SATURDAY’S SCOTTISH SINGLE (Part 118)

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From wiki:-

Urusei Yatsura (うる星やつら) is a comedic manga series written and illustrated by Rumiko Takahashi and serialized in Weekly Shōnen Sunday from 1978 to 1987. Its 374 individual chapters were published in 34 tankōbon volumes. It is the story of Ataru Moroboshi, and the alien Lum, who believes she is Ataru’s wife after he accidentally proposes to her. The series makes heavy use of Japanese mythology, culture and puns. The series was adapted into an anime TV series produced by Kitty Films and broadcast on Fuji Television affiliates from 1981 to 1986 with 195 episodes. Eleven OVAs and six theatrical movies followed, and the series was released on VHS, Laserdisc, DVD, and Blu-ray Disc in Japan.

(oops wrong extract!!!)

Urusei Yatsura were a Glaswegian alternative rock, indie rock band.

Founding members Fergus Lawrie and Graham Kemp met in the summer of 1993, whilst attending the University of Glasgow. They recruited Elaine Graham as bassist, and the line-up was completed with the subsequent addition of Elaine’s brother, Ian Graham, on drums. They took their band name from the manga Urusei Yatsura, written by Rumiko Takahashi, and contributed their first recording, Guitars Are Boring, to a compilation album released by the Kazoo Club. This was based in Glasgow, and run at one point by the future Franz Ferdinand singer Alex Kapranos. This record in turn brought them to the attention of the BBC Radio DJ John Peel, who brought them in to do a session.

Over the years they released three albums: We Are Urusei Yatsura (1996), Slain By Urusei Yatsura (1998) and Everybody Loves Urusei Yatsura (2000). Albums in America and Japan were released under the name of Yatsura for legal reasons. The band had one Top 40 hit single, 1997’s “Hello Tiger”, which reached #40 in the UK Singles Chart. Other singles released by the band include “Strategic Hamlets” and “Slain By Elf”.

Urusei Yatsura split in June 2001, leaving Kemp to work on solo material and the other band members to form Projekt A-ko. In 2011, Lawrie formed the three piece band Angel of Everyone Murder with Sarah Glass and Lea Cummings on bass, and released a self-titled double album on Kovorox Sound. The release featured six drone compositions of 15-20 minutes each, made with self modified guitars he called HALO guitars. In 2012, Angel of Everyone Murder 2 was released.

I’ve a number of their releases in the collection. I thought however, it would be just as well sharing the one that so nearly got them fame. Released on 2 x CD singles, it’s a belter of a 45 with equally enjoyable b-sides (and there’s no doubt Alex Kapranos and the rest of Franz Ferdinand were paying attention) while the two other songs from the Peel Session occasionally hint at a slightly more expirimental side of the band:-

mp3 : Urusei Yatsura – Hello Tiger
mp3 : Urusei Yatsura – Vanilla Starlet
mp3 : Urusei Yatsura – Vent Axia
mp3 : Urusei Yatsura – Hello Tiger (Peel Session)
mp3 : Urusei Yatsura – Dice, Nae Dice (Peel Session)
mp3 : Urusei Yatsura – Everybody Hang Out (Peel Session)

Enjoy

A LETTER TO ALL TVV READERS

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Dear Friend

I am respectfully asking that you take a few moments to have a read over this very distinguished list of songs:-

Cattle and Cane
Man O’Sand to Girl O’Sea
Bachelor Kisses
Part Company
Spring Rain
Head Full of Steam
Right Here
Cut It Out
I Just Get Caught Out
Bye Bye Pride
Streets of Your Town
Was There Anything I Could Do?
Love Goes On!

The songs have a few things in common:-

– every one of them was a single released by The Go-Betweens in the UK between 1983 and 1989
– every one of them was a flop with the best performing stalling at #80
– every one of them is a fantastic and timeless piece of music that shows no sign of dating
– every one of them is 80s indie-pop at its best

Sometimes I just don’t get it.

Yours

JC
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mp3 : The Go-Betweens – Spring Rain
mp3 : The Go-Betweens – The Life At Hand
mp3 : The Go-Betweens – Little Joe

This was the first single (and rather wonderful b-sides) lifted from the 1986 LP Liberty Belle and the Black Diamond Express, arguably the band’s most consistent album in terms of quality. Nearly 30 years on and I am still bemused as to why neither Spring Rain nor Head Full Of Steam, the other single lifted from the album, didn’t get the band an appearance on Top of The Pops.

Oh and while I’m here, I’m asking for your indulgence to post another non-single from the album on the basis that there are times when I hear it and think is my favourite ever Go-Betweens song:-

mp3 : The Go-Betweens – The Wrong Road

The addition of cello, violins and viola take this way out of indie-pop territory and into something quite epic.

Enjoy

THREE CRACKING BITS OF MUSIC ON THIS ’45’

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This, the second single lifted from what turned out to be the final ever LP released on Creation Records, is a mighty fine piece of music.

XTRMNTR had caught out a lot of folk. It was a full-on, in your face aggressive and angry record which didn’t make for easy listening. It had received a huge thumbs-up from the critics who almost universally lauded Primal Scream for having the balls to do something so brash and unexpected while the band had a large enough loyal following to take the LP into the Top 3. But unsurprisingly, the singles lifted from the LP never really got much in the way of radio play and all three of them stalled outside the Top 20.

Things weren’t helped in the case of Kill All Hippies as the band released it in the exact same format as the version which opened the album which means it doesn’t really take off for over a minute which really was commercial suicide when it comes to radio play which, back in 2000, was still very important as the digital internet age in terms of music consumption was really still around the corner.

mp3 : Primal Scream – Kill All Hippies

The second track is a Massive Attack remix of one of the gentler and easier listening tracks on the album. The original version of Exterminator is great but this remix is just stunning…especially when listened to through an expensive set of headphones. There’s just so much going on.

mp3 : Primal Scream – Exterminator (Massive Attack remix)

The single as a whole was dedicated to Curtis Mayfield who had died just a few weeks earlier. The third song was especially written by Primal Scream as a tribute to him and it is funky as fuck:-

mp3 : Primal Scream – The Revenge Of The Hammond Connection

If you’re not dancing around the room having played that last track there is something seriously wrong with you.

PETE DE FREITAS : AN APPRECIATION

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I received a really nice e-mail the other day from Scott who asked if it would be possible to re-post something from the old blog.

It was a piece from 14 June 2009 and it’s title can be found in the first line……

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I cannot believe it was all of 20 years ago…..but it is.

14th June 1989 when the life of Peter Louis Vincent de Freitas ended as the result of a motorcycle accident.

He was 27 years of age. And he was the first dead pop star I ever shed a tear for.

Born in 1961 in Trinidad, Pete de Freitas was a bit of a posh boy, educated at a famous Roman Catholic public school near Bath, England, and while he was far from dim, he was never keen on pursing an academic career. So by the age of 19, he was living in London, sharing digs with another lad from his old school, and both of them dreaming of forming a band.

Pete’s flatmate had a big brother who was involved in the music industry, part of an ever-growing new scene on Liverpool. That big brother and his close mate started staying overnight at Pete’s place whenever any of the bands they were involved with played in London. Pete would sometimes go along to the gigs, which is what he did one August night in 1979.

Pete’s flatmate’s brother was David Balfe, and his mate was Bill Drummond. The band they took Pete to see at the YMCA on Tottenham Court Road was Echo & The Bunnymen – a three-piece act backed by a drum machine. The drum machine was in fact ‘Echo’, the humans were ‘The Bunnymen’ – Ian McCulloch (vocals), Les Pattinson (bass) and Will Sargeant (guitar)

The band were getting a lot of attention, but it was widely felt that they would sound a lot better with a real drummer. Within 12 months of seeing them for the first time, Pete had that gig, just in time for the recording of the band’s second single, but their first for a major label.

From 1980 – 1986, Echo & The Bunnymen were one of the most entertaining bands on the entire planet. All four band members contributed to the songwriting, which showed in the magnificently tight unit that was the guitarist, bassist and drummer, while up front they had a hugely charismatic singer who was not slow in offering his opinions on any subject under the sun. They attracted a huge following, many of whom dressed in identical clothes and wore their hair in the same way as their idols. They enjoyed Top 30 success with seven of their singles, but it was their LPs which found them at their best, all four of them going Top 10.

Live, they were truly electrifying, with shows that stretched out for well over two hours featuring not just the hits, but great and unusual versions of album tracks as well as a handful of covers from many of their own influences.

Many people associated with the band, not least their larger than life manager and the frontman had predicted massive things for the 1984 LP Ocean Rain. And while it sold in impressive numbers, it didn’t conquer the world….

The band began to drift apart in some ways. First of all, McCulloch recorded a solo single. The others started producing and appearing on records by other bands. And in 1986, Pete de Freitas left the band.

Along with two members of the Bunnymen road crew, he took himself off to the USA to form The Sex Gods. The idea was to take the money he had made from his time as a Bunnyman, head off to places like New York, New Orleans and Jamaica, filming themselves as they went along living a truly hedonistic life. It was a bender to end all benders.

There were drunken rows, drug busts, near fatal car crashes amidst the chaos. Later on Pete de Freitas would admit he was going insane. He was eventually brought back to the UK by Bill Drummond.

He was temporarily replaced as the drummer, but the rest of the band soon realised how much they needed him, and he was allowed to re-join.

Echo & The Bunnymen released an album in 1987 called The Game – this time with very little hyperbole, and although it went to #4 in the UK charts, critical reaction was lukewarm. This time it was singer Ian McCulloch who decided that enough was enough, and he quit in 1988, intent on the solo career.

The other three decided to keep going, on the basis that having failed to really crack America with Mac at the helm, they could maybe succeed with someone different, unlikely as it might seem. The new recruit was Noel Burke, ex-frontman of St Vitus Dance….and someone who sort of looked and sounded like Mac….

The new line up were in rehearsals in Liverpool in June 1989, and Pete de Freitas was on his way there when he crashed his motorcycle on a back road near Rugely in Staffordshire. As I mentioned earlier, he was just 27 years old.

Years later, Les Pattinson in an interview with a music magazine said that he still thought of Pete every day. At his funeral, the three remaining original Bunnymen cried their eyes out….albeit McCulloch could not bring himself to speak to Pattinson and Sergeant for what he considered a betrayal in replacing him as singer.

I remember reading about Pete’s death in a newspaper the next day. My eyes welled up and my throat tightened. The man who I thought was the coolest man on planet pop was no more.

Quite a few years earlier, not far from my school, I had seen a motorcycle accident when the unfortunate rider was hit by a bus whose driver couldn’t have seen him. It was an incident that I hadn’t thought about much since, but it was the vision that flashed before my eyes as I read the paper, and it was something that gave me some sleepless nights over the next few weeks. Even as I type this, I can see that accident from over 30 years ago….all triggered off by the premature and sad death of a pop star.

You’ll see from the photo above that Pete was a good-looking man. He was someone who just about everyone I ever went out with during my years at University would admit to fancying. When you heard about the way he lived his life, you just wanted to be him.

He was only two years older than me. And while I have had a great and memorable almost 46 years on this planet, there’s still a part of me that wishes that I had lived his life for just one day…as long as that day wasn’t June 14th 1989.

R.I.P. Pete de Freitas. I still think of you every time one of your songs comes on my i-pod….

mp3 : Echo & The Bunnymen – All My Colours
mp3 : Echo & The Bunnymen – Nocturnal Me
mp3 : The Wild Swans – Revolutionary Spirit
mp3 : The Colourfield – Take
mp3 : Echo & The Bunnymen – Do It Clean (live – 1983)

Footnote

There were a lot of really nice comments left behind after the piece appeared, many of them thanking me for such a heartfelt tribute.

A few months later I received the most wonderful e-mail from Pete’s daughter. Lucie-Marie de Freitas was a very young girl when her father died, of an age before she could develop any memories of him.

Her e-mail explained that the treasure trove of songs, articles and videos have helped her learn so much about her father and the incredible impact he had in his short time on earth. She thought it was remarkable and moving that so many people still remembered him after all those years and she thanked me for the tribute I had made.

Talk about leaving me speechless.

 

G’DAY FROM OUR ANZAC CORRESPONDENT : DOOZIES FROM DOWN UNDER (4)

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Craig sent this over at the beginning of the month with the intention of it appearing on Tuesday 4 November.  The only problem was that I was too busy at the time to deal with blog related things (including e-mails) and so his clever idea of linking it directly to a hugely important date in the Australian sporting/social calendar doesn’t quite work….but it’s all down to me. Anyways…..

The first Tuesday in November means it’s Melbourne Cup time here in Australia. A cause for great celebration for many reasons, “the (horse) race that stops a nation” is an event that is looked forward to by millions all round Australia, and the rest of the world too (not least the international pickpocketing communityapparently!)

Many people in Australia have it marked in their calendar as ‘Melbourne Cup weekend’, as the Tuesday is a public holiday, so no point going to work/school on the Monday is there? or for some, the Friday prior to, and/or the Wednesday as well.

Run over 3,200 metres, in Melbourne, in Springtime (the weather is often either really hot, or raining, or a bit of both), the race is notoriously hard to pick a winner, so i’m giving you three ‘firsts’ as my picks this year – ‘

mp3 : The Marching Girls – First In Line
mp3 : The Stemms – At First Sight
mp3 : Sounds Like Sunset – First Time

The Marching Girls are from NZ while the others are both Australian.

Hope you enjoy these… we’re off to the beach for a few days

Cheers

Craig

THE JAMES SINGLES (20)

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With apologies for the past two weeks of repeat postings.

There are occasions when pressures of work and other commitments mean I can’t devote all that much time to the blog. I always try to have at least a week’s worth of postings ready in advance to cover eventualities but I had just about emptied the well quite recently and as I can load up about 5 old posts in the time it takes me to compose a single new post I bought myself a bit of breathing space.

So here I am back with the series on singles from James.

It had been three years since James had last unleashed any new material on the public.

The band had come very close to breaking up at the tail end of 1995 thanks to a combination of tensions among members exacerbated by a very unexpected and very large tax bill covering a period when they had first tasted success.

There were was a degree of profile as Tim Booth had worked with composer Angelo Badalementi, and with contributions from Bernard Butler, an LP entitled Booth and The Bad Angel had surfaced in 1996 including a hit single in I Believe.

The following year the band, but without Tim, began to re-visit some material previously recorded with Brian Eno as well as start work on new songs in a studio in Wales.  It wasn’t an easy or seemingly an enjoyable experience, certainly in the initial stages, but very slowly the semblance of a new LP began to be knitted together with Tim sending vocal contributions from New York.

When Tim returned back to the UK the band and record label decided it would be an idea to finish things off by bringing in uber-producer Stephen Hague to deliver a commercial radio-friendly finish.  The first material anyone got to here was this single in February 1997:-

mp3 : James – She’s A Star

It became a Top 10 hit in the UK, helped by the fact that the band were willing to go out on the telly/chat-show circuit to give it maximum possible publicity.  It also came with a stylish and expensive video.

There was one really annoying thing though for band completists, namely that the single came in 3 x CD versions, although there was no vinyl issue.  The first CD featured live versions of two very old James songs as recorded the Alton Towers gig back in 1992, the second CD offered three new songs and CD 3 had two remixes of She’s A Star, plus – and I’m certain this was done by the record label out of spite to piss off fans who had moaned about remixes – the Weatherall mix of Come Home which was its third(!!!) appearance as James b-side.

mp3 : James – Stutter (live)
mp3 : James – Johnny Yen (live)
mp3 : James – Chunney Chops
mp3 : James – Fishknives
mp3 : James – Van Gogh’s Dog
mp3 : James – She’s A Star (Dave Angel’s PAT Mix)
mp3 : James – She’s A Star (Andrea’s Biosphere Dub)

The big problem for me is that She’s A Star is a really disappointing 45 particularly compared to the pre-fame and fortune  material.  While I hadn’t liked the stadium-rock material of the Sound era I could understand in some ways what the band were setting out to do and they had made a great comeback with Laid.  But for the first time ever, I found myself using the word boring to describe a James single.  And I haven’t changed my mind all these years later,

Turning to the other tracks.

The two live songs are fine but both are drawn out to almost 7 minutes in length and while I’m sure this it must have been a real treat for fans  who went to Alton Towers  they don’t match the intensity of the live versions released many year previously on One Man Clapping. (It was also the second time Stutter had been released as a live b-side having done so on Come Home a number of years earlier)

The new songs contain some of the worst bits of music the band have ever released and in days of yore would surely have been consigned to the bin.

The first minute and a half or of Chunney Chops is really instrumental bland synth-pop that just gets on my nerves.  It is the sort of music that Genesis began to make when Phil Collins talked them out of being a prog band and into the pop charts in the mid 80s.  Yup… that bad.  And and while the remaining three and a half minutes do feature what sounds like a half decent Tim vocal it is mixed low behind an awful bit of annoying music.

The third track – Van Gogh’s Dog actually opens with a great deal of promise.  A slow number with a bit of noodly synth music in the background…something a bit different appears to be coming our way.  And then, just a minute or so into the song it becomes almost a lazy pastiche of With Or Without You by U2…made worse by Tim doing a bit of falsetto singing that would get him booed off most stages if he was a support act.

Which makes it such a shock that the middle track of the new songs – Fishknives – is so bloody brilliant.  Yup it is more electronic than James fans were used to but it has a soundtrack quality to it that brings to mind some of the work of David Holmes.

The remixes?   Well it’s 12 minutes of music that is supposed to resemble She’s A Star.  The Dave Angel mix for the most part doesn’t as so that’s a blessing.  But it is , like the Jam J stuff, an acquired taste.

The other mix, which was produced by Norewagian electronics wizard Geir Jenssen, turns out to be the release’s true saving grace.  All the bombast of the single is replace by wonderful keyboard noises backing a most gorgeous and understated sounding vocal from Tim…..it’s only when you listen closely that you realise it is the same vocal as the single but here it seems to find its rightful place.

Totally unexpected and so out of place on what really is a sub-standard release.

THE MOZ SINGLES (Parts 36 & 37)

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(Back in the original airings of this series in 2008/09 I was simply intending to feature what was, up until that point in time, just the 37 UK singles.  But then I decided I’d also feature two single released only in the USA)

It really is quite strange that  both Tomorrow and Now My Heart Is Full are among the best tracks Morrissey has  recorded in his solo career and way superior to many of the singles that have been inflicted upon us in the UK.

Tomorrow is the closing track on the 1992 LP Your Arsenal, and once you get past the plodding guitars of the opening 20 seconds you will find the great man delivering one of his most pleading lovelorn lyrics over a tune that does give a reminder of by The Smiths.  I’m assuming that having already lifted three singles from the ten tracks on the LP it was just a step too far for the record label to bring this out, but I reckon it would have been a single that would have gotten radio play and appealed to non-Morrissey fans.

mp3 : Morrissey – Tomorrow

One of the b-sides was Pashernate Love which had already been released in the UK as one of the b-sides to You’re The One For Me Fatty, but Let The Right One Slip In was a new song, a more than decent track that features a really understated vocal delivery and that was probably worthy of a place on Your Arsenal – although with its rather abrupt fade-out it was perhaps thought not to be quite the finished article. And until the re-release of Viva Hate in 1997 as part of the centenary celebrations of EMI Records, it was a track only available on the import single:-

mp3 : Morrissey – Let The Right One Slip In

Now if it was a mistake not to release Tomorrow as a single, it was a despicable crime worthy of hanging for the failure to put Now My Heart Is Full out as a 45.

The opening song on the 1994 LP Vauxhall And I.

It’s my long-held view that this is one of the finest tunes and lyrics that Morrissey has ever produced in his solo career that now stretches back some 20 years…

There’s gonna be some trouble
A whole house will need re-building
And everyone I love in the house
Will recline on an analyst’s couch quite soon
Your Father cracks a joke
And in the usual way
Empties the room

Tell all of my friends
I don’t have too many
Just some rain-coated lovers’ puny brothers

Dallow, Spicer, Pinkie, Cubitt
Rush to danger
Wind up nowhere
Patric Doonan – raised to wait
I’m tired again, I’ve tried again
And now my heart is full
Now my heart is full
And I just can’t explain
So I won’t even try to

Dallow, Spicer, Pinkie, Cubitt
Every jammy Stressford poet
Loafing oafs in all-night chemists
Loafing oafs in all-night chemists
Underact – express depression
Ah, but Bunnie I loved you
I was tired again I’ve tried again,
And now my heart is full
Now my heart is full
And I just can’t explain
So I won’t even try to

Could you pass by ?
Could you pass by ?
Will you pass by ?
Could you pass by ?
Could you pass by ?
Oh … Now my heart is full
Now my heart is full
And I just can’t explain
So … slow …

It’s those three lines about friends…and not having that many that bring a lump to my throat just about every time I play this song. I know many people think a lot of Morrissey’s lyrics are autobiographical – and that may well be true. But in my mind, this song belongs to the same protagonist who just a decade earlier was crying out that he was human and needed to be loved in How Soon Is Now?

Remember how that protagonist had the club where he liked to go, where he stood on his own, and he left on his own and he went home and he cried and he wanted to die? Well…I reckon one day he just plucked up the courage to go to the club and actually meet the someone who really loves him. The problem is, that 10 years later, that the love is dying……slowly and painfully. And our protagonist is left with just a bunch of memories and reference points…..

Or maybe I’m just talking bollocks???

mp3 : Morrissey – Now My Heart Is Full

The UK record label thought Hold On To Your Friends would be a better single – they were clearly correct given that it reached a magnificent #47 in the charts and remains, even to this day, the lowest place any of his singles have ever reached.

The US label included Moonriver as a b-side (as it was with Hold On To Your Friends) but it also added a great live song taken from a concert in Paris in 1992:-

mp3 : Morrissey – Jack The Ripper (live)

You’ll hopefully recall that I mentioned a couple of weeks ago that the live versions of Jack The Ripper have always been much better than the studio version issued on the Certain People I Know single. Well, now you have the proof.

 

SATURDAY’S SCOTTISH SINGLE (Part 117)

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The Unwinding Hours are part of the wonderful array of acts who are signed to Chemikal Underground records wwhich, without any question, is the most important and influential independent record label to ever have come out of Scotland for a whole range of reasons.

Here’s what the label website has to say about today’s featured act:-

For those laid low by the untimely and cruel demise of Aereogramme, raise your voices to the heavens and thank the stars for a new Aereogramme-esque incaranation: The Unwinding Hours. Comprising of Craig B and Iain Cook from the much-missed Glaswegian outfit, The Unwinding Hours was the product of a patient and deliberate birthing process, Craig B venturing into Iain’s Alucard Studios to work up songs he wasn’t entirely sure would ever see the light of day.

As time marched on and the recordings progressed, so too did the realisation that they were rather fucking impressive and lo…The Unwinding Hours was/were born. Where did the name come from? Well, hawk-eyed (and we do mean hawk-eyed) fans of The Shining may well recognise them as the advertised ‘house’ band at The Overlook Hotel.

The band have released two tremendous LPs – the self-titled debut in 2010 and Afterlives in 2012. The digital single featuring today is from the latter of these records, and again this is from the label website:-

Bookended by two emphatic drum workouts, ‘Wayward’, the first single from The Unwinding Hours’ long-awaited second album ‘Afterlives’, is unequivocal in its disdain for time-wasting. A bit rich perhaps, coming from a band who took two and a half years completing the follow-up to their self-titled debut, but closer inspection reveals that, while hours may have unwound, they certainly weren’t wasted.

Having emerged from the ashes of cult Glasgow band Aereogramme, The Unwinding Hours are a labour of love for Craig B and Iain Cook: a project afforded whatever time is deemed necessary to produce songs as powerful and affecting as ‘Wayward’. Recalling the turbo-charged melodicism of Bob Mould’s Sugar and the melancholic verve of Mark Eitzel’s American Music Club, The Unwinding Hours new single is a powerful reminder that time spent getting something right, can never be time wasted.

mp3 : The Unwinding Hours – Wayward

The other track on the single is otherwise unavailable….

mp3 : The Unwinding Hours – Isaac

If you like what you’ve heard, may I please suggest that you click here and visit the Chemikal Underground online shop where you can have a browse around the tremendous stuff that is available to listen to and then to purchase. You can opt for digital copies (waaaaaay superior to that offered via this blog) or go for physical product in the shape of vinyl or CDs or indeed things from the t-shirt collections.

Why not treat someone this Christmas?  They’ll love you all the more……

YET ANOTHER WEEK OF REPEAT POSTINGS : THE DEATH OF ALL ROMANCE

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Surely a contender for one of the saddest songs ever written??

mp3 : Tindersticks – Raindrops

Silence is here again
Silence is here again tonight
Will the love ever come back?
Will the love ever come back?
I know I’ve been pushing you away
I know it’s been going on for days
Those awkward little things
So endearing
Those awkward little things
Wear on me

See, what we got here is a tired love
What we got here is a lazy love
It mooches around the house
Can’t wait to go out
What it needs, it just grabs
It never asks
We sit and watch the divide widen
We sit and listen to our hearts crumble
With our only chance to jump
Neither of us had the guts
Maybe we’re just too proud
To say it out loud

Silence is here again tonight
Silence is here again tonight

In 2001, Tindersticks embarked on a hugely ambitious tour involving 19 dates across Europe, playing each concert with a local string orchestra, meeting on the day, rehearsing in the afternoon and performing with them in the evening,

After 10 dates, the band found themselves in Berlin without a drummer who had needed to return to the UK having fallen seriously ill. And while there wasnt ever a question of replacing hime, they took the brave decision to continue the tour, rebuilding the set and sound as they went along. They admit that the Berlin concert was fraught and difficult – but by the time they got to the final night of the tour in Lisbon on 31st October, they believed they had gained something new and unexpected turning point that would resonate in their music for years to come.

mp3 : Tindersticks – Raindrops (live in Lisbon, October 2001)

Simply stunning.

YET ANOTHER WEEK OF REPEAT POSTS : RADIO FRIENDLY UNIT (NON) SHIFTER

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(Originally posted on the old blog on 11 April 2009)

All that talk the other day of Paul Haig got me thinking of other great songs to come out of Edinburgh. And right away, this piece of magic from 1986 sprung to mind:-

mp3 : Goodbye Mr Mackenzie – The Rattler

Goodbye Mr Mackenzie actually formed in Bathgate, which is a small town some 15 miles or so west of the capital, and their first single in 1984 was recorded (as The Mackenzies) on the record label of a local further education college.

This follow-up single was put out on the Glasgow-based Precious Organisation, which was the home to the soon chart-conquering Wet Wet Wet, but despite a lot of support from local radio stations across central Scotland (with one of the lines changed to avoid references to eating beavers), it flopped. There continued to be a real buzz about Goodbye Mr Mackenzie – this was a time when Scottish acts like Deacon Blue, Hue & Cry and the afore mentioned Wets were hugely popular and GMM were lumped in with all of them – so it was hardly a surprise that they ended up signing to a major label, in this case Capitol Records, in early 1988.

The first couple of singles flopped, and so band and label decided to release a re-recorded version of The Rattler which hit #37 in the UK charts in 1989.  Debut LP, Good Deeds And Dirty Rags, did make the Top 30 a few months later, but a fourth single from the album sold poorly.

While some of the songs were as radio-friendly and catchy as many of their Scottish contemporaries, GMM never quite took off as expected – this was probably down to the fact that live they were quite a different proposition.

For instance, the lead guitarist was a huge bear of a man who was once part of a local punk outfit (and still looked as if that’s where he’d rather be) and there was a strange gothic-looking girl on keyboards and backing vocals, and you could never accuse them of being cuddly and photogenic…

With no real sustainable success, the record label lost interest, and while the band soldiered on for a few more years, they ended up as a mere footnote, albeit one that left us four LPs, about a dozen 45s/EPs and a couple of live recordings.

After they broke up, the gothic backing singer went onto find real fame and fortune :-

mp3 : Garbage – Queer

Yup, it was Shirley Manson who used to stand at the back of the stage with GMM, and before long she was a huge star the world over as lead singer in the band put together by Butch Vig, previously best-known as producer of Nevermind, the breakthrough album by Nirvana…..with whom Big John Duncan, the guitarist with GMM, occasionally played live.

It’s a small world y’know….

mp3 : Nirvana – Radio Friendly Unit Shifter

My copy of the 1986 single is well worn out, and the mp3 of The Rattler is taken from a CD compilation that gathers up all sorts of indie songs from that year, but I have managed to salvage one of the b-sides:-

mp3 : Goodbye Mr Mackenzie – Candlestick Park

Enjoy

YET ANOTHER WEEK OF REPEAT POSTS : SKELETONS IN MY CLOSET (Part 5)

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(Originally posted on the old blog on 20 December 2008)

I

Like

Disco

Music

(Well, some of it anyway)

mp3 : Chic – Everybody Dance (12 ” mix)

It don’t mean a thing if it ain’t got that swing.

2014 Update

That was of course originally posted a few years before the Nile Rodgers revival….back then it would have been a post largely ignored.  I’m fully expecting a DMCA notice now and the track to be removed.

YET ANOTHER WEEK OF REPEAT POSTS : THE RARELY HEARD EDITED VERSION

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(Originally posted on the old blog on 25 March 2009)

From the release of Temptation onwards, it was always the 12″ versions of the New Order singles which I rushed out and bought over the years. Never the 7″ versions.

So today’s offering is one of the newest bits of vinyl to find its way into the big cupboard – well new in as much that I’ve only owned it for just over a month having found it in a second-hand shop down in Manchester when I was down there for the Magazine gig last month…but accurately speaking it’s not a new piec of vinyl having been first bought by someone back in 1986.

mp3 : New Order – Shellshock (7 inch version)

The flip-side is an instrumental (and edited) version of a single from 1984:-

mp3 : New Order – Thieves Like Us (instrumental edit)

Although the single did hit the Top 30 in the UK, it’s never really been thought of as one of the band’s finest moments, but it was, ironically, a bit of music that probably made them more money than most thanks to its use in the movie Pretty In Pink (as well as its inclusion on that particular soundtrack which sold rather well, particularly in the USA).

2014 addition

Digging this out made me want to post the tracks from one of the 12″ singles in the collection:-

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mp3 : New Order – Thieves Like Us
mp3 : New Order – Lonesome Tonight

Brings back great memories of life at Strathclyde University 1981-85.

YET ANOTHER WEEK OF REPEAT POSTS : I CAN’T HELP MYSELF

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(Originally posted on the old blog on 24 May 2013)

I’ve a fair few CD singles and a couple of albums released by Gene during their existence, but they were a never a band which grabbed my undivided attention at any time.

For a short time they were hailed as the next great thing by a fair chunk of the UK music press and this is what made me a little wary. But on reflection, I’m more than happy to acknowledge that they released some cracking songs in their time, many of which have aged way better than many of the better known songs by their better known peers from the Britpop era in the late 90s.

If you’re not familiar with too much of their material, it’s well worth picking up the 2001 ‘best of’ compilation As Good As It Gets (released by the major label that they had not long departed from) which brings together most of the 45s and some of their most popular tunes.

You can find on said compilation two of the three tracks I’ve picked out for today.  They were originally part of the band’s second ever single,  released in August 1994, and which made #54 in the UK singles charts.  The last of the flops in some ways as the next ten singles would all make the Top 40.

mp3 : Gene – Be My Light, Be My Guide
mp3 : Gene – This Is Not My Crime
mp3 : Gene – I Can’t Help Myself

It’s the latter of the two b-sides which is included in the ‘best of’ compilation and when you give it a listen, it’s no real surprise. It really is a song wasted as a b-side as it was more than strong enough to be a single release in its own right, but Gene were always a band, similar to The Smiths and Suede, who wanted to make each single something a bit special and so would ensure the b-sides were all killer and no filler.

But as much as I love the original version of I Can’t Help Myself, it can’t hold a candle to a later version recorded for BBC Radio 1 and which came to my attention thanks to its inclusion on a free cassette given away with a monthly music magazine. It would later feature on the 1996 release To See The Lights which consisted of rarities, live tracks and acoustic versions of singles:-

mp3 : Gene – I Can’t Help Myself (Radio 1 Session)

Absolutely gorgeous.

THE MOZ SINGLES (35)

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It was back in 2008/09 that I originally ran with the Moz singles series.  Part 35 featured what was then his most recent 45 and this is what I said

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When he played his live gig at Glasgow earlier this year, Morrissey expressed surprise that his latest single from Years of Refusal had been such a monumental flop.

Peaking at #46, this is the lowest chart placing for any of the 37 solo singles other than Hold On To Your Friends, but given the general decline in sales of singles over the past 15 years, it’s reasonable to assume that Something Is Squeezing My Skull is the poorest selling Morrissey product of all time.

On its own it’s a song that doesn’t deserve such a poor testimonial for it is a reasonable romp of a tune with an amusing enough lyric -and I do find it hard to accept that fans were more driven to purchase the drivel that was Roy’s Keen – but then again given the heinous crimes committed on the b-sides of the 2 x CDs and the 7″ bit of plastic, then SISMS really got all that was coming to it:-

mp3 : Morrissey – Something Is Squeezing My Skull
mp3 : Morrissey – This Charming Man (live)
mp3 : Morrissey – Best Friend On The Payroll (live)
mp3 : Morrissey – I Keep Mine Hidden (live)

I know I’ve harped on about it before in previous parts of this series, but over the years, his various bands have consistently failed to do justice to originals by The Smiths, and I’m guessing that now the whole approach is now to just to bludgeon them to death. Truly awful.

But to be fair they’ve added a bit of spunk to an otherwise ordinary track from the very ordinary Southpaw Grammar LP.

The one saving grace about the single is the artwork. The cover photos are of the great man beside the grave of Johnny Ramone, while the inner sleeves feature two rather nice paintings, one of The Bowery at Night (1895) by William Sontag that is normally on display at the Museum of the City of New York, while the other is of Camden Town Engine Room (1838) by John Cooke Bourne that is normally on display at the National Railway Museum in York, England.

Will this be the last ever single he releases???? Who knows……and I’m guessing that growing numbers of people will be saying ‘who cares?’.

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As it turned out, it wasn’t his last ever single but that’s something I’ll turn to in the future (when all’s well…..)

Happy Listening.

SATURDAY’S SCOTTISH SINGLE (Part 116)

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From wiki:-

U.N.P.O.C. is the name under which Tom Bauchop of the Fence Collective records. He has released two albums on Domino Records, Fifth Column and the limited edition Live at King Tut’s.

In 2007, his single “Here on my own” was used in both the theatrical trailer and film Hallam Foe, the film going on to win the award for “Best Music” at that year’s Berlin Film Festival. The song was also used to soundtrack the theatrical trailer for the 2007 Golden Horse Film Festival in Taipei, Taiwan.

Discography

Albums : Fifth Column (2003); Live at King Tut’s (2004)

Singles : Amsterdam/Here on My Own (2003)

It turns out that I have two-thirds of the entite U.N.P.O.C. back catalogue. The only thing missing is the live LP which was released in a very limited edition….but bizarrely enough I was at the gig. It took place on 21 December 2003 and was the first proper U.N.P.O.C. gig as part of a Fence Collective evening. It was such a great performance that I bought the album on the night.

This is a cracking single:-

mp3 : U.N.P.O.C. – Amsterdam
mp3 : U.N.P.O.C. – Here On My Own

Enjoy

ANOTHER WEEK OF REPEAT POSTS : HORSIN’ AROUND/BACK TO NATURE

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(Two posts from same day – 12 June 2007 – over on the old blog)

I’m sure I’m not the first blogger of my age to mention how lucky today’s kids are in terms of what they can watch on TV.

In my day, it was three terrestrial channels – BBC1, BBC2 and Scottish Television – and quite frankly, most of the shows aimed at those aged under 12 were crap. Except for Tom & Jerry.

Nowadays, with all sorts of specialised channels on satellite TV, there is a wider choice, and while much of it is probably just as crap, at least they can watch something different all the time.

I just remember every single school holiday being marked on BBC1 with a re-run of two black-and-white TV series. One was called Belle & Sebastian. The other was The White Horses. The former had a really creepy theme tune that was sung in a foreign language, the latter had a theme tune that was ace.

Here’s an abridged extract from wikipedia:-

The White Horses is a 1965 television series co-produced by RTS of Yugoslavia and BR-TV of Germany. It follows the adventures of a teenage girl (played by Helga Anders) who visits a farm, run by her Uncle Dimitri (played by Helmuth Schneider), where white Lipizzaner horses are raised. It is called Počitnice v Lipici in Slovenian and Ferien in Lipizza in German. The series was a cult hit with children and comprised 13 episodes, filmed in black and white.

A dubbed version was broadcast in the United Kingdom in 1968 and repeated for many years afterwards (the dubbed soundtrack has since been lost). The theme tune, credited to “Jacky”, was sung by Jackie Lee. It became a top 10 hit in the UK charts in April 1968. Jackie Lee also had a hit with the theme tune to Rupert (The Bear) in 1970/71.

And guess what:-

mp3 : Jackie Lee – White Horses

And how about a couple of my favourite bands doing cover versions:-

mp3 : The Trash Can Sinatras – White Horses
mp3 : The Wedding Present – White Horses

The former is on the b-side of the 12″ single Circling The Circumference, while the latter can now be found on the recently released Peel Sessions boxset.

Beaver

After the horses earlier in the day, Mrs Villain insisted that I put up her favourite song about animals:-

mp3 : Primus – Wynona’s Big Brown Beaver

Oh and no apologies to any passing perverts who chanced by thinking it was something completely different.

Enjoy

ANOTHER WEEK OF REPEAT POSTS : SING MICHAEL, SING…..

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(Originally posted on the old blog on 28 July 2010)

……………even if it is just as a backing vocalist:-

mp3 : Billy Bragg – You Woke Up My Neighbourhood

Much as I love this song, I really do think it was a peculiar choice for a single. I can only guess that having enjoyed some bona fide chart success back in early 1991 with Sexuality, everyone associated with Billy Bragg, be it his record label and/or management, wanted to maintain the momentum.

The LP Don’t Try This At Home contains a number of potential hit singles, but none of them had an input from what was then the biggest band in the world, and so the gamble taken was to go for a less-obvious track in the hope there would be some crossover into the R.E.M. fanbase.

You Woke Up My Neighbourhood was a flop, stalling at #53. Indeed, the next again single, a re-recorded version of Accident Waiting To Happen, did much better reaching #33.

Looking back it probably made a bit of sense at the time, but this great little piece of country/bluegrass pop should have simply been a great track on a great LP instead of a release which did nothing but undermine Billy’s self-belief in his ability to become a crossover popstar.

For those of you who don’t know, in addition to Michael Stipe providing backing vocals, the talents of Peter Buck were deployed on acoustic guitar and mandolin. Indeed, the R.E.M. guitarist is the co-author of the song…..

Another great star of the alternative American music scene of the early 90s can also be found on the single, with Natalie Merchant being the co-author and lead vocalist on one of the three b-sides:-

mp3 : Billy Bragg – Bread and Circuses

The other two tracks consisted of a Billy Bragg original:-

mp3 : Billy Bragg – Ontario Quebec and Me

and a cover version of a song written by the aunt of Rufus Wainwright and Martha Wainwright :-

mp3 : Billy Bragg – Heart Like A Wheel

Actually, that last sentence doesn’t do justice at all to the lifetime of work by Anna McGarrigle, most of which was performed as part of a duo with her sister Kate McGarrigle (mum of Rufus and Martha) who sadly passed away at the beginning of 2010.

ANOTHER WEEK OF REPEAT POSTS : OH YOU HANDSOME DEVIL….

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(Originally posted on the old blog on 30 June 2011)

Go on. Don’t be ashamed to admit it. The late and great Billy McKenzie was a fine-looking chap. With an amazing voice. Even if most of his lyrics didn’t make sense. As can be heard on the 12″ version of one of the few Associates tracks to crack the charts:-

mp3 : Associates – Club Country (extended)

The fault is, I can find no fault in you
Assault is say it or I’ll say it for you
If we stick around we’re sure to be looked down upon
What better way or should I say?

Alive and kicking

Alive and kicking at the Country Club
We’re old and sickening at the Country Club
A drive from nowhere leaves you in the cold
Refrigeration keeps you young I’m told

Alive and kicking at the Country Club
We’re old and sickening at the Country Club
Your limitations are our every care
Every breath you breathe belongs to… someone there

At all’s two words could they be soldered as one
Therein lies the perfect pseudonym
To think you’ve learned to know someone and find
That you don’t know don’t know them at all

Alive and kicking

Alive and kicking at the Country Club
We’re always sickening at the Country Club
A drive from nowhere leaves you in the cold
Refrigeration keeps you young I’m told

Alive and kicking at the Country Club
We’re old and sickening at the Country Club
Your limitations are our every care
Every breath you breathe belongs to… someone there

Sad to see that you’re suffering
Work hard at being a something
Sad to see that you’re suffering
Work hard at being a something
Sad to see that you’re suffering
Work hard at being a something

Alive and kicking at the Country Club
We’re old and sickening at the Country Club
A drive from nowhere leaves you in the cold
Refrigeration keeps you young I’m told

Alive and kicking at the Country Club
We’re always sickening at the Country Club
Your limitations are our every care
Every breath you breathe belongs to someone there

Quite.

Bonkers but brilliant with a bass-line unlike any other. 6 mins and 57 seconds of perfection. And unbelievable to think that it dates back as long ago as 1982……..and listening to it again earlier today brought back loads of great memories of dancing at Level 8 at the student’s union of Strathclyde University. Where have the years gone????

Here’s yer b-sides:-

mp3 : Associates – A.G. It’s You Again
mp3 : Associates – Ulcragyceptemol

Both are magnificent. The former is a remix of the instrumental track Arrogance Gave Him Up which can be found on the LP Sulk, while the latter has Billy singing, yelling and screaming all sorts of gibberish over a tune that I think would make a tremendous goth anthem……..(ie it reminds me of The Cure)

Oh and here’s something a wee bit different for you:-

mp3 : Associates – Club Country (demo version)

Enjoy.

ANOTHER WEEK OF REPEAT POSTS : ONE OF THE GREAT LOST 45s OF THE ERA

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(Originally posted on the old blog on 17 October 2012)

I’ve mentioned before that for a short while from around late 1985 for maybe around 18 months that music took a bit of a back-seat in my life. I had just graduated from university, gotten my first job and moved to Edinburgh to live. I got a bit entrenched for a while in the world of community theatre and even a bit of stand-up comedy…..writing stuff for others not performing.

So there’s a bit of a hole in the collection from around this era. I’m aware of a fair bit of the stuff thanks in the main to Jacques the Kipper and his endless supply of compilation tapes a few years later, many of which featured songs and bands from my ‘lost’ period.

Today’s Scottish singles isn’t one that JtK brought to my attention. It was only in recent years through the blogging activities did I learn that a number of excellent yet short-lived Scottish bands embraced the DIY ethos much of which would contribute to the C86 movement that totally passed me by at the time.

History doesn’t say record much about The Big Gun. They were from Irvine, a town on the west coast of Scotland some 25 miles south-west of Glasgow. They only ever released one single on their own Hi-Fibre label while one other song was made available via a flexi-disc which had, on the other side, a song by another native of Irvine, a singer-songwriter called Basil Pieroni.

As regular TVV readers will know, Basil is nowadays the guitarist in Butcher Boy and someone I’ve become friends with in recent years. It was through this connection that led me to download some tracks from a posting at the wonderful (but now sadly defunct)  Consolation Prizes blog:-

mp3 : The Big Gun – You’ll Always Give Your Best
mp3 : Basil Pieroni – Don’t Ever Go Away Again

The homemade info that came with the flexidisc has been reproduced above, but in case you can’t read it:-

The Big Gun : Keith Martin (vocals, guitar); Alan Carruthers (guitar); Andy Crone (bass); Andy Kerr (Drums); Andy O’Hagen (additives)

Both tracks recorded early Nov 86 in Glasgow. Photos by Gordon Hay

Hi-Fibre : Fresh, substantial and committed, in this instance, to the provision of free pop. Here, enthusiasts can sample the delights of The Big Gun and Basil Pieroni recorded here for the first time.

Hi – Fibre : Bright, urgent and working through the night to deliver instant classics to the nation; allow no-one to seel you this record. Hi-Fibre – fast, reliable and painfully instinctive

But as I said above, only one proper 45 would appear –  Heard About Love backed with Happens All The Time. Sadly I don’t own a copy. But thanks to the wonders of modern technology, I’m been able to convert copies of the tunes as posted on a video channel:-

mp3 : The Big Gun – Heard About Love
mp3 : The Big Gun – Happens All The Time

Have a listen folks…..and discover one of THE great long-lost 45s of Scottish indie-pop.

Oh and the chap Andy O’Hagen on “additives”??

I’m reliably informed it was the tambourine that he was shaking. He grew up to be this awfully talented bloke……

ANOTHER WEEK OF REPEAT POSTS : SCARED HITLESS

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(Originally posted on the old blog on 17 October 2012)

I hope you agree that Scared Hitless is a cracking name for a record label – although it is seemingly a name adopted by many a hapless baseball team.

As far as I know, there were just six singles and one LP ever released via the label:-

FRET 001 : 3 and a half minutes – Peep (1992)
FRET 002 : 3 and a half minutes – Bled Me Dry (1993)
FRET 003 : Veruca Salt – Seether (1994)
FRET 004 : Skyscraper – Never Again (1995)
FRET 005 : Oslo – Talk To Feet (1999)
FRET 006 : Oslo – Skriker (1999)
FRETLP 001 : Oslo – Daylight (1999)

I’ve only one of the above records but it’s an absolute belter:-

mp3 : Veruca Salt – Seether
mp3 : Veruca Salt – All Hail Me

Formed by Nina Gordon and Louise Post as an acoustic duo they soon realised that wasn’t the sort of music they wanted to make and so they enlisted bass player Steve Lack and Jim Shapiro (Nina Gordon’s half-brother) on drums

They released a self-funded demo tape and shopped it to labels while playing a handful of small club shows. The buzz around the band grew furiously, and after only a few live gigs, the band was signed to Minty Fresh Records for whom they released the single Seether which became a huge hit on MTV in the States and ultimately led to Veruca Salt signing a contract with Geffen Records.

The Scared Hitless release of Seether in the UK was June 1994 but after the single had picked up momentum in the USA, it was re-released in the UK on Hi-Rise Recordings in November 1994. I’ve got the 12″ version of this in the cupboard as well:-

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There were two tracks on the b-side taken from a BBC session:-

mp3 : Veruca Salt – Straight
mp3 : Veruca Salt – She’s A Brain

Seether only reached #61 in the UK charts but was hugely popular with listeners of the John Peel Show who voted it in at #3 in the 1994 Festive Fifty .

Happy Listening