Broadcast
20. Nice n Sleazys
21. Hug and Pint
22. Academy
23. ABC
24. ABC 2
25. City Halls (both pre and post multi-million £s renovation in 2006)
26. Stereo
27. Mono
28. The Garage (formerly known as Mayfair)
29. CCA
30. Classic Grand
31. Old Fruitmarket
32. 13th Note
33. Platform
34. Old Hairdresser’s
35. Glasgow School of Art
36. Cathouse
37. SWG3
38. Glad Cafe
39. Woodend Tennis Club
40. Flying Duck
41. Oranmor (upstairs)
42. Oranmor (downstairs)
43. Glasgow Royal Concert Hall
44. Strathclyde Suite at GRCH
45. Renfrew Ferry (which despite its name, is a location in Glasgow)
46. St Luke’s
47. St Andrew’s In The Square

All of the above remain in use and all have been visited regularly. I make the distinction at Oranmor and GRCH as the various halls are completely different in layout and atmosphere, and in the case of GCRH, size.

48. Pavilion Theatre
49. Tron Theatre
50. Cottier’s Theatre
51. Citizens’ Theatre
52. Mitchell Theatre
53. Tramway Theatre
54. Glasgow Film Theatre

Turning now to oddities and venues that I’ve only been to either once or twice.

55. Grand Ole Opry (notionally a C&W club; have seen Lloyd Cole and The Twilight Sad on the two occasions I’ve been along)
56. Langside Hall
57. Queen’s Park Bowling Club
58. Hyndland Bowling Club
59. Titwood Bowling Club
60. Offshore Cafe
61. Berkeley Suite
62. Jeffrey Hall, Mitchell Library

(#56 – #62 have all been one-off gigs by Butcher Boy)

63. Buff Club
64. Brel
(Malcolm Middleton/Rick Redbeard/FOUND as Chem Underground triple bill in 2012)
65. Fairfield Club
(Malcolm Middleton/Phantom Band/Strike The Colours/De Rosa as part of Malky’s Burst Noel in 2008)
66. The State Bar
67. Pollokshields Burgh Hall
(LP launch by Wake The President in 2009)
68. Dennistoun New Parish Church
(Admiral Fallow/Rick Redbeard/Kobi Onyame as part of East End Social Duke St Expo in 2014)
69. Everlasting Arms Church
(King Creosote/Alexis Taylor(Hot Chip)/Siobhan Wilson as part of East End Social Duke St Expo in 2014)
70. Kinning Park Complex
(LP launch by Randolph’s Leap in 2014)
71. Glasgow Academical Sports Club
(scene of a momentous Martin Stephenson solo gig)

Some smaller venues that are no longer in existence.

72. Moir Hall
73. The Roxy (has been re-modelled and re-opened as The Hug and Pint)
74. Captain’s Rest
75. Bowler’s Bar

and finally, three outdoor venues

76. Glasgow Green
77. Richmond Park
78. Kelvingrove Bandstand

Proud to say I haven’t been to gigs at any of the three football stadia nor Bellahouston Park, despite it being on my doorstep.

#79 is on its way. Stay Tuned.

mp3 : The Jam – That’s Entertainment (live at Apollo, Glasgow)
mp3 : Echo and The Bunnymen – Never Stop (live at Barrowlands, Glasgow)
mp3 : The Smiths – You’ve Got Everything Now (live at Queen Margaret Union, Glasgow)
mp3 : Malcolm Middleton – Red Travellin’ Socks (live at Oran Mor, Glasgow)
mp3 : Frightened Rabbit – Keep Yourself Warm (live at Captain’s Rest, Glasgow)

Last of the above features James Graham of The Twilight Sad on backing vocals.

JC

JUST LIKE BUSES….

Second successive day for a one-hour mix. Apologies if they’re not your sort of thing. I promise there won’t be another for a while.

I used to have a tradition of featuring one or more songs by Irish musicians every 17th of March. I thought I’d go one better today.

mp3 : Various – Songs For St Patrick’s Day 2017

Tracklist

The Boys Are Back In Town – Thin Lizzy
Shining Light – Ash
Fire On Babylon – Sinead O’Connor
Fashion Crisis Hits New York – The Frank and Walters
Blues for Ceausescu – Fatima Mansions
You Made Me Realise – My Bloody Valentine
Happy Day – Blink
More Endless Art – A House
She’s So Modern – Boomtown Rats
Something Wild – Rare
Alernative Ulster (Peel Session) – Stiff Little Fingers
In The Days Before Rock ‘n’ Roll – Van Morrison
Understand – Brian
Julie Ocean – The Undertones

JC

WHAT IF IT DIDN’T MATTER THAT NO-ONE WAS TUNING IN?

oas-2001_lr_grande

I’ve come to enjoy cobbling together the one-hour mixes these past few months. Up until now, they’ve tended to have some sense of purpose to them, whether for essential listening for lengthy plane journeys, offering a take on the outcome of the US presidential elections, Xmas, my young brother’s birthday or just a way of saying hello to someone.

In some ways this latest offering did have a purpose in that I thought I’d simply play a tune and without any advance planning try and come up with a song that either complemented it or offered something of a contrast. I imagined myself as a DJ on an local internet station, broadcasting around 3am when nobody is tuning in and offering no opportunity for listeners to interact. And here’s what emerged over 60 minutes:-

mp3 : Various – Working the Graveyard Shift

TRACKLIST

A Brighter Beat – Malcolm Middleton
I Wonder Why – The Heart Throbs
What’s The Frequency, Kenneth? – R.E.M.
Jo-Jo’s Jacket – Stephen Malkmus
Erase/Rewind – The Cardigans
Shimmer Shimmer – She’S HiT
Red Right Hand – Arctic Monkeys
Evil (Silver Alert Remix) – Grinderman feat Matt Berninger
She’s Lost Control (extended version) – Grace Jones
New England – Jonathan Richman & The Modern Lovers
Don’t Fence Me In – David Byrne
One Horse Town – The Thrills
Christ for President – Wilco
Hairstyle – Goldblade
Nirvana – Juliana Hatfield
Everything’s Ruined – Faith No More
Theme from ‘Batman’ – The Jam

I think you’ll see that around the 45 minute mark, I got temporarily distracted by reading something on social media about the latest alternative facts offered by the Donald. I hope you get as much out of listening as I did putting it together.

JC

HAPPY BIRTHDAY S.C.

The final part of The Undertones series will have to wait another seven days. It’s my young brother’s 51st birthday today. I know he pops in here every day, firing up his laptop while soaking up the sun in Florida, and so as a wee bit of surprise for him I’ve put together an 80s mix tape jammed with stuff I know he likes.

mp3 : Various – Songs for a Handsome Devil

TRACKLIST

Speed Your Love To Me (extended) – Simple Minds
Sit Down – James
Kiss This Thing Goodbye – Del Amitri
Something’s Gotten Hold of My Heart – Marc Almond/Gene Pitney
Rattlesnakes – Lloyd Cole & The Commotions
What Difference Does It Make? – The Smiths
Prisoner of Love – Spear of Destiny
Cath – The Bluebells
Tinseltown in the Rain – The Blue Nile
Hallelujah Man – Love and Money
To Cut A Long Story Short – Spandau Ballet
Favourite Shirts (Boy Meets Girl) – Haircut 100
Rip It Up – Orange Juice
The Honeythief – Hipsway
Pride (In the Name of Love) – U2

And, believe it or not, the whole thing comes in at 60 mins and 00 seconds – more by chance than design!!

Have a great day young fella and I’ll see you doing your dad dancing to all of this when you come over in the summer.

BONUS POSTING : IT’S GETTING BETTER

Not too long ago, I shared with you some of my on-going concerns in life and how they were combining to impact on my ability to get fully motivated this year. Those of you who know me in any shape or form will have immediately realised that throwing in Trump and Raith Rovers was just my way of clouding what was really on my mind, namely Mrs Villain being unwell and requiring a couple of hospital visits over the festive period.

The emerging and good news is she has nothing that is life-threatening; she does have some issues with a lung which is likely to make her susceptible to infections, some which will be worse and more painful than others (the 2016/17 strain is a belter in that regard) but nothing that can’t be fixed in the medium-long term with medication and a degree of rest. Given there is a history of fatal lung diseases in her family, there was a real fear gripping Villain Towers for a while.

Thank you for all your very kind words and thoughts after that particular posting – they meant a great deal and were hugely appreciated. Here’s my way of showing said appreciation; don’t read anything into the choice of songs – it was just me having a bit of fun and thinking this would make a good hour of listening:-

mp3 : Various – Breathing That Sigh of Relief

Tracklist

Love Vigilantes – New Order
Did You Evah? – Iggy Pop & Debbie Harry
Kelly’s Heroes – Black Grape
Waking Up – Elastica
Penelope Tree – Felt
My Love Is Like A Gift You Can’t Return – The Man from Delmonte
Radio Radio – Elvis Costello & The Attractions
Amateur Hour – Sparks
Sheila Take A Bow – The Smiths
Bye Bye Pride – The Go-Betweens
Fait Accompli – Curve
Setting Sun – The Chemical Brothers
Come Home (original version) – James
Sweetheart Contract – Magazine
The Model – Kraftwerk
Lost Weekend – Lloyd Cole & the Commotions
Talulah Gosh – Talulah Gosh
Final Day – Young Marble Giants

Worth mentioning that my football team are still struggling to win a game – the last victory was in late October – but we did a well merited draw in a cup tie last Sunday against a team from a higher division. Maybe it’s a sign that things will begin to improve on that front.

Cheers.

BONUS POSTING : 58 AND A BIT MINUTES OF OLD FAVOURITIES

Really finding it hard to get motivated right now. Maybe it is the cold weather and the eternally dark mornings and nights. Maybe it is the growing sense of unease and anger at the fact Trump takes over the White House in seven days time. Maybe it is the fact my favourite football team are in a slump at the moment and show no signs of emerging back into winning ways. Maybe it is down to worrying about Mrs Villain being unwell just now and awaiting soon the results of some tests carried out last week at the wonderful NHS hospital just up the road from here.

More than likely its a combination of all of the above.

So when I got in from work a couple of hours back I just wanted to find solace in some old songs and in doing so wanted to pull something together that I can listen to on trains and buses this next few days without having to concentrate too much such is their familiarity. Feel free to listen in.

mp3 : Various – The Musical Equivalent of Comfort Food

Tracklist

This Is Pop? – XTC
Asylums In Jerusalem – Scritti Politti
Candyskin – Fire Engines
Hit Me With Your Rhythm Stick – Ian Dury & The Blockheads
Only Love Can Break Your Heart – Saint Etienne
Superstition – Stevie Wonder
I Can’t Stand Up For Falling Down – Elvis Costello & The Attractions
I Wanna Be Sedated – Ramones
Town Called Malice – The Jam
Don’t Talk To Me About Love – Altered Images
Felicity – Orange Juice
No Bulbs – The Fall
Common People – Pulp
Everyday Is Like Sunday – Morrissey
Ladykillers – Lush
Kennedy – The Wedding Present
Ain’t That Enough? – Teenage Fanclub

Enjoy.

BONUS POSTING : IT’S A COLLECTIVE THANK YOU

I know I’ve tested a fair few patiences these past two weeks with the abundance of cover versions, but it was a way of letting me ease off a bit at a time when, traditionally, the number of daily visitors tails off somewhat as those who perhaps fit a visit in as part of a routine quite rightly find themselves with other and better things to do.

As as a way of expressing my gratitude to those of you who have continued to drop in, I’ve pulled together another mix of music lasting around the hour mark – 59:58 to be precise – that I think hangs together reasonably well. The title, as is becoming a habit, lifts from one of the songs making an appearance.

mp3 : Various – Directing Traffic On The Disco Floor

Tracklist

Water (Peel Session) – PJ Harvey
There There – Radiohead
The Decision – Young Knives
If I Can’t Change Your Mind – Sugar
Safety Net – Shop Assistants
Good Shit – Cornershop
White Love – One Dove
Last Train to Transcentral – The KLF
The Shy Retirer – Arab Strap
Two Timing Touch and Broken Bones – The Hives
Taste the Last Girl – Sons & Daughters
Everybody Knows The Monkey – Mighty Mighty
Shine On – House of Love
Date With the Night – Yeah Yeah Yeahs
Breakdown – Buzzcocks
These Things Take Time – The Smiths
Driver 8 – R.E.M.
Boys Don’t Cry – The Cure

Warning : There’s a wee swear word (surprise, surprise) within the Arab Strap song. Just in case you’re thinking of playing the whole thing in the presence of young kids or those who may be offended.

HERE’S YOUR COLLECTIVE CHRISTMAS GIFT

This was a late change of plan. There was originally going to be a posting on Crass as they were about as far removed from the usual jolliness and frivolity of the festive period as I could come up with. But that’s been filed away for use on another day sometime in 2017.

Instead, I’ve pulled this together:-

mp3 : Various – A Drunk Father Christmas and The Antichrist

The title is taken from a line in one of the featured songs. The sentiments are driven by the fact that once again, decent music has helped me through some hard times. As it does with all of us…with nothing better to exemplify that than the #1 song in the WYCRA 200….

It’s two days before Xmas and I’m going to be travelling by train 230 miles south of Glasgow to attend the funeral this afternoon of a dear friend who died very suddenly and very unexpectedly some 12 days ago. I’d be lying if I didn’t admit it has affected me greatly. My moods have been swinging violently but more often that not I’ve been low and down and pretty crap company. Last Saturday night was the occasion of the six-monthly Little League event that I’d been looking forward to since the last one in June on my birthday. I was in two minds about going, but the husband of my late friend reminded me that life goes on and you’ve got to do what you can when you can to make the most of it. I ended up, unsuprisingly, having a great time in the company of Aldo and many other folk who over the years I’ve been lucky enough, through the club, to get to know and love. For sure, it was a wee bit emotional at times…..but as the night worked towards its 1am curfew and after a lot of dad-dancing, yes, I did feel better, I felt alright.

A small number of the songs on this latest compilation were aired last Saturday and indeed I’ve ripped off two in a row that were played in the same sequence (Smiths and Nirvana) and confirmed that our resident DJ is a genius at these things. I am a mere novice but I like to think some things work.  It runs to 62:30 exactly. It’s a wee bit iffy quality wise with variations in volume but that’s the nature of old vinyl.

Tracklist

The Distance – Cake
I Speak Your Every Word – Curve
All The Records On The Radio Are Shite – Ballboy
Big Blonde – Aidan Moffat & the Best-Ofs
Shoppers Paradise – Carter USM
A New England – Kirsty MacColl
Girl Afraid – The Smiths
About A Girl – Nirvana
Cut Your Hair – Pavement
Basement Band Song – The Organ
Bouncing Babies – The Teardrop Explodes
The Cutter – Echo and The Bunnymen
Suffragette City – David Bowie
Left To My Own Devices – Pet Shop Boys
Another Girl, Another Planet – The Only Ones
The Look Of Love – ABC
Yes – McAlmont & Butler
Roadrunner – Jonathan Richman & The Modern Lovers

Oh and Merry Christmas everyone. I will be here over the weekend with the usual offerings in the long-running series for Saturdays and Sundays and then doing some cover version stuff all next week and the same again for the following seven days. I also intend to catch up with my reading – I’ve been neglecting too many friends over on the right hand side for far too long.

I JUST CAN’T GET YOU OUT OF MY HEAD

fracturedamerica

Yesterday’s piece was put together late on Sunday night. It genuinely was meant as my first and last words on the American election. But it was catching up on a few in-depth weekend pieces in the media that got me thinking just how crazy and momentous the result was and how, in political terms, things will never ever be the same again.

I’ve worked closely for the past 30 years with many politicians in Scotland – most of whom have been incredibly gifted and talented while a small number of others have been the complete opposite. The ones in the former camp often had to work hard over a long period of time to obtain those gifts and talents – being a skilled political operative, no matter the colour of your rosette and the spectrum in which your prevalent views hold sway, isn’t something that comes naturally to anyone.

Reading again so many of the statements attributed to the President-elect over the past 30+ years since he became a household name hammered it home to me that he is not a politician by any stretch of the imagination. If any form of recruitment process had been applied as it would when folk look to land a job or take a step forward in a career then he would never have made any short list. As I was reading the pieces, I began to think of a few songs whose titles made sense and that got me thinking of a playlist.

I then put it together immediately before going to bed. It had started off cynical and twisted but then I tried to have it lift me out of my funk and so went a bit upbeat before getting cynical again, then going a bit loopy as I was getting too morose before eventually ending it in the way I had started. I wasn’t sure about sharing it with you, but 24 hours on, well why the hell not. Especially when my use of fade out on the second last track ensured I could nail it at 60:00 exactly!!

mp3 : Various – And The Public Gets What The Public Wants

Tracklist

Idiot Country – Electronic
Help Save The Youth Of America – Billy Bragg
Honest Mistake – The Bravery
Accidents Will Happen – Elvis Costello & The Attractions
I Wish – Stevie Wonder
24 Hour Party People – Happy Mondays
He’s On The Phone – Saint Etienne
Really Stupid – The Primitives
Clampdown – The Clash
The Headmaster Ritual – The Smiths
Toxic – Britney Spears
Where’s Me Jumper? – Sultans Of  Ping FC
I Bet That You Look Good On The Dancefloor – Arctic Monkeys
Ballad Of The Band – Felt
Waking Up – Elastica
Papa’s Got A Brand New Pigbag – Pigbag
Running The World – Jarvis Cocker

For those of you who don’t know the final song, I should warn you that the main refrain is repeatedly preceded by the words ‘Cunts are still…’

Make of it what you will.

And I promise. That is my last words on the matter.

A FEW RANDOM INANE AND SELF-INDULGENT THOUGHTS…..

When you’ve been doing this sort of nonsense for as long as I have, it pays to take a short breather every now and again, and as I mentioned in the additional posting I shoved up on hearing the news of the death of Leonard Cohen, this recent period has been one of them.

I was very fortunate in that, during the time I was planning exactly what to do with the blog while I was tuning out for 2 weeks, I could turn to four ridiculously good guest posts in quick succession. The fact that readers could enjoy  Ned’s Atomic Dustbin, Martin Stephenson, The Pipettes and JAMC over four days demonstrates exactly the variety and quality entertainment that I want to bring to this place. My thanks to Badger, Rich, Strangeways and S-WC for filling the void with such panache.

My own break was partly enforced from the fact that I was away visiting two very dear friends – a husband and wife – over an extended long weekend to celebrate them turning 50 years of age and throwing a party in their home town in Hampshire. I hadn’t been able to make the family celebration they had held up here in Glasgow earlier in the year as it coincided with my trip to Toronto, but I was determined to make sure I didn’t miss out the second time. It was always going to be a drunken few days – I don’t see them as often as I’d like and when we do get together it is always very messy that would always end in tears-stained nostalgia if we didn’t continually rip the piss out of one another.

This particular mate was my best man when I remarried in the mid 90s. By then, he was already forging an incredibly successful career doing things and being in situations that very few of us could ever imagine. The nature of his job is such that he can’t say too much about it and I’m therefore not going to give anything away – I’ll simply confirm that he’s not a spy or anything like that but that a great deal of his work is of utmost national and international security.

He once, many years ago, had to spend nine months away from his family in a very dangerous place; while we were talking over the long weekend he reminded me, and I’d completely forgotten about this, that I had given him a box of home-made C90 cassettes to take with him as his musical accompaniment. Not only did I supply the cassettes but I typed out something like 25 pages of notes on many of the songs with a lot of asides about why they were important or personal to one or other or both of us. I genuinely couldn’t recall doing this and was stunned when he brought out said box and notes and let me read over them.

This was all done back in 2003, and while I’m not claiming that my thousands upon thousands of words were worthy of any literary prize, I was proud of them in that they, and the songs, had seen him through some tough and lonely times; I could also see that this, in some ways, was my first ever stab at blogging albeit such a thing hadn’t been invented at that particular time. I was tempted to bring the notes back up the road with me and reproduce them here, stopped only by the fact that much of what was written was relevant to the particular situation and circumstances ny mate would find himself in and even now, thirteen years on, neither of us would want to put into a wider, more public domain. But reading my written words again, having forgotten that they existed, was a highlight of the year so far.

Which is just as well given the lowlights that would unfold over the next few days.

My political leanings can be worked out easily enough from the words and songs that have featured on this blog over the years so it’s fair to surmise that the ascension of Donald Trump into the White House doesn’t sit easily with me. But hey, if that’s what the voting system used in the States brings about, then so be it.

It’s been fascinating to watch the reactions to this outcome, just as it was when the Brexit vote and Scottish Independence results came through in recent times. Particularly on social media where so many folk on the losing side then seem to make a mad rush to ‘unfriend’ those who voted the other way. This seems just completely the wrong thing to do – if you surround yourself only with those whose views and opinions are completely in line with your own, then you’re not really going to get much of a perspective on life and society.

I am distressed and worried about what the future holds; I’m not envious of those with children whose fears must be even greater.  But I’m not going to stop talking to any friend – in real life or in cyberspace – for the ‘crimes’ of either voting a madman into the White House or putting an X in a particular box which then gave the outside world the impression that the little island I happen to live on is populated by racist bigots.

Life is way too important for that.

But I won’t ever talk to anyone who phones in and votes for an act on the X Factor………..

You’ll be pleased to know that things round here will return to normal from tomorrow. I just wanted to come back sharing a few things that were on my mind.

mp3 : The Psychedelic Furs – President Gas
mp3 : The Presidents of The United States of America – Bad Times
mp3 : Disposable Heroes of Hiphoprisy – Hypocrisy is the Greatest Luxury
mp3 : Chumbawamba – Mouthful of Shit

Onwards and upwards. Starting with going over to read some of my favourite blogs.  I’ve missed you guys and gals.

EVERYONE’S YOUR FRIEND IN NEW YORK CITY (3)

A GUEST POSTING FROM ECHORICH &

JONNY THE FRIENDLY LAWYER

The Streets of Your Town

Manhattan seems like a huge place but the actual acreage is minuscule — you’re constantly traversing the same routes. Live there long enough and you establish a regular orbit limited to a couple of square miles that you might not stray from for months at a time. That’s okay: turns out there’s a magic spell, lucky charm and pot of gold hidden every ten steps in the city. For this reason, particular streets, blocks and even corners have more happening than your average American suburb. Also for this reason there are as many songs about single streets as anywhere else in the world. Here are some of our favorites.

1. 14th St. Beat – Sylvain Sylvain.

JTFL: When I finally moved to Gotham it was into a studio apartment at 7 W. 14th Street, just off 5th Ave. (\For those unfamiliar with Manhattan, 14th street runs straight across Greenwich Village, river to river; Fifth Avenue bisects most of the island from the top of Central Park at 110th down to 8th Street. From my front door you could see the Lonestar Cafe on the corner of 13th, with its 30-foot iguana on the roof. (That block was later torn down to make way for the magnificent facilities of The New School). Westward to the corner of 14th and 7th Ave. was The Homestead, an infamous mafia steak house. Cadillacs parked three deep and pinkie rings the size of golf balls on display. If you headed east a few blocks past Union Square to 14th and 3Rd. Ave. you’d find the Palladium, one of the best music venues in the city. (That’s the stage of the Palladium on which Paul Simonon is smashing his bass on the cover of London Calling). I moved in August 1, 1981 and turned 18 two weeks later. It was like going to heaven. Or Oz. Sylvain Sylvain had already written the soundtrack two years earlier.

ER: Sylvain was always my favorite Doll. He always looked the most comfortable in rouge and lipstick and seemed to walk with much more ease in stilettos. This was not only a college radio favorite in 80-81, but crossed over to FM Rock radio a bit. The sound of subway trains pulling into 14th street stations brings back so many memories of Saturdays spent traveling in from Queens and rising from the subterranean other world of NYC Transit to the bright sunshine and ever growing blight that was Union Square back in those days…I wouldn’t trade those memories for anything…

2. 17th St. – Gil Scott-Heron.

JTFL: Still down in the Village. “If you’re looking for excitement you may need only look next door/if you thinking’ bout the Spirit an’ you want to get near it/c’mon c’mon and get down down down. Any questions?

ER: 17th Street on the far Westside is the land of the Fulton Houses and on the Eastside it’s the entrance into Stuyvesant Village. These massive complexes housed families in need of lower income housing, artists, musicians and all the hangers on that The Projects attract to its streets and courtyards. Gil Scott-Heron’s tribute captures the wonderful cultural and artistic mix you could find in these places, the latin, jazz and rock sounds coming from open windows Spring, Summer, Fall and Winter. Sure, you might take your life in your hands if you didn’t belong and stayed too long, but these places, 40 years later, are still a microcosm of NYC.

3. 53rd & 3rd – Ramones.

JTFL: Here’s the corner where Dee Dee supposedly turned tricks to support his heroin habit. Not sure if that really happened, but the spot was verifiably notorious as the city’s site of male prostitution. Which is weird, come to think of it, because it’s in mid-town — not the west Village which was the epicenter of gay NYC. It’s close to the 59th St. Bridge off ramp so maybe it was easy to get away from? Dunno — I only sell my ass as a lawyer!

ER: A Ramones Classic for me. When I first heard 53rd & 3rd I will admit I didn’t realize it was about hustlers turning tricks on what was NYC’s most notorious Rough Trade pick up location. This is probably one of Ramones most self-deprecating song, and some of Dee Dee’s most infamous lyrics.

4. Avenue B – Major Thinkers.

JTFL: I have a super soft spot in my heart for Avenue B because my band, Chronic Citizens, shared an AWESOME rehearsal space at 4th and B with a bunch of downtown scenesters: Ritual Tension, Film at 11, the Honeymoon Killlers–who would morph into the Jon Spencer Blues Explosion–and the Reverb Motherfuckers. The space was like a submarine: long, narrow and airless, the walls lined to the ceiling with amps and, for no good reason, a poster of Ace Frehley swinging a smoking Les Paul. Before every rehearsal we’d go the bodega on the corner and buy two El Presidente beers for $1 and a string of Santeria beads if we were feeling unlucky. Up the block on the corner of 7th and B the Horseshoe Bar still sits; it was used as a location for the movies ‘The Godfather’ and ‘Five Corners’. (Almost got killed in there once, but that’s another story.) Iggy Pop and Gogol Bordello both have songs called Avenue B, but this track by the unheralded Major Thinkers gets the nod because it hit the clubs in 1981 just when I got there myself. The Thinkers later became Black 47.

ER: The sound of Downtown Manhattan was changing rapidly in 1980 and 1981. Rap, Hardcore, Synth music were all making inroads in what was, for the most part, a really straightforward Rock and Punk scene on the surface. The DIY culture was in full bloom and younger artists and bands began to stretch the boundaries of sounds. Taking a simple drum machine pattern, throwing some layers of polyrhythmic live drums and a bone crushing bass with a Ventures guitar riff and a Terrace Shouting lyric and Major Thinkers had a perfect Pogoing classic on their hands.

5. Avenue A – The Dictators.

JTFL: Yer basic rock ‘n roll from another downtown stalwart, the Dictators. I have an even softer spot for Avenue A because it was the location of my only (modest) musical triumph: a record release party. It’s cool to have played CB’s and the Knitting Factory and everything, but everyone played those clubs at some point. Our gig at the Pyramid Club, on Avenue A and 7th at the southwest corner of Tompkins Square Park, was a different story — coveted Thursday night headline slot, full house, great show, people singing along — we even made money. (Followed by a weird episode in an S&M club, but that’s also another story.) Two weeks later I took the NY bar exam and that was the end of my music career. Two weeks after that the Tompkins Square Riots took place. The cops came in swinging batons, name tags removed and badge numbers covered. I dipped out when the bacon arrived on horseback, but they beat up a bunch of my friends who couldn’t get out fast enough.

ER: Metal Gods in their minds – well certainly in Handsome Dick Manitoba’s mind, and in reality Proto-Punks that had the respect of Rockers and Punks alike when I was growing up in NYC. My favorite Handsome Dick story involves one two many Jack + Cokes and a short staircase down from the VIP Room at Limelight. Missing the first step, he managed to staircase surf down two landings without planting his face on the floor. THAT takes experience.

6. Great Jones Street – Luna.

JTFL: A quieter number by a quiet band about a quiet street. Great Jones is actually 3rd street between Broadway and the Bowery. The term “Jonesing” supposedly comes from this short stretch of turf, which used to be a junkie precinct. That may be an urban legend, although it’s true that Jean-Michel Basquiat OD’ed at number 57, a converted stable owned by Andy Warhol. Across the street at number 54 the Great Jones Cafe is still up and running. It’s just a little block with a lot of character; somehow peaceful and isolated despite sitting between two major North-South throughways. Don Deliilo wrote a novel called Great Jones Street and that’s what Luna’s song is about.

ER: Luna have a knack for taking their brand of Dreampop and infusing it with an arty Downtown NYC vibe that really REALLY has its origins in the sounds of The Velvets. Hell, they even supported the reformed Velvets between their first and second albums. They took it to the next level by having original VU member Sterling Morrison guest on guitar on Great Jones Street. The lyrics of Great Jones Street really speak to the “walking in place” that many artists and musicians find themselves doing when they get to NYC chasing their muse, searching for fortune or fame. But it’s also about how the simple things become so important and desirous when we find love. Setting the piece on the rooftops of Greenwich Village is simply romantic and truly bohemian.

7. St. Marks Place – Earl Slick.

JTFL: St. Marks is another stretch of blocks: 8th Street between 3rd Ave. and Ave. A. It had the best pizza place in lower Manhattan, Sounds record store, the Holiday Lounge, Trash & Vaudeville and countless other hipster shops, bars and tattoo joints. (It’s kind of the equivalent of King’s Road in London.) The cover of Led Zeppelin’s Physical Graffiti shows 96 and 98 St. Marks — Mick Jagger and Peter Tosh are sitting on the stoop of these exact buildings in the video for the Stones’ ‘Waiting on a Friend’. The back cover of the NY Dolls’ first album shows the band standing in front of the Gem Spa at the corner of St. Marks and 2nd Ave. I wonder how many folks recognize that Earl Slick is a NY pun: “earl” would be how you pronounced “oil” in Brooklynese. Frank Madeloni is, in fact, a Brooklyn boy, and made good as one of many guitar heroes that recorded with Bowie. You can hear him giving it the full StationtoStation as he just burns down the lead on this track. He’s joined on vocals by the Motels’ Martha Davis.

ER: Of all the places to hang out and grow up in Lower Manhattan, no other street had the magnetism that St. Mark’s Place did. St. Marks from Cooper Square traveling east was a young teen Punk/New Waver’s Mecca. We prayed in the direction of Trash & Vaudeville Boutique – where I bought my first pair of Doc Martens and a silver shark skin suit to graduate high school, sat on the steps of No. 96-98 St. Mark’s Place making fun of the fact that Led Zeppelin captured the building on the cover of Physical Graffiti – any Punk Teen’s least favorite album (except for maybe Floyd’s Dark Side Of The Moon). I used to hang around Manic Panic as a 15 year old helping owners Tish and Snooky unpack boxes and set up shelves. My favorite record store was on Second Ave. just around the corner from St. Marks – Freebeing Records. The owner seemed to be the most unapproachable, hardcore, punk/ex-con, but in reality he was a really affable, knowledgeable music lover who seemed to have on Tuesday what was released on Monday in the UK. Like every neighborhood with its own micro-culture, by the late 80’s “high street” stores like The Gap and Crunch Fitness started popping up. But my favorite experience on St. Mark’s Place was a summer afternoon with a few friends. I was walking backwards so I could talk to them about something that had me excited. Oblivious to where I was going, I saw my friends begin to slow down and mouths open as I was still at my walking/talking gait when I suddenly crashed into someone knocking them to the ground. I turned around immediately to find I had just knocked Patti Smith flat on her back. I was frozen, SHE was dazed, and my friends rushed to her aid. She got herself up, literally brushed herself off and walked up to me and said sorry TO ME! I immediately went into an apology babble which I have still not quite lived down and by the end of it all, Patti was asking US what we were up to and where we were going. She told us to walk down to Avenue B to have lunch at a little Polish diner – which we did and thus a legend was written.

8. Ludlow Street – Julian Casablancas.

JTFL: I never understood why The Strokes were seen as rock’s new saviors when they arrived. Their songs are kind of basic and they suck in concert. I do like Casablancas’ voice, however, and he uses it nicely on this track, even if he still hasn’t figured out how to program that sorry drum machine. Ludlow was one of the city’s hippest streets on the lower east side. In the mid-80’s, before the neighborhood became insufferably gentrified, my sister waitressed at The Hat – a Mexican restaurant on the corner of Ludlow and Stanton. She said the yuppies tipped better if you were rude to them. As Soho became more posh, the scene moved further downtown and Ludlow was the new ground zero of an artist’s community (which has since moved to the outer boroughs). I’m not too nostalgic about it, despite the fact that all four of my grandparents were born just blocks away from there. Pretty good panoramic view of the corner of Ludlow and Rivington on the cover of the Beastie Boys’ LP Paul’s Boutique.

ER: Ok, so I have to shake my head here. I am in the “I HATE THE STROKES” camp and I’m probably in an even bigger “No Time For Julian Casablancas” detractor. So let’s talk about Ludlow Street. Of all the streets on the Lower East Side, Ludlow is one that boasts the highest percentage of artists and musicians that I can think of. Lou Reed, John Cale and Sterling Morrison all lived on Ludlow, recorded on Ludlow as well. A few of Warhol’s Superstars found apartments on Ludlow. It was also the center for New York’s No Wave scene. But what Ludlow is most important for in my mind is the location of Katz’s Deli at the corner of Ludlow and Houston Street. It is the palace of kosher Pastrami and hot dogs. It’s where Sally faked an orgasm for Harry and it’s where I seem to find myself every trip back to NYC.

9. Eighth Avenue – Hospitality.

JTFL: I’m expecting folks won’t be too familiar with newish Brooklyn outfit Hospitality — as this series progresses I hope to introduce music that’s not so well known. I like how Amber Papini’s high, breathy voice floats over the song and I like the pretty acoustic passing chords. In the song she walks 20 blocks to 44th and Eighth Avenue, which would be where Hell’s Kitchen approaches the theater district. She plays cards on the roof (naturally). It’s kind of a sentimental picture that shows how you can be alone and reflective in the middle of all the action.

ER: This track brings back a certain nostalgia I have for “the old” Times Square and Hell’s Kitchen. It was the time before Rudy Giuliani sold off midtown to Disney and the area lost all sense of itself. The Eighth Avenue of my youth was a seedy mix of prostitutes and young hustlers in tight jeans and Converse sneakers. It was a land of seedy dive bars and hole in the wall restaurants. The street was filled with yellow taxis and delivery trucks. Anyone driving up Eighth Avenue in their car was obviously not from NYC. I would eventually end up working on Broadway and 44th Street after college and Eighth Avenue was a bit of an afterwork playground.

10. Slaughter On Tenth Avenue – Mick Ronson.

ER: Tenth Avenue slices Manhattan’s West Side from the Meat Packing District until it morphs into Amsterdam Ave at 59th Street. It is a thoroughfare that is a main artery through Chelsea and Times Square. It is that special mix of tenements, storefront businesses, manufacturers and warehouses that defines many neighborhoods in lower half of Manhattan Island. It can be gritty, soulful, dangerous and familial. It is a perfect slice of New York City. Ronson named his first solo album after the song/dance sequence from the 1930’s On Your Toes. He is faithful to the Richard Rogers original in capturing the allure of the hustle and bustle, the dangers and darkness of this most urban section of NYC. Ronson, with the help of Mike Garson and Trevor Bolder, adds some of the Glam dramatics so deftly provided to David Bowie to this epic instrumental.

JTFL: Agree 100% with ER; 10th Ave. remains one of the most essential NYC north-south strips despite the constantly changing nature of the town. The action in the 1930’s musical concerns a murder on the upper west side. But 10th means something different to me. From the windows of my 11th floor apartment in Chelsea I could see a stretch of disused elevated rail tracks, rusting in place since the 1940’s. Over time that little strip, twenty feet above the street, developed its own ecosystem and wildlife. Somebody smart turned it into The Highline, an open air promenade with a view of the Hudson and now a major city park and tourist attraction, on par with the Arch in Washington Square.

Bonus Tracks:

5th Avenue – Gold Panda.

An electronic number for those in the TnVV crowd that appreciate this sort of thing, like my kids.

M79 – Vampire Weekend.

M79 isn’t a street; it’s a bus route. This is the bus you’d take going back and forth from the upper east side, through Central Park to the upper west side, then back again. Everyone knows that the subway is the fastest way to get around town (Take the ‘A’ Train!). But, after daily journeys crammed into the electric sewer with a million of your sweaty, agitated neighbors, sometimes it’s a luxury to take a little extra time and ride the bus. You get a unique view of the streets, perched up a good six feet off the pavement. The different perspective and more leisurely pace engenders daydreaming, especially if you’re riding through the park, and that’s what’s going on in this tune.

Readers will notice that all of the songs in this post concern the little/big island of Manhattan. ER and I aren’t ignoring NYC’s four other boroughs, just getting ready to sing their songs a little down the road…

Jonny and Echorich

Enjoy.

 

BONUS POSTING – THIS ONE’S FOR JEFF

chicago

I’ve always been amazed and humbled that this blog, and its predecessor, has managed to attract so many regular followers from all parts of the planet. One of the first to latch on to what I was trying to do was Jeff from Chicago with whom I exchanged a few e-mails about music and sport.

We got talking on one occasion about football and Jeff informed me that as he watched a lot of matches from the UK via satellite, he had gotten each of his kids to adopt a side to try to get them interested in things. It had worked to some degree but he wanted to do something different for his youngest daughter and so he asked for some info on my team, Raith Rovers, as he thought it would be neat (and I’m sure that was the word he used) for her to have them as her team of choice.

One thing led to another, and before long Jeff was actually making his way to Scotland to watch Raith Rovers play in the semi-final of the Scottish Cup in April 2010 where he met up with a number of my fellow friends including two contributors to the blog, Mr John Greer and Jacques the Kipper.

We’ve all continued to stay in touch with Jeff over the years – he often sends texts and messages on Saturday afternoons looking for live updates from the Rovers games. He’s nowadays a long way from Chicago, having taken a job that saw him and his family move to North Carolina, and so when he leaves comments nowadays on the blog it is usually just as plain old Jeff.

He did something really nice last week. Like many of the rest of us of a certain age, it can take time to master the techniques of social media but once he worked out how to do a certain shortcut for posting on Facebook he gave a big plug to this blog, adding that there are great ‘mixtapes’ to download. Almost immediately one of his friends (hi Elizabeth!!) said ‘totally made my Saturday night. Great site. Thanks for sharing.’

Now that the Blue Jays have been eliminated from the baseball, I finally have a bit more free time on my hands and one of the first things I wanted to do was this, a sort of companion piece to the earlier ‘One Hour Indie Disco’ of which he is a fan:-

mp3 : Various – This One’s For Jeff

Track Listing

Why Can’t I Be You? – The Cure
Hit The Ground – The Darling Buds
World Shut Your Mouth – Julian Cope
What Went Wrong This Time? – The Siddeleys
Song For A Future Generation – The B52’s
Union City Blue – Blondie
Winter In The Hamptons – Josh Rouse
Tears In Your Cup – Cats On Fire
French Disko – Stereolab
Intergalactic – Beastie Boys
Start! – The Jam
Cruiser’s Creek – The Fall
Ask – The Smiths
Come Saturday – The Pains Of The Pure At Heart
Gouge Away – The Pixies
The Sun A Small Star – The Servants
Oblivious – Aztec Camera
Fell In Love With A Girl – The White Stripes
Everyone Thinks He Looks Daft – The Wedding Present
Another Girl, Another Planet – The Only Ones

Forty seconds over the allocated time. But I just couldn’t fade out the final song.

BONUS POSTING : GET WELL SOON AMIGO

Those of you who dropped in the other day to When You Can’t Remember Anything will likely have been alarmed by the news that Badger is unwell. I know I was……

I did think of dropping him a ‘Get Well Soon’ card but he’ll likely be inundated with such things, and so I’ve spent the later hours of Saturday night getting the mixing decks out one more time. Hope you get the chance to download and listen my dear friend, and that this plays a small part in helping you along the road to recovery.

mp3 : Various – This One’s For Tim

Track Listing

Take Me Out – Franz Ferdinand
Infinity Guitars – Sleigh Bells
Whip My Hair (remix) – Willow Smith ft Tinie Tempah
Clint Eastwood – Gorillaz
Human Behaviour – Bjork
There There – Radiohead
Can’t Do Without You – Caribou
Time To Pretend – MGMT
We Are Sound – British Sea Power
Helicopter – Bloc Party
Interstate 5 – The Wedding Present
Better Things – Massive Attack ft Tracy Thorn
Pennyroyal Tea – Kristin Hersh
Post Breakup Sex – The Vaccines
Don’t Look Back Into The Sun – The Libertines

S-WC is hopeful of giving me a midweek update and I’ll share that with you as and when. Feel free to add your own messages below.

BONUS POSTING : 10

It was ten years ago today that I nervously tiptoed my way into these dangerous waters. My motivation for doing was partly to keep my creative juices flowing after finding myself at a bit of a loose end at work thanks to some unanticipated staffing changes but mainly as it was something that was of an increasing appeal.

A few months earlier, my other half had given me a USB Turntable for my birthday as I was keen to put a lot of songs that I only had on vinyl into a digital format for transferring onto a new I-pod. It was while browsing the internet looking for tips on how to best do this in terms of software programmes etc that I realised there was a small band of folk with similar musical tastes and interests who were populating small corners of cyberspace with their views and opinions, seeking out responses and debate via the comments sections to postings on their blogs. I tentatively offered some of my own views and was pleasantly surprised that nobody mocked me or called me out as a charlatan. I began to make requests for specific songs and was delighted when folk living in Canada, France, the USA and nearer to home in Scotland let me hear something again for the first time in decades.

It is really hard to imagine just how little of the old indie/new wave/ post punk music from the 70s, 80s and 90s was out there back in 2006 given the massive growth in popularity there has been this past decade. You Tube was a little over a year old and folk were to still to really harness its ability in terms of uploading old footage for all to enjoy. Spotify was still just an idea forming in someone’s head. Record companies had little interest in dealing with back catalogues unless it was a dead superstar. CD was still king with the low manufacturing costs keeping the gravy train smoothly on the tracks. All the good stuff however, seemed to be long out of print and so it fell upon this enthusiastic group of like-minded amateurs to keep certain flames burning.

I tried a few layouts, considered a few alternatives for the name of the blog and thought about giving myself a name to hide behind – The Ghost Of Troubled Joe was only ditched at the last second in favour of using my initials. Having decided that what I was going to do was in the main taking songs on 7” and 12” plastic and featuring them in what was a technically illegal digital format, I felt The Vinyl Villain was a clever and astute name for the blog. Besides, it kind of gave me a superhero alter-ego as I styled myself as ‘JC aka The Vinyl Villain.’

My first posting was on James. It was all about a long-deleted b-side called Fire Away that I thought was worth letting folk hear again. Two days later I featured Lloyd Cole with a then rare and hard-to-find remix of Butterfly, a flop single from 1992. Then I went a bit more obscure the next day with some stuff on a long-forgotten band from Edinburgh called Hey! Elastica.

Positive comments and e-mails began to trickle in and so I kept going. I never considered I’d still be doing it ten years on.

Nor did I imagine that I would make so many great friends through blogging, a fair number of whom I’ve been lucky to meet but the vast majority have been the 21st Century equivalent of pen-pals. Being a blogger has enabled me to meet some of my all-time musical heroes (and in certain cases befriend them) and indirectly led me to DJ again after many years away. It also created a situation where I would do things I could only previously daydream about – I’ve promoted gigs, I’ve been a semi-roadie, I’ve sold stuff at merchandise stalls and I’ve been briefly profiled in newspapers and magazines. I’ve been invited to come to a recording studio and be among the first to hear a brand new recording from one of my favourite bands and I’ve had my real name appear in the list of thanks on new releases. I still can’t get over that Laurence Bell of Domino Records contacted me for some thoughts and advice in advance of his label issuing the Orange Juice box set and then as thank you listing me in the credits… that will always remain beyond belief.

I’ve clearly had a whale of a time never once regretting my decision to get involved and I’ve been lucky with so much that has happened. But above all else, I am incredibly proud of the fact that I’ve been able to attract many hundreds of guest contributions over the years and in doing so have greatly expanded my knowledge and musical tastes.

Of course it’s not all been plain sailing. A few initial bumps were smoothed out by some of my oldest blogging comrades which is why it seems so apt that this week, while I’m on holiday in Toronto, that the blog is featuring a series of repeat guest offerings from ctel without whom I’d most likely quit at some point. I owe him so much and again want to publicly say a big thank you.

The Vinyl Villain was hosted by blogger.com between 29 September 2006 and 24 July 2013 when it was taken down by the host for what was alleged to be continued violations of copyright policy. They had a point but the method used in which so many millions of words were wiped without giving me a chance to do some sort of back-up was upsetting and caused a lot of grief and anger. My indignation was shared by many others and the many messages of support made me determined to bounce back quickly. I ended up doing so did so the same day, using wordpress, and re-naming it The (New) Vinyl Villain. It took a few weeks but the new place soon got up to the standards of the old place and indeed nowadays I feel it is a big improvement, thanks in the main to the quality of the guest postings.

Between the two blogs, there have been something in the region of 3,700 separate posts and what will be something in the region of 15,000 comments. That’s an awful lot of words……thankfully some of them have made some sense.

There’s not too many of the original bloggers from ten years ago still going today which is perfectly understandable given that it is very difficult to find different things to say all the time; besides, all of our personal circumstances have changed while those who were driven by the desire only to share music can point to how much easier it is to do so in 2016 compared to 2006….and much of it is legal.

In their places have come some very talented and skilled new bloggers, a small number of whom I very heartily recommend with a listing to the right hand side of my own place. Sometimes I find it difficult to read what these folk are writing, partly because so many of them do it in a way that makes me think they should be getting paid for it, but also because I sometimes read their word and realise that my own emerging thoughts for a future post just been blown out the water!!

I know that I won’t be doing this forever. To be honest, five years ago I didn’t imagine seeing out another half-decade, so I’ll make no predictions about what the future holds. But as long as I wake up of a morning and see that someone out there is getting a degree of enjoyment out of what appears here, and as long as I’m able to crochet a few clichés together in a way that makes some sort of sense, well you can bet that some sort of tune and some sort of opinion or information will appear on a daily basis.

For now, here’s some tunes:-

mp3 : Kingmaker – 10 Years Asleep
mp3 : Wild Billy Childish & The Musicians Of The British Empire – Birthday Boy
mp3 : James – Fire Away (12″ vinyl)
mp3 : Lloyd Cole – Butterfly (the Planet Ann Charlotte Mix)
mp3 : The Fall – Lost In Music

Enjoy.

EVERYONE’S YOUR FRIEND IN NEW YORK CITY (2)

A GUEST POSTING FROM ECHORICH &

JONNY THE FRIENDLY LAWYER

nyc-image

I’m A Stranger Here Myself

JTFL writes…………

Echorich kicked off this series with a stellar set aptly titled “Coming of Age in NYC.” It was a great survey of the music banging out of the downtown scene that inspired us, performed by our local heroes from the city. This time out it’s a collection of songs about NYC by artists from much farther afield. Natives are proud of the city and we love how people from other places are so taken with it, so impressed by it, and how they see it in so many different ways. This set presents a few of our favorite alien perspectives.

1. Statue of Liberty – XTC

JTFL: TVV readers may remember my fondness for Swindon’s finest (see ICAs 26 and 79). Here the boys serve up a bouncy post-punk tribute to Lady Liberty, who’s been welcoming foreigners to the Big Apple since 1886 from her star-shaped plinth in the harbor. This was the early incarnation of the band, and maybe their first great single. Energy, pace, melody and something clever to say — everything you need to get around town.

ER: I approached XTC from the middle with Drums And Wires and backwards educated myself quickly. White Music fit right in with the emerging New Pop music coming from the likes of Costello, Squeeze, and dare I say even The Police. I remember hearing Statue Of Liberty occasionally on WNYU College Radio even into the early 80’s. I always thought that the Statue Andy is singing about might just be a hooker, or maybe just some latent teenage sexual angst set to music.

2. New Amsterdam – Elvis Costello

JTFL: “A bewildered lad, alone in New York, except for his rhyming dictionary,” sez Elvis’s liner notes. I like the trademark wordplay but I especially love the imagery of an exiled soul, alone with his thoughts down by the docks surrounding the island. People forget that Manhattan is only two miles wide; you’re almost always in view of the East River or the Hudson on the west side. Couldn’t tell you if the docks look like Liverpool or not. One of the few songs on an EC & the Attractions LP on which Elvis played all the instruments himself.

ER: New Amsterdam is one of my all time favorite Costello track and Get Happy! is far and away my favorite EC+A album. Listened to as a New Yorker, New Amsterdam sounded like another world altogether. Alienation can come in many forms – physical and emotional.

3. You Said Something – PJ Harvey

JTFL: This songs captures EXACTLY the vibe of the city at night. There’s not a lot of open space on the ground so it’s common to find yourself up on a roof — my years there were filled with rooftop parties, conversations, fights, trysts and general reflecting. PJ starts out in Brooklyn at 1 in the morning (not sure where she can “see five bridges” — at most she’d be able to see the Brooklyn, Manhattan, Williamsburg and maybe the Queensborough bridges). She gets wistful about her far off homeland, wonders how she arrived in this remarkable place, and drifts with a lover up to the eighth floor of an apartment across the river. Along the way she discovers something important. Perambulant assignations, going where the city will take her. Beautiful.

ER: I come from what are derided by Manhattanites as one of the outer boroughs – Queens in my case. If you lived, worked and played in Manhattan you took a very possessive stance on being a true New Yorker, but the real beauty of New York is to see Manhattan from across the East River in either Queens or Brooklyn. It’s like having a front row seat at an amazing panoramic film. Just watching the lights come on in Manhattan at night you get a sense of the buzz that’s beginning to come from the streets and out of the bars and clubs and restaurants. But if you take the time to cross the East River to Brooklyn or Queens or the Harlem River to Da Bronx, you will find that same twi-night hum that builds into a sort of roar. This is why Doo Wop comes from the streets of Da Bronx and Brooklyn, why Queens gave birth to a Latin Music scene that has been vibrant and colorful for decades and kids could go from practicing 3 chord guitar songs in garages to global recognition via small, dirty Lower East Side Clubs.

4. Fairytale of New York – The Pogues (with Kirsty MacColl)

JTFL: NYC has a deep Irish heritage. St. Patrick’s Day is always a good time, whether you stick around for the parade or not. There used to be a Blarney Stone on every second corner where they sold little glasses of Rheingold for fifty cents (and sometimes corned beef and cabbage if anyone could be bothered to clean the steam table). I knew a guy that tended bar in one of these Irish dives, gathering material for his hopeful career as a writer. I came in one day and asked if he got anything good. He told me he had just now broken up a fight between Bruce and Robert, two decrepit regulars who’d stepped straight out of a James Joyce story. Turns out the pair came to blows over what day of the week it was. “And they were both wrong,” said my friend the bartender. The Pogues and the late Ms. MacColl make the city their own on this classic.

ER: There is no Christmas without Fairytale of New York. While I would never consider myself a big Pogues fan, I am a huge Kirsty MacColl fan and this was just a pairing made in heaven. There will never be another like her and Kirsty is the only one who could put Shane McGowan in his place. Part of growing up in NYC was finding your way to your first bar – for points it was all about how young you could claim to have been when you had your first drink in a bar to be precise – 15 here, by the way… More often than not either the hardest or easiest place to get that first, illicit drink was going to be a neighborhood Irish bar (or “pub” if the place REALLY traded on the Celtic connection.) My first Irish bar was Mullaney’s Bar in Queens. I can remember that the jukebox in that place had every Irish drinking song you could imagine, a few stray Folk songs, Sinatra and Elvis. It was more curiosity piece than an active jukebox. There always seemed to be a Mets game on or Hockey on the the TV.

5. New York Morning – Elbow

JTFL: I’d forgotten all about Elbow, truth be told, until a recent guest post by S-WC found its way onto this blog. It led me to catch up on the band which in turn led to the discovery of this gem. And just like PJ nailed the city at night, Elbow captures the feeling of waking up in the big city, full of promise and possibility: “Oh my God New York can talk/Somewhere in all that talk is all the answers/Everybody owns the great ideas/And it feels like there’s a big one round the corner”.

ER: I can’t profess to be much of an Elbow fan. They seem to wear their Peter Gabriel influence on their sleeve most of the time. New York Morning does carry some really important truths in it. New York is a land of dreams achieved and missed, a place where everyone has a great idea and the opportunity to make it real. But what makes NYC function are the men and women toiling to keep it running.

6. Chelsea Hotel – Lloyd Cole

JTFL: REM recorded ‘First We Take Manhattan’ for the Leonard Cohen tribute album “I’m Your Fan”. But this song from the same LP gets the nod because of its references to the Chelsea, an inimitable city landmark. Home to writers (Dylan Thomas, Burroughs, Sartre), artists (Oldenberg, Mapplethorpe, de Kooning), and countless musicians (Dylan, Lynott, Nico etc). Sid killed Nancy in Room 100. Warhol films were shot there. The Chelsea is on 23rd between 7th and 8th Avenues; I lived on 23rd between 9th and 10th for six years, so I passed it on a daily basis. My sister lived there for a couple of months after some itinerant globetrotting. The lobby was filled with masterpieces by long time resident Larry Rivers and many others who often had to pay their rent with art when they had no cash. The friendly owner, Stanley, never booted anyone out so it was great place to meet someone downtown, or just kick back on a comfy couch surrounded by priceless treasures. Nice version of a NYC song written by a Canadian and performed by a Brit.

ER: Mic drop Jonny – with just a bit of VU feedback…

7. New York City – Cub

JTFL: New York can be a heavy place, what with all the history and money and violence and drugs and Socioeconomic Inequities and everything. But it’s also FUN, immensely FUN, and if you can’t have a good time in New York you’re in a very sorry state. This super-light pop song by Vancouver trio Cub dances around town without a care in the world. It’s all about how much fun it is to come to the city to see the sights and just hang out. (It’s also where this series got its name.) There’s an adorable video that accompanies this song, too. I love the tight girly harmonies. When the band sings “everything looks beautiful when you’re young and pretty” I think about my daughter, already a native after just a month. She sends me texts and photos of what she and her friends are getting up to in the city. I always text back, “have fun, sunshine” but I’m always thinking “I wish I were you.”

ER: Having just gotten back from a short trip to NYC to see The Bunnymen slay the crowd, I can tell you that it is absolutely impossible to get the City out of this New Yorker. Getting out of Laguardia Airport on a sunny, humid and hot Sunday afternoon, I just breathed a huge sigh and smiled all the way to the bus that would take me to the subway into Manhattan. Once in the city, it was like a kid being let into a candy store before all the others. I just kept looking up at the tops of buildings and across the avenues filled with people rushing in that certain New Yorker way from point A to point B. I just jumped into step with the crowd and was on my way.

8. Red Angel Dragnet – The Clash

JTFL: Many Clash fans follow this blog and I bet a few are wondering why this tune and not ‘Gates of the West’? I’ll tell you why: New York doesn’t have a south side. Chicago does; not NYC. I always found Mick Jones singing about “Southside Sue” really pretentious. That was 1978. By the time the band were recording Combat Rock at the end of 1981, they were living at the Iroquois Hotel, two blocks off Times Square. They were deep into the NY scene, having triumphed during their two-week residence at Bonds the previous summer. The “red angels” in the song are The Guardian Angels, a citizens watch group formed in 1979 to help keep the city safe. Strummer was now sporting a mohawk, just like vigilante Travis Bickle in ‘Taxi Driver’, whose lines are repeated in the song by the band’s MC, Kosmo Vinyl. But the Clash weren’t singing about keeping the streets safe from criminals; the song recounts the shooting of one of the Guardian Angels by a Newark police officer. Over here in the states there’s been an epidemic of cops shooting unarmed civilians, usually people of color. Seems like it happens every other day and underlies the increasingly prominent Black Lives Matter movement. Goes to show how on point The Clash were 35 years ago.

ER: Ok, nothing to add here except that this is one of two songs I heard the band listening back to at Electric Lady Studios on a winter afternoon when Kosmo invited a few of us in from the cold. I told Paul Simonon one night in 82 walking from NBC studios after their appearance on Saturday Night Live that I love his bass on this song and he said “one take mate!” Don Letts chimed in walking up behind us “Tell another one Paul…” Magic.

9. New York, New York – Ryan Adams

JTFL: I don’t know if folks overseas are familiar with Ryan Adams. Over here people seem to either love him or hate him. I don’t have an opinion one way or the other but I do love this song. And Mr. Adams’ love for NYC seems genuine. The dude gets around, covering ground from the summer in Alphabet City to the winter on the upper west side. Plus he pronounces “Houston” correctly, which deserves some props.

ER: Ryan Adams was a breath of fresh air at the turn of the Millennium. Sure, he has a sort of Gram Parsons Country/Rock background, but he fell headfirst into New York CIty once he arrived. Along with Jesse Malins he has kept alive a certain poet/folk/rock brand that seems to manage to thrive in NYC.

10. What New York Used To Be – The Kills

JTFL: New York changes really rapidly and it’s easy to get nostalgic about how things were. CBGB’s is now a John Varvatos store. The Meat Packing bays off 7th Avenue, where you’d see cleaver-wielding butchers in white smocks pushing bloody racks of steers, was replaced by an Apple Store and Stella McCartney and Alexander McQueen boutiques. Chinatown swarmed across Delancey and shrunk Little Italy. You can even walk down Avenue D after dark! There’s a great website called evgrieve.com where people write in to reminisce and lament that the east village was totally usurped by yuppies. The Kills have no patience for that whining — they just want to get on with it. Either that or get run over because, love it or loathe it, NYC’s still FAST.

ER: I have to agree, New York thrives on its ability to create a kind of personal nostalgia for people, but the city is a living breathing organism that seems to shed its skin like a reptile every decade or so. But part of the excitement about NYC is anticipating what comes next.

Bonus Track: New York Skiffle – Half Man Half Biscuit

JTFL: The Sex Pistols took it to the Dolls in their song “New York”, and Johnny Thunders returned the insult with his track “London Boys”. But HMHB spoof both scenes on this tune. Smart New Yorkers, like smart folks everywhere, know not to take themselves too seriously. For those of us that sometimes forget, this song’s a friendly reminder to cut the crap.

ER: Every time I’ve heard this track I think, damn, John Lennon would have covered that, he would have had to.

Postscript from JTFL:-

The quintessential NYC song by any foreigner is “Shattered” by the Rolling Stones. It’s also got the best lyric: “Go ahead — Bite the Big Apple!” It’s not included here because Echorich and I resolved to limit our posts to music that fits within the parameters of this blog. Plenty of other places on the ‘net to listen to classic rock and read about major label bands. I also sometimes get the sense that liking the Stones may be a bit uncool. But I’m 53 and by definition uncool, so I don’t give a crap what’s cool or not. If I had to pick a single song, by anyone, that sounds like NYC, it would be this one.

JC adds……

Postings like these that make me realise just how lucky I am that there are talented people willing to make the time and expend the energy on being part of this little corner of the internet.  So many of the guest postings are infinitely superior to what you’ll pay good money for out in magazine-world.

Delighted too, that I’m able to publish on a day when the Blue Jays take on those damn Yankees in a vital end-of season series over the next four days….made extra special by the fact that I’m going to be in the stadium watching it all unfold.

Oh, and I couldn’t let JTFL’s postscript just hang there:-

mp3 : Rolling Stones – Shattered

Enjoy.