THE MOZ SINGLES (44, 45, 46 & 47)

Morrissey_World_Peace_Album_Art

And so it came to pass that in the year 2014 AD, Steven Patrick Morrissey released four download only singles, all of which would subsequently appear on his critically acclaimed LP World Peace Is None Of Your Business, the tenth studio album of his career.

I’m not all that convinced that it is the memorable return to form that many people have been raving about this past few months. It does have a number of more than decent tunes, but there’s also a few clunkers in there as well, while the marketing ploy of having ‘a deluxe edition with bonus tracks’ was annoying, especially as the inclusion of a number of these tracks on the ‘official’ album would have made it a far stronger record.

The download singles were, in chronological order:-

World Peace Is None of Your Business : released on 13 May and which reached #83 in the Uk singles chart

Istanbul : released on 20 May

Earth Is the Loneliest Planet : released on 3 June

The Bullfighter Dies : released on 17 June

Each of them came with a music video consisting of a spoken word performance which was a neat twist. I had planned to provide links to said videos but they’re not available anywhere, innocent victims of the spat which broke out between the singer and Harvest Records in respect of the (non) promotion of the new album.  Here’s what Morrissey said about it in an open letter:-

PLEASE CLOSE THE DOOR BEHIND ME: Morrissey statement

In response to 77 million questions I can only say this much on the subject of the Harvest drama. It is quite true that Harvest initially appeared like a saintly beacon of light, and they instantly packed us off to France where we recorded World peace is none of your business. The universe was back in balance, and we all considered this to be the very best Morrissey recording ever, and even the boo-hoo-suck-it-off elements of the press appeared to want to agree. At last I am born.

It all seemed too good to be true. It was. I believed that the rich soil of the album had several strong hit singles. Frayed tempers began when Harvest arranged the ‘spoken word’ films, none of which gave any clue as to what World peace is none of your business intended to be, or is. The films were OK, but they went nowhere and stayed there.

With every nerve alert, we pushed the label for a proper video for Istanbul to precede the album, not least of all because a single ahead of the album release might inch the album to a higher chart position. The label backed off, even though Istanbul received 55 radio plays in just seven days on a major US station. Instead, the label requested a fifth spoken-word film, which naturally had me fumbling around for an axe: no independent thought required. The UK label, meanwhile, created a quite fantastic television advertisement to transmit during the week ahead of the album release. I could taste excitement once again. The TV ad never appeared and my hackles bristled as my bristles heckled. The label responded with frosty aloofness, and I suddenly realized that we were not, after all, of the same species. I ploughed into them insisting upon “proper band videos, where the band play and I sing” – an evidently confusing concept that required seven weeks of explanation, detailed graphs and several drawn up maps.

The label suggested I come to Los Angeles and read passages from Autobiography in front of selected audiences. As frightening as that idea was, I hung on, desperate to believe that Harvest were not as cheap as they now looked. I hope to finish this statement whilst I’m still clean-shaven, so I will jump to the final curtain: during the weeks of the album release, the label were minus one single structural idea, and it appeared evident that each member of the team was acting in separate rooms without doors or windows. Mutual mistrust exploded between Harvest and I, and with fashionable pessimism, the label boss yawned and ordered the surface smartness of dropping World peace is none of your business three weeks after its release. There, now! This would not have happened to the Teletubbies.

Sorrily botched the project may now be, but it’s worth it to get Morrissey out of our Inbox. Yes, I can be intensely persistent, and I certainly have an over-active fantasy-life, but the Harvest experience tells us that despite the blinding flash of teeth and smiles, it doesn’t take much for the coin to flip and suddenly we’re all compromised and shattered. All you need to do is disagree with the vanity of the label boss and your beheading will be slotted in between bottles of the most average champagne on the market. Just one weak-chinned drone can assert the fist of injustice and all of our efforts are flushed away. And thus … they were.

I might be wrong, but I think World peace is none of your business will instantly disappear from iTunes and record stores and every download-upload-offload outlet on the planet, because Harvest technically have no right to sell it.

Most of the Harvest team are very nice, and I sincerely thank them for trying and caring so much – even if their promotional duties were fully undertaken by the Morrissey audience themselves, whose You Tube videos for World peace is none of your business fully provide the art that the label could not muster. The listeners instantly understood how entertainment could also be art.

Staggeringly, I still believe that there’s a label out there with my name on it, and one that will issue World peace is none of your business, and afford it the respect it deserves.

Thanks for reading this (rashly assuming that you have), and thanks once again to the Harvesters who tried.

We are boot-camp ready for Lisbon in October, so with the will of many gods, hopefully at least 38 of you will turn up.

MORRISSEY
20 August 2014

He was right – the album was removed from i-tunes and the various download outlets.

Given that there was meant to be a ‘proper’ release of a new 45, it seems fair to feature it today:-

mp3 : Morrissey – Istanbul

The final part of this series will appear next week after which I’ve a plan for a new Sunday feature. Stay tuned.

SATURDAY’S SCOTTISH SINGLE (Part 125)

R-576876-1174041040.jpeg

This particular 45 came out on Factory Records back in 1991. I had completely forgotten about it and indeed the fact that The Wendys were a Scottish band until I was checking on something for what will be #126 in the series and spotted that this lot were originally from Edinburgh.  Listened again for the first time in aaaaaaagggggggeeeeeessss and quite enjoyed it although the instrumental b-side hasn’t dated all that well.

Formed in Edinburgh in 1987, they were the second Scottish band to be signed to Factory Records.  As an unsigned band they gained a support slot with Happy Mondays and on the back of the shows were encouraged to send a demo to messrs Wilson & co. It was a short-lived career, consisting of two singles, an EP and an album called Gobbledygook that was produced by Ian Broudie, with the label running into severe financial difficulties which ultimately led to its demise in November 1992. The Wendys disappeared off the radar for a long time, coming back in 1999 to release a second LP, many of the featured songs dateing back to work that had been aborted when Factory went down the tubes.

In 2012, the band reformed for a one-off gig, in Glasgow, to commemorate a re-release of Gobbleydegook.

mp3 : The Wendys – Pulling My Fingers Off
mp3 : The Wendys – I Feel Slowly

Enjoy

1978 – 1990 ON VINYL (Part 4)

5239242_81798fa5f8_o

Completing the look back to 1978 – 1990, a 2 x LP compilation from The Go-Betweens released just after they had initially broken up.  Sides 1 and 2 were more or  a ‘Greatest Near Hits’ comprising flop singles and some of the best-loved album tracks (and can be found in postings earlier this week)

Sides 3 and 4 however, are a bit different consisting of some rarities, radio sessions and previously unreleased tracks and is what made the purchase of the record so essential back in the day.  Side 4 was curated entirely by Grant McLellan and he supplies the liner notes.

Side 4

1. Dusty In Here

This song is about my father who died when I was four.

(Recorded in October 1982 in Eastbourne, England. Originally released on the LP Before Hollywood in May 1983 on Rough Trade)

2. A King In Mirrors

Emmylou Harris meets The Velvet Underground. I sang this is a French toilet during the Spring Hill Fair sessions but I prefer this earlier version. It’s spookier and more languid. I’m very happy with the lyric.

(Recorded in December 1983 in London and broadcast on 5 January 1984 on the David Jensen Show on BBC Radio 1)

3. Second-Hand Furniture

I had a dream about a divorced man who looked into a shop window and saw his old bed. I think it was snowing. The catalogue of objects was an ad lib. For some reason this song is popular in Stockholm.

(Recorded in October 1984 in London and broadcast on 29 October 1984 on the John Peel Show on BBC Radio 1)

4. This Girl, Black Girl

There was an annual event in north Queensland country life called the Oak Park Races. People came together to race their horses and to congratulate each other on a good year or to console each other if it has been a bad one.  I had just returned from a trip which included a recording session in Scotland, a close shave in Egypt and a six-week hangover in New York. I found myself in a tent three hundred miles from the nearest bookshop. My relatives asked me to play the guitar for them but I knew it was impossible to dance the gypsy tap to “I Need Two Heads” so I wrote this song.

(Recorded in August 1983 in Sussex, England.  in Brisbane.  Originally released in November 1983   as the b-side to on the 7″ only release of Man O’ Sand to Girl O’ Sea. It’s also, indirectly, the song that led to me starting up a blog, the original TVV, back in September 2006)

5. Don’t Call Me Gone

I’ve always liked country music. This is a typical mix of pathos and sentimentality in the tradition of George Jones and Tammy Wynette. It comes close to pastiche but The Go-Betweens seldom genre hop so this is what it is.

(Recorded in January 1987 in London.  Originally released in November 1983  as a bonus track on the 12″ release of Right Here)

6. Mexican Postcard

This is a super 8 film about a country I have never been to. For further reference listen to the soundtrack for “Pat Garrett & Billy the Kid”.

(Recorded in August 1988 in London. Originally released in October 1988 as a bonus track on the 12″ release of Was There Anything I Can Do?)

7.  You Won’t Find It Again

This is an acoustic version of a song that never made it onto “16 Lovers Lane”. It was a great summer and you could see the Sydney Opera House from the window. It was also only twenty minutes walk to Bronte Beach.

(Recorded in January 1988 in Sydney. Previously unreleased)

Just click on the song titles to get the mp3s.

Hope you’ve enjoyed the past four days.  I have.

1978 – 1990 ON VINYL (Part 3)

5239260_20624cc37e_o

Continuing the look back to 1978 – 1990, a 2 x LP compilation from The Go-Betweens released just after they had initially broken up.  Sides 1 and 2 were more or  a ‘Greatest Near Hits’ comprising flop singles and some of the best-loved album tracks (and can be found in postings over the past two days)

Sides 3 and 4 however, are a bit different consisting of some rarities, radio sessions and previously unreleased tracks and is what made the purchase of the record so essential back in the day.  Side 3 was curated entirely by Robert Forster and he supplies the liner notes.

Side 3

1. 8 Pictures

Christmas 1978. The family are all around the tree and gifts are being given out. My brother has bought me the fourth Velvet Underground album “Loaded”. I’m walking around the house with the ugliest guitar in the world – a black Ibanez Les Paul that I wrote far too many good songs on, one of them being 8 Pictures.

(Recorded in July 1981 in Melbourne. Originally released on the LP Send Me A Lullaby in February 1982 on Missing Link Records)

2. I Need Two Heads

Grant and I leave Brisbane in late 1979 for London, then Paris, then London , then Glasgow where we record this song for Postcard. I wrote one song on the first six months of 1980. This.

(Recorded in April 1980  in Castle Sound Studios in Pencaitland, Scotland. Originally released as a single in June 1980 on Postcard Records – and for nearly 20 years was the only version of the song I had until I found a mint copy of the 45 going very cheap on e-bay – changed days now that vinyl is back in fashion)

3. When People Are Dead

I wish I’d written this two months earlier so it could have been included on “Tallulah”. The words are by Marion Stout, an Irish poet I met in London. The band sounds absolutely great.

(Recorded in January 1987 in London. Originally released in February 1987  as the b-side on the 7″ and 12″ release of Right Here)

4. The Sound of Rain

We were living in this house by the Brisbane river that had a very thin roof (or the rain was harder that year). This is a very pretty, soft tune about crossing that river and killing a girl in the West End.

(Recorded in November 1978 in Brisbane.  Raindrop guitar by Peter Milton Walsh and drums by Tim Mustafa.  Previously unreleased)

5. People Say

A classic 24 carat. An old school friend of mine is on piano and hammond organ. We were going for that ‘wild mercury sound’. Sometimes I think that this is the best song I’ve ever written.

(Organ and piano by Mal Kelly. Recorded in May 1979 in Brisbane. and originally released as a single the same month on The Able Label)

6. World Weary

Recorded in Sydney 1981 as a b-side to “Your Turn, My Turn”. Our first session with Melbourne engineering genius Tony Cohen. I have no idea what the song is about.

(Recorded in April 1981 in Sydney. Originally released a b-side in July 1981 on Missing Link Records. It’s just over 90 seconds long…..)

7.  Rock and Roll Friend

Self-pity is a beautiful well to repeatedly dip in and find more reasons not to live, more reasons not to cheer. And the well is an illusion until the well runs dry and then you’re ready for another song.

(Recorded in August 1988 in London. Originally released in October 1988  as the b-side to on the 7″ and 12″ release of Was There Anything I Could Do?  Robert would later re-record the song for inclusion on his solo LP Warm Nights, released in 1996.)

Just click on the song titles to get the mp3s.

Enjoy – Part 4 will wrap up the series tomorrow

1978 – 1990 ON VINYL (Part 2)

R-503102-1221991438.jpeg

As I mentioned yesterday, Domino Records are about to release G Stands For Go-Betweens – Volume One. which is a very thorough look back of the band’s output from 1978 through to 1984.

I’m giving it a bodyswerve as I can’t really justify the price tag of £120 but it has inspired me to feature all of 1978 – 1990, a compilation which looked back at the band just after they had initially broken up. Here in the UK, it came out on a single CD with 22 tracks and a double album with 28 tracks.

Today it is the turn of Side 2 which is again more or less a ‘Greatest Near Hits’ comprising flop singles and some of the best-loved album tracks, this time from 85-88.

Side 2

1. The Wrong Road

We lived in London for almost six years. I shared a dark flat with a painter and then a comedian. The painter was obsessed with grey. The comedian loved Tommy Cooper. This song fits somewhere between these two things – GM

(Recorded in November 1985 in London. Originally released on the LP Liberty Belle and the Black Diamond Express in March 1986 on Beggars Banquet)

2. The Clarke Sisters

Old friends of mine originally friends of my mothers. They adopted me as some lost son. I spent many afternoons in their splendid company. They had a magnificent house that sadly was pilfered by antique dealers in their last years – RF

(Recorded in January 1987  in London. Originally released on the LP Tallulah in June 1987 on Beggars Banquet)

3. Right Here

Two friends of mine once worked in a funeral parlour. Constant exposure to the chemicals used in the preparation of the bodies turned them into addicts. I thought this would be a good subject to write about in a pop song. My friends heard it, and I’m happy to say, are no longer working for the Ministry of the Dead – GM

(Recorded in December 1986 in London. Originally released on the LP Tallulah)

4. Bye Bye Pride

Cairns is a lazy, small town full of boats and cane fields. It is also unbearably hot. An old army officer once said to me that the heat took away his pride. He then sucked loudly on the straw in his gin and headed out to the first hole.  I was his caddy so I followed him – GM

(Recorded in January 1987  in London. Originally appeared on Tallulah but released as a single later on in August 1987)

5. The House That Jack Kerouac Built

My Irish phase. Unfortunately I’d been in London long enough to be on the edge of a truly appalling crowd of people. Bad bands, theft, sad energy and general devil-may-care attitudes that amount to nothing. I left them early and then in November 1987 we left London for Sydney – RF

(Recorded in January 1987 in London. Originally released on the LP Tallulah)

6. Streets Of Your Town

A pop song. A song written with car stereos in mind. Amanda doesn’t like the backing vocals. She says she sounds too Jane Birkin. I love them. I also love the guitar break by John Wilsteed. The BBC would only play this on sunny days – GM

(Recorded in May 1988 in Sydney. Originally released a single in July 1988 on Beggars Banquet and included on the LP 16 Lovers Lane one month later)

7.  Love Is A Sign

There is a museum on the outskirts of Oslo that holds much of the best work of the Norwegian artist Edvard Munch. We were touring there in 1987. A married couple asked me if I would like to visit the museum. I went with them, got inspired and wrote this songs in the backseat of their car as we drove back to Oslo. I played it to them in my hotel room. The man smile. The woman said it sounded like a Blood on the Tracks out-take. They were a great couple – RF

(Recorded in May 1988 in Sydney. Originally released on the LP 16 Lovers Lane in August 1988 on Beggars Banquet)

Just click on the song titles to get the mp3s.

Enjoy – Parts 3 and 4 are on their way

LOOK WHO’S BACK……

adidas_feet_ABTFK

His first words for a very long time:-

It’s been a good wee while since I last visited these familiar lands – some eighteen months or so – and whilst I could offer several (rather poor) excuses I won’t even bother. Instead, I’ll just present my annual ‘best of’ compilation (for both 2013 and 2014) and hope that makes up for being so absent. I hope to be around this pixel geography a bit more during 2015 but, aye, no promises I’m afraid. I’m still as obsessed as I once was with all things music; especially going to gigs and buying vinyl. Life just sometimes gets in the way of translating that into words about music. I’m sure you all know how that can be. Keep well and see you down the road.x

http://andbeforethefirstkiss.blogspot.co.uk/2014/12/you-just-wanna-tick-some-boxes.html

Welcome back Comrade. Your many fans will be delighted and hope that you stay good on the idea of posting a bit more in 2015. Seems apt that you’ve returned just as I’m in the middle of a series on the band which did more than any other to forge our much valued friendship.

This one’s for you:-

mp3 : Robert Forster – Rock n Roll Friend

1978 – 1990 ON VINYL (Part 1)

R-1408442-1313415773.jpeg

Later this month Domino Records will be releasing a tremendous artefact called G Stands For Go-Betweens – Volume One. Containing four vinyl albums, four CDs and a 112-page book complete with liner notes and guest essays, it captures the band’s output from 1978 through to 1984. The vinyl consists of the first three studio LPs plus a specially compiled record entitled The First Five Singles while the CDs contain rare, hard-to-find and unreleased demos, recordings, radio sessions and a live gig. There’s also a few other things thrown in such as prints, posters and a reproduction of a 1978 press release while the first 600 folk to order through the record label will receive a randomly selected book from the late Grant McLennan‘s personal collection with a bookmark signed by Robert Forster (from now on referred to in this post as GM and RF)

It really is an enticing package but it comes with a hefty price of £120…and no doubt the same again for Volumes 2 and 3 for the later stages of the band’s career. And so with a heavy heart, I’ve passed on the chance to purchase. I’ll regret it in times to come but other than the majority of tracks on the CDs there would be nothing I don’t already own and I’d be shelling out for what would quickly become a lovely ornament.

I’m sure also that I will own some of the tracks coming onto the CDs thanks to my purchase some 25 years ago of 1978 – 1990, a compilation which looked back at the band just after they had initially broken up. Here in the UK, it came out on a single CD with 22 tracks and a double album with 28 tracks. It’s the latter which sits in my collection and which I’ve dug out for a bumper posting over the next four days.

It’s a really neatly packaged record. Sides 1 and 2 are more or less a ‘Greatest Near Hits’ comprising flop singles and some of the best-loved album tracks. Sides 3 and 4 contain some rarities, radio sessions and what had been previously unreleased tracks….and there were liner notes from the band’s two front men. In essence, it was an affordable prototype of the Domino Records release….

Side 1

1. Karen

Nineteen Years old, depressed, nervous and probably distrustful. I wrote this, Lee Remick and 8 Pictures in what seemed like a month, after making the decision not to write about Universal Themes but about my feelings in the bedroom, Brisbane, driving my car and anything from overheard conversations – RF

(Recorded in May 1978 in Brisbane. Originally released as a single that month on the Able Label in Australia. The sleevenotes add ‘apologies for crackles on this track as it had to be dubbed from a disc)

2. Hammer the Hammer

Too many late nights in St Kilda, Melbourne. An incomplete meditation on loneliness and violence, sometimes mistakenly thought to be about drugs. Recorded during a lull in The Birthday Party’s “Junkyard” session. This was the last song we cut in Australia before moving to England – GM

(Recorded in January 1982 in Melbourne. Originally released as a single in July 1982 on Rough Trade)

3. Cattle and Cane

Written in summer on a borrowed guitar in a Paddington bedroom, London. The other rooms were occupied by unconscious friends. The rhythm struck me as strange, the mood as beautiful and sad. The song came easily, was recorded quickly and still haunts me – GM

(Recorded in October 1982 in Eastbourne, England. This version was released as a single in February 1983 on Rough Trade with the LP version, with a slightly extended intro, appearing on Before Hollywood, released in May 1983)

4. Man O’ Sand To Girl O’ Sea

In rock’n’ roll terms The Go-Betweens always take the checkered flag. This road running slice of beauty and mayhem – I can distinctly remember turning to the band and saying “let’s burn this land”. And by Jesus we did – RF

(Recorded in August 1983 in Sussex. This version was released a single in November 1983 on Rough Trade with the completely different LP version appearing on Spring Hill Fair, released in September 1984)

5. Bachelor Kisses

We came back from Christmas in New York having lost our record company somewhere along the way. I wrote this in Immigration having been refused entry to the United Kingdom. The first person who heard it was my sister. She said that Marianne Faithful should sing it – GM

(Recorded in July 1984 in London. Originally appeared on Spring Hill Fair but released as a single later on in November 1984)

6. Draining The Pool For You

I wrote this melody in ten minutes in a London Hotel while waiting for Lindy Morrison to put on her lipstick. The lyric takes place in either Sydney or L.A. – a big mansion, an idiot movie star, luxury parties and the only intelligent, talented person there being me and I’m the hired help cleaning this guy’s pool – RF

(Recorded in May 1984 at Studio Mirival, France. Originally appeared on Spring Hill Fair)

7.  Spring Rain

London, summer 1985. This seems a rough description of me around the time I started writing songs. There’s some Creedence Clearwater Revival in here – RF

(Recorded in November 1985 in London. Originally released a single in February 1986 on Beggars Banquet and included on the LP Liberty Belle and the Black Diamond Express one month later)

Oh….you just need to click on the song titles to get the mp3s.

Enjoy – more to follow the rest of this week

A GRAND TOTAL OF 9 SINGLES….

R-871784-1394048457-2144.jpeg

This is some of what Bill Drummond wrote in August 1990 when The Zoo – Uncaged 1978-1982 was released finally bringing together all the various singles and most of the b-sides:-

We had one room up some dark, dirty stairs. We paid six pounds a week rent. We had one phone and an answer machine which we played all our cassettes on. We believed albums were the downfall of GREAT POP MUSIC. Although The Beatles were the greatest group ever, “Sergeant Pepper’s Lonely Hearts Club Band” was a disastrous wrong turn that pop music is yet to recover from.

Big In Japan were a group that I and David (Balfe) had been in. It split in August 1978 and we put out the band’s demos as our first release. We were seem to be ripping off other ex-members. From that point in we were deemed unethical, underhand and undeserved of the ‘premier Liverpool independent label’ reputattion that grew around us.

Other than Expelaires, which was the only other Zoo record not to sell, we made the descision to get involved with a group based on their choice of name alone. We had no idea what sort of nusic Echo & The Bunnymen played before we went in to make their first records.

We fought and quarrelled with the bands, memebers got sacked and others brought in. We drove around the country in David’s Dad’s car with boxes of records, sleeving them and selling them. There was no independent distribution network in 1979.

Due to a lack of finances we signed The Bunnymen and The Teardrops to major labels and took on the role of managers, something we had no idea about. Our plans for the future were to build giant pyramids out of ice, travel space and make movies. We believed The Teardrops and The Bunnymen were the new Beatles and Stones – We were wrong, nothing is ever the new anything.

We burnt out.

But the last single on the label was the greatest.

I thought it would be an idea to kick off 2015 with each of the nine singles in turn:-

Cage 001

R-346575-1283264163.jpegR-346575-1283264223.jpegR-346575-1283264327.jpegR-346575-1283264358.jpeg

mp3 : Big In Japan – Nothing Special
mp3 : Big In Japan – Cindy and The Barbi Dolls
mp3 : Big In Japan – Suicide A Go Go
mp3 : Big In Japan – Taxi

Cage 002

R-1998856-1259272531.jpegR-1998856-1259272546.jpegR-1998856-1259272592.jpegR-1998856-1259272603.jpeg

mp3 : Those Naughty Lumps – Iggy Pop’s Jacket
mp3 : Those Naughty Lumps – Pure and Innocent

Cage 003

R-3493595-1332601699.jpegR-4257253-1377692903-4445.jpeg

mp3 : The Teardrop Explodes – Sleeping Gas
mp3 : The Teardrop Explodes – Camera Camera
mp3 : The Teardrop Explodes – Kirkby Workers Dream Fades

Cage 004

R-4673633-1390091254-3586.jpegR-4673633-1390091282-1860.jpegR-4673633-1390091296-2506.jpegR-4673633-1390091316-9742.jpeg

mp3 : Echo & The Bunnymen – The Pictures On My Wall
mp3 : Echo & The Bunnymen – Read It In Books

Cage 005

R-495904-1314454387.jpegR-495904-1314454402.jpeg

mp3 : The Teardrop Explodes – Bouncing Babies
mp3 : The Teardrop Explodes – All I Am Is Loving You

Cage 006

R-2339033-1298036946.jpegR-2339033-1298037200.jpegR-2339033-1298037240.jpegR-2339033-1298037220.jpeg

mp3 : Lori & The Chamelons – Touch
mp3 : Lori & The Chamelons – Love On The Ganges

Cage 007

R-195304-1163734071.jpegR-195304-1163734118.jpegR-195304-1163734173.jpeg R-195304-1163734225.jpeg

mp3 : Expelaires – To See You
mp3 : Expelaires – Frequency

Cage 008

R-495690-1125304292.jpg R-495690-1171212520.jpegR-495690-1171212541.jpegR-495690-1171212560.jpeg

mp3 : The Teardrop Explodes – Treason (It’s Just A Story)
mp3 : The Teardrop Explodes – Read It In Books

Cage 009

R-195318-1252835514.jpegR-195318-1252835539.jpegR-195318-1252835827.jpegR-195318-1252835834.jpeg

mp3 : The Wild Swans – Revolutionary Spirit
mp3 : The Wild Swans – God Forbid

The last of these singles was on 12″ vinyl while the rest were all 7″. And Bill D is of course spot-on in his assessment that Cage 009 was the greatest of the lot. (I know my dear friend Dirk from Sexy Loser thinks so…..)

Happy New Year Folks

SATURDAY’S SCOTTISH SINGLE (Part 124)

R-1740475-1240326190.jpeg

From All Music:-

Half bracing post-punk and half tuneful indie pop, Glasgow’s We Were Promised Jetpacks feature vocalist/guitarist Adam Thompson, guitarist Michael Palmer, bassist Sean Smith, and drummer Darren Lackie. The group formed while the four were still attending an Edinburgh high school, where they won a battle of the bands contest with their very first gig. After graduation, the band relocated to Glasgow, and their sound matured as well, moving from simple song structures and clean guitars to a more ambitious, anthemic approach. They were also inspired by The Twilight Sad and Frightened Rabbit, and these influences could be heard on the three-song demo the band recorded, which received airplay on BBC, XFM, and Q Radio in the U.K., and KEXP in the States.

In 2008, We Were Promised Jetpacks toured as Frightened Rabbit’s opening act; that year, they were signed by Fat Cat Records (also home to both Frightened Rabbit and the Twilight Sad). In 2009, two singles, Quiet Little Voices and Roll Up Your Sleeves, preceeded their full-length These Four Walls.

They followed up the next year with the EP The Last Place You’ll Look, which featured some unreleased tracks and more orchestral rearrangements of some of the songs from their previous album.

In 2011, the band returned with another full-length effort, the more driving In the Pit of the Stomach. While they toured in support of the album, they recorded E Rey: Live in Philadelphia, a live album named after the band’s tour manager that was released in early 2014. During that time they also recorded their third album, Unravelling, with producer Paul Savage, which arrived in October 2014. Shortly before the album’s release, multi-instrumentalist Stuart McGachan joined as the band’s fifth member.

As you might imagine, I’ve seen We Were Promised Jetpacks a fair few times – particularly when they were very busy establishing a name for themselves back in 2008 and 2009, and they rarely disappointed. They’ve sort of disappeared off my personal radar in recent times although just over a year ago they played a great set in support of The Twilight Sad at the Barrowlands. I notice that they are playing in King Tut’s next month and there’s a fair chance that I’ll head along and give the new material a try. In the meantime, here’s the debut single:-

mp3 : We Were Promised Jetpacks – Quiet Little Voices
mp3 : We Were Promised Jetpacks – Let’s Call This A Map

Enjoy

A LOOK BACK AT SEPTEMBER 2011 : PAUL HAIG

From 26 September 2011

 

2810054729_0910ebd382

Personal circumstances prevented me trying to organise Paul Haig Day III back in April.

I’m quite sorry about that as Days I and II on 6 April 2009 and 2010 respectively were by far the most exciting days I’ve had as a blogger as folk the world over used their spaces on the interwebby thing to post a track featuring the very talented Paul Haig, whether it was from his early career with Josef K, his solo career or his collaborations with other musicians including the late and great Billy Mackenzie.

I couldn’t possibly let the run up to the 5th Birthday of TVV to go past without featuring Paul Haig.

For PHD III my own contribution would have the posting of an entire LP from back in 1988, one that has a few rare tracks and different mixes.   And here it is.  The 12 tracks which make ip the vinyl version of European Sun – Archive Collection 1982-1987.

After each mp3. there’s a short description of each song as described on notes on the back of the sleeve:-

mp3 : Paul Haig – Running Away
7″ version of the first solo single, recorded in Brussels 1982. Written by Sly Stone, produced by Paul Haig

mp3 : Paul Haig – Chance
Short version of B-side from Heaven Help You Now. Written and produced by Paul Haig

mp3 : Paul Haig – Justice
Unreleased 7″ version, recorded Summer 1982. Written and produced by Paul Haig

mp3 : Paul Haig – Swinging For You
Unreleased 7″ version, recorded in Brussels 1987. Written and produced by Paul Haig (A different version would appear on the 1989 LP Chain)

mp3 : Paul Haig – Shining Hour
From the unreleased second solo album, November 1984. Written by Paul Haig. Produced by Alan Rankine

mp3 : Paul Haig – Fear And Dancing
From the unreleased second solo album, November 1984. Written by Paul Haig. Produced by Alan Rankine

mp3 : Paul Haig – Psycho San Jose
Spaghetti Western home recording, Summer 1987. Written and produced by Paul Haig (on 8 track)

mp3 : Paul Haig – Ghost Rider
cover version of Suicide’s road classic, with help from Malcolm Ross and David McClymont in December 1983, with Paul Haig and Alan Rankine co-producing. B-side of Big Blue World 12″ single.

mp3 : Paul Haig – Torchomatic
12″ single, recorded in Brussels in 1987. Written and produced by Paul Haig

mp3 : Paul Haig – Endless Song
b-side of Big Blue World 12″ single. Written by Paul Haig and co-produced by him and Alan Rankine

mp3 : Paul Haig – Closer Now
outtake from 1985 LP The Warp Of Pure Fun. Written by Paul Haig and co-produced by him and Alan Rankine

mp3 : Paul Haig – The Executioner
collaboration between Paul Haig and Cabaret Voltaire. Recorded in 1984 but never released. Produced bu Paul Haig, Richard Kirk and Stephen Mallinder

Now I will be the first to admit that a number of these tracks aren’t up there in terms of the best Paul Haig has ever recorded, but the whole point of originally starting up TVV was to make available songs which might otherwise be hard to obtain (I know…..it’s changed a lot since the early days). But today’s posting is intended to be in the spirit of those distant pioneering days when nobody cared or visited…….
Happy Listening

A LOOK BACK AT SEPTEMBER 2011 : BILLY BRAGG

From Monday 5th September 2011

She's Got A New Spell

In 1988, you weren’t supposed to pay anymore than 99p for this 7″ single:-

mp3 : Billy Bragg – She’s Got A New Spell
mp3 : Billy Bragg – Must I Paint You A Picture (extended version)

In 2011, I paid £1.50 which I don’t think is too bad. The single and sleeve are both in very good condition.

The thing is, I had no reason to buy it other than I could and I wanted to. The A-side is no different to the version found on Worker’s Playtime, while the extended b-side I have from buying both Billy Bragg box sets a few years back.  But the fact of the matter is that this blog-writing malarkey has re-ignited a passion for vinyl.

I had a fair collection back in 2006…and while I haven’t added all that much in the way of LPs, the number of 7″ and 12″ singles has grown enormously. As I said back in a very early posting that one of the ideas behind the blog was to try to make available some otherwise unavailable bits of music – stuff long out of print or never released on CD, and still I go round all sorts of places looking for bits of vinyl….not necessarily featuring songs you can’t get anywhere, but simply because I like them and wished I had bought the bit of plastic back in the day (or else re-purchasing it to replace something lost or stolen).

One of the other things I’ve tried to consistently do is offer other less-known recordings of the songs in the hope someone might find something new to enjoy or perhaps pick up something they might have been looking for. Not sure if this falls into either category, but I think it’s worth a listen:-

mp3 : Billy Bragg & The Blokes – Must I Paint You A Picture

This is taken from a CD  picked up quite a while back now at one of Billy’s tours which features 12 songs (10 of them Woody Guthrie tracks from the Mermaid Avenue project plus two 2 of Billy’s original songs). As you can hear, this is a live performance….a simply beautiful rendition made ultra-special by the incredible skills of Ian McLagan on the Hammond organ……

Wipe away those tears now…..