Edited from Wikipedia today:-

You Stole the Sun from My Heart was released on 8 March 1999 as the third single from Manic Street Preachers‘ fifth studio album, This Is My Truth Tell Me Yours. The song reached #5 on the UK Singles Chart.

Nicky Wire has described the music as a mix of New Order and Nirvana and explained that the drum loop was sampled by Sean Moore from the sound of a pinball machine.  The lyric concerns Nicky Wire’s dislike of touring. He has said that, much as he enjoys being on stage, he hates the routine of travelling: soundchecks, hotels, and the homesickness it causes. The lyric “but there’s no, no real truce with my fury” is a reference to a poetry book by R. S. Thomas entitled No Truce with the Furies. The song title is name checked in a later Manic Street Preachers single, Your Love Alone Is Not Enough.

mp3: Manic Street Preachers – You Stole The Sun From My Heart

As was the common practice in those days, the single was released on 2 x CDs.  The second of them has remixes from David Holmes and Mogwai, but the copy you’ll find in Villain Towers is CD1, purchased as I was keen to hear the cover version, which was recorded at the Newcastle Arena on 14 December 1998.   Turns out it was merely OK.

mp3: Manic Street Preachers – Train In Vain

Of more interest was the other, previously unreleased track:-

mp3: Manic Street Preachers – Socialist Serenade

Written as a response to some of the policies being adopted by the recently elected Labour government (known to all and sundry as New Labour) that had been elected in 1997 under the leadership of Tony Blair, and in particular the decision to introduce university tuition fees.  The last two lines of the song –  Change your name to New, Forget the fucking Labour – leaves nobody in any doubt about the message the song is conveying.

 

JC

The news headline and coverage from Ukraine these past few weeks have been heartbreaking.   After one particular grim bulletin, I was thinking that I should somehow use the blog to reference the war, but it just felt as if I was being tactless.   The images of carnage made me think of the poster which inspired this:-

mp3: Manic Street Preachers – If You Tolerate This Your Children Will Be Next

Nicky Wire‘s words backed by James Dean Bradfield and Sean Moore‘s music.

Incredible and indeed mind-blowing fact.  This ode to the idealism of Welsh volunteers who joined the left-wing International Brigades fighting for the Spanish Republic against Franco’s military rebels, was hi-jacked by the far-right British National Party in 2009 for use as part of its campaign against what it described as the violence, hatred, fragmentation and despair happening in London as a result of multiculturalism. Click here for more background, where you’ll also be relieved and happy to read that immediate action was taken to have the song removed.

I bought one of the two CDs that the single was issued on back in 1998. It was the one with two remixes:-

mp3: Manic Street Preachers – If You Tolerate This Your Children Will Be Next (Massive Attack Remix)
mp3: Manic Street Preachers – If You Tolerate This Your Children Will Be Next (David Holmes Remix)

The remixes are exactly along the lines of what you’d expect from those involved.  The Holmes mix is epic, coming in at over ten minutes in length.

Thank you for reading and listening today.

JC

A GUEST SERIES

24 – Love’s Sweet Exile / Repeat UK – Manic Street Preachers (1991 Columbia Records)

Released as a single in October 1991 (Reached Number 26)

So it was at around number 24 that I realised that there was quite few records that I had omitted from this list that probably should have been on it. So what I’m going to try and do is package them all together and try and crowbar them into the posts somehow, these records are definitely as good and probably as influential as ‘Love’s Sweet Exile’. I hope that makes sense.*

Anyway…Let’s talk about The Marquee. The Marquee was a legendary venue on Charing Cross Road, London (well eventually, it had other locations as well). It had a capacity of about 500 I‘d say and facts fans will know that it was the location of the one of the first ever Rolling Stones gigs and for over 30 years The Marquee wrote itself into rock heritage by hosting amazing gigs. It shut in 1995 and by 1996 a Wetherspoons pub had moved in (The Montagu Pyke) and firmly shat on that hard earned 30 years musical heritage by immediately banning juke boxes inside it and selling burgers that taste like they’ve been licked first by tramps.

As a young lad I saw loads of really good bands at the Marquee. I saw Pop Will Eat Itself there two nights in a row, where they played exactly the same set both nights, ending with a pumped up version of this

Wise Up Sucker (1989 RCA Records, Number 41)

The Marquee was also famous for secret gigs. In 1990 Metallica played at The Marquee as a support band under the name ‘Vertigo’, and were introduced as a new band playing only their second ever show.

Famously, Motley Crue played the venue under the moniker ‘the Four Skins’ (oh my sides…) without knowing that this was also the name of a popular London skinhead band, whose fans all turned up at the gig, and looked rather bemused when some hairy arsed cock rockers wobbled onto stage.

In 1991 I saw a band called R.S.P.C.E. play there. They walked on stage and immediately burst into this

Sheriff Fatman (1989, Big Cat Records, did not chart, reissued in 1991, Number 23)

And finally, in 1993, my friend Martin bought me an 18th birthday present, it was a ticket for a gig on July 4th 1993 at the Marquee Club, London, the act were a band called ‘Generation Terrorists’. The price £7. I had ticket number 0004. It was a week before the Manics released the second album ‘Gold Against the Soul’.

And it was amazing. The band ended with a stunning version of ‘Love’s Sweet Exile’.

SWC

*JC adds………….

This means you’re about to be treated to at least 145 45s @ 45 over the coming weeks….I’ve been lucky enough to have received everything up to, and including #10….the chapters of the life of our south-west correspondent will gradually be revealed….lots of laughs are on their way (exactly what we need at this point in time).

A GUEST POSTING by KT

from The Sound of Being OK

I have been meaning to write an ICA for a while, the last time I did one it was on Coldplay and it was like I’d spat in the faces of the indie glitterati in doing so. I had somehow managed to stab David Gedge, give Stuart Murdoch a wedgie and dish out a Chinese burn to the drummer from Teenage Fanclub all at the same time. So I’d backed away for a little bit.

I’d started one a while ago on the Strokes but never finished it and then partly as a joke I’d started one on McFly but again never finished it. I stopped because it was getting semi serious and Dom reminded me that there was no way that McFly could ever win the ICA World Cup.

So when Badger had the latest one of his great ideas, I signed up. His idea was that we the TSOBO three write an ICA each but the subject of that ICA is chosen by someone else. Which is why I am sat in the office kitchen about to roll a dice.

The plan is simple – If I roll an odd number the subject of the ICA will be chosen by Badger’s Ipod. This is the best case scenario, he has better music taste than SWC, and by better I mean less obscure and less reliant on bands from California who no one apart from him like (and yes I mean Death Grips) or are signed to something called Saddle Creek Records. If I rollan even number it’s the worst case scenario and SWC’s iPod. So I roll and it’s a two. SWC grins, usually never a good sign. I swear under my breath.

Part two of the idea is that as usual for some reason as yet explained to science, whoever the 11th song on the ipod is by, is who we have to write the ICA on. Badger’s rules go on to say that the ICA must ‘contain no more than 4 singles, at least two B Sides, Cover versions or remixes and no less than 4 album only tracks. Nice and easy then.

An hour or so later an email pings up on the screen.

“you lucky thing – track nine was a band called Childhood and track ten was Panjabi MC which would have been ridiculous. Track 11 is ‘Ocean Spray” by Manic Street Preachers.

Well that’s not too bad I say to myself.

I have seven albums by the Manic Street Preachers although I would imagine this album will be largely made up of tracks from their first five (after which, according to SWC, they went a ‘bit Phil Collins’).

Side One

So let’s start here

A Design For Life (Stealth Sonic Orchestra Mix) – Single

The first time I heard this (not this version) I was sitting in a café in a small place called Chudleigh which is just outside Exeter and I was waiting for my sister to come back from the dentist. I was fifteen (going on sixteen) and it was played on Radio 1. I love every second of it from the opening bit about “Libraries giving us power” to drums, the strings and the twinkly bits at the end. The remix I love even more, especially the way the strings are brought to the forefront and the emotion of James Dean Bradfield’s voice is wrung out to devastating effect.

Black Dog on My Shoulder – From This Is My Truth Tell Me Yours

The Manics have always come across an intelligent band who are well read. Here the band turn their hand to depression, a subject very close to their hearts – I mean obviously you have all the stuff with Richey Edwards, which I’m going to do my best to skirt over, largely because it is still so desperately desperate sad, but also it appears that other members of the band have struggled (particularly Nicky Wire) with. In this track they use Churchill’s battles (“Melodrama here in my kitchen sink”) to give us a beautiful subtle track.

Archives of Pain – From The Holy Bible

‘The Holy Bible’ is easily the Manics album which my two colleagues rate the highest. Me – it’s a close third. But I’m probably being harsh because my sister claims it is the best album ever made (when she’s not going to Ed Sheeran live that is). ‘Archives of Pain’ is a real highlight from it though. Besides any song that samples the wonderfully crazy ex Corrie battleaxe Ivy Tilsley is just fine by me.

Wrote For Luck – from ‘Roses In the Hospital Single

My very first Manic show was in 1996, I was nearly 17. About halfway through their set Nicky Wire (bedecked in a very fetching pink boa and red and black frock) told the crowd that this was a song by a band who “you lot don’t love anywhere near as much as you should” and burst into ‘Wrote for Luck”. Frankly if the Happy Mondays version was anywhere near as good as this version we would have still loved them, but it isn’t.

4st 7lb – From The Holy Bible

One of the gloomiest songs ever recorded and therefore an obvious way to end Side One. It is also if you ask me Richey Edwards’ finest five minutes, if that’s even the right way to put it. It is put simply a gut wrenching, tear jerking lament about Richey’ struggles with anorexia that tell us that wants to be “So skinny that I rot from view”. It is magnificent but Christ its bleak.

Side Two

You Love Us – From ‘Generation Terrorists’

The thing that first made the Manic Street Preachers interesting to me was a review in the NME which referred to them as ‘Part Cardiff City Centre drag act, part the Clash”. I was never into either of these things but they sounded fascinating. This review sums up their debut album (and this track particularly) perfectly if you ask me. More than 25 years from its release it has barely aged. It is still angry and slightly contrived but most of all it has lost none of impish brilliance.

Patrick Bateman – B Side to La Tristesse Durera (Scream to Sigh)

“If you are putting a B Side in, it has to be ‘Spectators of Suicide’” says SWC on the same email which tells me I am writing an ICA on the Manics. Well, no actually, I’m putting this in instead. A six minute rant themed around notorious ‘American Psycho anti hero’ Patrick Bateman. Apparently most Manics fans hate it.

Motorcycle Emptiness – From ‘Generation Terrorists’

Let Robeson Sing – From ‘Know Your Enemy’

I think I have two singles left so I’ll use that to post two of my personal favourites – firstly ‘Motorcycle Emptiness’ is put simply six minutes of utter perfection. It is seductive, compassionate, elegant and heartbreaking. For the first time you hear James Dean Bradfield sing, or croon, rather than shot, and the guitar solo, is just wonderful.

‘Let Robeson Sing’ is another example of a song in which is a simple out and out pop song, that showcases Bradfield’s talent for actually singing. It’s remarkable and a fitting tribute to a wonderful individual.

SYMM – From This is My Truth, Tell Me Yours

If ‘The Holy Bible’ shone a torch into the darkest depths of Richey Edwards soul, then ‘This is My Truth…’ kind of does the same for Nicky Wire (who has always been my favourite Manic). I’ll highlight this one and again it’s not a happy subject to end on but Nicky Wire manages to take a subject as dark and depressing as the Hillsborough Disaster and make it feel personal and that is a skill only a very talented writer can achieve.  JFT96.

Thanks for reading.

KT

The record companies really had us over a barrel in the 90s. Not only were CD singles usually retailing for £3-£5 a pop, but they were also issued in multi-formats meaning that fans/completists sometimes had to spend almost as much on one single as they would for the LP that it came from.

Sometimes I was foolish enough to buy the different formats, but quite often I would take my pick of one or the other. As I did back in 1996 when I bought something by Manic Street Preachers for the first time. Yup….confession time….my first purchase was the really big breakthrough hit.

It wasn’t that I had any dislike for the Manics in their early years, but they were very much a band that I could take or leave in equal measures. I was never moved enough by any of their first three albums or near twenty singles to spend my hard-earned cash on them – but equally I would never argue in the pub that they weren’t all they were cracked up to be. Like most music fans, I was intrigued by the appearance of band member Richey Edwards, and assumed the incident would be the end of the group.

But this, the ‘comeback’ single in April 1996 was something that I found pretty astonishing on first listen, which must have been on the radio in the morning before going to work. I recall chatting to a colleague later on in the day who I knew was a big Manics fan to tell him how impressed I was with it all, and I recall him raving down the phone that if someone like me ‘had seen the light’, then at long last the rest of the world was going to come to realise that the Welsh combo were indeed the best band that walked the planet.

Quite.

Anyways, I did go out that same day to buy the single and I was faced with the dilemma of paying £3.99 for the one in the silver sleeve with four different songs on it, or the one with the gold sleeve that had an orchestral version of the single plus a track mixed by The Chemical Brothers.

I went for the latter – something I don’t regret as I’m still quite fond of everything, and I still reckon the single is the best thing the band ever did:-

mp3 : Manic Street Preachers – A Design For Life
mp3 : Manic Street Preachers – A Design For Life (Stealth Sonic Orchestra Version)
mp3 : Manic Street Preachers – A Design For Life (Stealth Sonic Orchestra Instrumental Version)
mp3 : Manic Street Preachers – Faster (Vocal Mix – remixed by The Chemical Brothers)

JC