Given away with the April 1992 edition of Select Magazine, one that came with Kurt Cobain on the cover. Otherwise, it was an issue packed with t-shirt bands such as James, Carter USM and Senseless Things.
Eleven songs all told, and , as normal with Select, there were a couple of pages devoted to providing some more details about each of them, with a band member or solo performer quoted in a short interview style.
The wider selling point was was that three of the tracks were ‘exclusive unreleased’, three were demos, one was a remix and the other four were edits. It was also given an official catalogue number by the label – C-RE 128.
NB : Tape and songs were previously featured on this blog back in February 2014.
A1: Boo Radleys – Lazy Day (version)
A2: Swervedriver – Son of Mustang Ford (demo version)
A3: Teenage Fanclub – Kylie’s Got A Crush On Us (unreleased – recorded live at a soundcheck)
A4: Silverfish – Vitriola (demo version)
A5: Love Corporation – Gimme Some Love (remix)
B1: Ride – Time Of Her Time (live version)
B2: mk – Play The World (edit)
B3: The Telescopes – You Set My Soul (unreleased)
B4: Slowdive – Shine (edit)
B5: Sheer Taft – Atlantis (edit)
B6: Bill Drummond – The Manager’s Speech (edit)
Copies can be found on Discogs for £1.99 (plus P&P) mostly from European-based sellers. It would likely all add up to not far short a fiver all told.
Regular readers will know that Bill Drummond is a hero of mine and someone I have long reckoned is a bonafide genius.
Here are the words from the magazine which accompanied The Manager’s Speech:-
It is 1986 and Bill Drummond, former manager of Echo & The Bunnymen, The Teardrop Explodes and Strawberry Switchblade, has just quit his post as Head of A&R at Korova. The label’s last signing is Brilliant, soon to be produced by SAW and featuring Jimmy Cauty.
Drummond signs to Creation for an album, modestly titled ‘Bill Drummond – The Man’, awash with anarchic Country & Western and infamous for the track ‘Julian Cope Is Dead’. He releases a 12-inch single, ‘King Of Joy’ and Creation want a video and B-side. He elects to make a ten-minute promotional clip of himself pushing a street-cleaner’s dustcart through a park, a gold disc stuck on the front, a guitar in the bin, “spontaneously pontificating” on the subject of pop stardom. The opening section appears on the Select tape.
BILL DRUMMOND: “I did it cos it was cheap and we needed a B-side. It’s a sort of layman’s eye-view of the pop business. The view of some guy you meet in a pub, or a cab driver, and you make the terrible mistake of letting him know you’re in the music business and he starts giving you his theory about it – ‘Fuckin’ Duran Duran, eh?…..’ It was kind of cynical but I really felt I had a future as an artist rather than someone behind the scenes”.
A year later Drummond and Cauty release their first single as The JAMMS. Shortly after they mutate into The KLF.
I’ve tracked down said clip.