WHEN THE CLOCKS STRUCK THIRTEEN (July Pt 2)

Congratulations to those of you who tolerated the chart offerings from July 1984 via the post from a couple of weeks back.   Surely those 45s issued via the indie labels and who distribution methods/lack of daytime airplay were the biggest factors in them not hitting the Top 75 would prove to be a bit more palatable. Surely……..

In June 1983, Lawrence Hayward (aka Felt) had released Penelope Tree, a gloriously catchy piece of indie-pop which, if the world was a fair and just place, would have been a huge hit. The opening lines of Penelope Tree were:-

I didn’t want the world to know
That sunlight bathed the golden glow

Just over a year later, the new single from Felt opened with these lines:-

You’re trying to fool somebody
But you end up fooling yourself

Methinks Lawrence was, despite his claims of never really wanting to be a pop star, was getting a tad frustrated:-

mp3: Felt – Sunlight Bathed The Golden Glow

Moving along quickly to another song which takes me back to that particular summer

mp3: The Go-Betweens – Part Company

Having, the previous year, come to the attention of the UK indie cognoscenti via Rough Trade Records, our wizards from Oz were signed by Sire Records and thanks to the snippets of news via the music papers, we learned they had headed off to France to record what would be their third studio album, Spring Hill Fair, from which Part Company was the lead single.  It’s one on which Robert Forster takes the lead vocal, and musically there is a hint of the slower numbers that Johnny Marr was writing for The Smiths.  Another that should’ve been a hit, but like every other 45 released by the band, it failed to trouble the charts.

mp3: The Jazz Butcher – Roadrunner

I’ll confess not to knowing that this rather frantic and fabulous cover version had been released in July 1984….it was many many many years later (via a blog in the 21st century) did I learn that Pat Fish et al. had taken Jonathan Richman‘s signature tune and made into something that sounded like one of their own.

mp3: Shriekback – Hand On My Heart

The mid 80s was a time when white-boy funk was a bit of a ‘thing’ (and Glasgow had more than its fair share of would-be bands).  Shriekback had formed in 1982, with Barry Andrews (ex XTC) and Dave Allen (ex Gang of Four) being joined on vocals by Carl Marsh.  By 1984, they were signed to a major label – Arista Records – and given a bit of a makeover with the addition of female backing vocals in an attempt to create a really radio-friendly sound.  Debut single for the label, Hand on My Heart flopped. As indeed would the subsequent singles and two albums, Mercy Dash (Sep 84) and Oil and Gold (June 85).

It wasn’t just white-boy funk, mind you:-

mp3: Sunset Gun – Be Thankful For What You’ve Got

As mentioned previously on the blog, Sunset Gun were a Glasgow trio, made of up sisters Dee and Louise Rutkowski, and Ross Campbell. The Rutkowski sisters were a huge part of the Glasgow music scene in the early 80s, having been part of Jazzateers, the group that would in due course evolve into Bourgie Bourgie.

The demos recorded by Sunset Gun created a bit of a buzz, with a number of labels looking to sign the group, and in the end it was CBS that won the bidding war. The trio went into a studio with Alan Rankine (ex Associates) in the producer’s chair, and the debut single was a cover of the 1974 hit written and recorded by William DeVaughn, a song later covered by Massive Attack and included on their subsequent debut album in 1991.

Continuing with the theme of debut singles…..

mp3: The Woodentops – Plenty

A band who would influence and delight many in subsequent years without ever getting the sort of commercial success that their fans in the media believed should have been theirs.   I’ve always associated The Woodentops with Rough Trade Records, but this particular 45 was released on the then very new Food Records that had been set up by Dave Balfe, formerly of the Teardrop Explodes.  What a glorious and enduring debut!!!!

 

 

JC

IT REALLY WAS A CRACKING DEBUT SINGLE (71)

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There’s not been any enough jangly pop on this blog in recent times. As an apology for those who have to expect such things round on the little corner of t’internet, here’s a quite magnificent debut 45 that dates back to 1984

mp3: The Woodentops – Plenty

Released on Food Records, it was actually the second single to be released on the then new label that had been founded by David Balfe (ex-The Teardrop Explodes) and which would, a few years later, become the home of Jesus Jones and, later on again, Blur.

Plenty is a wonderfully jaunty single.  It was so good that Geoff Travis immediately made an audacious and successful bid to snatch The Woodentops away to his Rough Trade Empire, which was then riding very high from the hits of The Smiths.

Here’s the other two tracks on the debut 12″, all taken from a copy of the vinyl occupying a spot on the shelves of the large antique storage cupboard in Villain Towers, not too far away from the myriad of singles released by The Wedding Present.

mp3: The Woodentops – Have You Seen The Lights
mp3: The Woodentops – Everybody

The b-sides, and Everybody in particular, give an early indication that they were a cut above most indie bands of the era.

This guest ICA from Strictly Rockers, written back in April 2016, will take the story forward to that point in time.  The Woodentops are still going strong and a UK tour is scheduled for next month.*

*oops on my part.  As Mike from Manic Pop Thrills pointed out, the tour I had looked at on-line at the band’s website actually happened in 2022 and isn’t next month.  Sorry!

JC

AN IMAGINARY COMPILATION ALBUM : #70 : THE WOODENTOPS

A guest posting from strictly rockers.

Woodentops ICA

Potted history:

The Woodentops formed in South London, 1983. Singer/Songwriter and top ‘Top, Rolo had previously played with The Jazz Butcher and The Wild Swans. Their sound was described by the Guardian as ‘a mix of 80’s skiffle, Rockabilly, Bo Diddley riffs played with semi-acoustic guitar and synthesisers’ which just about covers all bases. Their debut single, ‘Plenty’ (1994), on Dave Balfe‘s Food label, earned a ‘single of the week’ from Morrissey and radio plays from John Peel. After moving to Rough Trade, they released seven more singles, and two studio albums including their classic debut ‘Giant’ (1986).

A phenomenal live band, as captured on the ‘Live Hypno Beat’ album (1987), they embraced remix and dance culture many years before any of their contemporaries. They played the main stage at Glastonbury, the 1985 Miner’s Benefit in Brixton with Aztec Camera, Everything But The Girl and Orange Juice, a 1992 CND benefit with Big Audio Dynamite, collaborated with On-U Soundsystem, and supported both Prince and David Bowie.

The second studio album, ‘Wooden Foot Cops On The Highway’ (1988), was christened during an unplanned jam session with Lee Perry having mistakenly been dropped at their rehearsal space.

http://woodentopsmusic.com/wtmusic.html

‘Why Why Why’ was belatedly picked up by DJ Alfredo in Ibiza, spawning remixes, covers and interest in the UK from UK DJs Oakenfold, Weatherall and Rampling. In 1991, The Woodentops headlined their own club night at the Empire in London’s Leicester Square, just two months after Primal Scream‘s Screamadelica club launch at the same venue. The all-nighter featured support DJs and an expanded Woodentops line-up including Tackhead‘s Skip MacDonald was captured on the long form video ‘Smokin’ the Empire’. The eagle-eyed will see the 23-year-old me, gurning top right at about 29′ 34″.

After Rough Trade went into receivership in 1991, The Woodentops self-released three minimal white label 12″s. The band disbanded and Rolo concentrated on more studio-based projects such as Pluto and Dogs Deluxe.

2006 saw the live return of The Woodentops. They released the comprehensive, career-spanning 3CD ‘Before, During, After’ and a new studio album, ‘Granular Tales’ through Cherry Red (both 2013), and are currently touring, including 21 April at the iconic 100 Club. See you down the front!.

http://woodentopsmusic.com/

All the Woodentops record sleeves feature the beautiful visuals of Panni (Charrington) Bharti. Primitive, organic and instantly recognisable, her artwork is the perfect visual representation of the band and has grown and evolved alongside the music.

http://www.pannibharti.com/

The gratuitous Julian Cope link:

Rolo once unsuccessfully auditioned for the Teardrop Explodes and, when supporting Cope on his first solo tour, fuelled the infamous ‘Reynard’ belly-slashing incident by ‘out-performing’ the Archdrude on stage.

And now, to the music…

Timber: An Imaginary Woodentops Compilation Album for The (New) Vinyl Villain

Side One:

1) Plenty (Single, Food 1984)

Debut single produced by Dave Balfe. ‘This one fades in gently…’

2) Move Me (Godwin Logie Mix) (Single, Rough Trade 1985)

Produced by Andy Partridge of XTC. The song has an amazing barely restrained rumble. ‘You do it once. Do it twice. Every single time will be twice as nice’

3) Good Thing 12″ (Single, Rough Trade 1986)

Produced by Bob Sargeant. The heart-warming first single off ‘Giant’. ‘Sometime you try harder for me than I try for myself’

4) Why Why Why (Adrian Sherwood Mix) (2×7″ Single, Rough Trade 1986)

Remixed Adrian Sherwood of On-U Sound. The song that spawned many remixes – none that better this though!

5) Well Well Well (From Live Hypno Beat Live, Rough Trade 1986)

From ‘Why Why Why’ to ‘Well Well Well’ – the live version of the 1985 single – hold tight!

Side Two:

6) Stop This Car (Motor Mix) (B-Side of ‘You Make Me Feel’, Rough Trade 1988)

Remixed by Ian Tregoning and Rolo at Yello’s studio in Zurich. A song of two-halves, a bit like the Woodentops career in a song – the first at half speed, the second a full-on, down-hill, no brakes joyride! ‘I said, ‘What’s your sign?’ He said ‘No Parking’’

7) You Make Me Feel (Single, Rough Trade 1988)

Just beautiful. ‘No one makes me feel like you make me feel’

8) Travelling Man 12″ (B-Side of Good Thing 12″, Rough Trade 1986)

‘The’ song about ‘being on the road’. Kicking extended mix. ‘Can’t stop, won’t stop’

9) Tainted World (Kid Batchelor/Frankie Foncett Edit) (12″, Hyperactive Records 1991, credited to ‘The Woodentops vs Bang The Party’)

Bang The Party, Rolo and Ian Tregoning make an underground record. One of three white labels released in the early 1990s.

10) Stay Out Of The Light (From Granular Tales album, Cherry Red 2013)

Originally released as ‘barely-there’ minimal white label (1991), this vocal version was remade for the ‘comeback’ album (2013).

mp3 : The Woodentops – Plenty
mp3 : The Woodentops – Move Me
mp3 : The Woodentops – Good Thing
mp3 : The Woodentops – Why Why Why (remix)
mp3 : The Woodentops – Well Well Well (live)

mp3 : The Woodentops – Stop This Car
mp3 : The Woodentops – You Make Me Feel (remix)
mp3 : The Woodentops – Travelling Man (12″)
mp3 : The Woodentops – Tainted World
mp3 : The Woodentops – Stay Out Of The Light

Enjoy.