This was one of three posts scheduled for last month that had to be held back. Some extracts from ICA 7.
It’s What You Want That Matters
A song that had first been aired two years previously on the Peel show when it was known as What Becomes Of The Broken Hearted?
I’ve admitted before that I was late to The Wedding Present. I hadn’t given them much attention in the early days simply as the music papers were saying this was the band to fill the Smiths-sized void in your life and I just didn’t think at the time that anyone could do such a thing. George Best had been out for the best part of three years when I first got a hold of a copy. This was the initial stand out track for me. And I still love it all this time later.
Nobody’s Twisting Your Arm
There’s some wording on the back of the sleeve of this single.
‘Additional vocals by Amelia’
This little touch gave the band a different dynamic as they brought in the indie goddess who was Amelia Fletcher from Talulah Gosh to add backing vocals to some new songs after the release of the debut LP. It was a short-lived partnership of no more than a few months, and it didn’t make it beyond minor contributions to the sophomore classic that was Bizarro. But it planted a seed for male/female vocals that came to the fore in the Cinerama era and thereafter in the 21st Century Weddoes. This is a cracking 45 which took the band into the Top 50 of the singles chart for the first time.
Brassneck (single version)
The production from Steve Albini on Seamonsters really helped the band break out of the indie-shell and a hint of what he would do can be found on the remix of the opening track from the Bizarro LP. Thirty seconds are trimmed from the original while the arrangement is tightened and beefed up. I love how the electric guitar gives way to the acoustic strumming about two-thirds of the way through before the ‘beached whale wailing’ beckons David back to microphone.
One thought on “NOSTALGIA IN OCTOBER (1)”
This earlier period of The Wedding Present is where my heart lies – a ferociousness that The Smiths perhaps managed musically with London but nothing else. The addition of Amelia lifted the tracks she appeared on but Mr Gedge’s snarl was a thing to behold.