AN IMAGINARY COMPILATION ALBUM : #30: RODDY FRAME

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I was lucky enough just last Friday to get myself along to see Roddy Frame play an outdoor solo acoustic set in front of an adoring home audience at the restored bandstand in Kelvingrove Park here in Glasgow.  He was on blistering form and relaxed enough to engage in a fair bit of entertaining chat with the audience in between songs.  It was only after this set, which extended out to well over 100 minutes, that I fully appreciated just how many great songs he’s written over the years under his own name and of course under the label of Aztec Camera. And that was after a set that didn’t include all four of his Postcard songs!!

So I thought it would be worthwhile giving him the imaginary album treatment.

Side A

Track 1: Western Skies (from the 2006 solo album Western Skies)

This wasn’t aired at the recent gig and more’s the pity.  It’s the opening track to what was the third LP released under his own name.  I rarely like when ballads open up albums but this is such a lovely little understated song with very fine acoustic guitar plucking and a melodoica.  And I’m a sucker for that particular instrument…

Track 2: The Boy Wonders (from the 1983 Aztec Camera album High Land Hard Rain)

Notwithstanding that some of the production has dated poorly there can be no question that the first Aztec Camera LP is one of the greatest records in Scottish history.  It is a record packed with ridiculously catchy and memorable tunes and some wonderfully observant lyrics.  And of course Roddy Frame wrote most of the songs before he had reached his 18th birthday.  This song may not have been a single but it is the one that really has endured…a joyous celebration of youthful life with that fearless take on things that you have at that age.  And its a great record to dance to.

Track 3: How Men Are (from the 2006 solo CD Live In Osaka)

I have a real love/hate relationship with the third Aztec Camera LP from 1987.  Love is over-produced to the point where at times it becomes near unlistenable which is a damn shame as some of Roddy’s best songs can be found among its nine tracks.  It is when you hear them played nowadays, almost 30 years later, with just the voice and the acoustic guitar to occupy your thoughts, that you get a full appreciation of their majesty.  As with this, the sublime second track on Love but captured live in Osaka, Japan in September 2006.

Track 4: Just Like Gold (Postcard single, 1981)

A 16-year old kid wrote this.  Johnny Marr must have been tuning in and been inspired.  And Grant McLennan and Robert Forster will have looked on while they made their fleeting visit to Glasgow to record for Postcard and smiled at being in the presence of a genius.

I’ll admit that this wasn’t a song I took an instant shine to.  It was, if anything, too clean sounding.  I realise now that my musical tastes in 1981 hadn’t quite evolved enough to appreciate it.  It’s now probably my favourite Aztec Camera song of them all.

Track 5: Orchid Girl (b-side of the Aztec Camera single Oblivious, 1982)

I somehow haven’t found space on this imaginary offering for the single that first brought the band to the wider attention of the record buying public albeit I think it’s a belter of a 45.  But it is the b-side I have always been really fond of….not least as it helped me along the way to reassessing how I felt about Just Like Gold.  A short while later I fell for the charms of Billy Bragg and there’s many a time I’ve thought that Orchid Girl is the greatest BB love song that he never wrote…..

Side B

Track 6: Bigger Brighter Better (from the 1998 solo CD The North Star)

The North Star was the first album that Roddy hadn’t released as Aztec Camera and yet it is the album which overall is closest to the Aztec Camera debut record than any other in that it was packed with hooks and catchy choruses.  There’s an irony in there somewhere….

This track, tucked away in the middle of the CD, was the one that I thought at the time could have taken him back into the charts if the record label, Independiente, had gone for it as a single….but they didn’t.  It’s the one where Roddy reflects how maybe he wasn’t quite prepared for everything that was involved with being a pop star on a major label.  There would have been a real irony if Bigger Brighter Better had turned out to be his return to the singles charts.

The final irony?  In 1999, Independiente oversaw the release of The Man Who by Travis – a record that wasn’t really all that far removed from the sort of songs Roddy had tried to make his comeback with and yet it sold in millions.  The record buying public at their fickle best.

Track 7: Killermont Street (from the 2006 solo CD Live In Osaka)

The closing track on the Love album wasn’t one that suffered from too much over production and almost made the cut.  But there’s just something a bit special hearing Roddy, with just a guitar for accompaniment, deliver this ode to his roots at a venue thousands of miles away and realising that it’s a song capable of bringing a lump to the throats of an audience who have never set foot in the famed bus station.

Track 8: We Could Send Letters (from the 1983 Aztec Camera album High Land Hard Rain)

Originally released on the b-side of Just Like Gold and I honestly don’t know which of the versions I prefer.

The original is more dependant on the acoustic guitar and in comparison to the album version is almost demo-like in nature but comes with a passion and energy that makes it an essential listen.  However, the slicker production and the fact the tempo on the album version is slightly slower allows the song to breathe a bit more.  Oh and it’s also nearly a minute or so longer in length with a cracking solo from Roddy thrown in that ensures its place on this imaginary compilation.

Track 9: Good Morning Britain (from the b-side of the 1992 Aztec Camera single Dream Sweet Dreams)

A rare time when Roddy puts the guitar to one side and plays the piano to turn his radio-friendly stomp chart hit into a thing of beauty.  The lyric was always a social commentary on life in the UK under a right-wing Tory government with no prospect of things changing but was kind of lost in the bombastic tune that with the help of Mick Jones took Aztec Camera into the charts for one last time in 1990.  This live version demonstrates just how great a song it is….maybe it is time for it to be dusted down and updated to take account of life under David Cameron….

Track 10: Down The Dip (bootlegged version from Paisley Abbey, 27 October 2012)

The closing track from High Land Hard Rain has always been a crowd favourite.  Nowadays, and this is what he did at Glasgow the other week, Roddy extends it out with a coda of It’s Alright Ma (I’m Only Bleeding) and then shows off his guitar skills.  There’s a few versions of this out there but the fact that this was another gig in front of a home crowd who you can sense are going wild in the aisles of the historic old church makes it an ideal closer for this imaginary compilation……

mp3 : Roddy Frame – Western Skies
mp3 : Aztec Camera – The Boy Wonders
mp3 : Roddy Frame – How Men Are (live)
mp3 : Aztec Camera – Just Like Gold
mp3 : Aztec Camera – Orchid Girl
mp3 : Roddy Frame – Bigger Brighter Better
mp3 : Roddy Frame – Killermont Street (live)
mp3 : Aztec Camera – We Could Send Letters (LP version)
mp3 : Aztec Camera – Good Morning Britain (live)
mp3 : Roddy Frame – Down The Dip (live)

Enjoy!

AN IMAGINARY COMPILATION ALBUM : #29 : THE FALL

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The alternative title of this posting is ‘The day I pissed off my good mate ctel (aka Acid Ted)’.  He just does not like The Fall and there’s no convincing him other wise.

With so many tracks to choose from this could have been a stupidly impossible task.  Instead, I narrowed it down to choosing ten from the forty-seven songs listed as singles on wiki.  It’s also very heavy reliant on what could be broadly termed indie-disco material which I accept isn’t fully representative of the band:-

Side A

1. Touch Sensitive (Artful Records, 1999 : #104)

Hey Hey Hey…..and familiar to millions as that strange song which helped sell cars

2. Oh! Brother (Beggars Banquet, 1984 : #93)

With the best bass guitar lead line outside of Hooky and New Order

3. Hit The North (Beggars Banquet, 1987 : #57)

The single before this and the single after this both made the Top 40 – but they were both covers (There’s A Ghost In My House and Victoria) and while more than decent they’re not a patch of Mark E Smith’s paean to his Lancashire roots. Catchy as fuck chorus.

4. Free Range (Cog Sinister, 1992 : #40)

The best-performing of any of the non-covers, what sounds like a nonsensical almost freeform lyric is actually a superb dissection of political history and a warning about the rise of right-wing politicians across Europe.

5. Theme From Sparta F.C. #2 (Action Records, 2004 : #66)

And jst as indie-guitar rock with catchy choruses briefly came back into fashion again here in the UK, Mark reminded everyone that he’s been doing it for years and that when he turns his mind to it he can outdo any of the young pretenders

Side B

1. Totally Wired (Rough Trade, 1980 : did not chart)

One of the very finest post-punk/new wave songs of all time.  It might sound a bit rough’n’ready nowadays but for something that is now 35 years of age it still feels awfully fresh.  I’m sure every alt/indie/punk band on either side of the Atlantic have been influenced in some shape or form by this

2. Cruiser’s Creek (Beggars Banquet, 1985 : #96)

How this piece of indie-dance magnificence never charted remains one of the great mysteries of life.  I’m dancing away as I type this….it has made for a lot of spelling mistakes that have had to be corrected!

3. Rowche Rumble (Step Forward Records, 1979 : did not chart)

It starts off as if its going to be a great songs to shake your hips to on the dance floor and then it goes all majestic in a noisy way that will annoy your parents who will say ‘can’t play and can’t sing….it’s just a racket and turn it down’  Or if you move forward to 2015 the same words will be uttered by a wife who just doesn’t get them…..

4. 15 Ways (Permanent Records, 1994 : #65)

This is a cracking pop tune that if given to a more orthodox lead singer than our Mark would surely have been a Top 10 single.

5. Hey! Luciani (Beggars Banquet, 1986 : #59)

Because you can never have too many songs about a Pope who died suddenly just 33 days after his election to the position….and also because as my mate Aldo knows I have an alternative rude lyric that I sing while dancing to this!

mp3 : The Fall – Touch Sensitive
mp3 : The Fall – Oh! Brother
mp3 : The Fall – Hit The North
mp3 : The Fall – Free Range
mp3 : The Fall – Theme From Sparta F.C. #2
mp3 : The Fall – Totally Wired
mp3 : The Fall – Cruiser’s Creek
mp3 : The Fall – Rowche Rumble
mp3 : The Fall – 15 Ways
mp3 : The Fall – Hey! Luciani

Bonus track

mp3 : The Fall – No Bulbs 3

One of my favourites but disqualified as it wasn’t necessarily the lead track on an EP from 1984.

Enjoy.

NEXT YEAR’S NOSTALGIA FEST (Part 29 of 48)

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Today’s lot were near impossible to get information on.

What I can tell you is that The Clouds were formed in Glasgow in 1986 by brothers John and Bill Charnley. A song of theirs was featured as a flexidisc on a locally based fanzine which led, in due course, to them signing up to The Subway Organisation for who they recorded a one-off single in January 1988 before seemingly quitting the music scene for good.

I only heard of the band as a result of one of their songs featuring on a Rough Trade compilation CD back in 2002;  the same song would subsequently feature on CD86:-

mp3 : The Clouds – Get Out Of My Dream

It was the b-side of their Subway single and it’s a decent enough bit of music without transcending into the memorable or totally special; it also says a lot that it seems to be more fondly thought of than the a-side, but I have managed to track a copy down for inclusion today. It is a sound not too dissimilar from what could be described as a rough version of Teenage Fanclub:-

mp3 : The Clouds – Tranquil

Turns out that at some point I’ve also picked up a copy of the song that came with the fanzine. I can only assume that I downloaded it from another blog at some point in time or had it sent to me by a reader as being something of interest but I haven’t kept any record of how the mp3 came to be on the hard drive:-

mp3 : The Clouds – Jenny Nowhere

It is a bit lo-fi as you’d expect from a flexidisc.  And very much of its time.

Enjoy

 

SATURDAY’S SCOTTISH SONG : #23 : BELLE & SEBASTIAN

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Belle and Sebastian should feature regularly on this blog.  I’ve got all the songs, I’ve been along to see them live on many an occasion….hell I’ve even danced alongside Stuart Murdoch at various indie discos and there was one never to be repeated event when we were fellow guests at a wedding and together with the groom we grooved away a few minutes as a trio to a Go Betweens song.

The problem is however, that every time I put a song up I get hit with a dmca notice and there was a real run of those together a few years ago which ultimately led to google/blogger closing down the original site without warning.  It may well be the band’s record label, particularly over the in the USofA who are behind the crackdown but equally it might just be that I pissed off a fan who then came gunning for me.  My crime being to dismiss totally a b-side of a B&S single as one of the most appalling covers of a truly appalling original (it was Baby Jane originally taken to #1 back in the day by Rod Stewart).

Anyways.  Here as a one-off….unless this one doesn’t get taken down and leads me to do an Imaginary Compilations effort on the band (another near impossible task)….is the 45 of the band that I still can’t quite fathom never made it into my 45 45s at 45 rundown back in 2008.

mp3 : Belle and Sebastian – Legal Man

Quality.

 

FROM THE SOUTH-WEST CORRESPONDENT..WHAT’S IN YOUR BOX (22)

The Shoebox of Delights – The Robster Picked Number 18
‘Nowhere’ Original Soundtrack – Various Artists

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Soundtracks. I rarely buy them, in fact I own two. This one, which I didn’t buy, and Trainspotting which was a gift at Christmas. The problem with soundtracks is that you never get one that is 100% full of good tracks. You get the odd track, the odd unreleased gem, the odd hard to find song, but you wouldn’t buy the whole thing because it also contains Celine Dion, Phil Collins or Mumford and Sons.

Nowhere is no different. It contains some excellent music but it contains some utter utter shite as well. Believe me no compilation album with Marilyn Manson on it is worth buying.

Nowhere is a Gregg Araki film about the Doomed Generation or something – here is a snippet from the press stuff around the film

“A group of teenagers try to sort out their lives and emotions while bizarre experiences happen to each one, including alien abductions, bad acid trips, bisexual experiences, suicides, bizarre deaths, and a rape by a TV star. All of this happens before “the greatest party of the year”.

Now bearing in mind my favourite film of all time is Raiders of the Lost Ark followed by Back To the Future II – this isn’t my type of film but it does have a pretty good soundtrack (Marilyn Manson, 311, Coco and the Bean and Catherine Wheel withstanding)

Going off topic slightly I was once on a training course and we did this stupid ‘icebreaking’ thing where you had to name your favourite food, favourite album, favourite film and fantasy dinner party guest to a bunch of strangers. Anyway, I was sat on a table with four chaps, one I can only describe as a ‘hipster twat’ and when it was his turn to talk about his favourite film (this was after I said mine and the chap next to me, said ‘I don’t know, probably Jaws’) said this “I guess, I’m kinda leftfield, my film would be something by Russian avant garde agent provocateur Alexandr Soukurov”. That is what he said. Hope he’s reading this and if so – your beard looked crap and from the look of it your tattooist has put the Sanskrit word for ‘Knobjockey’ on your left arm.

Anyway, the soundtrack, let’s talk about the good stuff, the best track on it by far is by Chuck D ‘Generation Wrekked’ angry, shouty hip hop at its best by the guy who does it better than anyone else on the planet. There are some other gems ‘How Can You Be Sure?’ by Radiohead – which I think features on the B side on ‘Fake Plastic Trees’ but dates back to when they weren’t even called Radiohead (thanks Badgerman, for that snippet of information, he really is a walking Radiohead encyclopaedia). You get an Elastica track ‘In the City’ which I think is only available on a BBC Radio Sessions, and at just over 90 seconds, it is exactly what you expect from Elastica snotty, ferocious and bratty. There is also ‘Dicknail’ by Hole, which is them at their rawest, angriest and ultimately best. It’s a downright nasty song but its also great.

mp3 : Chuck D – Generation Wrekked
mp3 : Radiohead – How Can You Be Sure
mp3 : Elastica – In The City
mp3 : Hole – Dicknail

There are a couple of tracks which are not rare, ‘Life Is Sweet’ by the Chemical Brothers is here (given the Daft Punk remix treatment) in all its eight minute glory and ‘Trash’ by Suede – or The London Suede as the album calls them. Both are excellent – the Suede track ends the album and rather lifts the gloom from the Americanised College rock that precedes it.

You also get a few tracks by decent bands who recorded them specifically for this album – there are two of these that stand out ‘Nowhere’ by Curve, which is possibly one of the best tracks that they have ever produced. They sound sinister, angry and Toni Halliday vocal is more menacing than ever on it. The other one is ‘I Have the Moon’ by the much missed and loved Lush – and this may be the albums highpoint, a tremendously dreamy gorgeous song that is relaxing and a genuine chill down the spine moment.

mp3 : Lush – I Have The Moon

You also get a rare James track (saying that I gave up on James after ‘Whiplash’ so it might not be that rare) called ‘Thursday Treatments’ which is an instrumental track. Its bland. Really bland. They are trying to sound like Aphex Twin but end up sounding like the music I expect to be played in Japanese lifts. Seriously this is why I gave up on James. Twenty years ago I would have bought this solely for the fact it had a James track on it and would have justified its uselessness by calling it ‘Experimental’. I don’t know why but this song has angered me so much but I have just punched a cuddly toy owl.

mp3 : James – Thursday Treatments

So that is ‘Nowhere’ I am half tempted to give the film a spin now but I have just read that it has Ryan Philippe in it, so know it will be waste of time, a man that is to acting what I am to flying helicopters – bizarrely it also has Gibby Haynes from the Butthole Surfers in it, still no reason to watch it though.

That was Number 18, on the list, what’s next guys…?

S-WC

AN IMAGINARY COMPILATION ALBUM : #28 : NEW ORDER (2)

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The thing is….I don’t care if anyone wants to come on and offer up their take on a singer or band featured previously in what is proving to be an incredibly popular series.  The e-mails have been coming in thick and fast from all corners of the globe and there is a small backlog of posts building up but as far as I’m concerned that’s perfectly acceptable.

I’ve always said this blog is only as good as the contributions from readers whether that be via comments or guest postings and the quality and depth of stuff in this series really has invigorated the whole process.

Today’s contribution has come in from Sweden courtesy of Martin Elliot….

In a few weeks I’m off to see Peter Hook & The Light playing New Order and Joy Division, and the other week I got my ticket to the New Order show in Stockholm on November 8 – I just had to give this a go. Following JC’s limitations to tracks that I have (or have had) on vinyl limits the album a bit, bit I guess also made it possible as many tracks just didn’t fulfill the criteria. Considering the length of the tracks in reality this would be a 2 LP set, but I made it into a very long LP.

A1. Blue Monday 12″

The track that defined New Order as a band on their own merits, not the continuation of Joy Division. Don’t get me wrong, I love JD – maybe even more today than 1980, but Blue Monday made NO into the fantastic band they still are. There is no way I could start a NO compilation but here, the line that marked the before and after.

A2. 1963 (12″ b-side)

The lyrics always concerns me, what happened that day 1963? Brilliant.

A3. Round & Remix (Kevin Saunderson club mix 12″)

New Order goes to Detroit, the worn down industrial cities works just perfect together. Can’t stop dancing.

A4. Regret (Sabres Slow’n’Low 12″)

As many I regard Technique as the best NO album, but in my book Republic is pretty close as a consistent album. This version of Regret by Sabres is pure beauty.

A5. Age of Consent (LP version)

I think JC said it, it just had to make a fantastic end to the a-side – not start it.

B1. True Dub (12″ b-side of the remix 12″)

Could be my all time favorite NO remix, runs just over 10 minutes and I always wish it would go on. Dance ecstasy.

B2. Someone Like You (Gabriel & Dresden Voco-Tech dub 2×12″ UK promo)

Another 10+ minutes mix, another magic dance track.

B3. World (The Price Of Love) (Brothers In Rhythm 12″)

Could be my all time favorite NO remix, runs just over 8 minutes and I always wish it would go on. Dance ecstasy. Wait, didn’t I just write those words…

B4. The Perfect Kiss (12″)

They did put out a lot of brilliant 12″ singles, didn’t they? Like this.

B5. Ceremony (original 12″)

A beautiful closing track, a beautiful farewell to Ian.

As many of the readers of this blog I remember when the early buyers of an album were treated with a bonus 12″ or EP, so I give you a limited edition bonus record – a single sided 12″ with the full 17 minutes version of Elegia. Because I still love Joy Division.

Hit me…

Martin

mp3 : New Order – Blue Monday
mp3 : New Order – 1963
mp3 : New Order – Round & Round (KS club mix)
mp3 : New Order – Regret (Sabres Slow n Low)
mp3 : New Order – Age Of Consent
mp3 : New Order – True Dub
mp3 : New Order – Someone Like You (GD Vocotech dub)
mp3 : New Order – World (Brothers in Rhythm)
mp3 : New Order – The Perfect Kiss (12″)
mp3 : New Order – Ceremony
mp3 : New Order – Elegia (extended)

Enjoy.

SEVEN GO MAD ON AN ISLAND

Jacques the Kipper had a significant birthday a few days ago….he’s celebrating in style with us….

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Some of us get to an age where we think how best might I mark this musically. Unlike JC, I decided not to work up a long list of singles or albums, thus avoiding not only having to settle on, say, 50 favourites, but having to decide whether more than one from the same artist was allowed and whether offshoot bands counted as the same, was it their best single/album or my favourite, or one that had special memories, etc etc. I reckon there’s also only so much time you’d want to spend reading me drone on about The Clash’s eponymous debut or Marvin Gaye’s What’s Going On.

Instead, I’ve embarked on something relatively short and snappy that you can take or leave, love or hate. If this was a radio show it’d last about 40 minutes. It’s an entirely original idea and any resemblance to an idea alive or dead is purely coincidental.

Imagine if you will, that my ship, sailing in some random ocean, overloaded with all my music, is about to go down. I spot an island, clearly inhabited by no-one, and as I launch the lifeboat I resolve to save seven long-playing records. Which do I pick?

I very rarely listen to music outwith the current year as there’s so much good new stuff around, but even as the waters lap around my toes, I realise that picking seven current albums probably doesn’t make for such good material as looking deeper into my past. I resolve to grab seven of the albums that mean I can write a few words to explain my choice … and that I’m prepared to listen to again and again obviously. It won’t be my top seven of all time, it won’t be the best seven, but it will help me survive til the good ship Vinyl Villain tracks me down. I suppose also that I could pick one relatively random track from each album, just to give you a flavour and break up the monotony every so often.

And what to call this musical musing? I’m thinking Deserted Island Long Players might be a cool, succinct and snazzy moniker for this venture. But feel free to call it dross.

The first I’ve chosen to save is Marine GirlsBeach Party. There was plenty punk, metal, post-punk or pop that I could have selected to remind me of my youth in a small fishing community, but this probably sums it up as well as anything for me. When some around me were desperately seeking louder, thrashier stuff (although, let’s be honest, most were coveting the latest Billy Joel album), I found this gem. I don’t recall now why or how. Possibly Peel. Possibly just liked the look of the cover (how many albums have I bought over the years for that reason. And then loved).

Anyhow, when the needle hit the record (I’m not pretending I had the cassette), my jaw hit the floor. Bright, breezy and brilliant. This was DIY pop at its very best. Ramshackle recording in a garden shed. And let’s be thankful for that.

Be honest, had a studio been involved, then it would never have sounded this raw, this rough, this frankly shambolic. It is a wonderful thing and surely an inspiration for several bands that followed and feature in JC’s ramblings. Too twee (though I wouldn’t have known the meaning of the word then) and lo-fi for most of my mates of that time, for me it still conjures up memories of school, real life beach parties, cider and vodka ‘cocktails’, girls (who I wanted to impress but all hated this sort of music), and trying to avoid getting my head kicked in.

Happy days.

mp3 : Marine Girls – Times We Used To Spend

Next choice, I’ve selected a double album, Prince’s – Sign O’ The Times. Many who know me will be surprised that Prince slipped under the door into this seven. However, for me it’s a no brainer.

This album must be amongst my most played over the years. I know there’s a dip here and there – ain’t that always the way on a double album; but when it’s good it is astonishingly good. Yup, I have sung and shrieked along to this in the privacy of my home, and I would do much the same on a deserted island. Back in the day, I would play it to get the funk before heading out to see some indie miserables play locally. Indeed, those who shared those evenings in the Northern City’s sweaty pubs and clubs will testify to my wearing of a rather camp Prince t-shirt to the Go Betweens, Nervous Choir, Stump, or whoever, and consequent tutting from the indie cognoscenti.

It’s not all good memories though, this kinda reminds me also of my psycho girlfriend of the time, cos obviously she hated it (is there a pattern developing here?). Which may have explained setting fire to our flat, cutting our phone line, throwing glass tables… Or maybe not.

mp3 : Prince – The Ballad of Dorothy Parker

(I know that Prince won’t actually allow this**, so we’ll just have some Supermoon instead. And, to get into the mood, imagine Neil in purple with a wig.)

mp3 : Supermoon – The Mill (Toad Session)

Third from the wreckage is Public Enemy and Yo! Bum Rush The Show. Still making great music, it is unbelievable now in a world of Jihad and fundamentalism to look back on the headlines that surrounded this lot in their early days. Now Chuck D remains controversial but more in the role of old statesman.

Channel 4 recycled an old song for their London 2012 Paralympic Games coverage and catapulted them back into the charts. However, back in 1987, for those that aren’t old enough to remember, they really were seen as a threat to western society with their links to Nation of Islam and Louis Farrakhan. But then that was also a time, and not that long ago, when the election of a black President of the US was seen as inconceivable. And perhaps the Reverend Jesse Jackson’s association with Public Enemy and their alleged extremism was a factor in his failure to achieve just that. I’ll dodge the politics for now and revert to the album itself.

Honestly, when I played this for the first time, it was another jaw stretching moment. So much (black) power. Energy. Beats. And they meant it maan. Of course they’ve done better stuff since, of course listening now it doesn’t seem as powerful as it did then. But, in the modern world of social media, of (free) music at every turn, of sampler tracks, of rough recording releases, that moment of hearing an album this good and this (to me) different, for the first time, in full, will never be repeated. Hearing this, indirectly, took my musical direction down a whole new path. I’d always loved what little I knew then of rap and had the odd record from the likes of Schooly D, but this got me hook, line and sinker. To hear and dance to this sort of music locally at the time, the only real option was to go to dance club nights, where they played the odd rap tune. And I did. But, dance music was evolving too and that introduced me to acid house and other beats. And some late nights.

mp3 : Public Enemy – You’re Gonna Get Yours

No worries, I’ve thrown the pills back. And, instead, grabbed Never Got Hip by Foil. I was beyond youth when this came out but it will forever remind me of that period and beyond. The band themselves will despair as I reckon they’d demand I pick their first release. But they won’t be there. Hugh will be though, on lead vocals for much of the album, and there’s a friendly voice that’s followed me through my life. That in itself will remind me of so much, and much of that best not repeated. As well, both children were born by the time this came out and there’s several memories linked to them. It’s an album I still listen to regularly and still thoroughly enjoy.

This is not nepotism – it’s here on merit as well as for the memories. Looking through the tracks, I’m struggling to pick one that I don’t really, really like. I still think, with the right promotion or a bit more luck, this could have been a real success. Just before I leap in the lifeboat I’m chucking a note in a bottle to Vic Galloway reminding him to give them a play again sometime soon.

mp3 : Foil – Claremont Junction Optimist

Enough of the noise, I’ll need some peace and chilling. And who better than Beth Orton and Trailer Park. This is a gorgeous album. When I find myself in times of trouble…..I sit down and listen to this. Just one of the best voices ever. Again, I can listen to every track over and over, again and again.

I am though absolutely horrified to note that this is nearly 20 years old. When did that happen? Asked in the pub for my favourite artists, it’s unlikely that Beth Orton would spring to mind. Yet I own pretty much everything she has released. She’s Ms Reliability for me. There when I need some solace, there when I need to just relax and let the music wash over me. Rather appropriate in this contrived situation in which I’ve found myself. You’ll all think she’s mainstream maudlin. But it’s my sinking ship…

mp3 : Beth Orton – Someone’s Daughter

The sixth long player was a tough one. As JC knows, I do enjoy a bit of politics in my music, but then I picked one of the less obviously political albums by the Beard of Barking – Billy Bragg’s William Bloke. Billy’s music has accompanied so much of my life that I couldn’t not have him and I could have chosen any of his albums. I’ve seen him more times than I can recall with various friends, not all of whom are still here.

I could have dipped in anywhere in his career (except perhaps Mr Love and Justice) and been happy. But this has special memories linked to family, and JC, with whom I enjoyed a spectacularly good night, on a berthed ferry ironically enough, watching Bill tour this. Because it’s a bit soft overall on the old politics, it’s possibly not one that gets a huge amount of love and attention. Despite that it’s one that I return to time and time again. And the warmth of the album as a whole envelopes me whenever I do. Here’s an artist that the woman in my life does like.

mp3 : Billy Bragg – The Space Race Is Over

And then there was the shock of the new. No way was I climbing in that lifeboat without something a bit newer. I can’t conceive of a time when I won’t want to hear new music, even if it does sound “just like the old stuff”.

So I look down and there’s five albums I haven’t had the time to listen to yet – new releases by Sleaford Mods, Public Enemy, Rachel Sermanni and C Duncan, and an album from a couple of months back by Nocturnal Sunshine (Maya Jane Coles in disguise). I’ve seen the first three, own their previous work already, I know broadly how they’ll sound. That leaves the others.

As the waters reach my knees, am I dancing or am I chancing? I plump for C Duncan’s Architect. I know a wee bit about him, and his indie folktronica as I hope no-one’s calling it, but have managed to avoid knowingly hearing him over the last year. It’s a gamble, as I might hate it. But at least I’ll have a frisbee to play with if I do. It’s difficult to choose a track in the circumstances, albeit there’s a couple of potentially suitable punny titles. Instead I’ll leap into the unknown with the positive sounding…

mp3 : C Duncan – He Believes In Miracles

Apparently there’s a bit of other miscellany allowed too. The Bible would probably have to be The Great Indie Discography (albeit magically updated), which JC gifted me a few years back. Hours of fun plotting various groups lack of success.

It appears that everyone who lands on this island finds the near mythical Collected Works of Morrissey in book form. I’m still pondering what to do with it. It might be useful for lighting a fire. Or I could hollow it out into a seat. But I suppose that its greatest value will be that JC is going to do his damnedest to find me if he thinks there could be a limited edition Moz freebie as a reward.

I’m told there’s also some space for a music book of my own choice. For that ideally I’d like to go with Mr Song By Toad’s autobiography as I reckon that’d be a fascinating read with just the wrong amount of swearing. But that isn’t available. And likely never will be. I wouldn’t say no to a compiled version of Deadbeat fanzine either, but that’s cheating. Simon ReynoldsRip it Up and Start Again is tempting if nothing else because there’s a lot of it. But the book that still makes me laugh and cry just thinking about it is The Glamour Chase: The Maverick Life of Billy Mackenzie by Tom Doyle. So that’s the one.

And my luxury, as an alternative to music, is a football. I tell you what, by the time I’m saved, I’ll be practised and set for my Scotland debut.

If I could only have one album from the seven above, then that really is a tough choice as I could easily make a justification for any of them. But I’ll say Beth, on the basis of a female voice and the likely time I’ll end up chilling in the sun.

Anyone think I’ve overanalysed this……??

Jacques (Aged 50 years and 3 days)

JC adds……

All of the above words are true.  From the psycho girlfriend to the night on the Ferry with both us almost in tears watching and listening to Billy B talking about politics and how literally we should now be ‘doing it for the kids’ to the fact that JtK grew up with Hugh Duggie the main man in Foil and who really had the talent and charisma to have been a rock god but never quite got the breaks.

I got to know JtK some 25 years ago and within weeks of our first meeting he was having to defend me rigorously and vigorously when I was in danger becoming public enemy #1 in our workplace over the fact I had fallen in love with someone new…I’ve never really thanked him for that in public cos we’re blokes and blokes don’t do that sort of thing…

I’m lucky to have such a great mate and what a bonus that he has such great taste in music.

Oh and thanks for making me smile yet again with the Billy Joel reference (sorry dear readers, it’s a great wee private joke!)

Belated happy birthday amigo.

** re Prince – let’s see how long it lasts before a dmca notice forces it away………..

THE JAM SINGLES (2)

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The first of the really big hits.

Released on 8 July 1977, it climbed all the way to #13 in the UK singles charts which was a ridiculously good performance for just the second 45 from the band.  The single came out as the band were in the middle of their first ever British headlining tour which took in 36 dates between 7 June and 24 July.

mp3 : The Jam – All Around The World
mp3 : The Jam – Carnaby Street

It would go onto be re-released as a 7″ single by Polydor Records on two more occasions – in 1980 and 1983  hitting #43 and #38 respectively.

Three additional recordings on offer today. The first being a very heavy bass-led version from the band’s second session for John Peel recorded on 19 July 1977 and broadcast six days later:-

mp3 : The Jam – All Around The World (Peel Session)

The second is the taken from the same session:-

mp3 : The Jam – Carnaby Street (Peel Session)

Then there’s a frantic and energetic live version that closed a gig at the Paris Theatre in London recorded for the BBC series Sight and Sound:-

mp3 : The Jam – All Around The World (live)

Enjoy

SONICALLY WE’RE IN CONTROL….

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Listening again recently to Curve‘s great take on I Feel Love (as featured in the recent look back at Ruby Trax) got me to look out an equally great bit of music.

Sadly, I didn’t buy the single on its release in March 1995, preferring instead to spend money on the parent LP. If I had, it would have been a candidate for inclusion on my 45 45s at 45 list back in 2008 which would have given Leftfield two entries in the rundown as their collaboration with John Lydon did come in at #19.

mp3 : Leftfield/Halliday – Original (album version)

One of the best bits of dance music ever released.

And listening to it again made me determined to get my hands on a second-hand copy of said single.  And here it is:-

mp3 : Leftfield/Halliday – Original (radio edit)
mp3 : Leftfield/Halliday – Original (live dub)
mp3 : Leftfield/Halliday – Original (jam)
mp3 : Leftfield – Filter Fish

The radio edit has two minutes shorn from the album version but hasn’t been butchered too much; the live dub is largely instrumental, extending out to over seven and a half minutes and containing the occasional note that when played in a live setting goes right through to the depths of your stomach and turns it inside out; the jam is totally instrumental and quite a move away from the original (pun intended) version and is quite unrecognisable for the most part; the new song is a fast frantic dance floor instrumental that will be of appeal to those who are big on the remix treatment often handed out to New Order songs.

Enjoy

NEXT YEAR’S NOSTALGIA FEST (Part 28 of 48)

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This really should have been written in advance of last week’s piece on The Weather Prophets but I just thought I’d be a bit twisted.

As I mentioned seven days ago, the first two 45s by The Loft had gone down a storm in the music press.  The thing is, I’m bemused as to why a single from September 1984 finds a place an album looking at the class of 86…especially when the band in question had broken up in July 1985.

But mine is not to reason and so as part of the look at the 48 songs on the compilation, here are the two songs that made up the piece of plastic that had the label number Creation 009:-

mp3 : The Loft – Why Does The Rain
mp3 : The Loft – Like

Oh to hell with it, here’s Pete Astor‘s Take 2 version with his next band. This saw light of day on the 1987 LP Mayflower:-

mp3 : The Weather Prophets – Why Does The Rain

Enjoy

SATURDAY’S SCOTTISH SONG : #22 : THE BATHERS

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Some of you may be wondering how it is possible for a band as little known as The Bathers to have experienced the release of a ‘Best Of ‘ compilation.  The answer partly lies in music label politics…

The Bathers are really a front for the singing/songwriter talents of Chris Thompson, a man whose work I have admired and adored since the early 80s and the emergence of Friends Again.  His indie-pop band had lots of fans in the industry and it was no real surprise that when they split in 1985 that he’d get a number of offers and in 1987 his new band released Unusual Places To Die, a tremendous debut album, on Go Discs only to find that those who had most backed his talents had left the label and the record floundered.

Three years later, the band were on Island Records and history repeated itself as Sweet Deceit flopped despite all sorts of press acclaim.

There then followed a period on which Chris Thompson joined forces with Neil Clark and Stephen Irvine (ex-Commotions) and Mark Bedford of Madness to write and release material under the band name Bloomsday and it was 1994 before The Bathers third album – Lagoon Blues – came out via German based Marina Records with further releases in 1995 and 1977 in the shape of Sunpowder and Kelvingrove Baby.

By now, the music was heavily reliant on lush arrangements and the use of strings, brass and keyboards rather than the guitar focussed work of the earlier material with a range of guest vocalists including most notably Elizabeth Fraser of Cocteau Twins.

By 1999, Thompson was regarded by many as one of Scotland’s greatest unknown talents His quality and diversity of work was winning small numbers of new admirers with every release including the sixth Bathers album, Pandemonia, which came out that year on Wrasse Records.

There was a demand for some sort of career perspective but the problem however, due in part to his continuous shifting around labels, and also that most of his records were only ever released in small quantities and went quickly out-of-print, that doing something along those lines wasn’t an easy task.  The solution lay in the release of Desire Regained in which twenty tracks spanning the career of The Bathers were re-recorded and brought together on one release back in late 2001.

It remains, to the best of my knowledge, the last release by the band although they have never formally broken up.

I thought I’d offer up a song that was recorded three times in the band’s career, in 1987, 1990 and 2001:-

mp3 : The Bathers – Perpetual Adoration (1987)
mp3 : The Bathers – Perpetual Adoration (1990)
mp3 : The Bathers – Perpetual Adoration (2001)

Enjoy