MY FRIENDS ELECTRIC (19)

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Today’s Friend Electric is Uncle E. His blog is a real labour of love. It’s called 500 Reasons Why The 80s Didn’t Suck. He set out on this expedition back in September 2012:-

“Let’s for a moment forget about the poofy hair, Reagan and Thatcher and the threat of nuclear annihilation, parachute pants and Eddie Murphy movies. This blog will concern itself with the music of the decade, much of which was wonderful and groundbreaking, as opposed to popular thought which has skewed opinion to remember the 80’s as the worst decade EVER of popular music.

This blog will focus on dispelling that notion by highlighting 500 musical reasons why the ‘80’s categorically did not suck. I lived through the ‘80’s so I should know, and although I made some pretty terrible choices a good majority of the bands and albums remain relevant and enjoyable even today. I didn’t listen to top 40 radio then and I don’t now, so a lot of the stuff that was played back then on that medium won’t be a focus here. No, I’d like to attempt to point you in the direction left of the dial; those albums and bands that were played at underground clubs, the forgotten gems that took research and word of mouth to discover. Trial and error baby, trial and error. These were the days before the internet, kiddies, and when you found a cool band or an album back then you owned it and shared it with your peers. You poured over the latest issues of the NME and Melody Maker (imports for me, of course) and more often that not went by the style of the LP cover or gut impulse, or sometimes both.

The music I focused on back then was new wave, post punk and punk, genres that are really now just considered ‘alternative’. I remember making wildly weird and off-kilter mix tapes up the yin-yang, an art form that has sadly died out with the advent of file sharing and MP3’s. Gang Of Four sat comfortably next to New Order and The Cure, which segued into the Dead Kennedys, NOMEANSNO and Black Flag, followed by OMD, the Psychedelic Furs and early Simple Minds. The bands back then, the early ‘80’s, were trying everything out as there was no template. The Pistols and the Ramones and The Clash blew the old blueprint up a few years prior and these new upstarts, inspired by the DIY ethics of the former, created something totally fresh, totally weird and totally cool in the wake.

So.

I reckon there are at least 500 reasons I can give here why the music of the 1980’s didn’t suck, and I’ll be counting down from that number with the next post. It’s time to dispel the horribly misguided notion that the music from the 1980’s was the worst ever. I’m not quite sure it was the best, but it certainly wasn’t the worst. I hope you all chime in from time to time and give me your feedback. And while I consider myself fairly knowledgeable on the music of the ‘80’s I am certainly not arrogant enough to think I know it all. If there is a band or an album that you think I should know about, let me know in the comments section. If I can turn a few of you on to something then all the better.

Thanks for reading. We’re gonna have some fun! Also, as a side note: any of you who want to contribute via a guest post, I’d welcome it in a heartbeat. Just email me or leave a comment you’d like to do so and we’ll make it happen.”

The above words will, I’m sure, chime with many TVV readers – especially those sentences about mix tapes. Happy memories of spending at least 10 hours at a time trying to out the perfect 90 minutes together to help me get through the sheer awfulness and tedium of the daily Glasgow – Edinburgh commute.

Uncle E has counted down to reason 353. Most of his reasons are very sound although there will be a few which raise eyebrows with, for example, reason 421 featuring an LP by Queen. What is especially enjoyable is the succinct style on offer – just a few short sharp sentences to define what he believes makes a great record. Another bonus is the layout and indexing system so that if, for example, you click on New Order you will find they are responsible for reasons 492, 398, 394 and 371

Alongside the various reasons you will also enjoy some very well argued posts offering his thoughts, views and opinions on various aspects of music and musicians. Those of you who aren’t fond of U2 might enjoy his critique of the band. Just click here.

I agree with a lot but not all of the reasons outlined so far by Uncle E. I was looking for an excuse to feature this lot….so here’s reason #461 Why the 80s didn’t suck:-

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“Holy crap, was there a better pure pop band in the 1980′s than Squeeze? Me thinks not. I love everything they did up to East Side Story. Even the debut had it’s moments, and everything after fell apart. In the middle you have this little masterpiece, Squeeze’s strongest and most catchiest songs conveniently compiled on one little piece of plastic. Pulling Mussels, Another Nail In My Heart, If I Didn’t Love You, Vicky Verky, the list just goes on, man! If you track it down the ‘deluxe edition’ is really quite worth it for the concert alone, and the b-sides and other stuff is pretty essential as well. If all you have is the single disk “Singles” (which is fantastic, by the way), you’re cheating yourself out of some terrific tunes. Overall, the best album by Squeeze, no contest.”

mp3 : Squeeze – Pulling Mussels (From A Shell)
mp3 : Squeeze – Another Nail In My Heart
mp3 : Squeeze – If I Didn’t Love You
mp3 : Squeeze – Vicky Verky

Enjoy.

IT’S ALL CAUGHT UP WITH ME

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I didn’t build in any time over the weekend to catch up with the blog. Big bundle of emails needing dealt with as well as postings to keep things going this next few days. Will try and get back on track by tomorrow.

In the meantime feel free to listen and dance to this classic:-

mp3 : Stereolab – French Disko

Enjoy!

PS

Here’s something special happening in Glasgow this coming Saturday:-

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I’ll be there all day from about 2pm after taking part in a golf tournament (how very rock’n’roll).

THE MOZ SINGLES (Part 20)

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A bit of a historical moment this July 1991 single as it marked the first release featuring the then relatively unknown Boz Boorer – the one consistent member of the Morrissey entourage over the past 23 years.

The song was a new one that hadn’t featured on Kill Uncle or any of the singles taken from that LP released just four months earlier. But it was one that had been written in conjunction with Mark Nevin who had been so heavily involved in the LP…

It’s a single that I was very impressed with on its release. It was a more than passable move to a rockabilly sound completely different from anything Morrissey had done before. My only grumble is that over the next few years, the rockabilly sound proved to be just about the only way this band could play live and too many of the gigs and tours in the early part of the 90s were a letdown….

But I digress…for this series is really only about looking at the single, and as I mentioned above, it was one I liked on release and one that I still have a soft spot for even now all these years later.

The other tracks on the CD single (for it was in that format I originally bought the single although I now also have a 12″ copy as well) were a strange mix of a cover, a live cover and a live version of a song that had previously been a b-side…..

mp3 : Morrissey – Pregnant For The Last Time
mp3 : Morrissey – Skin Storm
mp3 : Morrissey – Cosmic Dancer (live)
mp3 : Morrissey – Disappointed (live)

The single only reached #25 in the charts, marginally higher than the two efforts taken from Kill Uncle, but a bit of a let down given it was a new song altogether.

Skin Storm had originally been recorded by Bradford, a band much-lauded by Morrissey, who had in fact been the support act at the (in) famous Wolverhampton gig in December 1988. Despite the great man’s endorsement, the band never really amounted to much beyond a cult. Here’s the original version:-

mp3 : Bradford – Skin Storm

The live cover version is of a song that, courtesy of Mrs Villain, can be found inside the cupboard in its original release on vinyl from away back in 1971 when she was a teenager with a big crush on Marc Bolan and Mickey Finn and bought all their records at the time…..and here’s a rip from that LP, Electric Warrior:-

mp3 : T Rex – Cosmic Dancer

She clearly took great care of her records……

Incidentally it says on the back of the sleeve of Electric Warrior:-

“This stereo record can be played on mono reproducers provided either a compatible or stereo cartridge wired for mono is fitted. Recent equipment may already be fitted with a suitable cartridge. If in doubt, consult your dealer.”

A reminder that in those days, you tended to buy records from specialist music shops, most of which existed primarily to sell electrical luxuries such as record players, transistor radios and stereograms with vinyl being just a small section over in the corner with a separate counter.

Happy Listening.

SATURDAY’S SCOTTISH SINGLE (Part 101)

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You might scoff at what Simple Minds evolved into come the mid 80s, but this 7″ single from January 1980 is very worthy of your attention:-

mp3 : Simple Minds – Changeling
mp3 : Simple Minds – Premonition (live, Hurrah Club in New York, Oct 79)

This noise was coming out of Glasgow at the fag-end of the 70s and was well ahead of its time. If the band had broken up there and then or maybe 2/3 years later on, then I’ve no doubt they would be getting hailed today as one of the most distinctive and influential bands ever to set foot in a recording studio. Instead, their defining legacy to most is that they, together with U2, were at the forefront of the drift back into stadium rock in the wake of Live Aid.

Oh and that b-side is how it is on vinyl…a dreadful edit with the final notes of the previous song followed by applause and then the intro to Premonition…all very sloppy.

Enjoy.

MY FRIENDS ELECTRIC (18)

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The above image has nothing at all whatsoever with today’s friend electric other than it is same as the name of the site.

Manic Pop Thrills (MPT) is the place where you will find the musings of Mike Melville, a man with who I have much in common, not least our obsessions with alternative music with Raith Rovers Football Club.

MPT is very fine blend of music, book and gig reviews. I used to post gig reviews on TVV but I stopped as I found myself not able to enjoy what I was seeing and listening to as I was too busy trying to frame the proposed review in my head. And then when it came to trying to capture the moment on-line the following day I found that the reviews were far too lengthy to be of any interest other than to those who were there. Mike however, has a great knack for it as demonstrated by this piece :-

I’ve Fallen For A Monster

Bill Wells and Aidan Moffat / R.M. Hubbert – Twa Tams, Perth – Friday 23rd November 2012

I’ve actually seen Bill and Aidan perform several times before but never as a headline act in their own right. So, last night’s show was something to look forward to.

I’d only been to the Twa Tams once before but I quite liked it’s layout. The gigs seem all to be free but there’s only about a third of the pub given over to the venue with the room with the main PA accommodating only about 100 people (although there’s a screen and secondary PA in the main room). Of course this set-up guarantees that there’s going to be people in the pub who aren’t there for the gig.

Which threatened to be a problem for R.M. Hubbert. Indeed when he started it was difficult to hear him over the chatter from the next room and I briefly worried that the whole evening might have been spoiled. But stepping closer to the speakers helped and the distraction quickly disappeared.

I’d not heard much of him before and even the descriptions of his music, to be honest, didn’t sound too enticing. Yet I actually found his guitar playing quite hypnotic and soothing and, structurally, the handful of pieces he played seemed almost post-rock with an almost drone-like approach. His half hour was over far more quickly than I thought it should have been, which was undoubtedly a good sign.

Fortunately Bill and Aidan didn’t suffer from distractions from next door as a) there were more people to hear them, and b) their set-up was actually a fair bit louder.

For some reason, every time I’ve seen them perform, it’s been in the stripped back 3 piece with Bill and Aidan enhanced by Robert on trumpet. It’s an approach which suits the tunes but this time out Aidan also played percussion throughout which changed the basic dynamic somewhat – in a good way.

The set was essentially based on the award winning LP with a B-side, a cover and, for the encore, no fewer than 3 new songs. Yet there was no feeling of over-familiarity and, despite the melancholic nature of some of the tunes, I found myself feeling quite elated by the whole show.

Maybe because they’re operating some distance away from the MPT motherload, I think I underestimate them sometimes but it’s nice to be reminder that actually the songs ARE fantastic and that seeing them played in person is a rewarding experience.

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Mike makes this live review lark  look so very easy but I know from bitter experience that it’s not.

He didn’t post any songs with the review, so that allows me to take advantage and include an early version of one of the standout track from the award-winning Everything’s Getting Older LP – a version only made available via the luxury boxset

mp3 : Bill Wells & Aidan Moffat – The Copper Top (Take 1)

Ever since Google took down the original TVV blog this time last year, I’ve tried not to link to any videos on YouTube, but I really do have to draw your attention to the promo made to accompany the final version of The Copper Top.  One of the best and most memorable ever made.

 

More Friends electric after the weekend regulars.

MY FRIENDS ELECTRIC (17)

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Bloggers have all sorts of strange reasons for coining he title of their own wee corner of t’internet. In a sense, it’s a bit like trying to come up with a decent name for a band or superhero….

Back in 2006, I came up with the idea of ‘The Vinyl Villain’ as an identity to hide behind as the idea of posting and sharing mp3s may well have been a technical breach of the law but the scale I was intending to operate on was miniscule. It was only some time afterwards that a friend pointed out TVV was very close to name of a second-hand record shop in Edinburgh (Vinyl Villains) – a shop I had totally forgotten about – but by then I was too comfortable to switch back to one of the other names I had been considering. I did however, use one of the other names – The Ghost of Troubled Joe – as a non de plume for a few joke pieces on the old blog.

All of which leads me to today’s friend electric. His name is George and the blog has the tremendous title of Jim McLean’s Rabbit for the reason that “My father helped Jim McLean rescue his pet rabbit ca. 1972. Jim very kindly gave him an autograph book of the Dundee United squad of that era. I hope my brother still has it…….”

It helps to know a little bit about the history of Scottish Football to understand the reference to Jim McLean. Click here for help………

George doesn’t keep an archive on the blog, so heading back to find old posts isn’t the easiest. Like so many of us, he has some regular features interspersed with random ramblings about life all accompanied by the most eclectic of music collections. He’s also got a great habit of throwing in a track every day to commemorate someone’s birthday…..

He’s no longer living in Scotland having, just over a year ago he took leave of his job in teaching, thought about alternatives and ended up moving with his other half  (Jo) to Portugal. There isn’t a day goes by that I don’t admire what he’s done and there’s plenty of times, especially in the winter, when I wish I had the courage to do something similar. But deep down (actually not all that deeply buried) I know that a failure to speak anything other than English and the addiction of wanting to go and watch bands in small venues in Glasgow will keep me here for many years to come.

Here’s a posting from Jim McLean’s Rabbit that will hopefully make you smile:-

(Almost)Friend of the (Almost) Famous

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7 March 2014

In my first teaching job, as well as teaching the son of a founder member of Wizzard (and how good is that???) I also taught the daughter of the man who………………INVENTED THE CURLY WURLY!!!

For those of you not familiar with the Curly Wurly, well, it was a chocolate-covered toffee sweet, which when I was about 12 years old, seemed to be about a foot long (30cm), but in reality I suspect it was considerably shorter. But what a belting sweetie. Chewy, very sweet, great tasting. I have no idea if they are still available. But remember, I TAUGHT THE DAUGHTER OF THE MAN WHO INVENTED THE CURLY-WURLY!

And whilst I’m on about Claims-to-Fame, today we have some music made by the brother of Jo’s friend in town. Two, yes two, tangential claims to fame today. And I’ll throw in a third one. Not tangential at all, though. I met the Queen of Great Britain in 2002.

So here’s some Portuguese accordion music by Carlos Luz (brother of Jo’s friend Carmen).

mp3 : Carlos Luz – Perico do Segovie

I suppose someone will ask me what it means. I do not know what it means.

And here are two more tracks from that great Portuguese rock and roll compilation I featured here a few weeks ago. From the cracking album Rockin’ Around Portugal

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are tracks by the Rhythm All Stars and by a band with a great name, the Texabilly Rockets. The album has 22 rock and roll/rockabilly songs. Get it.

mp3 : Rhythm All Stars – My mountain

mp3 : Texabilly Rockets – The leaves keep a fallin

The Ryhthm All Stars might also be known as Carl and The Rhythm All Stars, and have been together for 12 years. The Texabilly Rockets have been on the go since 1993. I am trying to find out if either or both are playing anywhere near here soon. Or anytime.

And finally….

on this day in 1952 Ernest “Ernie” Isley was born, And yes he was one of the Isley Brothers, and he co-wrote this splendid song:

mp3 : Isley Brothers – Who’s that lady

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More Friends Electric tomorrow

MY FRIENDS ELECTRIC (16)

Keeping It Peel - October 25th

JUST BECAUSE……

http://keepingitpeel.wordpress.com/

and in particular:-

http://keepingitpeel.wordpress.com/2014/03/18/john-peel-10-years-gone/

mp3 : Arab Strap – The First Big Peel Thing (Peel Session)
mp3 : Billy Bragg – Lover’s Town (Peel Session)
mp3 : Cinerama – Groovejet (If This Ain’t Love) (Peel Session)
mp3 : The Delgados – No Danger (Peel Session)
mp3 : Half Man Half Biscuit – Mr Cave’s A Window Cleaner Now (Peel Session)
mp3 : Madness _ Bed & Breakfast Man (Peel Session)
mp3 : The Smiths – Rusholme Ruffians (Peel Session)
mp3 : T.Rex – Ride A White Swan (Peel Session)
mp3 : Urusei Yatsura – Hello Tiger (Peel Session)
mp3 : Wire – I Am The Fly (Peel Session)

 

MY FRIENDS ELECTRIC (15)

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With a tremendous title, lifted from a line in Jilted John, today’s friend electric is one of the longest-running out there, dating back to December 2006.

Crying All The Way to the Chip Shop delivers ‘the sentimental musings of an ageing expat in words, music, and pictures’ and in a way that is incredibly stylish, wonderfully laid-out and as easy to navigate your way around as the London Underground map. But then again, given that London Lee (LL) is a graphic designer by profession it doesn’t come as too much of a surprise.

It’s all very well for a blog or website to look great, but LL also pulls off the trick of coming up with the content to match. Here’s a gem from January 2010:-

The First Time I Felt Old

It was 7:15 in the evening on Friday the 3rd of December, 1982. I know because I still have the ticket.

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I was at one the The Jam’s farewell shows at Wembley Arena and even though I was only 20 myself at the time I felt like one of the oldest people there as the hall seemed to be full of 14-year-old boys wearing cheap Parkas that looked like their Mum had bought them in Millets. It was like being in the audience for Crackerjack or an England Schoolboys football game, and for the first time in my life the words “bloody kids” came into my head and I had that awful feeling of smug superiority that I had been a Jam fan from way, way, way back, long before they were stadium-playing superstars – four years at least! Where were all these spotty little bandwagon-jumpers then, huh? Mucking about with their Tonka Toys probably. I had to fight the urge to grab one of them by the Parka and say “Of course, they were so much better at The Rainbow in ’78. I was there, you know” as if I was some grizzled old hippie droning on about Woodstock.

Several massive hit singles and a Mod revival had happened since that last gig and my mate and I both came to the the rather snotty conclusion that we understood why Weller was breaking up the group if this was their audience now — and selling out Wembley five nights in a row wasn’t very “punk” was it? — which is exactly the sort of condescending attitude you’d expect from a 20-year-old who thinks he knows it all (don’t they all?) But looking back now I feel bad for those kids, they were at the age when they were starting to get into music seriously and I can imagine how important The Jam were to them because I remember that feeling well myself. Paul Weller was your hero and you would hang on his every word for tips on what to wear, what to read, what old records to buy, even how to vote. And then — maybe in the same week you bought a George Orwell novel because Paul mentioned him in an NME interview — the bastard went and broke the band up. Who did that leave you with? Secret Affair??? That’s like losing a pound and finding a penny — well, 50p maybe.

I don’t remember much about the actual gig itself apart from Weller smashing up his guitar Pete Townsend-style after he tripped over his guitar lead and Bruce hanging around on the stage waving to the crowd at the end long after Paul had buggered off. But I do have a bootleg of the concert from the night before at Wembley which is about as close as I’ll ever get to recreating that magical night when I became an old git.

Download: Precious – The Jam (mp3)
Download: Move On Up – The Jam (mp3)
Download: Boy About Town – The Jam (mp3)
(Live at Wembley, December 2nd, 1982)

Another reason why I had no right to feel superior to those kids: When I was their age I was into ELO.

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Sadly, I don’t have the songs from the bootleg so instead I will offer versions from my own collection of music from the trio who, more than any other, turned me into a music obsessive:-

mp3 : The Jam – Precious (demo)
mp3 : The Jam – Move On Up (live on’The Tube’)
mp3 : The Jam – Boy About Town (flexidisc version)

LL has also taken some of his best postings and turned them into two volumes of books. Click here for more details. I’ve just placed an order for both of them….

More Friends Electric tomorrow

MY FRIENDS ELECTRIC (14)

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Many of the more informative and entertaining blogs come from the simplest ideas. Today’s Friend Electric is Charity Chic Music, maintained and managed by Charity Chic (or CC for short).

The first ever posting on the blog in November 2012 set out the philosophy:-

“The idea of this blog is to share music I have discovered in Charity Shops.

When real life kicks in and you can’t afford to buy as much music as you like or used to you are faced with a number of options:-

1. stop buying
2. buy less
3. buy less, hit the library and the charity shops

I’ve gone for option 3.”

It’s expanded a wee bit since then, taking in gig reviews and a range of themed postings including cult labels, southern soul and what must be a world first in ‘Bands I’ve seen in Helensburgh’ (a very small town at the end of the railway line some 25 miles west of Glasgow).

He will darken the doors off all sorts of charity shops in the hope of unearthing something for his blog, and I’ve stolen his words and music from a posting back in October 2013 partly as the shop in question is away up on the north coast of Scotland, not too far from the home town of my dear friend Jacques the Kipper, and partly as I agree with every word he says about the CD he featured:-

The Portsoy Thrift Shop Experience

Wouldn’t that be a great name for a band!

The thrift shop in the rather pleasant North East Scottish village of Portsoy has probably got the cheapest CDs that I’ve yet come across – four for a pound!

I could only see two that caught my fancy. In retrospect I should have grabbed another two and recycled the jewel cases.

This was one

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This Sheffield band is a personal vanity project of one Stephen Jones and are famous for one track “Your Gorgeous” which reached number 3 in 1996 .

Anyone spending more than 25p on the album and expecting more of the same will be extremely disappointed.

According to the sleevenotes Ugly Beautiful is the search for perfection and is like trying to kill flies with scissors.

A pile of pants I say

Babybird – Candy Girl

Babybird – You’re Gorgeous

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More friends electric tomorrow

THE MOZ SINGLES (Part 19)

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mp3 : Morrissey – I Have Forgiven Jesus

Released just before Xmas 2004, the song title clearly rattled the controllers at the BBC for they didn’t allow it to be playlisted on either Radio 1 or Radio 2. Other radio stations weren’t so concerned, nor were various music video channels, and so this became the fourth highly succesful single to be taken from You Are The Quarry, hitting #10 on its week of release.

Last week I mentioned that, between 1989 and 1997, only one out of the twenty of the great man’s singles released during that period got as high in as the Top Ten in the UK. Fast forward seven years to the comeback…and all four singles released in 2007 go Top 10. The only other act to enjoy such chart success in the UK that year was boy band McFly…..

The single came out on 7″ and on two CD formats. The b-side on the 7″ and the widely available CD1 is probably the weakest of the three previously unavailable songs – and its a cover of a record released back in 1987 by Raymonde, a band that featured James Maker who appeared as a dancer/backing vocalist with The Smiths at a handful of their very early gigs – but that in some ways is a bit of a harsh criticism as they all have something to offer:-

mp3 : Morrissey – No One Can Hold A Candle To You
mp3 : Morrissey – Slum Mums
mp3 : Morrissey – The Public Image

No One…is the cover version. Slum Mums and The Public Image surely deserved to be on something other than CD2 of the fourth single taken from an LP, for they are among some of the best things he has released since embarking on the comeback. Particularly ‘The Public Image’ which I think is a rather wonderful song….

The cover photo is a still taken from the promo video

SATURDAY’S SCOTTISH SINGLE (Part 100)

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From wiki:-

Shop Assistants were an indie pop band from Edinburgh, Scotland, formed in 1984, initially as Buba & The Shop Assistants. After achieving success with independent releases they signed to Chrysalis Records sublabel Blue Guitar, releasing their only album in 1986. After splitting in 1987, with singer Alex Taylor moving on to The Motorcycle Boy, they reformed for two further singles in 1990.

The original line-up was Aggi (Annabel Wright, later of The Pastels), on vocals, David Keegan (guitar), Sarah Kneale (bass), Laura MacPhail (drums) and Ann Donald (drums). This line-up released one single, the now highly-collectible “Something to Do” which was produced by Stephen Pastel. Stephen Pastel also contributed backing vocals.

Aggi left to be replaced by Alex Taylor. Soon after, the name shortened to simply ‘Shop Assistants’ and the first release under their new name was the Shopping Parade EP in 1985 on The Subway Organization, the lead track from which, “All Day Long” was described by Morrissey as his favourite single of that year. Ann Donald left round about November 1985 and was briefly replaced by Joan Bride (possibly a pseudonym!). Shopping Parade was followed in early 1986 with “Safety Net”, the first release on Keegan’s 53rd & 3rd Records, which peaked at number two in the UK Independent Chart, and the band recorded a national radio session with Janice Long and a second John Peel session, both of BBC’s Radio One.The exposure they gained from the sessions enabled the group to have two songs to be voted into John Peel’s Festive Fifty in both 1985 and 1986.

In 1986, they were featured on the NME’s compilation C86 with one of their slower songs, “It’s Up To You”, taken from Shopping Parade EP. Also in that year, they signed to Chrysalis Records’s sublabel Blue Guitar for another single, “I Don’t Wanna Be Friends With You” as well as their first and only LP album, Will Anything Happen. This spent one week at number 100 in the UK album charts, which gives the band the distinction of being the (joint) least successful act ever to hit the national charts. The album was re-released on CD in 2001, although it is now very hard to find.

The band split early in 1987, when Taylor left the group to join The Motorcycle Boy. After a two-year hiatus, the band reformed without Taylor in 1989 with Kneale on vocals and MacPhail on bass and the addition of Margarita Vasquez-Ponte of Jesse Garon And The Desperadoes.

And here is one of THE great indie-singles of the era:-

mp3 : Shop Assistants – Safety Net
mp3 : Shop Assistants – Almost Made It
mp3 : Shop Assistants – Somewhere In China

Again…from wiki:-

The song was first recorded for the band’s first session for John Peel’s BBC Radio 1 show on 8 October 1985.It was recorded for release on 24 and 25 October 1985 at Pier House, Edinburgh, and released as a single on guitarist David Keegan and Stephen Pastel’s 53rd & 3rd Records in February 1986, the first release on the label.

The single reached number two on the UK Independent Chart, spending seventeen weeks in the chart in total. The song was voted to number eight on the 1986 Festive Fifty, with only tracks by The Smiths, Primal Scream, The Fall and “Kiss” by Age of Chance receiving more votes.

“Safety Net” was described by David Sheridan of Trouser Press as “nothing short of brilliant”.Gillian Watson of The Scotsman called the song an “early classic”, which “captures how nervous and exciting it feels to be a young adult in the city at night”.

MY FRIENDS ELECTRIC (13)

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Today’s friend electric describes herself as a ‘music obsessed cooking freak’ which always makes me laugh.

The blog is called I Sing In The Kitchen and the genius behind it is Tricia.

I say genius and in this case I think it’s an accurate use of the word for it really does take someone special and talented to come up with the idea of a blog which has a daily recipe linked into a piece of music or a singer or band. And she’s been entertaining us in this way since January 2011 never ceasing to amaze with the extent and variety of the recipes and the music.

Tricia has an incredible taste in music and is forever using her blog to recommend all sorts of new stuff with a fair bit of it featuring singers and bands from Scotland, many of which were previously unknown to me. The thing is though….Tricia isn’t from my part of the world – indeed she lives a long long way from my part of the world.   Vermont, USA to be precise and it never ceases to amaze me the depth or her knowledge and the extent of her enthusiasm when it comes to Jock’n’Roll.

By most reckonings, I should be getting as far away as is humanly possible from a food related blog.  My taste in food is about as bland, unimaginative and boring as you could imagine and therefore so much of what Tricia so lovingly describes is wasted on me. My idea of cooking is to remove something from the refrigerator, pierce a hole in the cover and press the appropriate buttons on the microwave.

Tricia though, has a real passion for here recipes and recommendations.  Have a read at this from February 2011 and please note the photos are taken as Tricia prepares and completes the recipe:-

Ooh La La! French Macarons With Raspberry-Rose Buttercream.

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Recently my daughter needed to make a French recipe to share with her French class at school. We decided to have a go at making macarons and I am so glad that we did. French style macaroons, or ‘macarons’ en français, are two delicate meringue style cookies sandwiched together with a rich buttercream or ganache. When you bite into a macaron the crisp exterior of the cookie gives way into a slightly chewy center that in turn gives way to a delectable cream filling. Delicieux.

I had never used rose water prior to this recipe. The buttercream recipe only calls for a quarter teaspoon and the smallest bottle sold at my supermarket was 300 ml! Holy Rose Water! Please, if you know of any other good recipes using rose water send them my way!

Please indulge me while I have a momentary flight of ideas:

Rose + Water= Titanic——>Sinking

Kills me everytime!

Back to the baking.

French Macarons With Raspberry-Rose Buttercream

Cookies:

2 cups confectioners’ sugar

1 cup sifted almond flour

3 large egg whites

2 Tbs plus 1/2 tsp sugar

Filling:

16 oz frozen raspberries

1 cup plus 6 Tbs sugar, divided

2 large egg whites

10 Tbs unsalted butter, cut into small cubes, softened

1/4 tsp rose water

Directions:

1. Line 2 large baking sheets with parchment.

2. Sift confectioners’ sugar and almond flour into a large bowl.

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3. Using electric mixer, beat egg whites, sugar and a pinch of salt until medium peaks form. Add egg white mixture to almond mixture and fold to incorporate.

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4. Working in two batches, fill a pastry bag fitted with a 1/4 inch diameter plain pastry tip with batter. (Batter will be thin and will drip from bag). Pipe batter in 1 1/4 inch rounds on baking sheets, spacing one inch apart. (Cookies will spread slightly). Let rest on baking sheets at room temperature for 20 minutes.

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5. Position 1 rack in top third and 1 rack in bottom third of oven.

6. Preheat oven to 375℉.

7. Bake cookies 5 minutes. Reduce oven temperature to 325℉. Continue to bake cookies until puffed and golden on top, about 10 minutes, reversing sheets after 5 minutes. Cool cookies on sheets on rack. Carefully peel cookies from parchment.

(The cookies can be made one day ahead. Store in an airtight container at room temperature.)

Filling:

1. Bring raspberries and 1 cup sugar to boil in a large saucepan over high heat, stirring until sugar dissolves. Cook until berries are soft, juices thicken, and mixture measures about 1 1/2 cups, stirring frequently, 7 to 9 minutes.

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2. Measure 1/2 cup of raspberry mixture and strain into a small bowl. Cool strained jam and jam with seeds separately.

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(The jams can be made one week ahead. Cover them separately and refrigerate)

3. Combine egg whites, 6 Tbs sugar and 1/4 tsp salt in bowl of a stand mixer. Set bowl over a large saucepan of simmering water. Heat until candy thermometer inserted into mixture registers 140℉, stirring often, 3 to 4 minutes.

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4. Using whisk attachment, beat egg white mixture at high speed until stiff meringue forms and mixture is at room temperature, 5 to 6 minutes.

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5. With mixer running, add butter, 1 piece at a time, beating until each piece is incorporated before adding next. Beat in rose water. Add 3 Tbs seedless jam, 1 Tbs at a time. (If the buttercream should ever appear curdled, place bowl over medium heat and whisk to warm slightly for a few seconds, then remove from heat and beat again. Note: I never had any curdling and have no idea how common a problem that is.)

6. Line a rimmed baking sheet with parchment. Using 1/2 tsp jam with seeds for each, spread jam over flat side of half of macarons. (These are super delicate cookies. Handle very carefully or they crush.)

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7. Spoon buttercream into pastry bag fitted with a 1/4 inch plain tip. Starting at outer edge of flat sides of remaining macarons, pipe buttercream over in spiral. (I had to hold the macaron in one hand and pipe with the other since the dang things would move all over the place if I tried to pipe the buttercream while they were sitting on the parchment.)

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8. Gently press macarons, jam filled side down, onto buttercream coated macarons. Place on sheet. Cover and chill overnight.

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(The macarons can be made 2 to 3 days ahead. Store in the refrigerator. Let stand at room temperature 30 minutes before serving)

Adapted from Bon Appétit magazine. (They said they got about 3 dozen sandwiched macarons. Even when I realized, early on, that I was piping the cookies too big I still only ended up with about 24 sandwiched macarons.)

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Here are a few French songs to get you in a macaron mood.

Lloyd Cole-Si Tu Dois Partir

Serge Gainsbourg-Sea, Sex And Sun

DeVotchKa-Viens Avec Moi

Cheers!

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I was lucky enough to meet Tricia, along with her incredible family, when they all came over to Scotland as part of a vacation a few years back.  I read on someone’s Facebook page that she’s heading our way again in the not too distant future….my fingers and toes are crossed.

JC

 

MY FRIENDS ELECTRIC (12)

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Here’s someone else who has been a long time friend of the blog.

Rol Hirst is, like so many of the folk I’m featuring this month, a great talent.  He has, in the past, produced some incredibly entertaining comics and if you go to his website/blog My Top Tens you will find a link to his novel, available as an e-book via kindle.

Rol has been responsible for some great on-line material over the years, especially over at the now defunct Sunset Over Slawit, and nowadays he entertains us with My Top Ten which is, in his own words – very little waffle, just ten songs on any given subject.

The thing is, in just under two years, Rol has written more than 200 such lists on all sorts of weird and wonderful subject matters. His imagination knows no bounds.  Here’s an example

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My Top Ten Strike Songs

I’ve been on strike today for the first time in my life. I managed 41 years without ever going on strike; I’ve been a full time teacher just over a month and already I’m unionised and refusing to cross the picket line. Billy Bragg would be proud…. which probably gives away this week’s Number One.

Special mention to the Flying Pickets… obviously.

10. Ewan MacColl & Peggy Seeger – Daddy, What Did You Do In The Strike?

Perhaps one day Sam will ask me this question. Perhaps I’ll point him to this post.

The song itself… you won’t hear a better chronicle of the darkest days of the 1980s.

9. Strike Anywhere – You’re Fired!

Very loud but extremely apt.

Hopefully the name of the band won’t lead me to the title of the song.

8. Elvis Costello – Clown Strike

I hate clowns, so they can stay on bloody strike for all I care.

7. Titus Andronicus – A More Perfect Union

Perhaps not about that kind of union, but what it lacks in relevance it makes up for in passion. And any song that mixes Bruce Springsteen with Billy Bragg gets my vote every time…

“No, I never wanted to change the world, but I’m looking for a new New Jersey
Because tramps like us, baby, we were born to die”

6. Ry Cooder – Strike!

Lots of songs about striking miners… couldn’t find any about striking teachers.

We’ve got it easy, to be honest.

5. Manic Street Preachers – A Design For Life

Growing up in Wales, the Manics were hit hard by the miners’ strike. Their biggest hit was inspired by it… and they’re still angry (referencing the Battle of Orgreave) on their excellent new album, Rewind The Film.

4. The Smiths – Bigmouth Strikes Again

Yes, yes, this is also somewhat off-topic… but you didn’t really think I was going to leave it out, did you?

3. Billy Joel – Allentown

Even the union can’t help the inhabitants of Allentown. For anyone who dismisses Billy as a balladeer, here he’s as angry at his country as Springsteen on Born In The USA. Great song.

2. Pulp – The Last Day Of The Miners’ Strike

Coming from South Yorkshire, Jarvis will have seen the worst effects of the miner’s strike firsthand too. Working in Barnsley, I’m reminded of it regularly. Those scars are still raw.

“Well by 1985, I was as cold a cold could be
But no-one was underground to dig me out and set me free
’87 socialism gave way to socialising
So put your hands up in the air once more
The north is rising”

1. Billy Bragg – There Is Power In A Union

Sharing its title with a song written in 1913 by Joe Hill (presumably not Stephen King’s son… unless time travel or supernatural naughtiness are involved), Billy’s version sounded defiant against Thatcherism in the 80s… but is it a forlorn hope today?

“Now I long for the morning that they realise
Brutality and unjust laws cannot defeat us
But who’ll defend the workers who cannot organise
When the bosses send their lackies out to cheat us?”

Those were my striking anthems. Which one would cross your picket line?

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mp3 : Billy Bragg – Don’t Mourn, Organise
mp3 : Billy Bragg – There Is Power In A Union (live)

Both taken from a gig recorded live at the Barbican Centre in London in March 2004…the first is the three minute spoken intro for the latter.

More Friends Electric tomorrow

 

MY FRIENDS ELECTRIC (11)

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Andrea over at Conventional Records writes his posts in Italian and I have to rely on one of those internet translation services to understand it – sometimes the translation doesn’t make perfect sense and it makes me wish I had learned to speak, read and write Italian.

For many years, Andrea was heavily involved in music in Italy either through the publication of articles and reviews or as a broadcaster on a local radio station in his home town of Lodi near Milan.  Nowadays, like so many of us, his time is taken up with work and family life and so his involvement in music nowadays is mainly through listening, attending gigs and writing about it on a blog.

He’s a big fan of My Bloody Valentine and so I thought I’d introduce you properly to him through some words he composed when MBV was released last year (and my apologies to Andrea that the translation service so often makes such a mess of your fine words )

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The return of My Bloody Valentine after 22 years has been a truly meaningful test than you might be willing to get serious with the ethics of extreme Conventional Records .

The album comes out suddenly impossible, whatever you want for years and years, to know what it could be after the sounds of superhuman Loveless, one forgotten by everyone as scientifically impossible. Exits overnight and exists only on the other side of a screen, or on a display. On the website of My Bloody Valentine, on YouTube, I assume also on iTunes and Spotify, linked on blogs around the world. With its electric blue cover made of pixels. But no cardboard, no aluminum, vinyl somewhere. Well, good.

Then do nothing, Kevin Shields. I’ve waited 22 years, look again. I waited another 2 months, and then the blue pixels electrical materialized behind the window of Libraccio, as I tried in vain, for the umpteenth time, the new Johnny Marr. Label a deadly price: 24 €. No problem, here we are at the checkout. Actually helped a lot that I had to download the 100 points earned on the card HI, amounting to € 20. Great thing, and a great name, High Fidelity card. A place: 4 € 3rd album by My Bloody Valentine officially came into my life, between Loveless and Nearly God. And then, of course, inside the iPod …

Listened months after reading reviews more or less authoritative, it’s all true, they are all right. Those excited like kids and those who wonder if we really need it. The ones that everyone else by comparison disappear, and those who took 22 years seems to be patched and finished quickly. There can not be a neutral and objective way to approach this album, because it is too subjective is the relationship that each may have developed with the songs and the sound of My Bloody Valentine. Why is mainly dependent on them when it was discovered and heard, and what is the relationship that you have with the music today.

I’m right there in this album. Not looking for, do not expect more, and the sound out of the world of Loveless was part of the fondest memories of the 90s. But now that I got myself into, it seems that, subconsciously, I needed it. I do not think mbv, how it operates, will hold up over time compared with Loveless and Is Not Anything; but here and now, in 2013, it compensates its imperfections and unevenness of style with a powerful evocation of the world 20-25 years ago.

mp3 : My Bloody Valentine – She Found Now

 

More Friends Electric tomorrow

 

MY FRIENDS ELECTRIC (10)

1983

I’m returning to Germany again for today’s Friend Electric who is Walter:-

“I’m a mid-age man, spending a lot of my time listening to music, watching soccer, reading books and other stuff” (i.e he sounds just like the bloke who writes TVV!!!!!!)

And he also posts very regularly on A Few Good Times In My Life.

This is another great blog in which the author writes in a language other than his native tongue and again it puts those of use who can speak just one language to shame. Some of the posts on this blog are quite short – for instance Walter might just say that he is sharing a particular song because it popped into his head and reminded him of how great it was.

But more often or not, the post will be in-depth and in one particular series, 40 Records in 40 Years, in which Walter is telling the story of his life, you will find yourself reading things and having your memory jogged in ways that go way beyond music. I’ve posted below his entry in respect of 1983.

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When I think back what happened in this year of my life that it was stamped by two influences: First is the wakeup of my political thinking and second was that I started playing football again.

Compared to now the twenty something was more interested in politics and tried to show their point in mostly peaceful ways. I still remember what we discussed these times. There was the NATO Double-track decision that offered the Warsaw pact the deployment of the mobile American middle-range missiles (Pershing II) to rebuilt the state of Mutual Assured Destruction. NATO offered immeditate negotiations with the goal to ban nuclear armed middle-range missiles from Europe completely, with the provision that the sam missliles could be installed four years later should the negotiations fall. Knowing that the Americans deposited a lot of nuclear warheads in southern Germany and not far away from our place we were afraid of the so called ‘war by mistake’ and a nuclear Holocaust in Europe.

This was the birth of the peace movement in Germany. We demonstrated against the NATO double-track decision on some marches through the cities and finally in October with the largest human chain. More than 300.000 people stood between Stuttgart and Neu-Ulm (more than 100 km) hand in hand to say no to this decision. How proud we were to be members of this.and I still remember that slogan ‘Petting instead of Pershing’. It was also the time when our new government by Mr. Kohl turned into another politic of nuclear energy forcing the building of new atomic reactors. Reminding the accident on Three-Mile-Island we had fears about what could happen when we lose control over the systems. We supported the Green Alternative so that they were elected in the autumn to the German Bundestag. In this connection I have to remember the leading person of this party Petra Kelly and her partner the former general Gert Bastian – that they died a few years later at suicide is another story to be told.

The third thing I remember was the census that should be done in this year. A lot of questions to be answered in interviews partly very private. The easiest way to say to the census was not opening the door to the interviewer. And after some judical judgements the government denied the census.

This was the background we discussed at long evenings in our local pub. A lot of them lads I did know for years – others were totally new to me. One day the owner of the pub wrote with chalk on the board: ‘Is anyone interested to play football in the name of the pub?’ We sat there watching him writing and said spontaneous ‘Try us!’ And that was the birth of a hobby team that lasted for nearly 20 years. We all knew that we could be successful because we all played football in different clubs. But our first tournament was a totally disaster because we thought we were unbeatable and play with several beers in our head. But more of this later.

Now back to music from 1983:

(JC adds – at this point in the piece, Walter puts up some videos – which given it was 1983 and the height of MTV-mania seems very apt – before returning back to words)

My first thought was that this year were not released as many remarkable and leading records compared to the last year. Maybe a little break for the things will come. Anyway – by adding them up I have to say that I was wrong. Here some records that I remember well:

Malcolm McLaren – Duck rock: Turned away from his punk roots to combine south African music with American Rap

Roxy Music – The High Road: Just a four track EP but great

David Bowie – Let’s Dance: Sound of the summer that fit to a lot of people

Aztec Camera – High Land, Hard Rain: Their first masterpiece; awesome songs

New Order – Power, Corruption and Lies: Elementary for what will be called dancefloor later

Talking Heads – Speaking In Tongues: Excellent record after a couple of years

Yello – You Gotta Say Yes To Another Success: s.a. New Order

Big Country – The Crossing: Love to hear some good guitars again that sounded like bagpipes

Rufus – Stomping At The Savoy: Together with Chaka Khan a furious live recording

Marc And The Mambas – Torment and Toreros: Following project from Marc Almond together with Matt Johnson. A crude mixture of French chansons, freaky guitars, string arrangements, dance tracks and a little bit of dark wave.

The The – Soul Mining: Matt Johnson gave us a combination of wave, dark and dance

Michael Franks – Passion Fruit: I always loved his voice, and now he released a little masterpiece of funk and fusion

I didn’t went often into the cinema this year but there are still some movies I can remember::

Trading Places: Dan Aykroyd an upper class broker and Eddie Murphy a homeless street hassler changing their lifes because of an immoral bet.

The Big Chill: Lawrence Kasdan shows us what could happen when you meet your former class mates after 15 year according to a funeral of your friend

Silkwood: My first time I recognized Meryl Streep as an actor when she stood up against the atomic industry

Carmen: Never seen flamenco like this before – awesome

Cujo: Another horror thriller based on a novel by Stephen King – beware of the dog

Gorky Park: Crime in the Soviet Union – nearly impossible?!?

Zelig: Woody Allen shows us his Jewish roots

Not only the protest against the decisions of our government ruled the world – there was something else:

The mighty Björn Borg retired from Tennis; 25 members of the brigada rossi were imprisoned for life after for murder of Aldo Moro; Klaus Barbie is officially charged with prison for war crimes; over 2000 people, most of them Bangladeshi Muslims, were massacred in Assam, India; Strategic Defense Initiative by Ronald Reagan – became well know as ‘Star Wars’; Motown celebrates 25th anniversary and Michael Jackson creates the moonwalk; Sterm magazine releases the Hitler diaries which are later found to be forgeries; Aberdeen FC wins the European Cup Winner’s Cup by beating Real Madrid 2:1 after extra time; the Tories are re-elected by a landslide majority; Anti-Tamil riots begin and nearly 3000 where killed – start of the Sri Lanka civil war; Korean Air Lines Flight 007 is shot down by interceptor when the civil aircraft entered Soviet airspace; Maze prison escape.

The second official record from Fun Boy Three is on of the most perfect records ever that combined political and social commentary with fantastic harmonies and melodic twists. The whole record has a full touch of sadness and hopelessness all over. Often combined with the last hope: love.

It was produced by Talking Heads member David Byrne who also played guitar on  it. I can’t remember when I heard three voices (Terry Hall, Neville Staple and Lynval Golding) in that harmony before and after. Their single ‘Our lips are sealed’ reached the top 30 in Britain these year. Less people will remember that this song (co-written by Terry Hall) was recorded by the Go-Go’s a few years ago (also a band I remember very well sometimes). It is pure pop but effective arrangements feature trombone, cello and other orchestral instruments make this record a milestone in British music.

mp3 : Fun Boy Three – The More I See (The Less I Believe)
mp3 : Fun Boy Three – Our Lips Are Sealed
mp3 : Fun Boy Three – The Tunnel of Love

More Friends Electric tomorrow

MY FRIENDS ELECTRIC (9)

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Today’s friend electric is Phil Spector. No, not the one in the photo above, but the one from Ayrshire in Scotland who is responsible for Plain Or Pan, a blog which describes itself as being ‘outdated music for outdated people’, in which case I am very happy to be outdated.

Phil is another whose breadth and depth of knowledge of all things musical is quite astounding. He’s another of those incredibly talented writers who make things look very easy. It’s also a blog which you can never quite predict what is coming next…

Once again, there were so many things I wanted to steal and post here, but in the end I’ve only gone back a few months to a post put together when the news that Johnny Marr had broken his hand emerged:-

It’s All Right Marr, I’m Only Bleeding

March 20, 2014

I got my first real six string when I was 16. Bought it second hand from a wee guitar shop in Irvine that disappeared the day after I paid my £30 for it. The guy who ran it was never seen again. About 2 days later, indulging in a spot of fat-fingered She Sells Sanctuary riffing, the pick-up gave me an electric shock and a temporary Sid Vicious haircut. That guitar was a right temperamental block of wood, but I loved it. I played it till my fingers bled. To paraphrase even further, it was the Summer of ’89. That’s when I realised I’d never be Johnny Marr.

I’ve always loved Johnny Marr. In The Smiths, he wrote an obscene number of brilliant, inventive tunes. Lazy writers would go on about his ‘chiming‘, ‘jangly’ guitar sound, but there was far more to his arsenal than that. There was always, even in the Smiths’ most tender moments a bite to his guitar. He could fingerpick. He could play inventive chord patterns. He could fingerpick and play an inventive chord pattern underneath it at the same time. With 10 fingers sounding like 25. ‘Like Lieber and Stoller piano lines playing alongside the guitar‘, to misquote him from the early days in The Smiths. Then there were the open tunings, the Nashville tunings, the hitting strings with knives to get the desired effect. He reinvented the wheel.

Johnny was (and probably still is) my idol. Even though he dyes his hair. And runs over 50 miles for fun each and every week.

Slightly on the wrong side of cocky (and so would you be if mercurial quicksilver tunes like those fell off your fingers and onto the fretboard as effortlessly as a bride’s knickers), he’s not much older than me, yet he’s done a ridiculous amount of music. Previous posts on here have gone on at length about all the non-Smiths stuff he’s done. There’s literally hundreds of things he’s been involved in. Not always up there with the vintage riffing of yore, but always fresh-sounding and never anything less than interesting. Clearly, he’s the guitarists’ guitarist, the one they call when they need a bit of magic sprinkled on top.

Last week when he broke his hand, my first thought was, “I wonder if I can play ‘Some Girls Are Bigger Than Others’ better than him now?“

Probably not, is most definitely the answer. One of my favourite non-Smiths Johnny moments is on Electronic‘s Forbidden City, from the patchy Raise The Pressure LP released in (gulp) 1996.

mp3 : Electronic – Forbidden City

It runs the whole gamut of Johnny’s guitar attack. A heady rush of major and minor chords played on an acoustic guitar here and electric guitars there, Johnny picking his trademark arpeggios atop some mid-paced strumming. He plays terrific little 2-string run-downs and fills between the singing that are concise and snappy and perfect. On the chorus he lets the right notes ring out at the right times. In a lesser pair of hands, it all might sound a wee bit lumpen. But Johnny knows just how to make his guitar sparkle and sing. By the middle eight, he’s flung in a backwards bit and dooked the whole lot in a bath of feedback before coming back to the song in a ringing, shimmering blaze of glory. The whole track is, of course, carried along brilliantly by a Bernard vocal that recalls New Order at their uplifting, melancholic best. And I believe that’s Kraftwerk’s Karl Bartos on drums as well. What’s not to like?

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In a typically Marresque coda to all of this, Johnny’s broken hand was put into a special sling that’ll allow him to perform his day job without compromise. Broken hand or not, no-one plays guitar like Johnny.

Told you this guy was good…….

More Friends Electric tomorrow.

THE MOZ SINGLES (Part 18)

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Take a look at the personnel playing on this single….

Morrissey (voice)
Kirsty MacColl (vocals)
Craig Gannon (guitars)
Neil Taylor (guitars)
Andy Rourke (the bass)
Mike Joyce (the drums)

And with Stephen Street on production duty, it’s practically a reunion of The Smiths, so by all accounts, this should be a memorable 45. And it almost is:-

mp3 : Morrissey – Interesting Drug

It was the fourth solo single, released in April 1989 (cant believe it was 25 years ago!!!), and the first that didn’t grab my attention on the initial listen. Indeed, it took quite a few plays on the CD player before I began to enjoy it – and in truth, I felt (and still believe) that its most redeeming feature is its lyric. But I’m also happy to say that time has mellowed my views on the actual tune – I now think that its passable as opposed to appalling.

A clear attack on Thatcherism (rampant at the time of the song’s release) and a warning of what can happen if you dabble with the ‘interesting drug’. But what exactly is the ‘interesting drug’? Some have suggested it has a literal meaning and refers to ecstasy, which, at the time, was being hyped-up by the UK tabloids as the next big danger to our youth…..

I’ve another theory….

the one that you took
TELL THE TRUTH
it really helped you
an interesting drug
the one that you took
God, it really helped you
I wonder why you’re only half-ashamed
“because Enough is too much
and look around
can you blame us
can you blame us”

That’s how the lyrics appear on the back of the 12″ sleeve. Couldn’t they be aimed at working-class folk who had been wooed by the evil Tories and had literally bought into a false dream with their newly-owned council homes and shares in the recently privatised public utilities? Just a thought….

Like the first three solo singles, this went Top 10 – peaking at #9 in the UK. Little did anyone realise that of the next 20 singles Morrissey would go on to release in the UK, only one would be a Top 10 hit….

Of the two tracks on the b-side, one was an original and the other a live version of a track by The Smiths, recorded at the now (in)famous free concert given at Wolverhampton Civic Hall in December 1988.

mp3 : Morrissey – Such A Little Thing Makes Such A Big Difference
mp3 : Morrissey – Sweet And Tender Hooligan (live)

Oh and another thing…..I hate the sleeve for this single. It makes the great man look like some sort of villain in a bad sci-fi movie.

Happy Listening.

MY FRIENDS ELECTRIC (8)

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The above image is that which you will find at the head of Bagging Area, another excellent blog with a bit of an indie-bent but which is waaaaay more eclectic than you find in my own inane ramblings (for instance there’s been a long-running and entertaining series on rockabilly).

It is the work of Swiss Adam, who, in his own words when he started the blog is ‘a 40 year old man from Sale, Manchester who likes records’. As concise a description as is necessary.

Here’s something of his from May 2014 that I really liked:-

Be My Baby is, quite clearly, an utterly fantastic pop record derived from the imagination of Phil Spector and the combined voices and attitudes of The Ronettes. It has one of the form’s definitive drum beats (which it is impossible to get tired of).

It is also –  and this is a fact –  a song that can be put on any mixtape/compilation cd, before or after any other song by anybody, and still work perfectly. Try it.

mp3 : The Ronettes – Be My Baby

A posting of just five lines – but it makes the point perfectly. That’s what I call great blogging.

More Friends Electric next Monday

MY FRIENDS ELECTRIC (7)

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I was tempted to leave my look at today’s Friend Electric until this coming Sunday so that it would tie-in nicely with the final of the 2014 World Cup….but I thought instead that putting it on the morning after the second semi-final was determined might help you with build up.

Football and Music isn’t a blog but a fully blown website managed and delivered by Webbie. He started it going in 2007 for a very simple reason and from what was a very modest undertaking he now is responsible for one of the best and most original things out there:-

Football and Music is run by a British Expat now living in North Carolina in the USA.

The website was born not by design but by accident.

One day for reasons unknown to me now I wanted to watch the Anfield Rap video again.
I think I wanted to remind myself of how craptacular it was.
After this I began looking at other football/musical items and then had that eureka moment. As I was looking I discovered there was much, much more out there than I imagined. I must tell people about this…

Over the years I’ve discovered some gems. But most of the time they are horrors. You will discover that football and music is a genre that shouldn’t exist. But it does. Something I thought wouldn’t last, but every day I find something new. This journey never seems to end.

The site is constantly changing to reflect the times…for instance right now ‘2014 World Cup Songs – Every Team’ does exactly what it says on the tin. There’s a great permanent section called ‘Find Your Team’ under which all his posts have been tagged – there are 300 teams/subject matters ranging from the sublime to the ridiculous. As a Raith Rovers fan I have to highlight this particular post from September 2009, which is a mix of words, video and music so its much easier to provide the link:-

http://www.footballandmusic.co.uk/dancing-on-the-streets-of-kirkcaldy/

I’ll leave you to determine if that’s an example of the sublime or the ridiculous.

Here’s one of Webbie’s great postings from earlier this year:-

Tierney (A Ballad To…)

How many times have you been watching a match and you hear the commentator say…”the ex-Manchester United trainee there…”

Happens often doesn’t it. Well this is the story (and song) about one of those.

The player in the spotlight today is one Paul Tierney, the English-born Republic of Ireland Under-21 left back, who as mentioned was signed to Man Utd as a trainee. But like quite a few others it didn’t happen for him there.

The information I have about him is brief and comes from the Wikipedia entry, a couple of football news items – and mostly from the song.

That we’ll get to in a moment, but for now let’s look at the subject in hand:

Signed onto the Old Trafford books in 1999 and turned professional a year later, at first Tierney was loaned out to Crewe, Colchester and Bradford. But he did make an appearance for his parent club – Dec 2003: versus West Brom in the league cup.

Eventually Paul was released and signed for Livingston in the Scottish Championship, the second tier of the Scottish football leagues. That was only for one season, but a significant one because this is where a certain Glaswegian music took note of him…which I’ll come to in a minute.

Moving back down to England he signed for Blackpool, went out on loan to Stockport during that time and then after being released he joined the Alty… and that’s the last entry on his Wiki page. I don’t know where Paul is still playing now or if he’s still playing.

Looking at that journey, the appearances and the clubs it’s easy to make a Doc “Moonlight” Graham in the movie Field Of Dreams comparison. Like the young Archie Graham with his brief glimpse at the big league, Paul Tierney did make the Manchester United first team appearance in that league cup game alongside Cristiano Ronaldo. Also in his time at Blackpool he was part of the League One playoff final winning team.

He has a Wikipedia entry. His career stats are recorded on Soccerbase. Paul Tierney in his time did something we all dream about – playing football for an elite team. Playing football professionally and being paid for it. That’s more than you can say.

⇒ To the music then and as mentioned it was when Paul Tierney was turning out for Livingston that Paul Tierney noticed him. For obvious reasons.

This person, usually in the spotlight for something. In this case football. This person becomes your “other self” and you do wonder how your more famous other self is doing today. I myself have a namesake who is the lead singer of a big charting musical group and ever since discovering this I always look him up.

This other Paul Tierney is a Scottish singer-songwriter and he followed the fortunes of his footballing self, which eventually led him to record a song.

There is an excellent article over on the Daily Record from which I will borrow a quote:

It’s a bittersweet tale of early promise, career-changing mistakes, bad luck and unfulfilled potential.

Glaswegian Paul, now based in Bristol, said: “I knew a wee bit about Paul’s career because he had the same name.

“His story is sad in some respects, but the song asks the question, ‘Who would you rather be? Him or me?.’ To have been a footballer at any level, you have to be brilliant.”

Paul, who now records and performs as Lonely Tourist, recorded the song in Glasgow with Attic Lights’ guitarist Jim Lang.

Paul said: “I wasn’t sure whether anyone would hear it. But I got an email from Steve Lamacq saying he remembered Paul at Colchester and that he loved the song.

“It went from there to being played on Radio 6 to me getting an email from Paul’s brother-in- law saying he loved it.

“Then I got an email from Paul himself thanking me for it, saying that he wasn’t at all offended, that he thought it was genius and that he was going to get everyone to buy it.

“I honestly didn’t even think he’d ever hear it.”

mp3 : Lonely Tourist – The Ballad of Paul Tierney

….which you can buy via Bandcamp – and you can name any price to download this song.*

A beautiful, if slightly melancholy tune which perfectly describes the fortunes of the playing Tierney better than a Wikipedia entry ever can.

 

* just as I did when I stole this post – JC.

More Friends Electric tomorrow