THE REALISATION THAT IT’S HARD TO MAKE THE GOOD THINGS LAST

(JC writes….I gave this post its title and picked out the image…..the words are those of a dear friend)

Ok….Its time….

It’s February 13th 2019, and I am sat in Tim’s office waiting for him to come back from Ashburton, he is late but this was usual for Tim – he messaged me about four hours ago telling me he would be running late and told me to be in his office for 4pm.

An hour after that I phone him and he tells me that he is leaving Ashburton in five minutes. As I sit and wait for him I draw rude things on his notepad and write ‘Your Mum’ underneath them.

There is a knock on the door. I put the notepad under a large book and get up and open the door. It is his boss. Her eyes are red and she has clearly been crying. I look at her and she starts crying again.

“There’s been an incident”. She takes a deep breath, it doesn’t work, there are more tears. “Tim…” she says. Somewhere my phone is ringing. I let it ring.

“He’s had a heart attack, in the car park at Ashburton”, (now on reflection I’m not sure why she added that bit). The phone rings again, it beeps to tell me there is a message. “They did everything they could, but it wasn’t enough, he couldn’t be saved. Oh, God, it’s awful”.

I look at her, numb, it’s like I don’t even know who this lady is or even what language she is speaking. I shake my head and instinctively rub my forehead. “Lorna…” I just about say

“I’ve just phoned his wife…” the lady continues “but I think your wife is with her…” That explains the phone calls….

And then the boss hugs me and I can’t hold it anymore. She tells me to go home, both of us are a mess to be fair, and she has to tell an entire office the news, I offer to do it and she shakes her head and says “Absolutely Not. Go.”

I phone my wife first. We don’t say much. We can’t. I sit in the car at work for what seems like forever but in reality is about four minutes and then I drive home.

The next few weeks are a blur. I spend most of it diverting calls to my voice mail and trying to come to terms with the (unexpectedly fucking early) death of my best friend. Whichever way I look at it, I can’t fathom it out. One evening in late February I remember sitting in my lounge and just feeling utterly useless. I keep looking at my phone just in case it’s been a mistake or some sort of miracle. But of course there hasn’t been one. Tim’s gone and nothing will change that.

Tim was 51 years of age. It is no age at all. I can’t work this out. He was one of the fittest blokes I knew.

Sometimes life is just unexplainable, rubbish and plain wrong.

We buried Tim in the second week of March, the weather was glorious, and he now lies in the church graveyard in the village where he lived in Devon. He has a view over rolling Dartmoor hills down to Becky Falls.

I was ok at the funeral until Lorna stood up and spoke. She told the story of how she and Tim met, a story which very few people know. Tim saved her sister’s life. He sat with her sister for four hours, on the top of a cold freezing pile of rocks, not far from the very church that we were all sat in at that moment. He persuaded Lorna’s sister not to jump off those rocks.

Tim was a hero. This may be a cliché and I apologise if it is, but I’ve never seen a couple so utterly devoted to each other as the Badgers.

After Lorna had finished her story she told everyone that she was going to sit down and a song was going to come on and from seemingly nowhere, this filled the room.

Sunshine on Leith

You all know this song. I had no idea Tim loved it, he probably thought I would have taken the piss out of him. I probably would have done. In reality I love this song.

Around a minute or so into that song, it goes “…Thank You, Thank You…” and people start clapping. There are a few cheers and then…well Tim Badger is the probably the only person who has ever had a standing ovation at his funeral. It was a tear jerking, spine chilling, amazing moment. .

Ok. It’s taken me two months to write this, I’m sorry if seems an impersonal way of doing it but that’s the way it has to be. I know that there will be people out there who would have wanted to pay their respects, I’m sorry about that too. Tim wouldn’t have wanted a fuss, he would have been embarrassed at the thought of it. If its ok with you, please pay your respects through this page, Lorna will read them all, I promise. I was going to post this over at the TSOBO place, but I can’t, I can’t continue our blog, not yet. I have tried.

I’ll miss him dearly, I already do. The emptiness he leaves is immeasurable. He was utterly brilliant, he was funny, he was serious and it was a privilege to have even been allowed in the same room as him.

Sometimes I’ll hear a piece of music and I’ll immediately grab the phone to tell him and then realise. Or I’ll see a gig advertised and want to go with him to that gig (Tim, Honeyblood in Exeter, 15th May, you interested….?). I’ll miss the ‘stupid boy trips’ – we were going to do one in March, to Scotland. We were going to turn up at Simply Thrilled hand a certain DJ a note with a specific song request and retreat to the bar.

Just because we could.

I’m going to leave you with a song, another favourite of Tim’s, I’m sure under the circumstances no one will mind.

Lately – British Sea Power

Because, well just because.

SWC
April 2019

 

JC adds….

I’ve had a few days to take in this news. It’s still, however, impossible to fathom.

I’m incredibly proud that I became friends with Tim in recent years.  He was –  as SWC says in that moving, eloquent and perfectly worded tribute –  brilliant, funny and serious.

He was an ideas man and most of the things that cropped up at When You Can’t Recall Anything and later at The Sound of Being OK, were hatched from something that Tim would have uttered to SWC.

It was SWC who latched on to my blog a few years ago, initially via the comments sections before offering to become a regular guest contributor.  He told me he had a mate called Tim who also fancied having a go, that is if I’d be happy to accept his contributions.  And from that small beginning, great things happened, both here and at their own places.

I have one huge regret, one that Has caused me an enormous amount of grief these past few days, namely that I never got to meet Tim.  There were a number of instances when it nearly happened, but circumstances, many of which have been well-documented in particular over the past two years, prevented this happening.  Reading that the boys had plans in hand to surprise me at the last Simply Thrilled night was gut-wrenching…..

Tim, often with the assistance and connivance of SWC, made me laugh out loud more than any other of the TVV regulars.  He also introduced me to some amazing new music and provided reminders of the magnificence of some old stuff.  I have no doubt that had we hooked up, it would have been man-love at first sight and within a matter of minutes we would have been sitting in a corner talking excitedly about music, sport, politics, society and all sorts of unimportant nonsense, delighted and thrilled that the expectation of the imaginary on-line friendship was even better in real life…..everyone who came to the gathering in Glasgow a couple of years back will know exactly what I’m getting at.

Those who were closest to this great man will be hurting badly.  They will, at times, be understandably angry at the unfairness of it all.  And, if my experience of losing my best friend over eight years ago is anything to go by, not a day will ever pass without him coming into their thoughts.  I do hope that everyone, and in particular Lorna, will be consoled by the fact that Tim was loved and admired by so many, even those of us who only knew him via words on a computer screen.  He was an incredibly special human being and he will live forever in all of our memories.

I’ve decided to refrain from making any fresh posts on TVV for a few days – at least a week – to enable folk who only drop in occasionally to learn of the sad passing of our inspirational bosom buddy.

SWC also said something of enormous significance and wisdom in the e-mail a few days ago, informing me of the tragedy:-

“Tim was a brilliant person who wouldn’t want people to be sad for him or because of him.”

I’ll try my best mate, I really will.

 

 

SATURDAY’S SCOTTISH SONG : #160 : JESUS H. FOXX

Edited from a newspaper article (November 2009)

Following on from the recent theme of great bands with baffling names, Jesus H Foxx are certainly a band who merit attention. Having recently signed to Song, by Toad records in Edinburgh, the post punk outfit can claim with confidence, in the face of a global downturn, that their stock is very much on the rise.

Playing as part of The Bowery’s Oxjam contribution this Friday (23rd), the Foxx will be joined by Occasional Flickers, local indie survivors Y’All is Fantasy Island and the prodigiously talented and completely unavoidable Meursault in what promises to be one of the highlights of the festival.

As well as a mouth-watering line-up, the venue itself is a huge part of the appeal for bands. “We’re really passionate about that place,” says Foxx frontman Michael Hunter. “I think it’s far and away the best venue in the city. It has a really singular and perfectly realised aesthetic, it’s truly independent, and it’s just a wonderful place to hang out.

The last Oxjam fundraiser the band played was a March gig at The Bowery, in conjunction with Ten Tracks. Hunter describes this gig as pivotal to the band’s current success, as it was the first show played in their current seven-piece format and is largely credited as the gig which brought them to the attention of Song, by Toad’s Matthew Young, who had already snapped up Meursault.

“Working with Matthew has been a mixture of fun, opportunity and gin headaches, all of which have been of great help to us. He’s managing to get our stuff out to a much wider audience, which we are very thankful for”, adds Hunter.

What though of the name Jesus H Foxx? Hunter explains all: “‘Jesus fucking fox’ is a little known expression for surprise or incomprehension I think I heard in Boston. The ‘H’ comes from the Blues Brothers film. The second X in “Foxx” was a typo. An aesthetically pleasing typo”.

So there. Glad we solved that one for you. Be baffled no longer.

Having signed to the Edinburgh-based label, there was a degree of frustration that it took until April 2012 for the debut album to finally emerge after what had been a long and drawn out process in the search for perfection. The delay had led to many initial fans (including yours truly) thinking that they had actually broken up in the wake of the release of the inital and hugely enjoyable six-track EP, Matter, from which this is taken:-

mp3 : Jesus H. Foxx – I’m Half The Man You Were

The 2012 album, Endless Knocking, was met with some indifference – one crucial review in a local, highly-regarded magazine which had previously championed the band said:-

The band’s perfectionism is admirable, but the final offering perhaps inevitably feels laboured. A revisit of some early demos from circa their genesis in 2007 reminded us of the qualities early Jesus H. Foxx possessed that Endless Knocking lacks – chiefly punch, individuality and vitality. Pale production, curiously dialled-down lead vocals and a vacillating attitude to style – from the clipped funk guitars of ‘Permanent Defeat’ to ‘Twins’ sleepy indie-folk-isms – are the self-conscious hallmarks of a band who have agonised to near death what should have come naturally.

And with that, Jesus H. Foxx were no more.

JC

THE ALMIGHTY MIGHTY MIGHTY – MAISONETTE

Mighty Mighty are another of the bands who previously featured courtesy of the Cherry Red C86 compilation a few years back.

As I said when I posted the single Everybody Knows The Monkey/You’re On My Mind, it was a source of huge enjoyment and I made a mental note to try and pick up any other stuff if the opportunity arose.

It’s only taken the best part of four years, but I’ve now a 12″ EP in the collection, dating from 1988 and what appears to be their farewell release before breaking up (certainly if the chronology over on Discogs is accurate). The lead track is an absolute gem:-

mp3 : Mighty Mighty – Maisonette
mp3 : Mighty Mighty – Positively Sesame Street
mp3 : Mighty Mighty – Precious Moments
mp3 : Mighty Mighty – Loose End

Actually….all four cuts are hugely enjoyable in different ways, but it really is disappointing to realise, more than 30 years on,that something as jaunty and politically astute as Maisonette got absolutely nowhere other than #8 in the indie charts.

Turns out there was a promo made for Maisonette….and the band look nothing like I imagined!!!!

There’s actually a little snippet of music after the four tracks, less than 30 seconds in length, which doesn’t seem to have any links to the others….but those with a deeper knowledge of the band might be able to explain.

mp3 : Mighty Mighty – Hidden Burst of Music

Cheers

November 2023 update.

Russell Burton, the bassist with Mighty Mighty, got in touch to advise that the 30 seconds was chopped off the fade for the track Gemini Smiles which was included on the 1988 album, Sharks.

Thank you Russell!!

JC

AN IMAGINARY COMPILATION ALBUM : #213 : GIANT SAND

A GUEST POSTING by HYBRID SOC PROF,
our Michigan Correspondent

There’s no way to summarize the extent to which my musical life over the last three decades is bound up with Giant Sand, Howe Gelb, and all those he’s played with, promoted or helped out.

I first ran into the band when Homestead Records sent The Love Songs to the university radio station in 1988. A few months later, I was in Logos – our preferred new and used record/book store in Santa Cruz (finally driven out of business by high rents and declining sales in 2018) – and bought the double LP collection/sampler, Giant Sandwich, in 1989. The weirdness of The Love Songs seemed to be in keeping with the off-kilter material coming out from Wall of Voodoo or House of Freaks, it was a little singer-songwriter, a little art rock, a little alt-country (not that we had the term at that point) and a little lounge (which hadn’t happened yet.) It was poetic and strange, angular and visual… did I say it was weird? I really loved it. Fingernail Moon, Barracuda and Me is the song in the set, below, from The Love Songs.

But, the Giant Sandwich collection, that was another thing altogether. It was selections from the first two Giant Sand records, Valley of Rain (1985) and Ballad of a Thin Line Man (1986) – which were much more raucous and rocking affairs and then a bunch of songs – released and unreleased – from Howe Gelb’s “other band/alter ego,” The Band of Blacky Ranchette – which is fractured country, really fractured. Hard Man to Get to Know is here from the double LP, though initially on Ballad of a Thin Line Man. Originally on The Valley of Rain, I’ve included the remastered version of October Anywhere from Beyond the Valley of Rain (2015). Given the volume of the music Giant Sand, alone, has produced since the mid-80s, I’ve included no tunes from side projects, from Blacky to OP8 (1997, with Lisa Germano) to Howe Gelb and the Band of Gypsies (2010) or anything from Howe’s solo recordings, alone or in partnership with others.

It turned out that Giant Sand was from Tucson, Arizona, and, as far as I can tell, Tuscon had the most peripatetic and chaotic, non-linear and diverse music scene in the US. The city either lacked a musical identity or didn’t care to have one. Green on Red’s political quasi-country rock was from there as was the space rock of Black Sun Ensemble and the rip-roaring blues rock of Rainer and Das Combo. Giant Sand is in there overlapping with but rejecting it all. The blues and space and instrumental thing seem to have real purchase, though, given the subsequent rise of Bob Log III, Tom Wallbank and the Ambassadors, The Friends of Dean Martinez and the Giant Sand splinter band, Calexico. When I attended the 20th Anniversary of Club Congress – a key venue there – in 2005, it also became clear that, as happens in so many smaller cities, everyone knows and, at one point or another, has played with each other.

The band appears to have imploded after The Love Songs and Long Stem Rant is Howe Gelb and John Convertino generating a glorious two-man din in a barn. I’ve included Searchlight from that record.

Swerve (1989), Ramp (1991), Center of the Universe (1992) and Purge and Slouch (1993) all seemed to represent a feeling out process – with periodic moments of majesty – as Howe, Convertino and Joey Burns were variously joined by Rainer Ptacek, Victoria Williams, Paula-Jean Brown and others in this or that project. The band built and grew – all the while as Howe’s best friend, Rainer, battled with brain cancer, apparently winning, only to have it return and lead to his death. I’ve included Howe and Rainer’s collaboration on the song, The Inner Flame, from the extraordinary tribute album of that name in the set released in 1997 with Robert Plant, Jimmy Page, Emmylou Harris, Vic Chesnutt, Jonathan Richman and others along for the ride.

Coming out of that period, the band earned a major label contract with Imago. The record they produced, Glum, is amazing, Rainer’s passing is all over it and this selection starts off with the oh-so 1994 explosive guitar rocker, Happenstance… lyrically, all about living with and through death. As happens too often, personnel shifts at the label, problems with distribution and more effectively ended the label as wrecked the release of the record. I got one of the first small set distributed at Amoeba Records, in San Francisco, but the CDs almost immediately disappeared. An official “Bootleg” was released 7 years later and an expanded version was released as part of re-release of the band’s whole catalog around it’s the 25th anniversary.

There are no cuts from the live recording of a WFMU radio show, the Backyard Barbecue Broadcast, but, if you get a chance, the 22-minute Barbecue Suite is highly recommended. Bill Elm, of The Friends of Dean Martinez, plays wonderful slide guitar.

Goods and Services (1995) is OK but Chore of Enchantment, released in 1999, is another masterpiece. While it was the swansong for Convertino and Burns – who went off and formed Calexico – the band couldn’t be tighter, the songs played and produced any better. I was tempted to include more than one but settled for my favorite, Shiver, which has a hint of the OP8 sound the band generated with Lisa Germano.

In 2000, the band contributed the song Hard on Things to Bloodshot Records’ collection, Down to the Promised Land and, while it’s also on a solo record, I like it too much not to include it here.

2002’s Cover Magazine is, get this, a cover record with quite singular versions of “Johnny Hit and Run Pauline”, “Iron Man,” “The Beat Goes On,” “Red Right Hand,” and “King of the Road.” While it’s also on Cover Magazine, I like the live version – one of about hundred versions Howe has recorded – of Blue Marble Girl and the one here is from 2002’s Infiltration of Dreams CD.

2004’s Is all Over the Map provides the song Remote to finish off this collection.

There’s good material but nothing to fall in a top 12 list on proVISIONS (2008), but I’ve included Monk’s Mountain from the Special Edition of Blurry Blue Mountain (2010). Again, Tucson (2012) is a very nice record but for reasons of flow, I included Hurtin’ Habit from Heartbreak Pass (2015) which I consider the bands final record even though there was a band blending early and late and new members was collected to re-record the first Valley of Rain songs. Apparently, there’s anticipated to be a tour of just those songs this summer.

I believe that, between Fire and New West Records, most of the music is still in print. If you’re interested in a different history Howe Gelb’s website provides one under the Bio tab and a website called sa-wa-ro has a complete discography.

1. Happenstance (from Glum, 1994)
2. October Anywhere (from Beyond The Valley of Rain, 2015)
3. Fingernail Moon, Barracuda and Me (from The Love Songs, 1988)
4. Searchlight (from Long Stem Rant, 1989)
5. Monk’s Mountain (from Blurry Blue Mountain, 2010)
6. Blue Marble Girl (from Inflirtraion of Dreams, 2002)
7. Shiver (from Chore of Enchantment, 1999)
8. The Inner Flame (from The Inner Flame – A Rainer Ptacek Tribute Album , 1997)
9. Hard On Things (from Down to The Promised Land compilation, 2000)
10. Hurtin’ Habit (from Heartbreak Pass, 2015)
11. Hard Man To Get To Know (from Ballad of A Thin Line Man, 1986)
12. Remote (from Is All Over The Map, 2004)

HSP

 

MAYDAY, MAYDAY?? NOT AROUND THESE PARTS…….

Here’s a wee one-hour labour of love for you all.

mp3 : Various – It’s Officially Summer

Tracklist

I Just Wanna Dance – Say Sue Me
At The Indie Disco – The Divine Comedy
Make Time For Love – The Goon Sax
Sometimes – James
Fruitier Than Thou – James Kirk
Let’s Make Out – Dream Wife
Blood – Editors
Totnes Bickering Fair – Half Man Half Biscuit
I Can’t Imagine The World Without Me – Echobelly
Flaming Sword – Care
The View From The Afternoon – Arctic Monkeys
Attack of The Ghost Riders – The Ravonettes
Jennifer She Said – Lloyd Cole & The Commotions
Shake Your Rump – Beastie Boys
Parks and Recreation – Emma Pollock
It’s A Gas – The Wedding Present
Hey!Luciani – The Fall
She Bangs The Drums – The Stone Roses
The First Big Weekend of 2016 – Arab Strap

JC