30, 20, 10 (Part 7)

The latest installment in the monthly series looking back at the songs which were #1 in the indie charts on the first day of the month 30, 20 and 10 years ago. A series that is under threat if too many of the #1’s get in via a loophole exploited by the majors…..

1 November 1987 : mp3 : Fields Of The Nephilim – Blue Water

From all music:-

Of all the bands involved in Britain’s goth rock movement of the 1980s, Fields of the Nephilim were the most believable. The group’s cryptic, occult-inspired songs were sung in a guttural roar by vocalist Carl McCoy. Live appearances were shrouded with dim light and smoke machines, while bandmembers stalked the stage in black desperado gear inspired by western dress. The group was also one of the longest lived of the original goth rock groups, finally breaking up in 1991 when McCoy left for another project.

Fields of the Nephilim formed in 1984, in Stevenage, Hertfordshire, with an original lineup of McCoy, guitarist Paul Wright, his brother Nod on drums, saxophonist Gary Whisker, and bassist Tony Pettitt. The quintet played many live shows and released the EP Burning the Fields in late 1984. Whisker then left the band, just as Peter Yates was added as a second guitarist. Beggar’s Banquet, also the home of goth rockers Southern Death Cult and Bauhaus, signed the Nephilim and released the singles “Power” and “Preacher Man” in 1986. Both did well on the independent charts; “Preacher Man” made it to number two, increasing the expectation for debut album Dawnrazor, which appeared in 1987. The album also did well on the indie charts, but later that year Fields of the Nephilim finally cracked the pop singles chart with “Blue Water.” In June 1988, second album The Nephilim reached number 12 in the pop charts, while the single “Moonchild” made number 28. A live video titled Forever Remain was also released in 1988.

The May 1989 single “Psychonaut” also cracked the Top 40, but the resulting Elizium (1990) proved to be the group’s last studio effort. The live double album Earth Inferno was also released in 1990, and the singles “For Her Light” and “Sumerland (Dreamed)” both charted, but Carl McCoy left the band — and took the name with him — in October 1991. Remaining members Yates, Pettitt, and the Wright brothers added vocalist Alan Delaney and released What Starts, Ends (1992) as Rubicon; McCoy formed Nefilim, and began releasing material, including the 1996 album Zoon. Beggar’s Banquet issued a two-disc retrospective in 1994 titled Revelations. Nothing was heard from the band until 2002 when Fallen appeared. Although the album looked new, it was a collection of outtakes released without the permission of the band. They truly returned in 2006 with Mourning Sun, and played live often during the 2000s and 2010s. Studio recording took place during 2014, and the band shared a pair of singles — “Earthbound” and “Prophecy” — for an album with the working title The Darkness Before Dawn.

1 November 1997 : Backstreet Boys – As Long As You Love Me

Oh dear……it all comes down to 2007 to see if the series will continue into an eighth month…..

1 November 2007 : mp3 : U.N.K.L.E – Hold My Hand

And breathe……………….

U.N.K.L.E. were founded in 1992 by James Lavelle and Tim Goldsworthy. Originally categorized as trip hop, the group once included producer DJ Shadow and have over the years employed a variety of guest artists and producers.

Hold My Hand is from their third album War Stories. It was an LP that again featured a number of guests including Josh Homme, Robert Del Naja, Ian Astbury and The Duke Spirit. This particular single had James Lavelle on lead vocals but Josh Homme was on backing vocals as well as adding some drums. The single was on Surrender All Records, a lebel established by Lavelle to issue material by U.N.K.L.E. and other dance/electronica acts.


8 thoughts on “30, 20, 10 (Part 7)

  1. There is not a single person out there who after reading this is not sitting back and singing

    “Backstreets back. Alright”

    Deny it all you like
    You know it’s true.

  2. SWC and Jacques — one of the few (only?) benefits of being an ancient geezer like me and JC is that Backstreet Boys and their ilk passed by undetected. Surely we had our own era of disgraceful music inflicted on us (see, e.g., Kajagoogoo) but boy bands generally didn’t trouble our decrepit generation.

  3. Hey JTFL, don’t be so tough on the ‘Googoo! Yes I too hated them when they were clogging up the charts in the early 80s, but earlier this year, I actually listened ,to Too Shy for the first time in years, and had to go on You Tube to listen to it again. It’s actually got a totally subliminal bass line, and a sort of avant-jazz middle eight with feedback and everything. Even the lyrics are just full of teenage angst, all about two people who didn’t click due to lack of self-confidence, which many people can relate too thinking back, including me, and definitely Morrissey. Surely the best pop is about being a teenager.
    It got me wondering why I hated the Googoo at the time, and then remembered Limahl, who was like the sort of person I just wanted to give a good twatting back then.

  4. My ‘net friend Moz, musical merits aside you can’t appear in public or make records or do anything at all under the moniker ‘Kajagoogoo’. Fuck me, I’ve had to actually type that idiotic name twice in the same day!

  5. First for the “Goo” bassist Nick Beggs was/is really a Prog bassist who was biding his time in the silly Nick Rhodes produced band until he could branch out into a world of Chapman Sticks and Steve Wilson… Oh and Too Shy is WAAAY more earworm that any Backstreet Boys song…
    Now to the 30,20,10….
    87 – Had and have all the time in the world for Fields Of The Nephilim…they didn’t just where their music on their sleeve, they wore their dusty corn flour laden leather duster coats as well. And their take on In Every Dream Home A Heartache is unmatchable.
    97 – Backstreet Boys…uh, just shaking my head in my hands…
    07 – U.N.K.L.E – GlamRave!! Every time I hear this track I imagine Marc Bolan strutting on a stage in front of a field full of Ravers…it’s just perfect.

  6. JTFL, totally agree, that’s why I refer to them as the Googoo, except my predictive text keeps changing it to Google!

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