C86 : THE ULTIMATE SERIES (Parts 11, 12, 13 and 14 of 114)

Pop Will Eat Itself…..they really shouldn’t need an introduction, but hey! Formed in 1986 in Stourbridge, a town in the English Midlands.  Kicked around till 1996, reformed briefly in 2005 and then for a second time in 2010, and they are still entertaining the masses today. There have been 35 singles/EPs and nine albums across many different labels, with fourteen of the singles making it into the Top 75, while four albums went Top 40.

mp3: Black Country Chainsaw Massacreee – Pop Will Eat Itself

Track 4, Disc 2 of CD86.

This was the lead-track on Poppycock, a five-song EP released in 1986 and their first for Chapter 22 Records, a label based in Warwick.

All five tracks on the EP were short and sharp – none of them reached the two-minute mark and are very much of their time and place.  By 1988, the band’s sound had changed completely, fusing a range of genres and heavily incorporating samples.  They soon became chart staples, including a run of twelve Top 40 hits between 1989 and while part of RCA Records.

The Pastels……well, they already have been introduced in an earlier part of this series.

mp3: Breaking Lines – The Pastels

Track 10 on side 1 of the C86 cassette; Track 10, Disc One of C86 The Deluxe 3CD Edition.

The Pastels had already released five singles prior to appearing on C86.  These had been recorded across three different London-based labels – Waaam! Records (owned by Dan Treacy of The Television Personalities), Rough Trade and Creation.  They had, however, by then taken their leave of Alan McGee‘s label and signed to another London-based label, Glass RecordsBreaking Lines would later in 1986 be issued as a b-side to Truck Train Tractor, their debut for Glass, and one of their finest releases across their long career.

 

Stump was a band whose members were drawn from Ireland and England, active between 1983 and 1988.  They were initially on the Ron Johnson label, with the music being described by some critics as a cross between Captain Beefheart and The Fall. The sole EP on Ron Johnson was released in 1986, after which they contributed to the C86 cassette.

mp3 : Buffalo – Stump

Track 7 on side 1 of the cassette; Track 7, Disc One of C86 The Deluxe 3CD Edition.

The next release later in the year was a highly-acclaimed mini-LP, Quirk Out, issued on their own Stuff Records, and it would spend six months in the indie charts, selling something in the region of 50,000 copies. This led to a major label, Chrysalis/Ensign, signing Stump in 1987.  The band would make it into the official charts in July 1988, with a #72 hit, Charlton Heston, one of twelve tracks to be found on the debut album A Fierce Pancake.  The label then re-released Buffalo (which wasn’t on the album) as a single in late 1988, the sleeve of which is illustrated above.  The lack of any real commercial success played a large part in the band calling it a day in 1989.

The Shrubs were from Watford, forming in 1985 and splitting up in 1988. They were signed to Ron Johnson Records, but prior to ever releasing anything for the label, they would find themselves on the C86 cassette:-

mp3: Bullfighter’s Bones – The Shrubs

Track 10 on side 2 of the cassette; Track 21, Disc One of C86 The Deluxe 3CD Edition

This song was only ever made available on the C86 cassette (and subsequent vinyl and CD re-releases)

Their debut six-track EP Full Steam Into The Brainstorm came out on Ron Johnson in July 1986.  There would be one further EP and an LP for the label before it collapsed, after which The Shrubs established their own Public Domain Records for one further EP and album before calling it a day.

 

JC

THIS YEAR’S NOSTALGIA FEST (Postscript 2)

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Today sees the second and final part of the look back at A Different Kind of Tension, the 10-track compilation released in 1986. Here’s the b-side of the album:-

1. The Beloved – A Hundred Words
2. Vee VV – The Romance Is Over
3. Stump – Kitchen Table
4. The Wedding Present – Once More
5. The Shamen – Happy Days

The Beloved, in their dance guise, were featured a couple of months back. It’s hard to believe that it is the same band who would go onto enjoy such massive success with the club crowds in the early 90s. But before they were embraced by the dance brigade, The Beloved were just another indie-pop guitar band. This is actually their debut single from April 1986 on Flim Flam Records which made #15 in the UK Indie Chart (which I’m guessing amounted to about 5,000 sales).

mp3 : The Beloved – A Hundred Words

The next lot needed a bit of detective work on the t’internet. They emerged from the ashes of a band called Tunnelvision who released one single, entitled Watching The Hydroplanes, on Factory Records in 1981. And no, I can’t say I’ve ever heard it. They seem to have been an act signed on a whim by Tony Wilson after they appeared on the bill at the first ever New Order gig in Blackpool. Anyway, it seems they were a band that were continually slated by the music press and continually compared to Joy Division.

Members of Tunnelvision would, in due course, form Vee VV. The band recorded a flexi single for a music magazine before releasing a double-side 7″ single on Cathexis Records  and the track featured today was part of that artefact. A second 12″ single soon followed and Vee VV gained some exposure through support slots for My Bloody Valentine, Stone Roses and the afore-mentioned New Order. But before long they had broken up unwilling to embrace Madchester.

mp3 : Vee VV – The Romance Is Over

Stump were an Anglo-Irish band that featured former members of Microdisney.

This is the only track of the ten on the compilation that hadn’t been released at the time, although it would eventually appear on the Quirk Out mini-LP that came out in late 1986 on Stuff Records. The band would gain enough fame to be featured on the covers of both the NME and Melody Maker, and there was enough of a buzz about them that they eventually inked a deal with Ensign Records who released the LP A Fierce Pancake in 1988, from which the single Charlton Heston reached #72 in the UK singles charts. But the album did not bring the crossover success the label had hoped for and, after recording a few b-sides and some demos, they split before 1989 was over.

mp3 : Stump – Kitchen Table

Ah….the wonderful Weddoes. This was a very early single from 1986. ‘Nuff said.

mp3 : The Wedding Present – Once More

The final track on the compilation is technically, the first ever single by The Shamen, released on One Big Guitar in 1985. The band had changed their name from Alone Again Or and moved to a different record label after just two singles. Frontman Colin Angus was one of the first to realise that indie-pop didn’t guarantee fame and fortune, and by mid-1988 the band was down to a two-piece who were more focused on dance. Four years later they were among the biggest acts in the UK with a string of chart hits including the unforgettable (not necessarily in a positive way!!) Ebeneezer Goode which was #1 for a number of weeks in August 1992.

By the mid-late 90s, the band had turned their backs on commercial soundimg dance music and frustrating the life out of their record label bosses at One Little Indian. The Shamen called it a day in 1999, but will be remembered fondly by a great many clubbers of a certain generation. However, they would be hard pushed to recognise this as one of their songs:-

mp3 : The Shamen – Happy Days

And that concludes the look back at the songs of 1986 for this series at least. Tune in next week for something going back even further in time….

Enjoy