SHAKEDOWN, 1979 (June, part two)

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The chart hit single in June had some quality, but not much in the way of quantity.  What about the 45s that didn’t make it as far as the Top 75?

mp3: Adam and The Ants – Zerox

Prior to becoming a pop icon in the early 80s, Adam Ant had been part of the punk scene in London.  He had a role in Derek Jarman‘s 1978 film Jubilee, while Adam and the Ants were filmed performing the Plastic Surgery (the song, that is….not the procedure!!).    This led to a deal for a one-off single with Decca Records, but Young Parisians failed to gain traction.  London-based Do It Records signed the band, and Zerox was the first offering.  It did well enough in the Independent Chart, but didn’t sell enough copies to trouble the Official Chart, at least not in June 1979.   It was re-released in January 1981 on the back of the initial burst of Ant-mania and made it to #45.

mp3: The Adverts – My Place

The Adverts had been one of the first of the punk bands to enjoy chart success, with Gary Gilmore’s Eyes hitting #118 in September 1977. By the following year, they were on RCA Records and began making music that had more of a pop feel to them.  Critically, they were still being championed in some music papers, but none of the three singles nor the one album they made while at RCA made the charts – and, of course, they weren’t eligible for the indie charts.

mp3: Cabaret Voltaire – Nag Nag Nag

Having turned down an offer from Factory Records, the Sheffield-based Cabaret Voltaire signed with Rough Trade, with their debut EP being released in late 1978.   The first actual 45 was released in June 1979, and has since been acknowledged as one of the most pioneering 45s of the era, but back then it was largely dismissed as being too arty and weird.

mp3: The Cramps – Human Fly

London-based Illegal Records, founded by Miles Copeland III, issued Gravest Hits, a 12″ EP bringing together tracks that had featured on the first two singles released by The Cramps back in 1978.  The other songs on the EP were The Way I Walk, Domino, Surfin’Bird, and Lonesome Town.   It would take a further 11 years before The Cramps ever made it into the UK singles chart, by which time Miles Copeland III was enjoying the riches from the success of his next label, I.R.S. Records, home to early R.E.M. among others (including, for a short time, The Cramps).

mp3: Devo – The Day My Baby Gave Me A Surprise

The men from Akron, Ohio continued their run of failure. Come Back Jonee had flopped back in January, and while the album Duty Now For The Future did chart at #49, its lead-off single did nothing

mp3: Simple Minds – Chelsea Girl

There were really high hopes among the band for the follow-up to Life In A Day which had sneaked into the lower echelons of the chart.  Such hopes were dashed…..the harpsichord-like sound produced by Mick MacNeil on keyboards failed to capture the attention of the radio pluggers, and the 45 disappeared without a trace.

mp3: Swell Maps – Real Shocks

The second single from Swell Maps issued by Rough Trade in 1979.  I didn’t know about this back when I was 16 years of age. If I had, I’d most likely have bought it and driven my parents crazy.

mp3: Talking Heads – Take Me To The River

Talking Heads were, pardon the pun, much talked about in 1979.  The previous year, they had enjoyed a hit album with More Songs About Buildings and Food, and there was near universal acclaim for their live shows.  Fellow New Yorkers Blondie were flying high, and it really only seemed a matter of time before The Heads were equally popular.  As we know, they did eventually become a household name, but in June 1979 the record label was reduced to releasing a single from the previous album as their way of trying to get a cash-in on a prestigious gig that month in London. The cover of the Al Green number was issued as a 2 x 7″ release (for the price of a standard 7″) along with art work in the shape of a Talking Heads family tree as designed and drawn by Pete Frame.  It didn’t chart.

mp3: Wire – A Question Of Degree

The story of how Outdoor Miner had been a minor hit, but should have been a major hit, was told a few months back.  Harvest Records, keen to atone for the errors made with the previous single, threw their weight behind another track lifted from the 1978 album Chairs Missing, but nobody was interested…which is a shame, as It’s a belter of a single

mp3: Toyah – Victims Of The Riddle

This piece started with a member of the punk scene who appeared in Jubilee, and now finds itself ending the same way.  Toyah Wilcox‘s first foray into the performing arts was as an actor, but with a number of her early parts involving singing, it led to her wanting to have a parallel career in music. She ended up fronting a five-piece band – all the other musicians were male –  with everyone content that it take its name from the lead singer, given how unusual it was.  London-based Safari Records signed the band, and Victims of The Riddle was the debut.  The band would remain with Safari over the next six years, going on to enjoy more than a fair degree of chart success.

JC

DON’T LOOK BACK IN ANGER (9)

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Let’s travel back in time to see what 45s were being most bought in UK record shops in September 1983

Chart dates 28 August – 3 September

Oh my.  For once, the highest new entry had some merit. But the question really has to be…..How did Factory Records organise itself enough to get copies out and distributed into the shops?

mp3: New Order – Confusion (#17)

Released only on 12″ in the UK, it came with four different mixes.  There was no way the radio stations would have played the full eight-plus minutes, and indeed promo discs were sent out with an edit, which was, many years later, made available on one of the numerous New Order compilations.   Confusion would go up five places to #12 before slowly drifting out of the Top 75 over the following six weeks.  Worth mentioning that in the same week Confusion entered the charts, Blue Monday was spending its 25th week in the Top 75 – and indeed was just about to gain a second wind and climb back up the way, peaking at #10 in mid-October.

Just slightly lower in the rundown was this.

mp3: Freeez – I.O.U. (#25)

I’ve deliberately kept I.O.U. away from this series until today.  It had already been in the singles chart for twelve weeks, spending three weeks at #2, and kept off the top spot by Paul Young wailing about his hat.  The sleeve for this single gives much prominence to the fact it was produced by Arthur Baker.   I think it’s fair to say he got two-for-one out of this tune.

Much lower down the chart, entering at #64, and only ever getting up to #60, was a 45 with a message:-

mp3: The Special AKA – Racist Friend (#64)

Chart dates 4-10 September

Not a good week for new entries, with Status Quo (#24) and Paul Young (#27) being the highest, with both of Ol’ Rag Blues and Come Back And Stay annoyingly hanging around for a few more weeks to make the Top 10.  Just below those was a little bit of agit-synth:-

mp3: Heaven 17 – Crushed By The Wheels Of Industry (#28)

The fourth and final chart hit lifted from the album The Luxury Gap, it went on to reach #17.

Chart dates 11-17 September

I’m not a fan of the tune, so I won’t share any mp3, but this was the week when Boy George really made the crossover into pop stardom, as Karma Chameleon entered the singles chart at #3.  It went onto to sell 1.6 million copies in the UK, as 1 million in the USA and some 7 million all told across the world.  That’s a lot of plastic……

It was also the first week that Howard Jones hit the charts.  He’s another from that era I have no time for at all, but I was clearly in a minority.  New Song came in at #51.  It would go onto spend 12 weeks in the Top 75, reaching #2.  He would follow that up with eight more Top 20 singles through to March 1986, and it seemed he was on Top of The Pops every other week.

Among the mediocre and mundane, there were a few gems

You’ve got to go a long way down to find a couple more excellent new singles:-

mp3: PiL – This Is Not A Love Song (#47)

The first new single in two-and-a-half years, it would go on to spend 10 weeks on the singles chart and get all the way to #5, easily the best performance by any of PiL‘s 45’s released between 1979 and 1992.

mp3: Elvis Costello & The Attractions – Let Them All Talk (#59)

A rather disappointing outcome for the second and final single from the album, Punch The Clock, as this was as high as it got.   At least there was the consolation of the album reaching #3.

mp3: The The – This Is The Day (#71)

I placed this at #4 in my 45 45s @ 45 rundown.  It’s very obviously one of my favourite songs of all time.  It is criminal that it only ever got to #71 in the UK singles chart.  It would take  until 1989 before a single by The The cracked the Top 20.

Chart dates 18-24 September

Karma Chamaleon was at #1.  It would stay there for six weeks. The one small consolation was that it kept David Bowie‘s awful new single off the top.  Modern Love came in this week at #8 and would more than likely reached #1 is it hadn’t been for Culture Club.

Coming in at #21 was a synth duo who some had written off:-

mp3 : Soft Cell – Soul Inside (#21)

It reached #16 the following week, a welcome return to pop stardom after Where The Heart Is and Numbers had both peaked outside the Top 20 after the first five singles had been Top 5.

There will be some of you out there who are fond of Toyah Wilcox, so here’s a reminder of what she inflicted upon us in 1983:-

mp3: Toyah – Rebel Run (#29)

This one got to #24 the following week and then, thankfully, disappeared.

If you look closely at the bottom of the page:-

mp3: Tracey Ullman – They Don’t Know (#69)

One of the UK’s most popular actress/comediennes had embarked on a singing career.  Having already enjoyed a Top 3 hit with Breakaway in which she had covered a 60s song, she turned to the back catalogue of Kirsty MacColl for her next venture, offering her take on a 1979 flop single.  This one went all the way to #2, spending almost the rest of 1983 in the Top 75, and bringing some well-deserved royalties to Kirsty.

Chart dates 25 September – 1 October

A cover version was the highest new entry this week.  And a good one too….

mp3: Siouxsie & The Banshees – Dear Prudence (#17)

Siouxsie  and Budgie had been enjoying chart success with The Creatures.  Robert Smith was often on Top of The Pops in 1983 with The Cure.  Here they all were together on one gloriously psychedelic offering of a song originally found on The White Album, released by The Beatles in 1968.

I think that’s just about enough for this edition of nostalgia central.  I’ll be back in about four weeks time.

JC

WHO HAD FOUR #1’s IN THE 1981 INDIE SINGLES CHART?

Treat yourself to a chocolate biscuit if you got that one correct. If you don’t have such a thing close to hand then go buy one from a nearby shop and I’ll reimburse you as long as you send me the receipt.

Toyah, contrary to popular belief, was not just a solo project for Ms Willcox. Back in 1977, three friends had spent a brief period playing under the name Ninth Illusion, without recording any music. In the beginning of 1978 they added some more musicians and settled on a new, taking it from their female vocalist who was also just beginning to forge a name for herself as an actress.

By mid-1979 the band had signed to the London-based Safari Records and over the next 18 months here would be a handful of singles and LPs that didn’t really do all that much. By late 1980, there had been further line-up changes with only Joel Bogen remaining from the earlier line-ups and the decision was taken to focus on a more pop-orientated sound. The formula worked and the band had huge mainstream chart success in 1981 with three Top 10s and one further Top 20 appearance, all of which, thanks to being released on Safari, were eligible for consideration in the indie chart and between them they spent 13 weeks holding down the top spot.

mp3 : Toyah – It’s A Mystery
mp3 : Toyah – I Want To Be Free
mp3 : Toyah – Thunder In The Mountains
mp3 : Toyah – Good Morning Universe

Just for the record, I never bought any of these at the time of release nor are they in the collection nowadays. They’ve been collated especially to fill in the gaps in your knowledge base!

Worth also mentioning that when the band went out on a sold-out tour of large venues across the UK at the end of 1981, they took along Fad Gadget as the support act.  I wonder what the mums and dads and kids made of his slightly leftfield music and mannerisms…..