SOME NEW MUSIC FOR A CHANGE

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It’s been kicking around the internet for a few months now that Robert Smith of The Cure had been asked and agreed to do a cover of a song by The Twilight Sad.

He has been a fan of the band for years and there had been hopes that he would have been able to get involved in the remix version of the No One Can Ever Know LP but that didn’t work out due to work and touring commitments. However, having been given a copy of the band’s newest LP Nobody Wants Be Here And Nobody Wants To Leave and described it as ‘BEAUTIFUL’ he was then approached with what the band thought was an audacious request to cover one of their songs for inclusion as a future b-side. And to their great delight he said yes and selected There’s A Girl In The Corner which is the opener on the latest LP.

The version has been available to listen to on the web for a long while now, but knowing that I was going to physically get a hold of the track via the purchase of the single, I decided I would wait until I had the piece of plastic in my hands before ever my first ever listen. I wanted to hark back to those days when buying 7″ singles provided a sense of adventure as playing a new song by a much-loved singer or band via a b-side provided real excitement.

I was pleased to read that the version Smith had recorded was brand new – I had a fear it was going to be karaoke by numbers with him just supplying a new vocal to the Sad’s music. But there it was on the sleeve : “Voices and Instruments by Robert Smith. Engineered, Produced and Mixed by Robert Smith at Homestudio. Assisted by Bunny Lake.”

This however, only provided a new fear.

What if it was rubbish in comparison to the original?

I should remind regular readers that I went for The Twilight Sad very early on in the Imaginary Albums series specifically to avoid the dilemma of having to include songs from their then upcoming album. It was a great move on my part as it is a really mature and classy record that also sounded magnificent in the live setting with a gig in Stirling last December rounding off what had been an exceptional and i doubt ever to be repeated year of live music thanks in the main to so many special events that supported Glasgow staging the 2014 Commonwealth Games. The song the band had chosen for this single – It Was Never The Same – is a standout from the album as indeed is the song Smith had selected.

mp3 : The Twilight Sad – There’s A Girl In The Corner
mp3 : The Twilight Sad – It Was Never The Same

These were high standards…….and so just seven days ago, at the end of what has been a trying and difficult few days, I gave it a spin:-

mp3 : Robert Smith – There’s A Girl In The Corner

If I had heard this without knowing the original then I’d have been hugely impressed with the fact that the best part of 40 years on since bursting onto the scene that Robert Smith still had a great ability to deliver marvellous music.

In other words….I was impressed. Very Impressed.

But to add some additional other words…..it ain’t as good as the original. Which confirms the conclusion I’ve been coming to over the past nine months or so since the fourth album was released and on the back of what have been some unforgettable live outings in different formats over the past few years.

The Twilight Sad are the best band going right now.

No arguments please.

2 thoughts on “SOME NEW MUSIC FOR A CHANGE

  1. I’ve not listened to Twilight Sad before, but shall give them a try after your glowing recommendation!

  2. I really like The Twilight Sad and Robert Smith is a foundation artist in my musical catalogue. I fell in love with his reworking of There’s A Girl In The Corner from the moment I heard it. I find Smith’s really emotionally wrecked pallor on his version remarkable. It’s been a long time since Smith really sounded like he felt the desolation in what he was singing and he is in top form here.
    I agree that original is definitely one of the stand out track on Nobody Wants Be Here And Nobody Wants To Leave. James Graham has an outstanding voice and his detached, teacherly delivery makes their version a totally different animal. The original is grand in its deep, deep, dark and eerie sound. They once again skirt the edges injecting really heavy emotion over the drone, elevating it from noise rock quicksand.
    You may be right Villain, probably the best band out at the moment.

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