After being dropped by Warners in 1988, Billy quickly put some demos together with Blair Booth and Philip Erb (who he had recorded “Cinemas Of the World” with) and secured a deal with Virgin subsidiary Circa. The result was 1990’s “Wild And Lonely” a record much maligned by many Associates and MacKenzie fans. There are a number of reasons for this but the main one is that while the rest of the UK had romped through the 2nd Summer of Love in 1988 and two years later Acid House, House, Hip-Hop and sample-tastic dance music was filling the charts, “Wild And Lonely” had been produced by Julian Mendelsohn and it sounded slick and well – a bit like 1986. “Wild” and “Lonely” were two of Billy’s Whippets by the way…
My favourite track from this era is a B-side track from the single “Fire To Ice” called “The Glamour Chase” – an Abba-like paean to lost hope, shattered dreams and dented pride. The song refers to the ditched Warners album, Billy’s stalled career and the cost of the quest for fame (“Quality knows what is insincere/ All is not what it seems to appear/ Searching for what in this emptiness/ Why all this sudden need to impress/ Why must we always think we know best/ Knowing you’re wanting a part of me/ Only protects that same part of me”).
mp3 : Associates – The Glamour Chase
Billy insisted the track was included on the UK version of the “Wild And Lonely” CD and it was the only track on the album which Julian Mendelsohn didn’t produce. Billy produced it.
JC adds (in August 2015)….
The marvellous illustration above is the work of Stuart Murray, but I only discovered this many months later via the comments section.
It was done by Stuart me for a book called The Great Scots Musicography in 2003 (a tome from which I draw much of the info that subsequently appears in postings), and Stuart says it was one of his favourites for the book. You can check out more recent work of his at http://www.thefolkyebumpintae.wordpress.com