“If you can’t beat ’em, join ’em.”
That would seemed to have been the thinking behind the decision to record a cover version for the next single, released in March 1983. Pop music with a bit of soul was what was beginning to dominate the charts – Culture Club and ABC had been two of the big breakthrough UK acts in 1982 while Paul Weller was also following the well-trodden path with his new band The Style Council. Perhaps writing something original was just too difficult, so why not test the waters by taking a song by The Isley Brothers and giving it a go?
mp3 : The Undertones – Got To Have You Back
You can tell that a great deal of energy and hard work went into this 45 with Feargal Sharkey delivering a strong vocal performance while the rest of the band willingly gave up the sound that they had become best known for in an effort to appease the record label and to re-engage with the record buying public.
It didn’t work as the single stalled outside the main charts at #82.
Looking back, this is not that bad a record, but nobody could take it seriously as an Undertones record; indeed it seemed that unless they were prepared to go back and come up with a variation on Teenage Kicks then nobody was going to give the band the time of day. The writing really was on the wall….
This was the b-side:-
mp3 : The Undertones – Turning Blue
Written by John O’Neill, it is again a million miles removed from the earlier material; it’s a decent enough song for a b-side or as an album filler but not all that memorable
The single came out in 7″ and 12″ format but only difference on the latter was the inclusion of this additional b-side, again written by John with the help of Michael Bradley:-
mp3 : The Undertones – Bye Bye Baby Blue
Two songs with the word ‘blue’ in the title – maybe it was a subliminal message as to the overall mood the band were finding themselves in. This is actually a decent sounding track featuring some very fine harmonies and backing vocals and it certainly is stronger and more accessible than the sole track on the 7″. It is also one of the few tracks on any of their singles that ever went over three minutes in length.