A reader made a passing comment the other week about going out of his/her way to purchase a cassette version of an album simply to pick up an extra otherwise unavailable track. That got me thinking back to late 1984 and the release of The Orange Juice, the fourth* and what turned out to be the final studio album by Orange Juice.
* Yes, I know the sleeve states it was (the third album) but I’m one of those who counts Texas Fever, a mini-LP released earlier in 1984 as an OJ album.
In many ways this was really the first ever Edwyn Collins solo album. By now the band had collapsed within itself and Edwyn only had Zeke Manyika for permanent company and so guest musicians were brought in for the recording sessions, most notably Clare Kenny (ex Amazulu) on bass while legendary dub reggae producer Dennis Bovell, who was behind the desk for the record, added his keyboard skills.
The ten tracks on the album are actually, and this might be sacrilegious on my part, among the best songs that were ever attributed to Orange Juice. Yes, they are a long long way from the rough and ready screechy/jangly guitar indie pop of the Postcard era but there’s a real quality about many of the songs that can be attributed to Edwyn’s continually improving song-writing abilities and quite honestly, if this had been a band’s debut album then the world would have sat up and taken huge notice instead of being dismissed in a whim of huge indifference. By now, Edwyn and Zeke knew that the game was up and that many at Polydor Records had lost patience with the band but in one last brilliant hurrah they managed to get budgets for promo videos (with What Presence?! being directed by the acclaimed Derek Jarman) and what can only be described as some very tongue-in-cheek television advertising.
They also convinced the label to issue the record on what was then standard vinyl and cassette but that the latter should have the 10-track LP on one side while the other should became home to seven songs in what was described as the original 12” mix format. The outcome, rather unusually, was that the cassette format outsold the vinyl format but overall not in enough quantities to have the album make the UK charts.
And that would have been a total travesty and a thoroughly wretched way for the band’s career to come to a close but thankfully the thirty years since have been very kind to Orange Juice and they are probably better known and certainly better loved and appreciated than they ever were in their heyday.
I’d love to offer all seven tracks as they appeared on the cassette but sadly I don’t have the technology to make the transitions from tape to mp3. But I will take what I have from vinyl and CD and do something:-
mp3 : Orange Juice – I Can’t Help Myself (12” vinyl)
mp3 : Orange Juice – Rip It Up (12” version)
mp3 : Orange Juice – Love Sick (re-recording from Rip It Up single )
mp3 : Orange Juice – Flesh Of My Flesh (12” mix)
mp3 : Orange Juice – Out For The Count (alt mix from Texas Fever sessions)
mp3 : Orange Juice – What Presence?! (12” mix)
mp3 : Orange Juice – Lean Period (12” vinyl dub version)
To be honest, I find this mix of Flesh of My Flesh bordering on the unlistenable thanks to the annoying use of effects and gimmicks that take away any sense of rhythm or tempo. And to be completely honest, even the shortened 7” version of the song is one of my least favourite OJ recordings…..I just could never take to it.
But hey…..dig that extra guitar break instead of the harmonica in the middle of What Presence?! Sheer class…………….
Oh and its a fresh ‘rip’ of I Can’t Help Myself that has eliminated what was a jump when it appeared on the blog previously.