The above poster is the best illustration I could find that China Crisis are still on the go all these years later. They’ve never featured before on TVV, and I can’t recall ever seeing too much about them on other similar natured blogs. The reason they haven’t been part of this little corner of t’internet is down to my not having any of their music on vinyl or CD. But I’ve gone out of my way to get some digital stuff to accompany these words, the next three paras of which come from all music:-
A bit fiery for most in the new romantic camp during the early ’80s, China Crisis were inspired by similar sources but injected their pop songs with occasional political commentary and bluesy reggae rhythms. Comprising the core duo of vocalist/keyboard player Gary Daly and guitarist Eddie Lundon, the group formed in 1979 near Liverpool, England.
The first China Crisis single, “African and White,” didn’t appear until 1982, but it was quickly picked up by Virgin Records and made the U.K. charts. With drummer Dave Reilly on board, their full-length debut, Difficult Shapes & Passive Rhythms, arrived later that year and also charted. Another single from the album, “Christian,” hit number 12. They recorded their follow-up LP, Working with Fire and Steel: Possible Pop Songs, Vol. 2, with bassist Gazza Johnson and new drummer Kevin Wilkinson. It reached number 20 in the U.K. as well as charting in Canada and across Western Europe. It also produced the Top Ten hit “Wishful Thinking.”
China Crisis’ third album, 1985’s Flaunt the Imperfection, was produced by the sympathetic Walter Becker (from Steely Dan), and resulted in the Top 20 singles “Black Man Ray” and “King in a Catholic Style.” The album was their first to crack the Billboard 200 in the U.S., and it hit the Top Ten in the U.K. and New Zealand. A year later, 1986’s What Price Paradise?, which featured Brian McNeill instead of Becker on synths, reached a career-high 114 in the U.S. but landed outside the Top 50 at home. China Crisis worked with Becker once more on 1989’s Diary of a Hollow Horse, which earned critical raves though not much commercial movement. It proved to be their final record with Virgin. Their sixth studio LP, Warped by Success, appeared on Stardumb Records in 1994 and was followed by numerous compilations, including Virgin’s China Crisis Collection: The Very Best of China Crisis (1997), and a long recording hiatus, though Daly and Lundon continued to tour on and off as China Crisis.
Like many others of their generation, China Crisis have become a staple of the nostalgia festival events in the UK and further afield. A seventh studio album, Autumn In The Neighbourhood, was released in 2015, again on Stardum Records, for which there was an extensive UK tour. As well as performing in China Crisis, Gary Day has released some solo material, while Eddie Lundon teaches songwriting at the Liverpool Institute for Performing Arts (which perhaps explains why the 2022 North American tour took place outside of term time in June and July).
Despite not being all that fond of the band’s music, I can say I’ve seen them play live at least once, and possibly twice. I have vague recollections of them playing at the Student Union at Strathclyde University around the time African and White was in the charts, although I may well be mistaken. I do recall seeing them as support act for Simple Minds at Tiffany’s in Glasgow in late 1982 when the Glasgow band were on the cusp of the huge breakthrough thanks to New Gold Dream.
I thought I’d go digging for the debut single from China Crisis, along with the four songs that took them into the Top 20 between 1983 and 1985.
Sorry to say, the music still doesn’t do all that much for me. But hopefully it’s of appeal to some readers.