THIS IS A VERY VERY VERY FINE POP RECORD

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Ian Broudie was a big part of the Liverpool new wave scene in the late 1970s. A member of Big in Japan (which also featured Holly Johnson and Bill Drummond) he then formed The Original Mirrors in the early ’80s, and was credited as a member of Bette Bright and the Illuminations on their lone album from 1981.

In 1983, he formed the band Care with vocalist Paul Simpson and the duo released three outstanding singles before breaking up. Though he was a busy writer, performer and session musician through the 1980s, Broudie was much more well-known a producer, working with Echo and The Bunnymen, The Icicle Works, The Colourfield, The Pale Fountains and The Fall amongst many others, often using the pseudonym Kingbird”.

In 1989, Broudie began recording alone under the name The Lightning Seeds – he has since said it was an experiment to see if he could cut it as a muso – and in this guise as a singer/songwriter/multi-instrumentalist/producer, he would achieve much success beginning with this wonderful debut single:-

mp3 : The Lightning Seeds – Pure

A #16 hit in the UK, the two follow-up singles from debut LP Cloudcuckooland failed abysmally and like most folk, I reckoned that could very well have been the end of The Lightning Seeds. But two years later, he/they returned and hit the Top 30 with Sense and for much of the rest of the decade became chart regulars, picking up lots of new fans in particular after the huge success of Three Lions, the official anthem of the England football side for the Euro 96 championships.

Some of the later material might have been bigger hits, but I don’t think there was ever anything better than that debut single. Here’s the excellent b-sides from the 12″ copy that’s been sitting in the cupboard all these years after I picked it up for 99p in a bargain bin in Woolworth’s.

mp3 : The Lightning Seeds – Fools
mp3 : The Lightning Seeds – God Help Them

Enjoy.

3 thoughts on “THIS IS A VERY VERY VERY FINE POP RECORD

  1. I too agree, it is a damned fine pop song. It has a heartfelt vocal performance, with terrific musical accompaniment. Excellent. Toptastic.

  2. I love Pure, but was a bit less enthusiastic about the debut album. The follow up single Joy didn’t move that far away from Pure. When Broudie brought out Life of Riley and Sense in 92 (really? 22 yrs ago?) I was back on board. Sense in particular was a favorite of mine that year. It’s always sounded like the logical follow up to Pure. I think the songwriting partnership with Terry Hall has served them both VERY well over the years.

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