ONE HUNDRED AND ELEVEN SINGLES : #010

aka The Vinyl Villain incorporating Sexy Loser

#010 – Brigitte Bardot – ‚Harley Davidson’ (Disc’Az, ’67)

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Hello friends,

yes, yes, yes, I know what you all think: “now that he has realized that only a handful of people care about his stupid 111 singles nonsense, he’s pulling the old ‘if-everything-else-fails-big-tits-will-do’ – stunt”. Oh, you couldn’t be more wrong, you disbelievers! Alright, I admit Brigitte Bardot probably never was an ugly duckling, but that’s not what counts here and now. This lady has a spectacular voice and this record proves it, fact!

I can’t tell you all too much about its background, apart from the fact that the song was composed by Serge Gainsbourg, the old ladykiller. Also I can’t really tell you why it is that I like it so much – perhaps it is because the French language has always remained a bit of a mystery to me. I never had big problems with learning English in school, but French was a complete disaster, as well in secondary school as in commercial college. To be honest, I probably never got much further than ‘les haricots verts’ and ‘le premier étage’. Now, I think we all agree that this is not enough to enable me a decent retirement at some sunny French coast, but still I am really proud that I managed to add this to my superb knowledge:

“Je n’ai besoin de personne en Harley Davidson, je n’reconnais plus personne en Harley Davidson“.

These obviously are the first two lines of the song, the only ones I can remember. So every time I hear the tune, I sing those two lines perfectly faultless at the top of my lungs. But when it comes to the next bit, the one with the starter, I fail hopelessly, each and every time. So I let Brigitte do the job, hum along with her here and there and dream of riding a cool motorcycle myself (I don’t even have a driving license for these, but no matter). Feel free to do the same:

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mp3: Brigitte Bardot – Harley Davidson

You’ll be relieved to hear that this may probably be the oldest record in the series (not that the others are much more contemporary, mind you). Speaking of age, I should add that my copy is a re-release from 1980, and albeit it reads ‘1968’ on the back sleeve, the original was released in 1967. Either way, I think it’s a fantastic tune which definitely has stood the test of time.

Consequently: enjoy!

Dirk