WHEN THE CLOCKS STRUCK THIRTEEN (March Pt 3)

This would normally be Part 2 from March 1984, but I did of course, a few weeks back, spread the chart hits across two days worth of posts.

This is the usual half of the series looking at singles which failed to find much popularity with the record-purchasing public, but have proven to be of enough cultural significance to be recalled here on the blog.

mp3 : Crispy Ambulance – Sexus

A Manchester band who signed to Factory Records, albeit the two of their three singles and one album recorded and released between 1981 and 1984 came out on Factory Benelux, the Belgian imprint of the label.  Sexus was issued only on 12″ vinyl and is atypical of the band’s sound…..which many at the time (myself included) thought was too much like a cut-price early Joy Division in the days before Martin Hannett added his box of tricks to the sound. Indeed, lead singer Alan Hempsall stood in for Ian Curtis when he wasn’t well enough to perform the opening numbers of the set at what is now a very infamous gig in Bury on 8 April 1980, which ended in a riot among the audience and the band.

mp3: Danse Society – 2000 Light Years From Home

I’ve mentioned in earlier editions of this series that 1984 was a year in which goth, or variations of the genre, seemed to be everywhere.  Danse Society were from Barnsley, a blue-collar town in the north of England who formed in 1980 and by 1983 had signed with the major label, Arista Records.  The album Heaven Is Waiting, released in December 1983, had gone Top 40, but the subsequent release of this Rolling Stones cover, one which came with a touch of dance, made no impact on the singles chart.

mp3: Felt – Mexican Bandits

Felt may well have been a band, but to all intent and purposes it was the name under which the Birmingham-born Lawrence Hayward recorded and performed (albeit he never used his surname).  Signed to Cherry Red in 1981, there had already been two albums and four singles, all of which were critically acclaimed prior to Mexican Bandits which, like its predecessor 45s, would reach the indie chart but not come close to the mainstream chart.  But this really suited Lawrence who didn’t seem to want fame and all the hassle that comes with it.

mp3: Jasmine Minks – Think!

Originally from Aberdeen in north-east Scotland, the four-piece band relocated to London and signed to Creation Records, becoming a key part of that label’s early output and live scene centred around venues in central London.  Think! was the debut single, with the catalogue number of CRE 004, and it’s a belter.  In a previous mention of this 45, I said that I was waiting on either Edwyn Collins or James Kirk to start singing after that initial 20-second burst of energy.

mp3: Jazz Butcher – Marnie

The late Pat Fish (he passed away in October 2021 at the age of 63) was the one constant factor in the ever-changing line-up of Jazz Butcher.   The first single and album had come out in the Autumn of 1983, and Marnie, issued through the London-based indie Glass Records, was the first of the new material. For more on the life and times of Pat Fish, I’d like to refer you to the Friend of Rachel Worth’s wonderfully written guest ICA from back in March 2108.

mp3: The Pastels – Something Going On

Formed in Glasgow in 1982.  This was the band’s fourth single, but their first for Creation (it had the catalogue number of CRE 005).  Still very much on the go today, and while they have never had any meaningful commercial success, they have long been one of the most important and influential band to emerge from my home city given how much advice and support they have given to others who have come along in the subsequent decades.

mp3: Lou Reed – I Love You Suzanne

Don’t think any background info is required. The sole single issued in support of his thirteenth studio album, New Sensations.

mp3: R.E.M. – So. Central Rain (I’m Sorry)

Don’t think any background info is required. The band’s third ever 45, and the advance single for their second album, Reckoning,   Still sounds immense 40 years on.

mp3: The Pale Fountains – (Don’t Let Your Love) Start A War

See the January edition (Part 2) of this series for the background on The Pale Fountains.   I hope you’ll agree, it’s turning out to be a great month for flop singles……

mp3: The Wake – Talk About The Past

A Glasgow-band who signed to Factory Records.  Probably best known for the fact that Bobby Gillespie was their bassist for a while, he had been involved in the debut album Harmony (1982) and the later single Something Outside (1983).  By the time Talk About The Past (FAC 88) was released, he’d been asked to leave.

Happy listening.

 

JC

SATURDAY’S SCOTTISH SONG : #367: THE WAKE

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It’s a four-for-one deal today.

The alphabetical rundown has reached The Wake.   They’ve been on the blog a couple of times before, but here’s a reminder of the potted and far from complete history.

They were formed in Glasgow in 1981 by Gerard McInulty (aka Caesar), on guitar and vocals, Steven Allen on drums and Joe Donnelly as bassist. Previously Caesar had played with Altered Images, and was responsible for the superb Dead Pop Stars, but he left prior to the band enjoying chart success with Happy Birthday.

The Wake released their first single on their own Scan 45 label, coupling together “On Our Honeymoon” and “Give Up”. This single eventually caught the attention of Rob Gretton, who helped the band sign to Factory Records in 1982 by which time Bobby Gillespie had replaced Donnelly on bass and Carolyn Allen (the drummer’s sister) had joined to play keyboards.

The album Harmony appeared in 1982, followed by a number of singles in ’83 and ’84.  The band toured with New Order in 1983, shortly after which Gillespie was asked to leave in 1983.

It is reckoned by most observers that The Wake’s best recordings came towards the end of their time with Factory, and in particular the album Here Comes Everybody (1985) and then a 4-track EP, Something That No One Else Could Bring (1987).

Copies of that quite excellent EP, which has a catalogue number of FAC 178, are very few and far between on the second-hand market, and as such the asking price has now reached £100.  I’ve not got a copy, but I do have all four tracks in digital form:-

mp3: The Wake – Gruesome Castle
mp3: The Wake – Pale Spectre
mp3: The Wake – Furious Sea
mp3: The Wake – Plastic Flowers

In 1988, disillusioned with the lack of proper promotion and indeed apathy from Factory Records, The Wake left the label and signed to Sarah Records, for whom they released two singles and two LPs, the last being 1994’s Tidal Wave of Hype.  When Sarah shut down in 1995, The Wake effectively dissolved.

Fast-forward to 2009.  The Wake reformed as a two-piece consisting of McInulty and Carolyn Allen and recorded a new album, A Light Far Out, but it wasn’t released till April 2012 on LTM Records In July 2013. Later in the year, The Wake performed at the Indietracks Festival.

JC

IT REALLY WAS A CRACKING DEBUT SINGLE (68)

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I’m able to bring this to you today, thanks to it having been part of the latest series of re-releases by Optic Nerve Recordings, a label specialising in offering up vinyl copies of long-lost or difficult to find singles, of an indie-bent, from the 80s and 90s.

The Wake were formed in Glasgow in 1981 by Gerard McInulty (aka Caesar), on guitar and vocals, Steven Allen on drums and Joe Donnelly as bassist. Previously Caesar had played with Altered Images, and was responsible for the superb Dead Pop Stars, but he left prior to the band enjoying chart success with Happy Birthday.

To begin with, nobody paid much attention to The Wake which led to the trio deciding, in 1982, to record a self-financed debut single on their own label, Scan 45 for which they roped in a friend, Robert Gillespie, to play on keyboards.

mp3: The Wake – On Our Honeymoon

Shortly afterwards, Joe Donnelly decided to leave and the now Bobby Gillespie took on bass guitar duties, with Carolyn Allen (sister of Steven) joining as the keyboard player.

The debut single and a demo tape found it way to Rob Gretton, who got the band down to Strawberry Studios in Stockport to record some material for a possible release on Factory Records.

The result was a seven-track LP, Harmony, issued in October 1982 with the catalogue number of FAC 60. It was the following year when I first really became aware of The Wake, thanks to them supporting New Order on a short tour across Scotland, during which I got to three of the gigs.  Later in the year, Bobby Gillespie would take his leave of the band, turning up next as drummer with Jesus and Mary Chain, being replaced by Alex McPherson.

The Wake would depart from Factory in 1988 and later releases would be on Sarah Records through to 1995, although the band was primarily now just Caesar and the Allen siblings, augmented on record by guest musicians.

The end of Sarah Records meant the end of The Wake, but they reformed in 2009 with new material emerging in 2012.

Going back to the debut single, it has long been out of print and copies tend to fetch £40-£60 on the second-hand market.  The Optic Nerve version is on white vinyl, for less than a tenner (plus postage), and comes with a poster and postcard.

mp3: The Wake – Give Up

Two tracks of their time, but sort of timeless, if you know what I mean.

JC

SATURDAY’S SCOTTISH SINGLE (Part 122)

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From wiki:-

The Wake were founded in Glasgow in 1981 by Gerard “Caesar” McInulty (formerly of Altered Images), Steven Allen (drums) and Joe Donnelly (bass), the latter soon replaced by Bobby Gillespie. Steven’s sister Carolyn Allen also joined on keyboards, and remained in the band thereafter.

The Wake released their first single on their own Scan 45 label, coupling together “On Our Honeymoon” and “Give Up”. This single eventually caught the attention of New Order manager Rob Gretton, who helped the band sign to Factory Records in 1982 and record an LP (Harmony) at Strawberry Studios in Stockport.

This was followed by a number of singles on Factory and its Belgian sister label Factory Benelux. In 1983, The Wake toured with New Order, and thus received critical attention but were often unfavourably compared to their more celebrated labelmates. Gillespie was asked to leave in 1983, subsequently playing drums with The Jesus and Mary Chain and achieving fame with his own band Primal Scream.

After an amicable but short-lived stint with Caesar’s ex-classmate Martin Cunning on bass , Alexander ‘Mac’ Macpherson permanently replaced Gillespie. That same year the band recorded a session on John Peel’s BBC Radio 1 programme. The band toured extensively and scored an indie hit with their 1984 single “Talk About The Past” which featured Vini Reilly of Durutti Column on piano.

The recording and release of their seminal 1985 album Here Comes Everybody marked the apex of their career. Further releases were few and far between: one more single “Of The Matter” emerged in 1985 before their last release for Factory, a 4-track EP entitled “Something That No One Else Could Bring” finally appeared in 1987.

In 1988, disillusioned with the lack of proper promotion and indeed apathy from Factory Records, The Wake left the label and signed to Bristol’s legendary Sarah Records, releasing two singles and two LPs, the last being 1994’s Tidal Wave of Hype. By this point, once again down to a three piece featuring McInulty, Allen and Steven, they also shared personnel with another Glasgow-based band on Sarah, The Orchids, with whom they had also played a few live gigs. When Sarah shut down in 1995, The Wake effectively dissolved.

In autumn 2009, The Wake (McInulty and Allen) came together once again to record a new album, “A Light Far Out”, but it wasn’t released till April 2012 on LTM Records In July 2013 The Wake performed at the Indietracks Festival.

I saw The Wake on a number of occasions back in the days including at least three support slots for New Order. They weren’t the easiest band to take to – they always looked and sounded so dour and miserable and at a time when The Smiths were taking the world by storm The Wake seemed very much out of touch.

I’ve picked up a second-hand 7″ copy of FAC 88, the aforementioned indie hit which featured Vini Reilly on piano:-

mp3 : The Wake – Talk About The Past
mp3 : The Wake – Everybody Works So Hard

Enjoy