A TWO-PART GUEST POSTING BY POST PUNK MONK
The backstory was written last week, but in summary it’s the chance to enjoy the second half of the 20 best non-LP b-sides of all time, according to Post Punk Monk.
“She’s Got A Gun” B-side. This magnificent song from the soundtrack to Dieter Meier’s film “Jetz Und Alles” is an utterly riveting track by a band that typically had modest instrumental B-sides.
B-side on “Holiday ’80” EP. Killer track from the sessions of my favorite Human League album. Also available in an alternate take [also great] only in Australia.
B-side of “Blind Among The Flowers.” Another example of a B-side just as strong [if not moreso] of the killer A-side it was paired with. Conny Plank didn’t need synthesizers to achieve production brilliance!
B-side of “Eyeball In My Martini.” This is one of The Cramps longest numbers at nearly five minutes… and it’s not nearly long enough! This track is done in the style of an old 60s AM radio ad for a drive in movie packed with all of the lurid action they could stand. Brilliant!
B-side of “Where The Streets Have No Name.” The Pet Shop Boys have an enviable catalog of B-side material that most bands would kill for. This song is a typically strong B-side that sounds like robust A-side material to me.
“In Between Days” B-sides. If you bought The Cure’s “In Between Days” 12″ you were gifted with the three best songs the band ever recorded! “The Exploding Boy” is driven by acoustic guitars and mighty drums in addition to a killer tenor sax riff that proves that less is more. “A Few Hours After This” is a baroque feast for the senses with strings, percussion and tympani evoking Ennio Morricone at his most expansively robust!
“The Union Of The Snake” B-side. Their third album was far from Duran Duran’s finest hour, but this exquisitely poised B-side put everything else they recorded for those sessions very much in the shade! One of their finest songs ever. It was almost like a proof of concept for the Arcadia album.
19. OMD – Annex
“Enola Gay” B-side. OMD were another band with a plethora of strong B-sides, but this one has the edge for me today. This evocative tune begins with a Japanese seaside melody under which a throbbing industrial rhythm ultimately ascends to hijack the wistful song by its end to leave the listener shell-shocked by its chilling intensity.
“Flaming Desire” B-side. Another B-side that plays strongly off of a rousing A-side. “The Passion” is a driving instro that sounds like Duane Eddy poured in a blender with classic Duran Duran as the solid guitar chords are abetted by sax and synthetic percussion.