Davy Henderson‘s reputation as a maverick genius seems to be growing with each passing year. Some folk love him primarily for what he achieved in the early 80s with the angular post-punk of Fire Engines, while others pine for the super-pop era and near-chart success of Win. Next up was his ten-plus years with Nectarine No.9, part of which was with the resurrected Postcard Records in the mid-90s; this brought about six albums that I think can be best be accurately described as being a mixed-bag, but having said that, when Nectarine No.9 did produce the goods, they were an essential listen.

Next out of the blocks was The Sexual Objects, whose discography consists of a handful of singles and albums, more often than not in limited editions. The first single, Full Penetration, dates back to 2007 on Creeping Bent Records while the most recent album, Marshmallow, was issued in 2017 on Triassic Tusk Records, a very small label based on the east coast of Scotland. The album had a pressing of just 300 copies, but even that was something of a bonus.

Here’s the wonderful folk at Monorail, the best record store in Glasgow, Scotland, the entire world, to tell you all:-

Upon completion of a record that is one of the very best in a career that runs spectacularly all the way from The Dirty Reds to The Fire Engines to Nectarine Number 9 to The Sexual Objects, Davy Henderson, frustrated at the conventions of record releases, decided to play a high risk strategy with the master copy by putting it up for auction.It was a punk move that out Bill Drummonded Bill Drummond.

By taking something most artists and musicians would consider more important and precious than money – their new work, years in the making – he threw down a fragile gauntlet. As the auction became publicised many of us wondered who might buy it (an art collector, a punk snob, Bob Last?) and if we’d ever get to hear the record (admission: some of us had heard a handful of tracks and loved them). Fortunately the record fell into very safe hands by way of the noble guys at Triassic Tusk, and we’re so happy to come in as special partners on this, the first (only) vinyl edition.

Ok, so what’s it like? It’s everything you’d dare hope for from a Sexual Objects record – rundown glam, budget Bowie, an unreleased pop Brian Eno record, it’s Davy Henderson and his brilliant band delivering the strange news. You want pop, you want scuzz, you want pop scuzz from someone who talks it and walks it with an oddball swagger. Not about to run out of tunes anytime soon, this is the perfect band for Davy Henderson to be fronting at this stage of his career, this is the perfect record for him to be making. Love it.

Yup.  Marshmallow has been completed in 2014, ready for release in January 2015. The idea of the auction was that whoever was the highest bidder would win the rights to the recordings, and it would be their decision to release as many or as few copies of Marshmallow as they chose. In an interview at the time, Henderson said he was thinking of the record as being like a painting with just the one owner, but that owner then having the freedom to do anything they liked, even if the decision was to keep it to themselves with no further public consumption.

But as can be seen from above, there ended up being 300 copies pressed up, on sale for £20 each. I missed out on it, for the simple fact that I wasn’t paying attention. I’d like a copy and just now there is one via Discogs for £55 which is actually well below what it normally goes for, but I’ve decided not to bother as I have got my hands on a digital copy, thanks to it having been, temporarily, available via bandcamp (i think it cost £15 for the download).

One of the songs on the album was also made available as a 10″ single, and I did manage to pick up a copy of that.

mp3: The Sexual Objects – Sometimes

The single came with a few remixes.  Here’s the one that is likely of most interest:-

mp3: The Sexual Objects – Sometimes (Weatherall Dub)

In more recent ears, Davy Henderson has been associated with Port Sulphur, the collective which is co-ordinated and directed by Douglas MacIntyre, the talent and brains behind Creeping Bent Records and who was also a guitarist with each of The Nectarine No9 and The Sexual Objects.

I’ve sat down a few times a tried to pull together a Davy Henderson ICA, but it’s proved an impossible task. But now that just about all of his previous bands have now featured in this long-running series, I can perhaps try and do something covering his entire career, with perhaps no more than two or three songs from each of them. Might be something to do during the short break I’ll be taking from the blog over the festive period.



  1. I’ve dipped in and out of DH’s career, finding The Fire Engines occasionally majestic, Win very much of their time and unhappily associated with an annoying 80s lager commercial, The Nectarine Number 9 mostly compelling, sporadically brilliant. Up there with Edwyn, Emma Pollock, Liz Fraser, Billy Mackenzie etc as one of Scotland’s great musical visionaries.

  2. A great song from a great artist…or artists, as in addition to Davy Henderson, I have developed a deep respect for Douglas MacIntyre, thanks to TVV posts over the years. I was completely unaware of this album and also the single, so double thanks for sharing a hitherto unheard Andrew Weatherall remix. Which is equally brilliant, of course.

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