Category: Nightingales

Comsat Angels, Fad Gadget, Flesh For Lulu, Marc Riley, New Order, Nightingales, Serious Drinking

WHEN THE CLOCKS STRUCK THIRTEEN (May Pt 2)

For the second month in a row, there were plenty of songs that featured in the chart edition of this series just a couple of weeks back.  Last month, the list of 45s that weren’t commercial hits was quite small – just six in total.   Will things be any different with the look back at May 1984?

Spoiler alert.  Not much……

mp3 : The Comsat Angels – You Move Me

A song I haven’t thought about in over 40 years.  It’s not one that I’m all that fond of, but The Comsat Angels were a band that one of the student union regulars really liked and used to pester the DJs to play. Summarising things from wiki, they formed in 1979 and released six albums between then and 1986, later reforming, initially under different names and then finally calling it a day in 1995, before briefly re-forming in 2009-1o. You Move Me was their tenth single and would later be included on their fifth album, 7 Day Weekend, released in 1985.

mp3: Fad Gadget – One Man’s Meat

For anyone looking for background, I would ask you to have a look at ICA 231, lovingly compiled by The Affectionate Punch back in November 2019, but in summary, Fad Gadget was, initially, the stage name of the late Frank Tovey (8 September 1956 – 3 April 2002), one of the pioneers of electronica here in the UK. He wasn’t one who ever chased commercial success at any point in his career, but he was name checked by almost everyone who was anyone in the genre over the ensuing decades.  There were four studio albums and eleven singles released between 1979 and 1984 under the name of Fad Gadget, and One Man’s Meat was the last of the 45s.

mp3: Flesh For Lulu – Subterraneans

I’ve mentioned previously that 1984 was a bit of a stellar year for goth music.  Flesh For Lulu had formed in London in 1982, and not too long afterwards were signed by Polydor Records.  They were dropped after the debut album and early singles failed to chart, and they ended up on Beggars Banquet for much of the rest of the decade.  Despite a dedicated fan base and a few champions in the music press, they never enjoyed any commercial breakthrough, disbanding in the early 90s.

mp3: New Order – Murder

A 12″ single on import featuring a previously unreleased song and an instrumental take on hit single Thieves Like Us?  Why, thank you Factory Records, as us obsessives will buy everything to which New Order attach their name (well, at least back in 1984 we did).   This one came out on Factory Benelux.  It’s four minutes of relentless noise in which Stephen Morris really gives the drums a hammering.  Not easy, nay, make that impossible to dance to!

mp3: The Nightingales – The Crunch

Hands up and confession time.  It would be well into the 21st century before I got my hands on a copy of The Crunch, a 12″ EP released in May 1984 by The Nightingales, a band that has been described by one critic as ‘the misfits’ misfits’.  My knowledge of the band was sketchy until watching the excellent documentary King Rocker, which was aired on Sky Arts back in 2021.  There’s a real reminder of the Josef K singles in the way the guitars are played on this one.

mp3: Marc Riley & The Creepers – Pollystiffs

As mentioned a few months ago as part of this series, Marc Riley having been sacked from The Fall in 1982, formed his own band and began writing and recording. This was their fifth single in what had been a productive twelve months, and would be followed shortly afterwards by the debut album, Gross Out. Another one that I can’t recall hearing back in the day…..the days/nights of listening obsessively to John Peel had been replaced by going out and/or spending time with a new girlfriend.

mp3: Serious Drinking – Country Girl Becomes Drugs and Sex Punk

Candidate for one of the best song titles of all time from a post-punk band, with a penchant for humorous lyrics and much loved by John Peel.  Serious Drinking emerged from the University of East Anglia in Norwich, and two delivered two well-received albums in 1983 and 1984.  They kind of set a template for I Ludicrous and to a lesser extent, Half Man Half Biscuit, and this song was memorably featured in Dirk’s on-going series just a few weeks ago.

Having looked ahead to June 1984, I can promise a much larger set of tunes next time out.

 

JC

Nightingales

FROM THE ARCHIVES (6)

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It’s time to partially close down the blog for the period over Christmas and New Year.  This time around I’m going to put up a re-posting from times gone by, and I’ll try my best to have all of them feature musicians whose appearances have been infrequent.

This dates from 12 August 2020

SCARED TO GET HAPPY – THE NIGHTINGALES

The inclusion of The Nightingales on the Scared To Get Happy compilation allows me to finally find a reason to get my finger out of my backside and feature them on the blog for the first time. I’m actually a wee bit surprised nobody has ever come up with the suggestion of an ICA for a band that, over the years, has released eleven studio albums, (three in the 80s and the others since they reformed in 2004), either as a stand-alone effort or incorporating the short-lived solo career of frontman Robert Lloyd.

One of the purposes of this series is to enable me to go to other websites to cut’n’paste bios to save me thinking for myself. This is from the official website of The Nightingales:-

Birmingham’s original punk group The Prefects had been part of The Clash’s ‘White Riot Tour’, recorded a couple of Peel sessions, released a 45 on Rough Trade and, years after splitting up, had a retrospective CD released by NY label Acute Records to all-round glowing reviews – from Rolling Stone to webzines.

The Nightingales were formed by a few members of The Prefects following that band’s demise in 1979.

Described in John Robb’s definitive book on post-punk (“Death To Trad Rock”) as “The misfits’ misfits” and comprising an ever-fluctuating line up, based around lyricist/singer Robert Lloyd, the Nightingales enjoyed cult status in the early ’80s as darlings of the credible music scene and were championed by John Peel, who said of them – “Their performances will serve to confirm their excellence when we are far enough distanced from the 1980s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans”.

The group recorded a bunch of critically acclaimed singles – pretty much always ‘Single Of The Week’ in the music press – and three albums, plus many radio sessions for their great supporter Peel. They also regularly toured the UK and Northern Europe, as headliners and supporting acts as diverse as Bo Diddley and Nico.

In the late Eighties, the Nightingales stopped working but, following the occasional gig between times, they re-grouped in 2004.

After fucking about with various part-timers, starry-eyed wastrels, precious sorts and mercenaries the group arrived at the current line up, which features Lloyd, Andreas Schmid from Faust on bass, ex Violet Violet drummer Fliss Kitson and on guitar James Smith, who Lloyd had spotted playing with Damo Suzuki.

Since restarting the group have been more productive than ever – releasing six 7″ vinyl singles, two 10″ EPs and eight studio albums, touring England, mainland Europe and USA numerous times, playing various festivals and recording many radio sessions along the way.

The band continued and continue to operate with no manager, booking agent, publisher, et al, but they get by. And they work equally well with pop musicians, rock n rollers and the avant-garde. The group is independent, maverick, diligent, daft, blah blah.

Until recent times the Nightingales made one record for a label and then, by choice or otherwise, moved on. But since 2017 they have been going steady with Tiny Global Productions.

The first TGP release was a 10” EP, followed in 2018 by a 45rpm collaboration with Vic Godard – “Commercial Suicide Man”- and another critically acclaimed ‘Gales album “Perish The Thought”.

To support “Perish The Thought” the group toured Europe extensively, from Scotland to Serbia.

2019 saw the filming of a feature-length Nightingales documentary film, “King Rocker” -written by brilliant stand up comedian Stewart Lee, directed by Michael Cumming (‘Brass Eye’, ‘Toast Of London’, etc) – and the recording of a new album.

The album, “Four Against Fate”, was released in May 2020, but the accompanying UK and Euro tours had to be postponed until 2021.

Plans for “King Rocker” were also disrupted but the film will have theatrical & TV premiers later this year.

Before too long there will be assorted reissues and records of previously unreleased material. Plus a bunch of other stuff, maybe? Either way, by hook or by crook, more adventures will follow.

Paraffin Brain is the track included on Scared To Get Happy. It was the band’s third single, released in 1982 on Cherry Red but not included on debut album Pigs on Purpose, released the very same year – indeed the album was originally issued minus any of the four singles from that same era, very much in keeping with the punk ethos, although a subsequent re-issue on CD in 2004 included the 2nd, 3rd and 4th singles, plus b-sides.

mp3: The Nightingales – Paraffin Brain
mp3: The Nightingales – Elvis, The Last Ten Days

Both are reminiscent in places of The Fall and the angular guitar sounds of Fire Engines/Josef K. The single did make a very small dent on the indie charts but deserved better. The b-side gives an insight into what, for many, made The Nightingales stand out from the crowd, namely the way that Robert Lloyd conceived his ideas and lyrics. This particular effort is him imagining what the final ten entries in the diary of Elvis Presley might have looked liked as he grew increasingly disillusioned and tired of everything going on around him. Day 10, the final entry, is witty and sad in equal measures.

JC

Nightingales, Robert Lloyd

SCARED TO GET HAPPY – THE NIGHTINGALES

The inclusion of The Nightingales on the Scared To Get Happy compilation allows me to finally find a reason to get my finger out of my backside and feature them on the blog for the first time. I’m actually a wee bit surprised nobody has ever come up with the suggestion of an ICA for a band that, over the years, has released eleven studio albums, (three in the 80s and the others since they reformed in 2004), either as a stand-alone effort or incorporating the short-lived solo career of frontman Robert Lloyd.

One of the purposes of this series is to enable me to go to other websites to cut’n’paste bios to save me thinking for myself. This is from the official website of The Nightingales:-

Birmingham’s original punk group The Prefects had been part of The Clash’s ‘White Riot Tour’, recorded a couple of Peel sessions, released a 45 on Rough Trade and, years after splitting up, had a retrospective CD released by NY label Acute Records to all-round glowing reviews – from Rolling Stone to webzines.

The Nightingales was formed by a few members of The Prefects following that band’s demise in 1979.

Described in John Robb’s definitive book on post-punk (“Death To Trad Rock”) as “The misfits’ misfits” and comprising an ever-fluctuating line up, based around lyricist/singer Robert Lloyd, the Nightingales enjoyed cult status in the early ’80s as darlings of the credible music scene and were championed by John Peel, who said of them – “Their performances will serve to confirm their excellence when we are far enough distanced from the 1980s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans”.

The group recorded a bunch of critically acclaimed singles – pretty much always ‘Single Of The Week’ in the music press – and three albums, plus many radio sessions for their great supporter Peel. They also regularly toured the UK and Northern Europe, as headliners and supporting acts as diverse as Bo Diddley and Nico.

In the late Eighties, the Nightingales stopped working but, following the occasional gig between times, they re-grouped in 2004.

After fucking about with various part-timers, starry-eyed wastrels, precious sorts and mercenaries the group arrived at the current line up, which features Lloyd, Andreas Schmid from Faust on bass, ex Violet Violet drummer Fliss Kitson and on guitar James Smith, who Lloyd had spotted playing with Damo Suzuki.

Since restarting the group have been more productive than ever – releasing six 7″ vinyl singles, two 10″ EPs and eight studio albums, touring England, mainland Europe and USA numerous times, playing various festivals and recording many radio sessions along the way.

The band continued and continue to operate with no manager, booking agent, publisher, et al, but they get by. And they work equally well with pop musicians, rock n rollers and the avant-garde. The group is independent, maverick, diligent, daft, blah blah.

Until recent times the Nightingales made one record for a label and then, by choice or otherwise, moved on. But since 2017 they have been going steady with Tiny Global Productions.

The first TGP release was a 10” EP, followed in 2018 by a 45rpm collaboration with Vic Godard – “Commercial Suicide Man”- and another critically acclaimed ‘Gales album “Perish The Thought”.

To support “Perish The Thought” the group toured Europe extensively, from Scotland to Serbia.

2019 saw the filming of a feature-length Nightingales documentary film, “King Rocker” -written by brilliant stand up comedian Stewart Lee, directed by Michael Cumming (‘Brass Eye’, ‘Toast Of London’, etc) – and the recording of a new album.

The album, “Four Against Fate”, was released in May 2020 but the accompanying UK and Euro tours had to be postponed until 2021.

Plans for “King Rocker” were also disrupted but the film will have theatrical & TV premiers later this year.

Before too long there will be assorted reissues and records of previously unreleased material. Plus a bunch of other stuff, maybe? Either way, by hook or by crook, more adventures will follow.

Paraffin Brain is the track included on Scared To Get Happy.  It was the band’s third single, released in 1982 on Cherry Red but not included on debut album Pigs on Purpose, released the very same year  – indeed the album was originally issued minus any of the four singles from that same era, very much in keeping with the punk ethos, although a subsequent re-issue on CD in 2004 included the 2nd, 3rd and 4th singles, plus b-sides.

mp3: The Nightingales – Paraffin Brain
mp3: The Nightingales – Elvis, The Last Ten Days

Both are reminiscent in places of The Fall and the angular guitar sounds of Fire Engines/Josef K. The single did make a very small dent on the indie charts but deserved better. The b-side gives an insight into what, for many, made The Nightingales stand out from the crowd, namely the way that Robert Lloyd conceived his ideas and lyrics. This particular effort is him imagining what the final ten entries in the diary of Elvis Presley might have looked liked as he grew increasingly disillusioned and tired of everything going on around him. Day 10, the final entry, is witty and sad in equal measures.

I mentioned Robert Lloyd’s short-lived solo career which consisted of two singles on an indie-label before Virgin Records took a chance on him in 1989. There would be two singles and the brilliantly-named Me and My Mouth album, released in 1990 before he retired from music for just over a decade. I don’t have a copy of the album*, although I do have the two singles on 12″ vinyl:-

mp3: Robert Lloyd – Funeral Stomp
mp3: Robert Lloyd – Nothing Matters

And finally, a track which Jacques once included on a tape for me. It’s a song that was included on Me and My Mouth and it’s taken from a Peel Session.

mp3: Robert Lloyd – The Part of The Anchor

The Nightingales are a band I should have followed more closely, especially since the reformation, but I can only spin so many plates at the one time. If anyone reading all this wants to offer up a guest posting or two, then you would be very welcome.

JC

*I didn’t have a copy of the album when I typed this up about a week or so back, but I’ve since picked one up – it’s waiting on me finding time to give it a listen!