ONE HUNDRED AND ELEVEN SINGLES : #070

 

aka The Vinyl Villain incorporating Sexy Loser

#070: Paris Angels – ‘Perfume’ (Sheer Joy Records’90)

Hello friends,

if you are not yet fully awake, get yourself a strong coffee, because today it’s gonna get complicated … hopefully not too complicated for myself, so in case I mess it all up, don’t tell your friends, okay?

Paris Angels were a seven-piece from Manchester, frequent Hacienda visitors at the time, and thus they were right there when Madchester really got going. More or less all of the seven members listened to different music, which might or might not be the reason why the Paris Angels were so good:

Lead singer Rikki Turner, guitarist Paul Wagstaff and bassist Scott Carey were the group’s original members, writing songs in the style of Echo & the Bunnymen, but later additions to the band brought other influences, including backing singer Jayne Gill, who was a fan of the Velvet Underground, and Steven Tajti, who was interested in Moog synthesizers, and his addition to the band contributed to what Carey described as “that Donna Summer/Kraftwerk (in our minds) edge.”

As the group performed Velvet Underground and Bunnymen covers, they began listening to electro and early house music. Madchester caused the band to change direction and they began fusing acid house with indie music. Carey later said: “At first we listened to Television, 13th Floor Elevators, Doors, Magazine, Bunnymen etc. and we just copied that, but we also loved P-funk and it was seeing the Mondays that really had a big influence on us, they showed us you could be anyone and do twisted funk, when Wags got a wah-wah pedal that changed us, then all the Chicago house stuff at the Hacienda, at first we kind of shunned it, but it was Acid House with the synths that we ‘got’ and then it was like a new dawn happen and old dirty mac Manchester, lost the industrial edge and became more Day-Glo.”

So, in 1990, Paris Angels released their debut single, ‘Perfume’ – and this is where the trouble starts! I mean, it starts for me, not did it start for them – because ‘Perfume’ was a huge success: it was a Top Ten hit (in the indie charts), it was just loved by the music papers, and it’s still being considered as one of the greatest Madchester singles, with its melancholic/psychedelic combination of whooshing synths, glistening guitars and the vocals of Jayne Gill and Turner. So, what’s wrong with it then? Well, the band released more versions of the bloody tune than I can handle, that’s what’s wrong with it!!

In 1990 and 1991 there were 7” singles, 12” singles, CDs and cassette singles of:

‘Perfume’

‘Perfume (All On You)’

‘All On You (Perfume)’

‘Perfume’ (Version)

‘Perfume’ (Summer Version)

‘Perfume (Loaded Up)’

…. plus probably a dozen more, unbeknownst to me (thank God)!

If memory serves correctly, the third one is the one I first heard, to my best knowledge it was released on 12” only – and as these things go, the first version you hear sticks with you forever, you automatically compare it to versions you hear later. But somehow, secretly, it’ll always be superior – but perhaps that’s just me, who knows?

But either way, 7” singles it is in this series, so we go for this one, from June 1990 on Sheer Joy Records, not a version too shabby either, I would like to think. In fact it really grew on me, to be honest:

mp3: Paris Angels – Perfume

Sheer joy indeed, I trust you agree! Speaking of Sheer Joy, the label: the two follow-up singles were hugely successful as well, but apparently Sheer Joy put the money from them into the label, rather than sharing it with the band. So, mainly for financial reasons, they signed a six-album-deal with Virgin, and the first album, ‘Sundew’ was received very well. But then Virgin was bought by EMI and Paris Angels were quickly dropped by the new owners, so they had to stop the work on their second album, again because there was no money to proceed – and not very much later they disbanded. Recently the second album was made available via bandcamp though, should you be interested.

Lots of information, I hope I didn’t bore you too much. If so, just listen to the tune again (it’s worth it) …. and enjoy,

Dirk

THE 12″ LUCKY DIP (6) : Paris Angels – All On You

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Last time out in this series, I brought you a single that I bought from the merch stall at a gig in Manchester.  This time around, it’s a 12″ single that is associated fully with that wonderful city.  Wiki actually tells the tale in a good way.

Paris Angels were an English seven-piece band whose music fused indie guitars with electronic dance music. They were regulars of the Boardwalk and Haçienda clubs in Manchester, and as such were heavily influenced by acid house and the nascent Madchester scene of the late 1980s.

Their initial recording contract was with locally-based Sheer Joy Records.  An early single, All On You (Perfume)  was really well received and sold enough copies to get itself into the lower end of the charts at #91 in July 1990.    In due course, they were signed by Virgin Records and a different version of the song, this time called Perfume (All On You), was issued as a single, and thanks to the might and oomph of the bigger record label’s promo folk, this one reached #55 in July 1991 despite being, certainly to my ears, a lesser version.

It was Jacques the Kipper who brought the song to my attention, courtesy of him including it on a homemade compilation cassette back in the day.  More than a decade later, I picked up a copy of the Sheer Joy release for £1 in a second-hand shop.

mp3: Paris Angels – All On You (Perfume)
mp3: Paris Angels – Muffin 2
mp3: Paris Angels – Perfume (version)

Muffin 2 sounds exactly as I’ve always imagined the early nights at the Hacienda to sound like in the era when nobody went along but those who did, would be able to thoroughly enjoy music that you’d not normally hear in clubs.

Perfume (version) has an early New Order feel to it, certainly via the guitars, although I would have imagined Hooky would have demanded much more bass in the mix.

All in all, an absolute belter of a 12″.

JC

PS :

A reminder that I’m currently running a competition to win a copy of Chorus of Doubt, the new album from Broken Chanter – the official release date is today.

I stupidly had a rogue space in the email address for entries, so my apologies if anyone  got a strange bounce back.  SORRY!!!!!!!!!

So….I’ll try again.

Q: ‘On which well-known Scottish record label has Chorus of Doubt been released?’

(hint, if needed, – it’s a label closely associated with the album’s producer, Paul Savage)

All entries should be sent to thevinylvillain@hotmail.co.uk

Please also include your full name and address so that I can work out postage costs should you be lucky. (Once again, I promise that all the emails will be deleted afterwards so that I don’t keep any of your personal info).

The closing date is Saturday 13 April. Good luck etc.

IT REALLY WAS A CRACKING DEBUT SINGLE (56)

Paris Angels were a seven-piece band, formed in 1989, who set about trying to blend indie guitar music with the fresh explosion in electronica dance and acid house music.  You won’t be surprised to hear that they were from Manchester and were known to frequent the Hacienda and other nightclubs across the city.

They were picked up by the locally based Sheer Joy Records and this was the first single to be issued by the label, recorded in Peter Hook‘s Suite 16 Studio, previously known as Cargo Studios, Rochdale, where Joy Division recorded much of their early material:-

mp3: Paris Angels – All On You (Perfume)

It’s an absolute classic but was, however, more of a success in the clubs than on the radio, failing to crack the Top 75 despite being named as single of the week by the NME on 3 June 1990.   John Peel took a shine to it, or at least his listeners did, voting it in at #6 in the Festive 50 of 1990, with only The Fall, My Bloody Valentine, Ride and Sonic Youth having entries above Paris Angels (Ride had two songs in the Top 4).

Here’s the two tracks to be found on the b-side of the 12″ version of the single:-

mp3: Paris Angels – Muffin 2
mp3: Paris Angels – Perfume (version)

The former, to my ears, is very reminiscent of the dance music from other Manchester bands on Factory such as A Certain Ratio and 52nd Street. The latter has a real Brotherhood-era New Order influence about it.

The buzz around the band led to Virgin Records dangling a contract in front of them in early 1991 and so, after just three singles for Sheer Joy, they signed to the bigger label and went into the studio to make an album.   Virgin, knowing a good thing when they hear it, reissued All On You and second time around it proved to be a minor hit, reaching #55 in July 1991

The following year saw Virgin Records sold in its entirety to EMI, the outcome of which saw something of a cull across many of its singers and bands.  Paris Angels were one of those who didn’t receive the call-up to the major leagues, and they called it a day shortly afterwards, despite the fact a second album had already been recorded. One of the band’s members, Paul Wagstaff, would find a bit of fame as a member of Black Grape before becoming part of the reformed and touring Happy Mondays.

The afore-mentioned second album is out there for free, if you want it. It turns out that in 2013 the band reformed to play live, and signed a deal  to finally issue that second album. The deal, however, fell through, and they decided instead to make the record available as a free download on Bandcamp. Click here if you’re interested.

JC

FROM THE SOUTH-WEST CORRESPONDENT…THREE SLICES OF PERFECTION

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Last week, JC posted an excellent piece about Manchester which praised the efforts of some of the less well known bands in that particular scene. So I thought as it was still current I would mention one more, they also have a song which I think is a classic.

The Paris Angels were a seven piece band that hailed from Ashton Under Lyme, which I’m told is near Manchester, and they formed in 1989. They quickly got lumped into the Manchester scene and you can understand why. They mixed indie guitars with a ravey electronic sound and sounded heavily influenced by the acid house scene that was massive in Manchester at the time.

The band revolved around Paul ‘wags’ Wagstaff whose Ian Curtis style vocal can be heard on many of their records. Wags went on to feature in Black Grape and the reformed Happy Mondays when the Paris Angels eventually gave up making records (largely because was Virgin was sold to EMI) In 1990 they released the first of todays picks, ‘Perfume (All on You)’ – this combined a sound that many of the also ran Manchester bands like Northside and Rain had been looking for (and ultimately failed to produce). A sound that perhaps combined the bits of Joy Division and New Order that we all loved with that more traditional baggy sound that the Happy Mondays were doing so well.

Now the ‘Madchester’ scene (that is the only time I am typing that) produced some terrific records, ‘Fools Gold’, ‘Wrote For Luck’, ‘Commercial Rain’ to name three brilliant examples but none of them, come anywhere close to this record.

It sums up everything about that era.

Everything.

And if you need more evidence, other than just listening to the bloody record and realising it there and then, there is a video of this song kicking around on You Tube (other less evil streaming services are available). It’s basically the band in what looks like an empty classroom playing this song whilst their mates and a few hangers-on stand around, by the end everyone is dancing. There is a shot about half way through where the camera pans to the face of the female singer (Jane Gill?) and she is just grinning like a loved up Cheshire Cat. She knows that what she is doing as she dances (pretty badly if I’m honest, and that is rich coming from Kermit in a Blender Man) and shakes her maracas (not an euphemism, watch the video, you filthy minded buggers), I know exactly what she is thinking and that is ‘Yes’.

This record peaked at Number 55 in the UK chart. ‘Take 5’ by Northside got to Number 40. ‘The Only Rhyme that bites’ by MC Tunes and 808 State went Top 20 for goodness sake. There is no justice.

mp3 : The Paris Angels – Perfume (Loved Up)

Moving on, and on a similar vein to ‘grunge’, or American alt rock as its properly called.

Like the Manchester scene there were loads of great records from that era that perhaps now define the sound. Most notably Nirvana’s ‘Smells Like Teen Spirit’ and Pearl Jam’s dreadful ‘Alive’ (in fact anything by Pearl Jam is dreadful, over rated pile of cock if you ask me), but the one record that should have got the worlds attention and didn’t (apart from Buffalo Tom) was ‘Hyper Enough’ by Superchunk.

Superchunk were formed in 1989 and came from the same town as Ben Folds Five if my memory serves me correctly. The lead singer and main guitarist was one Mac McCaughan and were originally named Chunk (the legend has it that the drummers’s – Chuck Garrison – name was spelt as Chunk Garrison in the phone book and it kind of stuck – brilliant if true).

They were made to change it by the well-known avant jazz band of the same name (yeah, I can’t stop playing avant jazz records by Chunk today) so they added the word ‘Super’. After the release of their first album Mac McCaughan left the band and new vocalist James Wilbur came in – ironically drummer Chuck Garrison left shortly after as well.

In 1995 they released ‘Hyper Enough’ and it perhaps that they released their best moment after the grunge fad had died down that they didn’t achieve the massive success that they deserved. It comes from the album ‘Here’s where the Strings Come In’ which I think is the bands most commercial release, considering their first single was called ‘Slack Motherfucker’ that isn’t hard.

mp3 : Superchunk – Hyper Enough

‘Hyper Enough’ is the sound of band enjoying themselves, it has the catchy riff running through it that gels the song together and it has a vocal yelp that half screams half pleads with you to scream along with it. The band’s website has loads of older Superchunk stuff available for free download if you like what you hear, I’d recommend you pay it a visit.

Finally we come to a band that I have mentioned before, a band that I love and have struggled to pick one song that should have been a springboard to superstardom. This is mainly because every single one of their records should have been a Top 5 hit at the very least and I will not listen to any arguments.  I will literally be here all day if I sit and write about this band, a band so under rated and criminally ignored that you can’t even download their songs on Amazon.

A band that were once described by Thurston Moore of Sonic Youth as the Best Band Britain has ever produced (he obviously never heard Leatherface).

A band who once got threatened with legal action by Michael Portillo.

So I’m not going to say anything at all.

Apart from Ladies and Gents, this is ‘Steamroller’ by The Family Cat and it is very nearly seven minutes of absolute perfection. (the link is to the original scratchy vinyl version of Steamroller – I hope its ok, if not comment and I’ll post the CD version which is probably better next week).

mp3 ; The Family Cat – Steamroller

Thanks for reading

S-WC

AS SEEN OVER AT THE OLD PLACE : FEBRUARY 2007 (1)

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Interesting that this month saw me chastise myself for spending so much time writing live reviews and featuring stuff on CD singles.  The purist in me came up with a week-long series entitled going back to my roots which would be vinyl, vinyl, vinyl all the way Here’s a summary version of each post :-

Monday 5 February

From The Cost of Living EP, a re-working of the song Capital Radio along with an additional 45 seconds tagged on at the end…..a little Clash-mercial pleading with everyone to get down to their nearest Clash showroom

So here’s all 04 minutes and 05 seconds of:-

mp3 : The Clash – Capital Radio (Cost Of Living EP version)

Tuesday 6 February

Looking in the vinyl cupboard for something to show that there’s more than just twee-pop bands and the collective works of lesser-known Scottish geniuses living in there. And I found a 12″ single which, in the true spirit of TVV, put up a fantastic remix version that was available only on the reverse side:

mp3 : Senser – Eject (Over Zealous Mix)

Wednesday 7 February

Back in 1992, I bought a 12” single from a clearance/bargain bin in a record shop in Edinburgh for 99p. While it did reach No.32 in the charts, it was a record that was deleted shortly afterwards, never to appear again. It wasn’t included on the 1993 LP Modern Life Is Rubbish, nor was it included on the CD of the Greatest Hits package Blur released in 2000.

mp3 : Blur – Popscene

Thursday 8 February

So many things were going on in my life at the end of the 80s and beginning of the 90s that I wasn’t able to keep up with much new music.  Jacques the Kipper, aware of my fondness for what became known as Madchester, would periodically throw in my direction a rectangular box containing a cassette tape (young people – activate your google search now). Said cassette tape contained 90 minutes worth of songs, many of which I became very fond, not least today’s offering.

Fast forward to January 2007. A work colleague, on learning that I had started the blog, handed over around 15-20 records that he no longer wanted. Tucked away in the middle of the pile was this, and on the small indie label the band started out on:

mp3 : Paris Angels – All On You (Perfume)

Friday 9 February

I’m up late cos I can’t sleep. I never can when Mrs Villain is working away overnight. Right now she’s in Manchester on behalf of her company for a presentation to an important client just 24 hours after a previous presentation to a would-be client here in Glasgow who are likely to turn her down. Bastards.

So I thought I’d end my five days of postings from the original vinyl with the one song that always make me think of her.

There we were at a Carter USM gig at Barrowlands, Glasgow in the early 90s – me, Mrs Villain and Jacques the Kipper. Us blokes being experienced moshers felt it was just a bit too crazy with all those young folk being awfully lively down the front, so we were strategically placed just left-of-centre maybe halfway back.

Then the opening notes of today’s song came through the speakers.

DAH-DAH-DAH-DAH-DAAAAAAAH

And before the same notes were repeated prior to the crashing guitars, Mrs Villain had gone….right down into the melee. I was gobsmacked. But I left her to it – we hadn’t long drawn up wills leaving all our possessions to one another.

5 and a bit minutes later she came back, drenched in sweat but with the most fantastic grin on her face.

So this is her song.

mp3 : Carter USM – Bloodsport For All

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