Felt – THE NEW VINYL VILLAIN

Felt, Go-Betweens, Jazz Butcher, Shreikback, Sunset Gun, Woodentops

WHEN THE CLOCKS STRUCK THIRTEEN (July Pt 2)

Congratulations to those of you who tolerated the chart offerings from July 1984 via the post from a couple of weeks back. Surely those 45s issued via the indie labels and who distribution methods/lack of daytime airplay were the biggest factors in them not hitting the Top 75 would prove to be a bit more palatable. Surely……..

In June 1983, Lawrence Hayward (aka Felt) had released Penelope Tree, a gloriously catchy piece of indie-pop which, if the world was a fair and just place, would have been a huge hit. The opening lines of Penelope Tree were:-

I didn’t want the world to know
That sunlight bathed the golden glow

Just over a year later, the new single from Felt opened with these lines:-

You’re trying to fool somebody
But you end up fooling yourself

Methinks Lawrence was, despite his claims of never really wanting to be a pop star, was getting a tad frustrated:-

mp3: Felt – Sunlight Bathed The Golden Glow

Moving along quickly to another song which takes me back to that particular summer

mp3: The Go-Betweens – Part Company

Having, the previous year, come to the attention of the UK indie cognoscenti via Rough Trade Records, our wizards from Oz were signed by Sire Records and thanks to the snippets of news via the music papers, we learned they had headed off to France to record what would be their third studio album, Spring Hill Fair, from which Part Company was the lead single. It’s one on which Robert Forster takes the lead vocal, and musically there is a hint of the slower numbers that Johnny Marr was writing for The Smiths. Another that should’ve been a hit, but like every other 45 released by the band, it failed to trouble the charts.

mp3: The Jazz Butcher – Roadrunner

I’ll confess not to knowing that this rather frantic and fabulous cover version had been released in July 1984….it was many many many years later (via a blog in the 21st century) did I learn that Pat Fish et al. had taken Jonathan Richman‘s signature tune and made into something that sounded like one of their own.

mp3: Shriekback – Hand On My Heart

The mid 80s was a time when white-boy funk was a bit of a ‘thing’ (and Glasgow had more than its fair share of would-be bands). Shriekback had formed in 1982, with Barry Andrews (ex XTC) and Dave Allen (ex Gang of Four) being joined on vocals by Carl Marsh. By 1984, they were signed to a major label – Arista Records – and given a bit of a makeover with the addition of female backing vocals in an attempt to create a really radio-friendly sound. Debut single for the label, Hand on My Heart flopped. As indeed would the subsequent singles and two albums, Mercy Dash (Sep 84) and Oil and Gold (June 85).

It wasn’t just white-boy funk, mind you:-

mp3: Sunset Gun – Be Thankful For What You’ve Got

As mentioned previously on the blog, Sunset Gun were a Glasgow trio, made of up sisters Dee and Louise Rutkowski, and Ross Campbell. The Rutkowski sisters were a huge part of the Glasgow music scene in the early 80s, having been part of Jazzateers, the group that would in due course evolve into Bourgie Bourgie.

The demos recorded by Sunset Gun created a bit of a buzz, with a number of labels looking to sign the group, and in the end it was CBS that won the bidding war. The trio went into a studio with Alan Rankine (ex Associates) in the producer’s chair, and the debut single was a cover of the 1974 hit written and recorded by William DeVaughn, a song later covered by Massive Attack and included on their subsequent debut album in 1991.

Continuing with the theme of debut singles…..

mp3: The Woodentops – Plenty

A band who would influence and delight many in subsequent years without ever getting the sort of commercial success that their fans in the media believed should have been theirs. I’ve always associated The Woodentops with Rough Trade Records, but this particular 45 was released on the then very new Food Records that had been set up by Dave Balfe, formerly of the Teardrop Explodes. What a glorious and enduring debut!!!!

JC

Crispy Ambulance, Danse Society, Felt, Jasmine Minks, Jazz Butcher, Lou Reed, Pale Fountains, Pastels, R.E.M., Wake

WHEN THE CLOCKS STRUCK THIRTEEN (March Pt 3)

This would normally be Part 2 from March 1984, but I did of course, a few weeks back, spread the chart hits across two days worth of posts.

This is the usual half of the series looking at singles which failed to find much popularity with the record-purchasing public, but have proven to be of enough cultural significance to be recalled here on the blog.

mp3 : Crispy Ambulance – Sexus

A Manchester band who signed to Factory Records, albeit the two of their three singles and one album recorded and released between 1981 and 1984 came out on Factory Benelux, the Belgian imprint of the label. Sexus was issued only on 12″ vinyl and is atypical of the band’s sound…..which many at the time (myself included) thought was too much like a cut-price early Joy Division in the days before Martin Hannett added his box of tricks to the sound. Indeed, lead singer Alan Hempsall stood in for Ian Curtis when he wasn’t well enough to perform the opening numbers of the set at what is now a very infamous gig in Bury on 8 April 1980, which ended in a riot among the audience and the band.

mp3: Danse Society – 2000 Light Years From Home

I’ve mentioned in earlier editions of this series that 1984 was a year in which goth, or variations of the genre, seemed to be everywhere. Danse Society were from Barnsley, a blue-collar town in the north of England who formed in 1980 and by 1983 had signed with the major label, Arista Records. The album Heaven Is Waiting, released in December 1983, had gone Top 40, but the subsequent release of this Rolling Stones cover, one which came with a touch of dance, made no impact on the singles chart.

mp3: Felt – Mexican Bandits

Felt may well have been a band, but to all intent and purposes it was the name under which the Birmingham-born Lawrence Hayward recorded and performed (albeit he never used his surname). Signed to Cherry Red in 1981, there had already been two albums and four singles, all of which were critically acclaimed prior to Mexican Bandits which, like its predecessor 45s, would reach the indie chart but not come close to the mainstream chart. But this really suited Lawrence who didn’t seem to want fame and all the hassle that comes with it.

mp3: Jasmine Minks – Think!

Originally from Aberdeen in north-east Scotland, the four-piece band relocated to London and signed to Creation Records, becoming a key part of that label’s early output and live scene centred around venues in central London. Think! was the debut single, with the catalogue number of CRE 004, and it’s a belter. In a previous mention of this 45, I said that I was waiting on either Edwyn Collins or James Kirk to start singing after that initial 20-second burst of energy.

mp3: Jazz Butcher – Marnie

The late Pat Fish (he passed away in October 2021 at the age of 63) was the one constant factor in the ever-changing line-up of Jazz Butcher. The first single and album had come out in the Autumn of 1983, and Marnie, issued through the London-based indie Glass Records, was the first of the new material. For more on the life and times of Pat Fish, I’d like to refer you to the Friend of Rachel Worth’s wonderfully written guest ICA from back in March 2108.

mp3: The Pastels – Something Going On

Formed in Glasgow in 1982. This was the band’s fourth single, but their first for Creation (it had the catalogue number of CRE 005). Still very much on the go today, and while they have never had any meaningful commercial success, they have long been one of the most important and influential band to emerge from my home city given how much advice and support they have given to others who have come along in the subsequent decades.

mp3: Lou Reed – I Love You Suzanne

Don’t think any background info is required. The sole single issued in support of his thirteenth studio album, New Sensations.

mp3: R.E.M. – So. Central Rain (I’m Sorry)

Don’t think any background info is required. The band’s third ever 45, and the advance single for their second album, Reckoning, Still sounds immense 40 years on.

mp3: The Pale Fountains – (Don’t Let Your Love) Start A War

See the January edition (Part 2) of this series for the background on The Pale Fountains. I hope you’ll agree, it’s turning out to be a great month for flop singles……

mp3: The Wake – Talk About The Past

A Glasgow-band who signed to Factory Records. Probably best known for the fact that Bobby Gillespie was their bassist for a while, he had been involved in the debut album Harmony (1982) and the later single Something Outside (1983). By the time Talk About The Past (FAC 88) was released, he’d been asked to leave.

Happy listening.

JC

Felt, Jonathan Richman, Television Personalities

SOME IDEAS FOR CHRISTMAS 2021 (#5)

This week’s suggestion is a book. And it’ll lead on to a suggestion of two further books.

One of the many links that I suggest worth exploring under the heading ‘Blogroll of Honour’ is Vivonzeureux!, a wonderfully diverse and entertaining blog under the direction of Pol Dodu.

I didn’t cotton on to the fact, until a few weeks ago, that Pol Dodu is none other than JC Brouchard, a truly legendary figure in the independent music scene not only in his homeland of France, but also here in the UK thanks to his relationship and exploits with the early era of Creation Records, and in particular The Television Personalities. Up until just about now, I had assumed they were friends who collaborated on the contents of Vivonzeruex!.

JC B (as I will refer to him from now on) has contacted me on a few occasions over the years, offering words of encouragement for TVV; he has also left behind the occasional comment after some posts. He got in touch last month:-

Hello JC,

I hope you are doing well.

I was trying to count, but I know I’ve been following, reading and downloading from your blog for quite a number of years now.

It’s not just that you are my Scottish namesake, but we have about the same age and a lot of tastes in common…! And I find your posts really interesting.

As a thank you, I’d like to send you the three little books I’ve published in English, about Felt, Television Personalities and Jonathan Richman.

Could you give me your postal address ?

All the best,
JC Brouchard

The email also said that the books, as well as being available in printed form, were available as free downloads. I followed the links and saw that all three books could also be bought abd posted anywhere in the world, and while I really appreciated the offer of free copies, I really prefer to do my best to support anyone involved in the creative arts, and so before replying to JC B, I put in, and paid for an order for all three of them.

A small exchange of e-mails followed, including JC B thanking me profusely for the purchase, and a promise that he would include a few extras in the package. He was as good as his word, and the CDs he added will likely form a couple of blog postings come 2022. He included a lovely handwritten note and each of the books came with a personal inscription.

His newest book is Our Time Is Now, which was printed and published earlier this year. It is a wonderfully informative and entertaining collection of essays covering 50 songs released by Jonathan Richman, from as far back as 1975 all the way through to 2020. Some choices are obvious, but most are not. JC B has translated his own original words from French into English.

He similarly did the same back in 2011 with Felt : Ballad of The Fan and again in 2017 with Television Personalities : Diary of A Young Fan.

All three books are great reads. They aren’t what you would call epics. The books on Felt and Television Personalities are the shape and dimensions of a travel guide, and each extend to around 120 pages. The Jonathan Richman book is the size of an A5 publication, and runs to 96 pages including its glossy cover. They are all the work not only of a true fan, but someone who was able to become friends and confidantes of all three of the subject matters and many others in and around the various scenes.

It has to be said that there are occasions when the translation doesn’t quite make complete sense, and sometimes the editing efforts have left behind a mix of the English and French languages, but if anything this only adds to their charm, and certainly isn’t too much of a distraction; not does it lessen the impact of JC’s many thoughts, views and observations.

I was particularly taken by the book on Felt, a band that I have long admired without ever getting to know that much about. I don’t have too much of their output on vinyl, with most of what I have on the hard drive coming from their inclusion on compilation albums as well as two compilations released by Cherry Red and Creation Records back in the 90s. I’ve long wanted to do an ICA but never had the confidence as my gaps in knowledge were immense. JC B doesn’t shirk things in the book, making the point that some of the musical decisions throughout were akin to commercial sabotage, deliberately undertaken, and that many of the band’s best and most accessible compositions have been tucked away in obscure places. The book also devotes chapters to Denim and Go Kart Mozart, the later bands fronted by the enigmatic Lawrence.

So, here’s the thing. JC B is quite open to anyone downloading digital copies of all three of his books, and is happy for me to provide these links:-

http://vivonzeureux.fr/felt/

http://vivonzeureux.fr/tvpsdiary/

http://vivonzeureux.fr/jonathanbook/

You’ll see that the option is still there to make a physical purchase of each of them. They cost no more than 14 or 15 Euro, including postage, and will make for a great and unusual gift to yourself or a friend who likes this sort of music:-

mp3: Felt – Ballad of The Band
mp3: The Television Personalities – Part Time Punks
mp3: Jonathan Richman – Morning Of Our Lives (live)

And of course, with the option of the download available, you really can try before you buy.

There’ll be one more Christmas recommendation this time next week, but given by then we will be just about into December, it’s almost too late to make any further suggestions to impact on your wish lists.

JC

Felt

SUNLIGHT BATHED THE GOLDEN GLOW

The opening notes of Sunlight Bathed The Golden Glow, a cult single by Felt do, it surely has to be admitted, carry more than a passing resemblance to Just Like Heaven, a huge hit single by The Cure:-

mp3: Felt – Sunlight Bathed The Golden Glow

The thing is, the Felt single pre-dates that from The Cure by three years…..did Mr Smith indulge in a little touch of plagiarism or is it mere coincidence?

Sunlight…was the fifth of the ten singles released by Felt between 1981 and 1988. The band also released ten albums in the time they were together and yes, the symmetry was deliberate. It dates from 1984, a tremendous year for sophisticated jingly-jangly indie pop songs, with The Smiths, Go-Betweens, Orange Juice, Aztec Camera, Lloyd Cole and The Commotions and Prefab Sprout (just to mention a few!!) all at the top of their game.

Lawrence is joined on vocals by Rose McDowall of Strawberry Switchblade, to the extent that she overpowers him in many places – it doesn’t quite work as well for me as the collaboration with Liz Fraser of Cocteau Twins on the band’s sixth single, Primitive Painters, which came out in 1985.

My preference is for the re-recorded version which appeared later on the album The Strange Idols Pattern and Other Short Stories, released towards the end of 1984. But then again, that’s probably because it is closer in sound to the other bands who were around that year.

mp3: Felt – Sunlight Bathed The Golden Glow (album version)

The words ‘Sunlight Bathed The Golden Glow’ had actually been used as part of the opening couplet to a 1983 single, one which I have featured previously on the blog, but this gives me the perfect excuse to share it again.

mp3: Felt – Penelope Tree

Oh, and if any of you perhaps wish to cast doubt on the fact that Robert Smith ripped off Lawrence, then have a listen to the instrumental track on the b-side of Sunlight…

mp3: Felt – Sunlight Strings

The case for the prosecution rests m’lord.

JC

Felt

SOME WORDS OF APPRECIATION FOR FELT

I once read somewhere that one of the reasons why Felt aren’t as widely revered as so many of their 80s peers is that they never managed to release an album that folk could hold up as being their one true and defining classic piece of vinyl. It’s a very fair point to make, for none of their studio albums is really one that can be defined as being “essential” for a collection.

Nor indeed has there ever been a real gathering of the ‘Best of Felt’ (however which way you choose to try to define that) as most of the five compilation LPs that have been released have either focussed in on a particular period of time while the one that went for the entire career contained only the singles.

It’s also the case that the eccentric and enigmatic frontman Lawrence probably ensured that there would never be any one LP to define his and the band’s career; after all this was someone who announced a plan, which he stuck to, of having a ten-year career during which there would be ten singles and ten albums and nothing more. It also can’t be denied that the band were forever changing their core sound, albeit they are probably best-loved (certainly in my case) for those records which are as close as can be to the formula of jingly-jangly guitars making perfect indie-pop.

My favourite song of theirs is Ballad of The Band, a track featured previously on the blog via a guest contribution back in January 2014 from Friend of Rachel Worth when he wrote about cult classics. Another one that I have a huge amount of time for is Primitive Painters, a song from the LP Ignite the Seven Cannons, and which was also released as a single.

mp3 : Felt – Primitive Painters

It’s an epic rolling track of more than six minutes in length that has all the hallmarks of the involvement of the Cocteau Twins with Robin Guthrie behind the production desk and Liz Fraser on co-vocals. It turned into Felt’s biggest selling single, topping the indie charts for two weeks in September 1985, but where others would have sought to at least maintain such a head of steam their next release was a ten-track instrumental album less than 20 minutes in length. And for an entirely new label.

But there’s another earlier track from Felt that I rate above what is the undoubted majestic shimmering of Primitive Painters, It dates back to June 1983 and would have been the first time I ever heard any of their music, thanks to it being aired often at the Thursday night alternative/indie disco in the student union:-

mp3 : Felt – Penelope Tree

In an era when indie-guitar pop was king thanks to the likes of The Smiths, Aztec Camera, Orange Juice, The Fall et al, there is something really special about these three minutes of music. The lyric is one that Morrissey must have read and realised immediately that he had to up his game, particularly the line “I was lonely until I found the reason and the reason was me.” It’s a sad, depressing and melancholy thought buried in a tune that is as jaunty and carefree as they come.

What I didn’t know at the time I was gyrating my hips to this tune – and indeed nor did I find out till the turn of the century when I came across the name in a magazine piece about fashion – is that Penelope Tree is a real person. I had always assumed it was a name adopted in the song given how easy it was easy to rhyme with ‘me’.

Not only a real person, but someone who was, for a while, incredibly famous. A member of UK high society in the swinging 60s, Penelope Tree became one of the first so-called supermodels in 1966 at the age of 16, living with photographer David Bailey and being someone whom John Lennon described as “Hot, hot, hot and smart, smart, smart.” Six years later things suddenly unravelled very quickly as her career was ended by scars from late-onset acne and she was arrested for possession of cocaine.

I hadn’t known anything of her life but clearly Lawrence from Felt was not only familiar with every nuance but sympathised so much with her sad predicament that he wanted to immortalise her. Incidentally, if I’d ever bought the single at the time I would probably have learned all this as said supermodel adorned the cover.

JC

Chills, Eg and Alice, Felt, Hurrah!

CULT CLASSICS : ‘I CAN’T CHOOSE JUST ONE’

Today’s wonderful words were typed by Friend of Rachel Worth, the talent behind the much-loved and much missed blog Cathedrals Of Sound (the final posting was May 2013 but you can still enjoy what he had to say by clicking here)

Well this has caused some angst as most of my record collection consists of stuff that I’m convinced should have outsold thriller and be hailed as a work of Sgt Pepper type genius but sold diddly squat and disappeared to find a life only on long forgotten home made compilation tapes or in the darkest corners of the internet

I can’t choose just one so have had to go with 4 bands and 5 songs that should have been massive and played regularly in school assemblies

1. Ballad of the Band – Felt

First up is by surely the ultimate cult band….Felt. Led by Lawrence with a vision of 10 singles and 10 lps in 10 years and then split up. Feted by critics and many of his peers and living in an alternative world where he saw himself as a top pop star with Felt rubbing shoulders with Madonna at the top of the charts, it never really happened as Lawrence was convinced it would. Instrumental lps and songs with long strange titles meant that they never really made it past the indie chart (does such a thing still exist?) and the festive 50.

Their best known song is probably Primitive Painters with the Cocteau Twins’ Liz Fraser sharing vocals, however I’ve gone for a band divorce played out in a 3 min pop song. The departure of long time guitarist Maurice Deebank prompted Ballad of the Band with its lyrical riposte and the swirling Hammond organ turned up high in the mix as an added insult to the guitarist.

Where you been
Aint seen you for weeks
You’ve been hanging out with all those jesus freaks

Where were you
When I wanted to work
You were still in bed
You’re a total jerk

mp3 : Felt – Ballad of The Band

It also has a gorgeous cover.

2. Heavenly Pop Hit – The Chills

Another band built around a maverick , this time New Zealander Martin Phillipps. Not sure if they really count as they had success in their own country , but in the UK gloriously under achieved. The more culty song is probably early single Pink Frost about the death of former band mate. It is a haunting tune with a bit of early Cure thrown in.

However I love Heavenly Pop Hit which does exactly what it says on the tin .. except for the hit bit.

For about a month this single and the lp it came from (submarine bells) were championed by Record Mirror but quickly dumped when they realised they had failed to back a winner … again (always much better than NME or Sounds at spotting a lost cause or backing the wrong horse)

Its a joyous summer sound that you need a big breath to sing along to and ends with a simple offer

It’s a Heavenly Pop Hit
For those who still want it

The last line whispered / mumbled , a sad realisation of what pop would become in x factor wilderness

mp3 : The Chills – Heavenly Pop Hit

It too has a gorgeous cover

3. The Sun It Shines Here / I’ll be Your Surprise – Hurrah!

The exclamation mark is important! Hurrah! were one of the fantastic 4 (alongside The Kane Gang , The Dainties and Prefab Sprout) signed to Kitchenware records. They released a glorious set of jangly guitar singles (brought together in the lp Boxed) before being signed by a major and taking a step too close to rock (leather jackets and supporting U2 included) . The trio benefitted from the fact that all 3 were songwriters and could sing (the quality showed it wasn’t a case of letting Ringo have a go)

The first 4 singles were glorious and the debut double a side remains one of my favourite singles. It may sound like it has been recorded in a cardboard box with broken bass dial and the treble turned too high , but the guitars sparkle with a Byrds sound that at the time seemed fresh and the harmonies are spot on.

I’m not sure how on earth I got hold of a copy of the single (there was no way this made its way into Spalding Boots’ singles rack) so can only think I must have sent away for a copy
Released in 1982 (a year before Hand in Glove), at 15 they felt like my own private cult band

Later solo lps show a spiritual , religious side that has made me look back on some of the earlier lyrics , which at the time would have had me running for the hills (not that we had any hills in the fens), but for a period they seemed like the coolest band going

mp3 : Hurrah! – The Sun It Shines Here
mp3 : Hurrah! – I’ll Be Your Surprise

Fitting in with the style of other Kitchenware releases , it has a great cover

4. Indian by Eg and Alice

From one extreme to the other . Take one ex member of Brother Beyond add an ex bmx champion and model and you shouldn’t really have the makings of a cult single. This also breaks the indie label rule and is so smooth it sails close to the dinner party wind , the kind of soulless soul music that was all over the radio in the late 80s.

Somehow Indian rises above all this, it manages to be haunting and catchy at the same time, with enough going on to keep it out of the bland. It ‘s got a strange kind of emotional punch that can creep up on me when I hear it. If it pops up unawares on shuffle it is one of those songs that sneaks its way into the foreground and means I stop whatever I’m doing to listen and start remembering

Its cult because it is one of those songs that just feel like a lost classic and those that like it love it with a passion. One of the joys of the internet is finding like minded souls, and Indian is one of those acid test singles. When it comes up in conversation , if peole like it (and most who have heard it do) then I’m feel pretty safe with anything they are going to recommend

If it hasn’t washed over you the lp it comes from ,24 Years of Hunger is well trying to get hold of.

Eg is now a songwriter for hire , often with people I cant stand , however he has released 2 solo lps that are full of quirky diamonds

mp3 : Eg and Alice – Indian

The cover is pretty smart too

Apologies for being so greedy , I could go on and on !

Note from JC

Ballad of The Band and its related b-sides was one of the very last postings I ever made at TVV before google pulled the plug on it. Can’t help but agree with Friend of Rachel Worth about it being a classic….as indeed are the other tracks which until now were previously unknown to me.

It could well be that FoRW will be asked to go on and on…..I’ve only, at the moment, got two more weeks of cult classics to go as the inital flurry of e-mails when I started the series has not been followed up with many more over the festive period.

If there’s a flop 45 or 45s you’d like to bring to the attention to the few hundred daily visitors to T(n)VV, then please drop me an e-mail : thevinylvillain@hotmail.co.uk

Cheers