WHEN THE CLOCKS STRUCK THIRTEEN (May Pt 2)

For the second month in a row, there were plenty of songs that featured in the chart edition of this series just a couple of weeks back.  Last month, the list of 45s that weren’t commercial hits was quite small – just six in total.   Will things be any different with the look back at May 1984?

Spoiler alert.  Not much……

mp3 : The Comsat Angels – You Move Me

A song I haven’t thought about in over 40 years.  It’s not one that I’m all that fond of, but The Comsat Angels were a band that one of the student union regulars really liked and used to pester the DJs to play. Summarising things from wiki, they formed in 1979 and released six albums between then and 1986, later reforming, initially under different names and then finally calling it a day in 1995, before briefly re-forming in 2009-1o. You Move Me was their tenth single and would later be included on their fifth album, 7 Day Weekend, released in 1985.

mp3: Fad Gadget – One Man’s Meat

For anyone looking for background, I would ask you to have a look at ICA 231, lovingly compiled by The Affectionate Punch back in November 2019, but in summary, Fad Gadget was, initially, the stage name of the late Frank Tovey (8 September 1956 – 3 April 2002), one of the pioneers of electronica here in the UK. He wasn’t one who ever chased commercial success at any point in his career, but he was name checked by almost everyone who was anyone in the genre over the ensuing decades.  There were four studio albums and eleven singles released between 1979 and 1984 under the name of Fad Gadget, and One Man’s Meat was the last of the 45s.

mp3: Flesh For Lulu – Subterraneans

I’ve mentioned previously that 1984 was a bit of a stellar year for goth music.  Flesh For Lulu had formed in London in 1982, and not too long afterwards were signed by Polydor Records.  They were dropped after the debut album and early singles failed to chart, and they ended up on Beggars Banquet for much of the rest of the decade.  Despite a dedicated fan base and a few champions in the music press, they never enjoyed any commercial breakthrough, disbanding in the early 90s.

mp3: New Order – Murder

A 12″ single on import featuring a previously unreleased song and an instrumental take on hit single Thieves Like Us?  Why, thank you Factory Records, as us obsessives will buy everything to which New Order attach their name (well, at least back in 1984 we did).   This one came out on Factory Benelux.  It’s four minutes of relentless noise in which Stephen Morris really gives the drums a hammering.  Not easy, nay, make that impossible to dance to!

mp3: The Nightingales – The Crunch

Hands up and confession time.  It would be well into the 21st century before I got my hands on a copy of The Crunch, a 12″ EP released in May 1984 by The Nightingales, a band that has been described by one critic as ‘the misfits’ misfits’.  My knowledge of the band was sketchy until watching the excellent documentary King Rocker, which was aired on Sky Arts back in 2021.  There’s a real reminder of the Josef K singles in the way the guitars are played on this one.

mp3: Marc Riley & The Creepers – Pollystiffs

As mentioned a few months ago as part of this series, Marc Riley having been sacked from The Fall in 1982, formed his own band and began writing and recording. This was their fifth single in what had been a productive twelve months, and would be followed shortly afterwards by the debut album, Gross Out. Another one that I can’t recall hearing back in the day…..the days/nights of listening obsessively to John Peel had been replaced by going out and/or spending time with a new girlfriend.

mp3: Serious Drinking – Country Girl Becomes Drugs and Sex Punk

Candidate for one of the best song titles of all time from a post-punk band, with a penchant for humorous lyrics and much loved by John Peel.  Serious Drinking emerged from the University of East Anglia in Norwich, and two delivered two well-received albums in 1983 and 1984.  They kind of set a template for I Ludicrous and to a lesser extent, Half Man Half Biscuit, and this song was memorably featured in Dirk’s on-going series just a few weeks ago.

Having looked ahead to June 1984, I can promise a much larger set of tunes next time out.

 

JC

ONE HUNDRED AND ELEVEN SINGLES : #090

aka The Vinyl Villain incorporating Sexy Loser

#090: Serious Drinking – ‘Country Girl Became Sex And Drugs Punk’ (Upright ’84)

Hello friends,

to be honest to you: it took me a considerable amount of my teenage years to learn that music and, more importantly, lyrics does (or should this be ‘do’?) not necessarily always need to be deep and meaningful in order to be good, in fact sometimes all you need is a good laugh, really! It’s hard to describe, but if you had to compare, say, Joy Division or Mazzy Star to Half Man Half Biscuit or I, Ludicrous – would you be able to judge which band is better? I certainly could not do this, because all of them are great – in their own style.

Serious Drinking, despite their name, do not have to be taken all too serious, I would say – but the thing is, if I had to guess: they never expected to be taken too seriously, contrary to many other bands. And that’s an attitude I can sympathize with, to be sure!

So, a brief CV for you: Serious Drinking came from Norwich, were active from ’81 to ’85, two albums, two (great) compilations, three singles, heavily into football, girls, drinking, not consequently in this exact sequence – and that’s all you need to know really.

And should you still be wondering what I was trying to say above, perhaps the band’s humour is best shown in the title of the second album, a quote from one of those hilarious 60’s ‘Batman’ movies starring Adam West, in which Batman says to Robin: ‘They may be drinkers, Robin, but they’re also human beings …. they may be salvaged!’

I always loved this title, and this humour is drawing a more or less continuous line throughout many songs Serious Drinking wrote: ‘Love On The Terraces’, ‘Bobby Moore Was Innocent’, ‘Don’t Shoot Me Down’, ‘Baby I’m Dying A Death’. Especially the latter is ace, and I could easily have chosen it here, but no, I went for their final single instead, because it’s a song which tells a story, and mind you, it doesn’t happen often that a story as sad as this one puts a grin on my face until the needle reaches the lead-out groove … each and every time:

mp3:  Serious Drinking – Country Girl Became Sex And Drugs Punk

Perhaps I should dedicate this to SWC, because a) he lives in the middle of nowhere and b) he has a young daughter: so be warned, my friend!

For the rest of you: as always, enjoy,

 

Dirk

 

 

AN IMAGINARY COMPILATION ALBUM : #56 : THE SOUND OF YOUNG NORWICH

A GUEST POSTING FROM STRICTLY ROCKERS

Norwich Cassette (1)

Just to prove that it’s not all Cope, Cope, Cope chez Rockers, here’s an Imaginary Compilation Album on a totally different tip.

Way back in the early 1980s the talk was all about the mythical ‘Norwich Sound’, a scene allegedly created by John Peel centring on the University Of East Anglia (UEA) and peopled by the likes of Gee Mr Tracey, The Fire Hydrant Men, Screen 3, Popular Voice, Serious Drinking, The Higsons and The Farmer’s Boys. These were bands linked not by musical style but by postcode. Two bands in particular, The Higsons & The Farmer’s Boys, teetered on the verge of major success, recording a total of seven Peel sessions and a joint ‘In Concert’ programme for Radio One but, despite major-label backing, never quite made the jump to the big-time and, by the mid 1980s, the A&R men were focussed elsewhere.

The Higsons formed in 1980 at UEA, Norwich. An energetic, brassy, punk/funk band influenced by the New York ‘No Wave’ bands and often referred to as the ‘British Talking Heads’. Colin ‘Bilko’ Williams played Bass. Simon ‘No Nickname’ Charterton, Drums. Switch ‘Charles Aznovoice’ Higson did ‘Singing’. Stuart ‘Radar’ McGeachin played ‘One Guitar’ and Terry ‘Individual’ Edwards did ‘Everything Else’.  They first recorded two songs for the now legendary ‘Norwich: A FIne City’ compilation, designed to give exposure to local bands. John Peel picked up on the album but only played the Higsons’ songs!

My introduction to them was through a friend who played me his precious copies of their first three singles. I persuaded him to let me borrow them so that I could tape them but conveniently ‘forgot’ to give them back until two weeks later. Happily I now have my own copies that still receive regular play. Their excellent first album ‘The Curse Of The Higsons’ is now available as a deluxe 3-CD set (‘The Complete Curse…’) with extra singles, b-sides and two incredible live sets. Highly recommended!

Terry Edwards now fronts his own band and is a prolific session player having played with the likes of Gallon Drunk, Tindersticks, Spiritualized, The Blockheads, PJ Harvey, Nick Cave, Tom Waits and Julian Cope (http://www.terryedwards.co.uk).

According to Wiki, Simon Charterton is in Camden based ‘The Aftershave’ and both Stuart McGeachin and Colin Williams have now got ‘proper jobs’ but I wonder what happened to ‘Switch’…???!!!

Farmer’s Boys were BazFrogMarkStan (formerly trading under the name Bang Goes My Stereo). A very British ‘country’ band with, as one reviewer put it, ‘a lack of musical prowess thinly covered by a mask of superficial humour’.

‘I Think I Need Help’ was released in April 1982 and received plenty of evening-time plays on wonderful Radio One which is where I heard John Peel play them. The DIY nature of the band showed especially in the live shows where their battered Casio keyboard/drum machine would be supported, front-of-stage, on an ironing-board. Two further singles followed in 1982 and the third, ‘More Than A Dream’ was re-released by EMI when they signed the band at the start of 1983. They released two albums but essentially were a great singles band. Their cover of Cliff’s ‘In The Country’ awarded them their highest chart position (44!) and a promised TOTP appearance, only to be replaced at the last minute by one-hit-wonders Alphaville with ‘Big In Japan’.

The band split in 1985, Baz, Mark & Stan continued to gig variously as ‘The Avons’, ‘The Nivens’, ‘Dr Fondle’ and ‘The Great Outdoors’ and currently play the Norwich area as The McGuilty Brothers. Keyboard player/guitarist Frog (K.R. Frost) found a home with Julian Cope’s band between 1986 and 1994 (from Saint Julian to Autogeddon). Their first album, ‘Get Out & Walk‘ is available with extra tracks and a compilation of their session tracks (‘Once Upon A Time in The East’) is still available from The Farmer’s Boys ‘official unofficial website’: http://www.thefarmersboys.com.

Serious Drinking formed at UEA in 1981 and included an original Farmer’s Boy, the Higson’s drummer and occasionally, Mr Terry Edwards. They were another Peel favourite, recording 4 sessions of songs about football, love and drinking — often combinations of all three. Their debut EP, ‘Love On The Terraces’, produced by Bedders from Madness, was followed up by an album ‘The Revolution Starts At Closing Time’ and a retrospective, ‘Stranger Than Tannadice: The Hits, Misses And Own Goals Of Serious Drinking’.

Popular Voice were a well-polished indie/funk band, active between 1980 and 1983 often seen gigging with both The Higsons and Farmer’s Boys (where I saw them in support at Bristol Polytechnic). They released two singles in 1982 on Backs and seem to have totally disappeared.

Just to prove I’m not making this all up, here’s a documentary on the ‘Norwich Sound’ (featuring a very young Charlie ‘Switch’ Higson): https://www.youtube.com/watch?v=OmTEq-Sfxqk

OK, so I lied… it IS all about Cope:

Nick Rayns, the Entertainments Manager at the UEA, responsible for putting on gigs by all the Norwich bands, was the ex-Road Manager for The Teardrop Explodes.
• Colin ‘Bilko’ Williams was part of the late-70’s Liverpool scene and played guitar in an early version of Wah! before studying at UEA.
• Frog (K R Frost) is married to Jill Bryson (out of Strawberry Switchblade) who appears on the cover of Cope’s ’20 Mothers’ album.
• As well as playing with Julian Cope, Terry Edwards has also played with Robyn Hitchcock who wrote a song entitled ‘Listening To The Higsons’ and covered Cope’s ‘Charlotte Anne’.
• The Farmer’s Boy’s cover of Cliff’s ‘In The Country’ follows in the rich line of Bah-Bah-Bah songs.

‘The Sound Of Young Norwich’: An Imaginary Album for The (new) Vinyl Villain

The Higsons Side:

1) I Don’t Want To Live With Monkeys (Single, 1981) ‘Hoop Hup / Be Doobie Doobie Doobie / Hoop Hup Be Du Du Doo!’ If there is a better start to any single, I don’t know it! Sheer genius.

2) It Goes Waap!! (Single, 1981) The theme song for their own label.

3) Conspiracy (Single, 1982) ‘Who Stole My Bongoes?’

4) Tear The Whole Thing Down (Single, 1982) Originally titled ‘Burn The Whole Place Down (Before The Yanks Come)’ their first single on 2 Tone.

5) Run Me Down (Single, 1983) Their second, and final, single on 2 Tone backed by the marvellously-titled ‘Put The Punk Back Into Funk (Parts 1&2)’

The Farmer’s Boys Side:

1) I Think I Need Help (Single, 1982) FB’s debut. Released on The Higson’s Waap label

2) Whatever Is He Like? (Single, 1982) Swift follow-up single on the Backs label originally titled ‘Funny Old Mr. Baz’

3) More Than A Dream (Single, 1982) Re-released as their debut single on EMI. With ‘Thanks to the Terry Edwards Brass Experience’

4) Apparently (Single, 1984) The highly polished sound of the major label FB’s with their own horn section and ‘real’ drummer. Reached a staggering #98 in the charts!

5) In The Country (Single, 1984) Curse you Alphaville! ‘Bah, Ba-ba-ba-baaaa!’

Bonus 7″:

A) The Popular Higson Boys – Can’t Get Next To You (A bonus track from the ‘Touchdown’ compilation, 1982) A great cover of the Temptations’ classic featuring the massed bands and vocalists of Popular Voice, The Higsons and The Farmer’s Boys. The compilation is named after the B-side of the Higsons’ ‘Conspiracy’ single and also featured various indie/jazz/funk misfits such as Maximum Joy and Pinski Zoo.

B1) Popular Voice – Home For The Summer (Single, 1982) A beautiful single released on the Backs label. I can find little information about it.

B2) Serious Drinking – Love On The Terraces (Single, 1982) ‘Love’ – check. ‘Football’ – check. ‘Drinking’ – check!

mp3 : The Higsons – I Don’t Want To Live With Monkeys
mp3 : The Higsons – It Goes Waap!
mp3 : The Higsons – Conspiracy
mp3 : The Higsons – Tear The Whole Thing Down
mp3 : The Higsons – Run Me Down
mp3 : The Farmer’s Boys – I Think I Need Help
mp3 : The Farmer’s Boys – Whatever Is He Like?
mp3 : The Farmer’s Boys – More Than A Dream
mp3 : The Farmer’s Boys – Apparantly
mp3 : The Farmer’s Boys – In The Country
mp3 : The Popular Higson Boys – Can’t Get Next To You
mp3 : Popular Voice – Home For The Summer
mp3 : Serious Drinking – Love On The Terraces

ENJOY!!