SHAKEDOWN, 1979 (June)

79

I’m really glad about the positive reception being afforded to this series….I’ve long been of the view that there was no finer year for singles than 1979, but then again, I would imagine most music fans will look back on the music they were listening to in their formative teen years and look to make a case that it was ‘the best.’   What did the month of June bring us, aside from my 16th birthday?

One other good thing about 1979 is that it didn’t clash with any major football tournament that summer, which spared us the possibility of Saturday Heroes finding themselves in a recording studio to inflict torture on us.  Except for the fact that the highest new entry on the chart in the first week in June, entering at #55, was Head Over Heels In Love with the singer being Kevin Keegan, ex-Liverpool but now plying his trade with Hamburg in Germany, and who in 1979 had been voted as the best player in European football.  I’ll spare you the song, but you can, if you want to be masochistic, find it on YouTube.  It spent six weeks on the chart and peaked at #31.

There wasn’t too much to get excited further down the charts in terms of new entries, bar these two:-

mp3: Janet Kay – Silly Games (#65)
mp3: The Tourists – Blind Among The Flowers (#66)

Janet Kay has proven to be the classic definition of a one-hit wonder.  The London-born singer was just 21 years old when Silly Games was released.  It was one of the big hits of the summer months, spending 14 weeks in the chart, peaking at #2.  It’s a song written by Dennis Bovell, who was recently the subject of this wonderful guest ICA from Khayem.  It has all led to Janet Kay being unofficially crowned as the Queen of Lovers Rock, and while she never again had a single breach the charts, she has enjoyed a long and illustrious career in music and theatre, leading to her being awarded, in 2023, an MBE for her services to music.

The Tourists is where it all began for Annie Lennox and Dave Stewart, who would conquer the planet in the mid-80s as the driving force behind Eurythmics.  Their first band was more of a traditional rock sort of combo, and Blind Among The Flowers was their first single, eventually peaking at #52.  There’ll be more from this lot later in the year.

The chart of 10-16 June saw the first chart entry from another of the new bands emerging as part of what was a real explosion in post-punk in the UK.

mp3: The Ruts – Babylon’s Burning

The Ruts were from London, so this was an instance when the A&R men didn’t have to look too far. The band formed in 1977, and they began to make a name for themselves from the fact that they brought reggae influences to their brand of punk.  John Peel was a big fan, as indeed was fellow Radio 1 DJ David ‘Kid’ Jensen, both of whom offered sessions at the beginning of 1979.  Their debut single In A Rut was issued on a small indie label, but led to an offer from Virgin Records, a label which was really hoovering up many of the emerging bands.  Babylon’s Burning was their first release for the new label.  It’s a genuine classic of the era, eventually reaching #7 and spending 11 weeks on the chart. As with The Tourists, there’ll be more later in the year.

This was also the week when a Leeds-based post-punk combo enjoyed their first chart hit

mp3: Gang Of Four – At Home He’s A Tourist

There’s a similar pattern here.  Gang Of Four were championed by Peel.  The debut single had come out on an indie label which led to an offer from a major label, in this instance, EMI.  This was the first single for the new label. To my surprise, this has proved to be the biggest hit that Gang of Four ever had in terms of a single, entering at #65 and peaking the following week at #58.

June appears to be a month when very few new songs of any genre came into the charts.  The week of 17-23 June saw no new entries into the Top 40.  The highest new entry was at #53, and like Janet Kay, was a song which was omnipresent in the summer months but ended up being the only hit for a singer who is still going strong today.

mp3: Rickie Lee Jones – Chuck E’s In Love

Rickie Lee Jones was 24-years old at the time. Chicago-born but California- based, she made her name performing in coffee bars and jazz clubs.  She was also, for a period of some two years, in a relationship with Tom Waits.  She was signed by Warner Bros whose A&R men felt that Chuck E’s In Love had the potential to go what we would now describe as ‘viral’.  It certainly did, thanks to a massive marketing push via radio and TV stations in the US, leading to it becoming a Top 5 hit on the Billboard chart and making its way across the Atlantic shortly afterwards.  It would spend 9 weeks in the chart and peak at #18.  None of her later singles, and there have been dozens in the decades that followed, ever bothered the chart compilers.

June 1979 closed with Tubeway Army hitting the top spot in the singles chart. A small selection of the songs featured last month as well as earlier in the post were keeping Mr Numan company, but for the most part, it wasn’t a great month.  A tune with a great bass line came in at #53

mp3: Chic -Good Times

This would eventually get to #5 and thus prove to be the latest in what seemed to be a conveyer-belt of hit singles for Nile Rodgers and Bernard Edwards which showed no sign of slowing down.  This, however, proved to be that last of the mega-smashes, and the last time they would enjoy a Top 10 hit.

So, returning to the question posed at the start. What did the month of June bring us, aside from my 16th birthday?  The answer, it appears, is not all that much……

I’ll be back soon with the companion piece to the series looking at singles from June 1979 which didn’t make the charts.  I’ve had a sneak look ahead to the chart of the first week of July 1979, and there’s a couple well worth highlighting, so please tune in again around the same time next month.

JC

SHAKEDOWN, 1979 (January, part one)

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Last month, in the final part of the year-long series on the singles charts of 1983, I promised that the next series along such a theme would be a 45-year look back at the 45s that were making all the noise in 1979.  The difference being that I won’t be looking at the charts in any depth, but aiming instead to celebrate (mostly) those post-punk/new wave/alt singles which attracted the attention of the record-buying public.  Makes sense to start in January…..

mp3: Ian Dury and The Blockheads – Hit Me With Your Rhythm Stick

Released in November 1978, it enjoyed a gradual climb up the charts to eventually reach #1 on 21 January, having patiently waited its turn for a couple of weeks at #2 behind Y.M.C.A, by The Village People.  It has proved to be one of the most memorable, engaging, enduring and enjoyable singles of the era of appeal to music fans of all ages and with all tastes. And one of the few songs in which I don’t mind a sax solo.

mp3: Chic – Le Freak

Another that had been released in November 78 but reached its peak of #7 in January 79.  It commemorates Studio 54 in New York City for its notoriously long customer waiting lines, exclusive clientele, and discourteous bouncers. According to Nile Rodgers, the song was devised during New Year’s Eve 1977, as a result of his and Bernard Edwards’ being refused entrance to the nightclub, where they had been invited by Grace Jones, due to her failure to notify the nightclub’s staff. The lyrics of the refrain were originally “Fuck off!” as that was what the bouncer had said as he slammed the door closed.

mp3: Funkadelic – One Nation Under A Groove

The only hit single in the UK for Funkadelic, and from what was their tenth album, having started out in 1970.  I wasn’t quite 16 years of age at this point in time, and my musical tastes were still evolving. I didn’t know too much about funk, but I recognised immediately that this was a very special sounding track.

mp3: The Clash – Tommy Gun

It peaked at #19 in the final chart of the previous year, but was still hanging around during January, and indeed beyond.  As Joe Strummer would late explain in the liner notes to the Clash On Broadway box set, he got the idea to write “Tommy Gun” when it occurred to him that terrorists – like rock and movie stars – probably enjoy reading the press about their so-called triumphs.  Memorable in the main for Topper Headon’s drumming sounding like a machine gun as much as the lyrics condemning mindless violence.

mp3: Buzzcocks – Promises

This peaked at #20 in the final chart of the previous year, but was still just about hanging around into January. It was the band’s seventh single, and had maintained the momentum, of Ever Fallen In Love…and indeed was a song in a similar vein, given it dealt with a love affair gone wrong.  There were no longer any hard and fast rules that such songs had to be sloppy.

mp3: Blondie – Hanging On The Telephone

This just qualifies and no more.  It was a big hit (#5) in November 1978 but thanks to its 11-week stay in the Top 7 meant it was still listed come January.  A fast and frantic cover version, it was the second single to be lifted from Parallel Lines….the real biggie was just about to hit the shops.

mp3: X-Ray Spex- Germ Free Adolescents

As with the above 45, this qualifies and no more.  It had reached #19 in November 1978 but thanks to what proved to a 12-week stay in the Top 75, it was still listed come January. A single from an album by a band whom I grew to only really appreciate in later years upon realising how much of an influence it all was on what was to come.

The intention had been to cover all of the month in one post, but having already hit seven absolute belters from just the first week of the singles chart of January 1979, it’s probably a good idea to draw breath.

JC

DANCIN’ ON THE LAST DAY OF THE MONTH

Sometimes it’s best not to type up too many words and instead, just let the music do its thing.  Especially on a Friday on the last day of the month.

mp3: Chic – Le Freak (12″ version)

Seven million sales worldwide in 1979.  It’s as great a single as any post-punk/new wave effort from the same year.

Get dancin’

JC

CLAP YOUR HANDS, CLAP YOUR HANDS

There are days when I just want to wake up to something upbeat and glorious…..something which makes me think of sunshine and summertime and not the bleak midwinter that I’m looking out onto when I pull back the curtain, wondering whether I’m going to get down the hill to the railway station with falling over and possibly breaking my ankle, all the while wondering how late and overcrowded the train will be.

I played this on such a day last week and felt a whole lot better:-

mp3 : Chic – Everybody Dance (12” mix)

Takes me back to Sunday nights in a draughty church hall. I might have been happier in the bedroom that I shared with my brothers listening to my new wave 45s, but you had to get yourself down and on the floor of St Joe’s if you wanted the girls to take notice of you.

I didn’t know until gathering some background info that the tune had supposedly been borrowed somewhat by a Welsh beat combo on a single released in 2010:-

mp3 : Manic Street Preachers – (It’s Not War) Just the End of Love

Hmmm…there is a bit at the start where it can’t be denied, but it’s not a blatant rip-off is it?

JC

A RE-POST TO BUY MORE TIME (5)

A reminder of when I use to review books on the blog….I might resurrect that feature at some point as I’ve hundreds of auto/biographies sitting around Villain Towers. From 3 February 2012.

IN PRAISE OF BOOKS : LE FREAK : AN UPSIDE DOWN STORY OF FAMILY, DISCO AND DESTINY by NILE RODGERS

I asked Santa to bring me this as it had received quite a number of excellent reviews towards the end of 2011. I’m pleased I did.

Nile Rodgers is best known as one of the founding fathers of disco thanks in part to the songs he wrote and recorded with Chic and the songs he wrote and recorded with others acts such as Sister Sledge and Diana Ross. What I hadn’t realised until picking up this immensely satisfying 300 pages was his contribution to the careers of so many others including David Bowie, Madonna and Duran Duran.

OK. His musical career is not that which your average indie-kid will confess an undying love for. And to be honest, outwith the Chic songs I don’t have much else in either the vinyl or CD collections. And if this had been a book in which all Nile did was talk about music and musicians I don’t think I’d have been impressed.

What makes this such a cracking read is the life he has lived…..particularly his childhood and formative years. For once it is easier to just crib from the dustjacket.

Born into a mixed-race family of dopefiend bohemians, he learned – at a very early age – everything he needed to know about love, loss, fashion, art, music and the subversive power of underground culture. The stars of the scene were his glamorous teenage mum and heroin-addicted Jewish stepfather…..

His upbringing is a genuinely astonishing tale as he went from east coast to west coast and back again (more than once) living sometimes with mom, his grandparents, with hippies and members of the Black Panther organisation. The first third of the book is genuinely unputdownable.

The middle part is a bit less interesting – just a wee bit too ‘rags to riches to excess’ for my liking. Loads of sex, loads of drugs and dancing and not too much humility. But to a large extent, given how wild an upbringing Nile Rodgers had experienced, it’s not hard to understand why he went off the rails so easily. To be fair, parts of the middle section of the book are a great read when he’s telling you about his family rather than tales of how great it was to work with the rock and pop gods of the 80s.

The final part of the book deals pretty quickly with the last 15 years. There’s a fair bit of death and tragedy in here with the author acknowledging that but for the grace of god…and there’s things you learn about what he’s now doing with his life and the fortune he has amassed.

I’m fairly sure that the story that Nile has set down is like a 7″ version of his life….and the extended 12″ version would be well worth getting your hands on. For instance, I’m sure he’s got loads more tales from his childhood – it really does seem as if that alone could have been a 500-page volume.

The positive reviews are merited. And you don’t need to be a disco king or dancing queen to get a lot of pleasure from this book.

mp3 : Chic – Le Freak
mp3 : Chic – Good Times
mp3 : Chic – Everybody Dance

JC

SHAKE YOUR BODY DOWN TO THE GROUND

theme-disco-ball-club-dj-resolution

D.I.S.C.O. does not suck…..as publicly said by Edwyn & co in the notes that accompanied the vinyl release of the LP Ostrich Churchyard back in 1992:-

Satellite City

Written in the aftermath of an early Nu-Sonics concert (17th January 1978) supporting British reggae outfit Steel Pulse and much to our chagrin, an embryonic Simple Minds at the Satellite City disco in the clouds (above the Apollo). For a long time this was referred to as the ‘Disco Song’ in part homage to Chic’s ‘Dance Dance Dance – Yowsah! Yowsah! Yowsah!’

Intuition Told Me Parts 1 + 2

During this period I would frequently open Orange Juice sets alone with my Gretch ‘Black-hawk’ guitar for company and very nervously perform Intuition Told Me part 1 before being joined by the group for the now more obscure part 2. I suppose now is as good a time as any to reveal that “Did I mention in the first verse….” was a direct lift from ‘Yes Sir I Can Boogie’ a female duo from Spain.

Ergo…..it is acceptable to equally like jingly-jangly Caledonia pop and the sort of music that led to packed floors directly under mirrorballs.

mp3 : Orange Juice – Satellite City
mp3 : Chic – Dance Dance Dance (Yowsah Yowsah Yowsah) (12 inch version)
mp3 : Orange Juice – Intuition Told Me (Part 1)
mp3 : Orange Juice – Intuition Told Me (Part 2)
mp3 : Baccara – Yes Sir I Can Boogie

Enjoy

YET ANOTHER WEEK OF REPEAT POSTS : SKELETONS IN MY CLOSET (Part 5)

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(Originally posted on the old blog on 20 December 2008)

I

Like

Disco

Music

(Well, some of it anyway)

mp3 : Chic – Everybody Dance (12 ” mix)

It don’t mean a thing if it ain’t got that swing.

2014 Update

That was of course originally posted a few years before the Nile Rodgers revival….back then it would have been a post largely ignored.  I’m fully expecting a DMCA notice now and the track to be removed.

BB.C.FF.

BeastieBoys_3part-7-80s-chic4franz-ferdinand

I know….today’s heading is on the cryptic side. But it’s all to do with these three great tunes:-

mp3 : Beastie Boys – Triple Trouble
mp3 : Chic – Good Times (12″)
mp3 : Franz Ferdinand – Take Me Out

A few years back, someone out there had the idea of mashing these three up. It’s a style and format that has a lot of critics which is understandable as many of its proponents took liberty with one or more of the tracks, speeding it or them up or down a shade to make things fit. But today’s example does work out well with the minimum of jiggery-pokerey.

mp3 : BB.C.FF – Check Me Out 4 Good Times

Freaky Friday indeed.