BONUS SERIES : THE ICA WORLD CUP : ROUND 2 (Part 1)

Seems fair, given the brilliance of some of the comments this week, to compile an imaginary match report:-

This Round begins with the band that was once my “All Time Favorite” winning and then ends with the band that usurped that position. (echorich)

A few of these matches never made it to the pitch. Most cruised to easy wins. A couple were tight, and I freely admit there was cheating with one of the matches. I voted for a hero instead of heroes. Felt sorry for him, frankly. Getting thumped.(Brian)

I’m disappointed with the way some of these results are going. Cup football really is a shocker sometimes. (swiss adam)

Blimey. Some nailbiting ties here, but equally, quite a few Stockport County v Chesterfield-type games too. Some of my ties were decided by some dodgy refereeing decisions and the influence of a shady Welsh-based betting syndicate, but here’s the full-time scores. Cue Sports Report theme and the voice of Charlotte Green…(Robster)

MGMT 3 v The Clash 37

The Clash (you could put virtually any song up against White Man In Hammersmith Palais, the answer would still be The Clash) (rigid digit)

Martin Stephenson 26 v Andrew Weatherall 10

Lord Sabre’s notorious quality pressing(s) not enough to overcome an early lead from one of the most talented teams out there. (Luca)
“It isn’t the hours you put in, but what you put in the hours!”. Easy, one of The Daintees’ finest recordings against a tune I’m probably a bit too old for …(sexy loser)

Johnny Marr 16 v Rod Stewart 23

Rod Stewart. Poor effort by Girls Aloud – perhaps if they’d stuck with their usual classic pop rather than relying on a throwaway guitar line from some guitarist or other. I mean – Ronnie Wood, Ian McLagan and Mick Waller, how do you compete with a back line of that quality. (Jacques)
Having one of the most gifted role players on your team can win you a lot of games, but this time the weight of tradition was simply too much.(Luca)
Surprised that Johnny Marr didn’t take the competition more seriously, although perhaps he’s got hopes of going all the way with his other outfit (jimdoes)
feels odd to be voting against Johnny… or FOR Rod (Rol)

Asian Dub Foundation 21 v Stars 14

ADF who have the skills to pay the bills.(wycranything)

The Durutti Column 20 v The Beta Band 15

It wasn’t a classic but Reilly at sweeper kept it tight while Mason on the other side lacked his usual verve (Jacques)
tough choice here, genuinely. But the boy Reilly edged those Betas out (bagging area)
looking at a 0-0 draw, beta band scores own goal disappointing yet again the rabid supporters who traveled to the away game (GJ)
The Beta Band’s tikitaka gave them ball possession for most of the match, but lack of focus was an issue against Vini Reilly’ s prowess (Luca)

Clyde McPhatter 20 v Gene Loves Jezebel 16

classic football here. Head up, crisp passes, executed brilliantly. Not a close match at all (GJ)
Gene Love Jezabel barely got out of the changing rooms due to over use of hair spray (jimdoes)

Grandaddy 10 v Husker Du 26

Two sides marred by tragedy this past year…the minute’s silence beforehand was impeccably observed (Malky Tucker)
A man down but Husker Du hold on till the final whistle (bagging area)

OMD 21 v Super Furry Animals 17

“There’s only a little difference between Champs and Chumps!”. A most boring game to watch, it must be said. OMD win in the end, but it was close …(sexy loser)
SFA benches their A squad and fields their B squad thinking that they will win the match easily. It doesn’t happen.(GJ)
Genuinely can’t believe SFA fielded a second-string outfit for this one. (Malky Tucker)

Teenage Fanclub 20 v Nick Cave & The Bad Seeds (2) 20

The Aussies opened up an early lead but were pegged back by Fannies on the stroke of half-time. The final few days were a war of attrition with nobody ever getting more than a goal ahead at any time.

I had an idea at least one match this week might go all the way…and so for any tie-break scenario I asked my work colleague Doog, who also happens to be the keyboard player with The Just Joans to cast some votes.  He did this on Thursday as he had the small matter of his wife Fiona giving birth on Friday!! (a boy…their second….both baby and mum are doing well!)

Doog’s shouts were Asian Dub Foundation, Beta Band, Clyde McPhatter and Daft Punk, none of which were needed. When it came to Nick v TFC, he said he couldn’t separate them.  He threw a £1 into the air which landed heads; in doing so he made this observation in a comment come true…

so painful won on toss of the coin (Bill)

Heads was The Mercy Seat by Nick Cave & The Bad Seeds.

the Bellshill Beatles couldn’t get the ball off Cave in this one (aldo)
Cave gets it as it’s a live recording and the Bad Seeds have, for years, been the best live band on the circuit (Malky Tucker)
the live version clinches it against a very strong TF track (the great gog)
Those kiddie dilettantes tried, but it was not enough to steal a win when you’re clearly not (a) Big Star. (Luca)
if you match the quality of the two centre forwards, Mercy Seat is a world class performer at every stage of his career while GKIT only really turns it on against weaker opposition. (Robster)

Roddy Frame 7 v The Stranglers 31

Frame’s midfield artistry undone by Trotsky’s devastating wing play on the left.(aldo)
love Roddy, but against the Stranglers strongest song? (Rol)
Major upset for me here but Roddy just didnt take it seriously (Matt)
Not a popular result in the commentary box (Julian Badenoch)
the Boy Wonder needs his team mates around him (charity chic)
sorry Roddy. The Stranglers didn’t send me a Christmas card, and in 1983, when I saw the Stranglers live, I was listening more to High Land, Hard Rain than No More Heroes, but that song is pure class. (nic ross)
Neil warnocks team kick the opposition all over the park. (friend of rachel worth)

Fats Comet/Tackhead 6 v The Pixies 30

non-league vs World Champions. No contest. Game abandoned at half-time due to the home team’s refusal to leave the dressing room for the second half. The H-T score was allowed to stand. (Robster)
“A ‘head(er) on’ from Francis to Deal – and it’s there. Deal scores. And it’s 1-0 to the team from Boston. And there simply will not be enough time for a response.” (strangeways)
Pixies – by a Gigantic margin (charity chic)

Yellow Magic Orchestra 13 v The Stone Roses 25

The Mancunian juggernauts needed to go on extra-time to snatch this victory from the jaws of defeat, having been initially caught completely by surprise by a not very well known Oriental team. (Luca)
Yet another difficult tie but truculent Mancunians usually win (bagging area)
“Sweat more in preparation, bleed less in battle!”. An easy task for The Roses, ‘Cos I’m afraid I’m not clever enough to understand the YMO’s tactics. Never have been, in fact! (sexy loser)

The Lucksmiths 17 v Daft Punk 23

5imply 5uperb play from the French. Against 5ome teams you just have no hope. The Lucksmiths got 5wept. (Luca)
(Un)luck(y)smith United had a stinker of a draw (Julain Badenoch)
Lucksmiths the awful victims of their opponents ability to drive a horse and carriage through the Financial Fair Play regulations and field a superstar vocalist. (Malky Tucker)

A.R. Kane 7 v The Trashcan Sinatras 27

Oh, come on, AR Kane – what a weak performance! (sexy loser)
The self proclaimed dark horses through as the opposition sound like they are all on drugs and not performance enhancing ones (jimdoes)

Coldplay 11 v The Detroit Cobras 23

No such luck for U2’s B team on the end of a severe thrashing from Detroit Cobras.(jacques)
Any team would have beaten the shower of shite that is Coldplay (jimdoes)
5 minutes of Chris Martin whining or a tune that was made by people who sounded like they were enjoying themselves? Hmmm.(the great gog)

Leonard Cohen 7 v Echo and The Bunnymen 34

And so we reach the final tie of what has been a very entertaining first round. No messing with this one. Spare Us The Clutter was always going to clean up this one. Here’s hoping star striker McCulloch can Do It Clean in the forthcoming rounds. (jacques)
A great match that went to extra time and penalties, such a shame there had to be a loser (Julian Badenoch)
Slow cool just won’t do against pure energy in a game like this (Martin)
what a match this was, the determining factor in the end being the strength of the team selection.(Robster)

 

I know the last four Saturdays have been a bit frantic but the staging of 16 ties was all about making the remainder of the ICA World Cup much more manageable.

The crazy nature of the draw meant that a few of the big names have gone out early on, but there’s still plenty of your favourites, dark horses and underdogs in the hat to hopefully make it still worth your while to keep an interest.

Today marks the beginning of Round 2, with 64 teams still left to battle things out. There will be just four ties per week at this stage which allows a little bit more of an in-depth look at the match-ups.

Here’s matches 1-4.

SBTRKT v The Fall

SBTRKT came through a low-scoring affair against Kanye West in Round 1 in a match which didn’t offer too many moments for the highlight reel. The Fall, represented last time by 15 Ways, lifted from what was the first ICA of the four that have featured in thes series, came through quite comfortably against Queens of the Stone Age in a tie that was played against the sad backdrop of the death of Mark E Smith. The bookies, even before the songs were selected, have made the post-punk veterans, with their huge squad to choose from, strong favourites. Maybe they were a touch premature…..

The Light (from Wonder Where We Land, 2014) v Birthday Song (from The Marshall Suite, 1999)

Kitchens of Distinction v Talking Heads

A fascinating match-up between an English band whose vocalist was born in Switzerland and an American band whose vocalist was born in Scotland. Kitchens of Distinction came through comfortably against The Indelicates last time round, thanks to Japan to Jupiter, one of the tracks from their 2013 comeback album. They are likely going to have to hope that one of their songs from their golden period of 86-96 gets onto the pitch today to face a side who have seen off two dogged and determined opponents in Close Lobsters and Massive Attack. This could all depend on the coin and dice….

Sand On Fire (from Cowboys and Aliens, 1994) v Artists Only (from More Songs About Buildings and Food, 1978)

Sonic Youth v Edwyn Collins

A tie in which both managers have been effusive about the other side’s star qualities and abilities. Sonic Youth played a dangerous game in Round 1, fielding what to many was the less than stellar I Love You Golden Blue, but it was enough to fend off Billy Joel. The former Orange Juice vocalist came through a really tough opener, knocking out Associates whom many were tipping  for a good run. Both will likely require one of their best in this round to advance any further.

mp3 : The Empty Page (from Murray Street, 2002) v If You Could Love Me (from Gorgeous George, 1994)

The Velvet Underground v Talk Talk

A really strong showing, thanks to fielding Waiting For The Man, enabled the 60s veterans to easily see off the challenge of The National last time round and on paper, they should probably have enough to get through against one of the cult UK acts of the 80s, much of whose work as featured on the ICA is far removed from the pop hits that took them into the singles charts on a couple of occasions. You could call this an intiguing match-up….especially as the former are represented by a track that is more of a jam than a finished song….

mp3 : The Booker T (from Peel Slowly and See boxset, 1995) v The Rainbow (from Spirit of Eden, 1988)

Please have your votes in by Friday 16 February but voting from now on will close at 10pm (sitting up to midnight these past four Fridays has been tough going, especially when nothing has actually happened at the last minute!!).

As ever, you don’t have to get involved in all of the ties.

Tune in next Saturday for matches 5-8, one of which may well be the hardest choice of songs you’ll have faced….thus far!

JC

 

WHATEVER POSSESSED THEM??

I pose the question, initially, as I think The Murrumbidgee Whalers is one of the silliest names adopted by any band, far less one whose existence was back in the heydays of jingly-jangly indie pop in the late 80s.

I’ve never shied away from that fact that 1988-1990 was a period when personal circumstances saw me hang up my anorak for a while and stop being obsessed by music. The gaps have, over the years, been slowly filled in by friends and increasingly by the growth of specialist blogs on t’internet. The other great thing has been the willingness of labels such as Cherry Red to reissue a lot of long-lost songs via box sets and it was through one of their latest, C88, that I was able to hear a song by the aforementioned Whalers (who mustn’t ever be confused the backing band of Bob Marley).

The booklet with C88 advises:-

“The unusually monikered Murrumbidgee Whalers (possibly named after a Harry Robertson song of the same name) came from Carshalton Breeches in Surrey and featured songwriter Peter Watts and his brother Chris. The band’s sole release, ‘Giving Way To Trains’, a bright, sunny, Byrds-esque ode to the perils of acting before thinking, was pressed up in a meagre run of just 250 copies and coupled with the more folksy lovelorn tale ‘In A Garden’. A sublime example of jangly indie pop with a definite nod to early R.E.M., ‘Giving Way To Trains’ later reappeared as part of a free vinyl EP with House of Dolls fanzine.”

So, almost thirty years after the event, I got to hear this song:-

mp3 : The Murrumbidgee Whalers – Giving Way To Trains

It was a genuine ‘wow’ moment. Yup, there is something about it that immediately brings to mind the Murmer/Reckoning releases by Athens GA finest but there’s also a very fine guitar sound that made me think immediately of Johnny Marr picking out the tune for I Want The One I Can’t Have.

Which lead nicely to the second reason for posing the question in the title of today’s posting. Why was something this good limited to only 250 copies with the impact that 30 years on, you’ll have to fork out £125 and upwards for a copy. So a huge thanks to Cherry Red for including it in the latest box set. I’ve also dug deep to find the b-side, scratches and all:-

mp3 : The Murrumbidgee Whalers – In A Garden

A b-side that is just about as catchy and immediate as the a-side and is way more listenable than many other songs of the era, some of which are held up today as bona-fide classics.

JC

AN IMAGINARY COMPILATION ALBUM : #154 : THE TRAGICALLY HIP

A GUEST POSTING by DOUG McLAREN

I wonder if we Canadian folk seem as non-descript to outsiders as we believe ourselves to. We certainly spend a lot of time discussing amongst ourselves our apparent lack of Canadian identity, or defining culture, in the face of the proverbial elephant in the bedroom to our south. Similarly, when travelling abroad, we are sure to emblazon our Canadian flag on our backpacks, so that we can somewhat condescendingly be told that we are “Just like Americans, only nicer”. But there are certainly times when we surprise ourselves, and have overwhelmingly unique and truly “Canadian” reactions to things. Our long-standing fondness for the band The Tragically Hip, which almost no one outside our border has even heard of let alone “gets”, is a striking example of this.

So when Gord Downie, lead singer and creative power behind The Hip, as they are more affectionately known here in the country, passed away last October 17th, almost four months ago, dealing with the grief has been a defining moment in our national psyche. Even our Prime Minister shed public tears for the world to see. Community gatherings, public outpourings of emotion, daily news stories, memorial performances, celebrity tributes—all the means by which we measure the greatness of a person’s impact on us—continued to unfold spontaneously over the subsequent days, weeks, and even months.

As significant as we all know the passing in recent years of great musical figures such as David Bowie and Prince to have been to the world at large, the response within Canada to the passing of Gord, as most of us thought of him in our minds, exceeded all of these put together, and then some, if you can measure by the public response that followed. Even the recent death of another Great One of our of own, Leonard Cohen, though he meant a tremendous lot to so many both here and around the world, did not stay in the forefront of the news and the public consciousness quite as long. I think the only other musical figure who came quite as close in capturing the Canadian heart was the folksy Stompin’ Tom Connors, who probably deserves an ICA somewhere himself, though I am guessing even fewer are familiar with his material outside the country.

And why this emotional response to Gord Downie, outsiders may ask in somewhat surprised curiosity, even given the untimeliness of his death to a rare form of brain cancer? Though that is impossible to put into language, and I doubt I could add much to the (Arctic) oceans of ink spilled in the attempts to answer the same question in Canadian media, I would only say that Gord Downie was not just “one of us”; in some strange mystical way, he was us, or rather, a homey, comfortable embodiment in rock star form of the values and ideals of our hockey-playin’, doughnut-lovin’, toque-wearing nation of sometimes self-effacing, sometimes self-aggrandizing hosers.

To me, then, definitely worthy of an ICA.

Side 1:

Track 1: New Orleans Is Sinking, from the album Up To Here (1989).

Though I recognize that at this blog, where harder rockin’ songs are not the standard fare, this track may not be an immediate hit, it is probably nonetheless the obvious choice for a lead-off track, if you follow the theory of putting your strongest foot first. This song has at various times made it near to the top on various organizations “Best Canadian Tracks Of All Time”, one of which I remember was a very thoroughly annotated list played on the CBC’s program entitled “50 Tracks: the Canadian Edition”, where it hit #16.

Our local alternative powerhouse radio station CFNY put the case for this song a little more strongly, putting the song at #24 on their 2008 List of the Top 200 New Rock Songs Of All Time (whether Canadian or not!). A little odd, you say, that the Great Canadian Song should focus in its lyrics on an American city? Well, it goes to show you non-Canadians that if nothing else, we Canucks are outward focused, looking to the outside world (and especially our American neighbours) to make sense of ourselves. Think of the Guess Who’s greatest oeuvre, “American Woman”, as another example.

As a side note, this is one of the few songs by The Hip ever to attain any popularity in the US, where the band themselves are practically unknown, except for a few border towns and, rather understandably, a pocket around New Orleans. Most radio stations did, however, pull this song from airplay out of sensitivity when Hurricane Katrina struck…a case of being a bit too close to home.

And when Gord Downie died, it was perhaps inevitable that the mildly irreverent lines from the lyrics to this song, “I looked up to God above, and said, “Hey man, thanks!”, should have been turned into near-ubiquitous t-shirts that (equally irreverently) merely swapped out the word “God” for “Gord” to express our gratitude to our dying hero.

Track 2: The East Wind, from the album The Grand Bounce (2010) by Gord Downie and The Country of Miracles.

This is probably my personal favourite Downie-penned song, and it is interesting that it is from his third solo album, which I recommend quite highly to everyone I can, but perhaps most to those who don’t know or don’t like the Tragically Hip sound, as it takes his music in his own, more indie direction. I love his explanation of how the lyric in the song about the East Wind being the “laziest wind” came about. According to Downie, who spent his time in rural settings whenever he could, he was once having a conversation with a local farmer, and when he complained about the wind, the farmer looked at him knowingly and said that the strong east winds blowing at the time were in fact “the laziest winds”. When asked why, the farmer, a man of few words, answered succinctly, “Because they don’t go around you. They go right through.” And it was just like Gord that a conversation with a farmer turned into a great Canadian song…

Track 3: Ahead By A Century, from the album Trouble At The Henhouse (1996)

Another strong track to follow the first two. This was easily the most played Hip song during Downie’s extended public mourning. And everyone sang along….

Track 4: Blow At High Dough, from the album Up To Here (1989).

I think of this song as the little sister of its album mate, New Orleans is Sinking. A cracking tune about how:

They shot a movie once, in my hometown
Everybody was in it, from miles around
Out at the speedway, some kind of Elvis thing…

And to paraphrase Gord’s lines that follow these opening lyrics, he himself certainly was no movie star, but hey, yeah, he sure could get behind anything.

Track 5: Grace, Too, from the album Day For Night (1994)

Lyrically mysterious, a good bit sultry and brooding, and a grand way to close out side one…

Side 2:

Track 6: Little Bones, from the album Road Apples (1991)

This is likely the first song by the Hip that I really got into, and it was around the same time as I was deepest into the music of R.E.M. At the time, I remember thinking that though they are quite different, what R.E.M. is to America, the Hip are for Canada. And that’s some pretty good advice there to “eat your chicken slow, it’s full of all them little bones…”

Track 7: Bobcaygeon, from the album Phantom Power (1998)

Bobcaygeon is a small town in cottage country in Southern Ontario, where I spent so much time in my youth fishing with my grandparents. Enough said. It evokes my misspent youth…though apparently Downie said in interviews he only picked Bobcayheon to rhyme with “constellation”.

Track 8: Nautical Disaster, from the album Day For Night (1994)

This song, as well as the two final tracks to follow, are really good examples of the oblique narrative style song for which Gord Downie was so renowned. Behind the impressionistic lyrics, apparently, is the story of the sinking of the German ship Bismarck, and the aborted rescue attempts following, by the British ship Dorsetshire. Pretting gripping stuff if you tune in…

Track 9: Fifty Mission Cap, from the album Fully Completely (1992)

…But perhaps even more ominous is the story behind this song.

Bill Barilko was a star player on the Toronto Maple Leafs championship hockey team from 1947-1951, helping the home team win the Stanley Cup for the fourth time within those years with an overtime goal in Barilko’s final season. That summer he went on a fishing trip up north with his dentist, and the two were never heard of again, their plane going down somewhere in the wilds of Northern Ontario. The Leafs’ team was reputably cursed as a result of this, as they subsequently entered an eleven year drought, not winning the Cup again till the very year Barilko’s missing body was finally discovered and laid to rest in 1962…

Track 10: Wheat Kings, from the album Fully Completely (1992)

…And maybe the most emotionally impactful story of the lot, immortalized by a cracking great tune, this one tells the tale of David Milgaard, a young teenager from Saskatchewan who was wrongfully imprisoned following the grisly murder of a young local nursing student. Milgaard had been out with friends, a typical 17 year old, when he was picked up by investigating police, a case of being in the wrong place at the wrong time. The police force were under great public pressure to make an arrest, and seemingly massaged the evidence to suit their case against him.

Although he would have served just 8 years if he had pleaded guilty, and indeed could have been released on parole almost any time after that if he had signed papers admitting guilt, he protested his innocence heroically, and ended up serving 23 years, until he was cleared definitively by DNA evidence (and the real killer caught and jailed). Now he is rebuilding his life, it seems, quite as heroically…chilling stuff, treated without any preachy or maudlin sentiment by Gord Downie, but rather with the wistful and and timeless air of a nation self-reflecting.

DOUG

HALF TIME SCORES

The running commentaries this week have been a scream.  I’m going to compile the best of them (and sadly there isn’t room for everything) into a short report on Saturday morning.

MGMT 3 v The Clash 27
Martin Stephenson 20 v Andrew Weatherall 6
Johnny Marr 10 v Rod Stewart 19
Asian Dub Foundation 14 v Stars 12
The Durutti Column 13 v The Beta Band 12
Clyde McPhatter 13 v Gene Loves Jezebel 13
Grandaddy 7 v Husker Du 19
OMD 17 v Super Furry Animals 12
Teenage Fanclub 15 v Nick Cave & The Bad Seeds (2) 15
Roddy Frame 6 v The Stranglers 22
Fats Comet/Tackhead 5 v The Pixies 21
Yellow Magic Orchestra 8 v The Stone Roses 21
The Lucksmiths 14 v Daft Punk 16
A.R. Kane 5 v The Trashcan Sinatras 20
Coldplay 10 v The Detroit Cobras 14
Leonard Cohen 4 v Echo and The Bunnymen 27

(all as at 1.30pm on Tuesday 6 February – I’m out doing my matchday announcer at Raith Rovers in the evening and unable to keep up with blog stuff).

Fair to say that there’s a couple of unexpected shock results in the offing while others are far too tight to call.  Special mention to Teenage Fanclub who were 6-1 down early on but have gradually pulled things back in what is proving to be a compelling contest.

Click here for a reminder of what the full list of songs are. Deadline is Friday midnight.

This coming Saturday will see the start of Round 2 – it will be played over an extended period of 8 weeks, with four ties each time.  The draw has already been made with all of the above in as an either/or option.

Here’s everyone who went into the hat for Round 2:-

1. A.R. Kane or Trash Can Sinatras
2. Arab Strap
3. Asian Dub Foundation or Stars
4. Big Audio Dynamtie
5. Billy Bragg
6. British Sea Power
7. Butcher Boy
8. Carter USM
9. The Charlatans
10. Coldplay or The Detroit Cobras
11. The Cramps
12. Durutti Column or The Beta Band
13. Echo & The Bunnymen or Leonard Cohen
14. Edwyn Collins
15. Emiliana Torrini
16. Everything But The Girl
17. The Fall
18. Farmer’s Boys/The Higsons
19. Fats Comet/Tackhead or The Pixies
20. Gene Loves Jezebel or Clyde McPhatter
21. The Go-Betweens
22. Grandaddy or Husker Du
23. Half Man Half Biscuit
24. The Housemartins
25. The Jam
26. The Jesus & Mary Chain
27. Johnny Marr or Rod Stewart
28. Julian Cope
29. Kitchens of Distinction
30. Lambchop
31. The Lemonheads
32. The Lightning Seeds
33. Lloyd Cole & The Commotions
34. The Lucksmiths or Daft Punk
35. Magazine
36. Martin Stephenson or Andrew Weatherall
37. MGMT or The Clash
38. New Order
39. Nick Cave & The Bad Seeds or Teenage Fanclub
40. Orange Juice
41. Orchestral Manoeuvres In The Dark or Super Furry Animals
42. Paul Quinn
43. Pavement
44. Pete Wylie
45. PJ Harvey
46. The Police
47. Prefab Sprout
48. Pulp
49. R.E.M
50. Ride
51. Roddy Frame or The Stranglers
52. Saint Etienne
53. SBTRKT
54. The Skids
55. The Smiths
56. Sonic Youth
57. Talk Talk
58. Talking Heads
59. The The
60. The Velvet Underground
61. The Wedding Present
62. Wire
63. XTC
64. Yellow Magic Orchestra or The Stone Roses

Here’s today’s banging tune

mp3 : Fatboy Slim – Eat, Sleep, Rave, Repeat

JC

 

SATURDAY’S SCOTTISH SONG (On a Tuesday) : #111 : FUTURE PILOT A.K.A.

From wiki:-

Future Pilot A.K.A. is the nom de plume of Glasgow indie musician Sushil K. Dade, a former member of the Soup Dragons, BMX Bandits and Telstar Ponies. Future Pilot’s music blends classic indie pop with Indian classical, dub and hip hop influences.

Dade has released four albums under the Future Pilot name on a variety of record labels, including Stephen Pastel’s Geographic and most recently, Creeping Bent. The Future Pilot project is particularly noted for its vast range of collaborators and guest contributions from figures as diverse as composer Philip Glass, writer Alasdair Gray, Thurston Moore, Kim Gordon of Sonic Youth, Karine Polwart, Can’s Damo Suzuki and members of the Glasgow indie scene, including Stuart Murdoch and Teenage Fanclub.

I’ve always intended to explore things a bit more, but never seem to find the time. All I have is one track, courtesy of its inclusion on a charity CD I picked up back in 2004.

mp3 : Future Pilot A.K.A. – Salute The Divine Within You

JC

SOME SONGS ARE GREAT SHORT STORIES (Chapter Eight)

 A GUEST POSTING by JIMDOES

The most fun that I ever had
Was the night the gypsies came to town
Lit up these streets like they’ve never seen
And have not seen since

Up to that point we were country boys
Snorting speed and surfing cars
Chasing girls and bailing hay
And smashing up our lives

They put up a tent in the pasture fields
And invited everybody round

I spent two long days and three whole nights
Losing my mind to all that’s right
I spent three long nights and two whole days
Losing my mind on a MDMA
It was

After that everything changed

mp3 : Brakes – The Most Fun

(from the LP Give Blood, 2005)

jimdoes

THE NEW ORDER SINGLES (Part 17)

The second single lifted from Technique.

Round & Round is a magnificent offering. It was much adored by Tony Wilson who pushed hard for it be issued as a 45 when the band were asking for it to be Vanishing Point. Legend has it that Wilson struck a bet with Rob Gretton, the manager of New Order, that it would be at least a Top 5 hit in the charts, and if not he would resign as chair of Factory Records. It only reached #21 and to his word, he did resign, albeit for a day. And in typical Factory behaviour, the event was deemed significant enough for it be given its own catalogue number, FAC253.*

The single did take the piss somewhat in respect of formats in the UK, with two different 12″ releases, one 7″ release and 2x CD singles, all with variations in the sleeves and some offering different b-sides. I bought the standard 12″ with the catalogue number FAC263:-

mp3 : New Order – Round & Round (12″)
mp3 : New Order – Best & Marsh (12″)

The single has a different mix from the album version; the b-side was the theme tune to a television show in which legendary footballers George Best and Rodney Marsh talked nostalgically about the good old glory days.

I’ll feature the music via the other formats, beginning with FAC263/7:-

mp3 : New Order – Round & Round (7″)
mp3 : New Order – Best & Marsh (7″)

FAC263r was the remix single.

mp3 : New Order – Round & Round (Club Mix)
mp3 : New Order – Round & Round (Detroit Mix)

FACD 263 was the CD single. It contained the 7″ and 12″ mixes of the single, the 7″ Best & Marsh and this:-

mp3 : New Order – Vanishing Point (Instrumental Making Out Mix)

This came from an otherwise unreleased soundtrack work that Steven and Gillian had done for a BBC drama series called Making Out, one of whose stars was Keith Allen to who we will return later in this series. It’s a fantastic variation on one of the stand-out tracks from Technique (and the one the band were keen to issue as a 45).

FACD 263r was a 3″ CD single that featured the club, Detroit and 12″ mixes of the single.

Oh and for completeness sake, here’s the LP version.

mp3 : New Order – Round & Round

And a lousy remix that was made for the release of The Best of New Order by London Records in 1994:-

mp3 : New Order – Round & Round 94

Just wish that I had danced to Round & Round in a club back in 89/90.

JC

*yup, I also think it is bizarre, but I suppose typically Factory, that the resignation of the chairman (FAC 253) comes in the catalogue in advance of FAC 263, which was the number given to Round and Round….all New Order singles did have a ‘3’ at the end

FAC 33 NEW ORDER Ceremony
FAC 53 NEW ORDER Procession
FAC 63 NEW ORDER Temptation
FAC 73 NEW ORDER Blue Monday
FAC 93 NEW ORDER Confusion
FAC 103 NEW ORDER Thieves Like Us
FAC 123 NEW ORDER The Perfect Kiss
FAC 133 NEW ORDER Subculture
FAC 143 NEW ORDER Shellshock
FAC 153 NEW ORDER State of the Nation
FAC 163 NEW ORDER Bizarre Love Triangle
FAC 183 NEW ORDER True Faith
FAC 193 NEW ORDER Touched by the Hand of God
FAC 223 NEW ORDER Fine Time
FAC 263 NEW ORDER Round & Round
(more to come)

BONUS SERIES : THE ICA WORLD CUP : ROUND 1 (Part 4)

Four weeks in and you should know the drill by now….I’ve dug out a Scottish classic TV intro for the tune this week.

I also wanted to begin by saying a huge thanks to everyone who has voted over the past three week…especially those who have shared additional thoughts along with your selections.  Almost everyone has voted via the comments section, but there is one correspondent, a real football/music fanatic who is very well known to myself, Jacques and Aldo, who insists on doing so by email.  His entry this week made me laugh:-

Here are votes of the Cambuslang jury for Round 1 part 3

1. TJAMC
2. Joe Strummer
3. OK it’s the only Pippettes tune I know. But I like it. Sorry Lloydy.
4. This was like being at Livi v Falkirk last Tuesday desperately hoping something would happen. It did – Falkirk scored with the last kick of the game – as have T-Rex here. Would have preferred The Jam to go through, but that’s life.
5. Woah. The Faces pushed Saint Billy closer here than I would have expected. Great 2nd half performance from the Bard of Barking closed out the victory.
6. The Housemartins (I prefer their average track to Gene’s equivalent).
7. Never thought I’d find myself having to compare Mr Duggie’s work to Emiliana Torrini!! Hardest one yet to be dispassionate about. But I really do prefer the Huge Doggie song.
8.Jayhawks
9. This battle of the heavyweights was always going to be down to the luck of the draw. Will be surprised if many others haven’t also gone for Radiohead on this basis.
10. Elbows Out? No, Elbow’s in! (And no, it’s not cos you didn’t invite me out to see the Skids the other week!)
11. Aw this was harder than I expected. Go on, Underworld then.
12. This is getting harder! Dwight Yoakam.
13. Holy moly, this is taking the piss now. I just can’t decide. So I won’t, sorry.
14. Honestly can’t believe I’m doing this, but on the basis of this track. Simple Minds. Jeez, how did that happen?
15. Mixing sporting metaphors now, but this was a TKO in round one. VU. The National never stood a chance.
16. Quirky, Quixotic. Take away the vowels (and err, a ‘Q’) and my answer you will have!

This is too much fun.

M.

I do hope you’re all enjoying this as much as M.  Given the heavyweight nature of so many ties this past week, I’m thinking you’ll be keen to get the results immediately….but before I do, please let me share the mental torture the final few hours brought me.

Two of the ties were either level-pegging or had one goal in it since Thursday morning.  Each vote that came in seemed to swing it one way or another.  The final say came from strangeways, fresh from his personal triumph with his Talulah Gosh ICA (now there’s a team to watch in the 2020 edition of the tournament). He clinched it for one of the teams in the match-up of the heavyweights, relying as he says on a Video-Assisted Referee to make his mind up. However, his vote made it a tie in the Foil v Emiliana Torrini clash.  As a result, it has gone to extra-time and the possibility of penalties.  Here’s the other scores for you meantime…..

The Wondermints 11 The Jesus & Mary Chain 33
Joe Strummer 19  Julian Cope 25
The Pipettes 11  Lloyd Cole & The Commotions 32
The Jam 34 T. Rex 10
Billy Bragg 33 The Faces 10
The Housemartins 33 Gene 11
The Jayhawks 17  The Farmer’s Boys/The Higsons 21
R.E.M. 23 Radiohead 22
Elbow 12  The Skids 29
Underworld 15 Ride 25
Carter USM 29 Dwight Yoakam 10
Pulp 30 Tindersticks 13
The The 24 Simple Minds 21
The Velvet Underground 39 The National 5

Friends Again 16  XTC (2) 27

Foil v ET has, indeed, gone to penalties after a 19-19 draw. My dilemma is that I have met Hugh Duggie, lead singer with Foil. He is a very good friend of my very good friend Jacques the Kipper. I also prefer the Foil song to that of the Icelandic songstress.

But…..I think there has to be a fairer way of deciding this one…..and I’ve gone back to the original ICA pieces to see which one received the most plaudits at the time.

STOP PRESS……………………………..Emiliana Torrini goes through 5-3 on pens.

So how do you follow all that drama? Easy-peasy…………..

MGMT v The Clash

Flash Delirium (taken from Congratulations, 2010) v White Man In Hammersmith Palais (single, 1978)

Martin Stephenson v Andrew Weatherall

Crocodile Cryer (from Boat To Bolivia, 1986) v Toddla T and Roots Manuva ‘Watch Me Dance’ (Andrew Weatherall Remix) (2011)

Johnny Marr v Rod Stewart

Girls Aloud – Rolling Back The Rivers In Time (2008) v Country Comforts (from Gasoline Alley, 1970)

Asian Dub Foundation v Stars

Naxalite (from Rafis Revenge, 1998) v The 400 (from The North, 2012)

The Durutti Column v The Beta Band

Madeleine (from Lips That Would Kiss EP, 1980) v Dance O’er The Border (from The Beta Band, 1999)

Clyde McPhatter v Gene Loves Jezebel

Bip Bam (single, 1954) v Motion Of Love (from The House Of Dolls, 1987)

Grandaddy v Husker Du

Jeez Louise (from Just Like The Fambly Cat, 2006) v Makes No Sense At All (single, 1985)

O.M.D v Super Furry Animals

Pulse (from History of Modern, 2010) v Arnofio/Glo In The Dark (b-side, 1996)

Teenage Fanclub v Nick Cave & The Bad Seeds

Don’t blame me…..and if you ever wanted proof that this draw isn’t rigged, you just got it!

God Knows It’s True (Peel Session) (1991)

The Mercy Seat [live] (from Live Seeds, 1993)

Roddy Frame v The Stranglers

Bigger Brighter Better (from The North Star, 1998) v No More Heroes (from same, 1977)

Fats Comet/Tackhead v The Pixies

Fats Comet – Bop Bop (single, 1984) v Head On (from Trompe Le Monde, 1991)

Yellow Magic Orchestra v The Stone Roses

Ryuichi Sakamoto – Riot in Lagos (from B-2 Unit, 1980) v Begging You (from The Second Coming, 1995)

The Lucksmiths v Daft Punk

Southernmost (from Southernmost EP, 1999) v Get Lucky (from Random Access Memories, 2013)

A.R. Kane v The Trash Can Sinatras

Sperm Whale Trip Over (from Sixty Nine, 1988) v All the Dark Horses (from Weightlifting, 2004)

Coldplay v The Detroit Cobras

Square One (from X&Y, 2005) v  Down In Louisiana (from The Original Recordings, 1996)

Leonard Cohen v Echo and The Bunnymen

Chelsea Hotel #2 (from New Skin From The Old Ceremony, 1974) v The Cutter (from Porcupine, 1983)

Those, genuinely, were the last two names left in the bag for the 1st Round.

As ever, please don’t feel you have to offer your views on all the match-ups, but I’m sure the TV game will have everyone offering an opinion.

Deadline is Friday 9 February, midnight UK time.

48 teams are already through and the 16 winners from the above will join them.  It’s been a frantic first four weeks, but it will ease down after this week with a maximum of four ties in each feature, thus allowing a few words to be said on each song and/or performer(s).  The first four games of Round 2 will be with you next Saturday.

JC

IT REALLY WAS A CRACKING DEBUT SINGLE (14)

James have been the subject on an in-depth look at all the 45s they ever released, (and as such have been unlucky in never having an ICA devoted to them), so this isn’t the first time JimOne has been featured on the blog. I did hum and haw a bit, but given it’s now over four years since it last featured, I think it’s OK to have feature again as part of this series.

I’d forgotten until a recent re-read of Stuart Maconie’s essential bio of the band that was published back in 2000 just how many name and line-up changes they had gone through prior to getting the first single out and into the shops. Venereal and The Diseases, Volume Distortion, Model Team International, Model Team and Tribal Outlook had all been adopted and discarded. Tim Booth was the fourth person who had taken on lead vocals, and indeed had only really been recruited on the basis of him being a dancer until it was considered his status as public-school educated university student gave him a capability for writing better lyrics than any of Paul Gilberston, Jim Glennie or Gavan Whelan.

Indeed, many of the most popular early songs written and performed by James were tunes that pre-dated Tim getting on board, many of which, including at least one of those on the 3-track debut, had their original words butchered or removed altogether with the vocalist far from keen to blast out lyrics that were, at best, ambiguous and, at worst, borderline misogynous.

They had been gigging a fair bit around Manchester, including some reasonably high-profile support slots for The Fall, when Tony Wilson asked them to sign to Factory and release an album.  Despite Wilson and others such as Rob Gretton actively pursuing James and talking them up at all times, the band were very wary of the label and did everything they could to be awkward, including refusing to record what the label were hoping for as a debut single.  Indeed, the band went to the other extreme and offered up what they saw were their three weakest  bits of material that between them lasted less than six-and-a-half minutes.

mp3 : James – Folklore
mp3 : James – What’s The World
mp3 : James – Fire So Close

Factory were already renowned for issuing material that wasn’t obviously commercial, but Folklore, as the lead track of a debut single was particularly bonkers. It’s a folk-song, almost sea-shanty like, with minimalist playing that was a long way removed from the indie-pop that many were expecting. On the other hand, the two tracks on the flip side were upbeat belters with a direct lineage back to the sounds of young Scotland on Postcard Records that you can still, all these days later, throw fantastic shapes to on the indie-disco dance floor .

No wonder Factory were excited and they went a long way to ensure they did everything to keep the band happy, issuing the single with a really cheap sleeve design that went against many of their principles and promoting a song whose lyric was a savage attack on the music industry and indeed could be interpreted as a direct attack on the label:-

What would you sell, with the glasses and suit
Heart and a soul that won’t wear out
That’s not enough, I want what’s inside
You took a fish fillet knife and cut right through my eyes

I don’t recall it at the time, but JimOne was given rave reviews in the UK music press with big things predicted for the band. What happened next, however, seemed to sum up just how ill-prepared James were, initially, for life in the music industry. Paul Gilbertson, who had been the main driving force from the outset, was sacked shortly after the debut single and the three songs remain his sole contribution to recorded music. Tim Booth fell seriously ill, not for the first or last time in his life. Jim Glennie, having gone through the pain of being part of the decision to sack his best friend, struggled with everything, and indeed he and Booth ended up joining a sect that placed all sorts of restrictions and limitations on their behaviour and so put the band’s very being in real jeopardy for a while. It would take a full 12 months before the follow-up was recorded, with a further four-month delay before Factory issued it. The success that had been predicted with the release on JimOne wouldn’t come until the 1990s….

JimOne is a very fine release. Folklore is one of those songs that, once you get used to its idiosyncrasies, is a very listenable number and, as I alluded to earlier What’s The World and Fire So Close have always been magnificent as evidenced by how well they have aged.  Despite all that, JimOne is not close to being the best 45 ever released by James, but it is indeed, a cracking debut.

JC

30, 20, 10 (Part 10)

And so we venture on into 1988, 1998 and 2008 to see what 45s were sitting at the top of the UK indie charts on the 1st day of each month.  This, remember, was the rundown that had been created in 1980 to recognise sales on minor labels, albeit the majors were proving increasingly adept at exploiting loopholes and enabling mainstream artists to somehow qualify for inclusion.

1987 had ended with New Order enjoying a six-week run at the top and they were succeeded in the new year by Depeche Mode‘s 20th single, Behind The Wheel.  It, however, lasted just one week at the top before being replaced by this

1 February 1988 : mp3 : The Beatmasters feat. Cookie Crew – Rock Da House

Issued by Rhythm King Records, it was the re-release of a song that had proven to be hugely popular in the clubs in the summer of 87 and is one of the earliest examples of a UK act successfully delivering hip house.  I’m quite sure Swiss Adam would have shaken his ass and other parts of his body to this back in the day…

1 February 1998 : mp3 : Oasis – All Around The World

The early love that many had for Oasis had disappeared on the back of the release of the appalling and overblown album Be Here Now.  Not that they cared, and indeed releasing a third single from the album was a real two-fingered gesture at the critics…especially one that clocked in at almost ten minutes in length.  Worth mentioning that it also reached #1 in the actual singles chart thus becoming the longest number one single in UK history; it was also the last Oasis single to be released on Creation and thus the last time they would be eligible for the indie chart.

1 February 2008 : Adele – Chasing Pavements

The first three indie #1s in 2008 were by The White Stripes, British Sea Power and Madness.  The rise to the summit by Adele is the result of her singles and albums being issued by XL Recordings, a bona-fide independent operation who struck gold with the signing of the then teenage singer-songwriter.  I do understand and acknowledge why it is that she has been so successful (she has sold in excess of 100 million records worldwide), but I’m not posting this, or indeed any of her others songs (as it is inevitable she will feature in future look backs at the indie hits); for one, I don’t have any of her stuff; for two, I’m a music snob.

Tune in on 1 March for the next instalment.

JC