C86 : THE ULTIMATE SERIES (Parts 15, 16 and 17 of 114)

The Groove Farm were from Bristol, active and prolific between 1986 and 1990 across a number of labels and their songs have appeared on loads of subsequent compilations released during the 21st century. Despite not appearing on the C86 cassette, they will feature twice across this series.

mp3: Captain Fantastic (demo) – The Groove Farm

Track 17, Disc One of C86 The Deluxe 3CD Edition.

The next two paras are lifted from the website, Bristol Archive Records

The Groove Farm were a noisy guitar pop band that came to life in 1986, with the release of their first 7″ EP ‘Sore Heads And Happy Hearts’ it was a self released effort, cheaply recorded, with cheaply made sleeves, and hand coloured labels to save money. Only now people describe it as lo-fi, at the time it was ‘DIY’. The band were instantly picked up on and became fanzine favourites with the then booming ‘C86’, ‘shambling’ ‘anorak’ ‘twee’ pop scene that was sweeping England.

The Groove Farm live were never ‘twee’ and they never wore anoraks. They at times, could shamble though! They could also be fantastic, and powerful, pop with the honest and true spirit of punk. Soon they signed to Subway records, but the results of recording in a ‘better’ studio under the orders from the label, were to soften the harsh trebly garage sound, and the band weren’t happy with the records,  Things turned sour with Subway, after money owed, failed to arrive. The last few years found the band back on their own Raving Pop Blast! label, and again recording on 8 track.

The studio version of Captain Fantastic would appear on the magnificently named EP Only The Most Ignorant Gutless Sheep-brained Poltroon Can Deny Them Now, which came out in 1987 on Raving Pop Blast!  The band called it a day in 1990 after, if Discogs is accurate, eleven singles/EPs/flexidiscs and two albums.

McCarthy.   A band that I’ve long intended to give some space to on the blog but failed miserably.  A few years ago, I picked up a 3xCD collection of their albums, singles and BBC sessions from which I planned to come up with an ICA….maybe one day.  They came from Barking, Essex (just east of London) and were active between 1985 and 1990.  There had been a self-financed debut single, In Purgatory in 1985, prior to them being asked to contribute to the C86 cassette:-

mp3: Celestial City – McCarthy

Track 9 on side 2 of the C86 cassette; Track 20, Disc One of C86 The Deluxe 3CD Edition.

This song was only ever made available on the C86 cassette (and subsequent vinyl and CD re-releases)

McCarthy, very much a left-wing band when it came to politics, next released two singles on The Pink Label in 1986/87.  After that label closed down, they switched to September Records, which was owned and run by Paul Sutton, who had been part of the management team at The Pink Label.   There would be three singles and an album on September Records in 1987/88 before the label was sold to Midnight Music, on which there would be three singles and two albums in 1989/90.

When McCarthy came to an end in 1990, lead guitarist Tim Gane formed a new band, which saw his girlfriend Laetitia Sadler taking on vocal duties. That band was called Stereolab…..

As mentioned above, all the studio recording, along with BBC sessions, was compiled by Cherry Red Records on a 3xCD compilation, released in 2014.

14 Iced Bears were from Brighton and were active between 1985 and 1992, before reforming for a short time in 2010. They initially signed to Frank Records, based in Hertford just north of London, but by 1988 they had been asked by Sarah Records to record what proved to a rather splendid and catchy single as the fourth 45 issued by the label.

mp3: Come Get Me – 14 Iced Bears

Track 5, Disc 2 of CD86.

It proved to be their only release for Sarah, and like many other singles on the label, it is now quite valuable.  The band were never really tied to any one label during their existence, and they were also more than happy to be on shared releases with other bands, often on flexidiscs.  As far as I can work out, there were ten singles and two albums.

All three of today’s featured bands will return at some point in this series.

 

JC

NEXT YEAR’S NOSTALGIA FEST (Part 21 of 48)

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“McCarthy – the great lost band of the ’80s they redesigned my idea of politics and pop, it could be intelligent, it could be beautiful. They were frail, tragic, romantic idealists. The songs soothed your body but exercised your brain. They were my education, my information and they are partly to blame for the realisation of the Manic Street Preachers. I still fall in love with this album every six months, it makes me feel guilty because it’s so good” – Nicky Wire

Formed in 1984 by four school mates who had all attended the same comprehensive in Barking as Billy Bragg, this lot released nine singles, one EP and three albums of rather excellent left-leaning indie-pop before calling it a day in 1990.

Malcolm Eden (vocals and guitar), Tim Gane (lead guitar), John Williamson (bass) and Gary Baker (drums) named themselves McCarthy as a tongue-in-cheek reference to the notoriously right-wing Republican senator of the 50s and following a self-financed debut single they were signed to Pink Records in early 1986 for whom two singles followed.

It was no real surprise given the band’s political leanings that the NME included them on the original C86 tape with this Smiths-esque number:-

mp3 : McCarthy – Celestial City

The band was on September Records by the time of the release of debut LP I Am A Wallet in October 1987 which, given its tracks contained very direct attacks on capitalism, mainstream politics, the British monarchy, the right-wing press (particularly on its coverage of AIDS) and the organised religion, was unsurprisingly ignored by most publications and broadcasters….but not John Peel.

The album didn’t contain the earlier singles as they had been recorded for Pink Records, and it is one such single that was included on CD86 – it also made #35 in the 1987 Festive Forty:-

mp3 : McCarthy – Frans Hal

This is your wonderfully poppy b-side whose title alone must have tickled Peelie:-

mp3 : McCarthy – The Fall

The band specialised in angry song titles such as Should The Bible Be Banned, The New Left Review, We Are All Bourgeois Now and The Drinking Song Of The Merchant Bankers but they never ever got beyond cult status.

When they called it a day in 1990, guitarist Gane and his French girlfriend, who herself had sung on a number of McCarthy records, decided to form a new band with said girlfriend – Laetitia Sadler – taking on vocal duties. That band was called Stereolab whose own efforts in left-leaning pop music would find a bit more success. And I just can’t leave today’s posting without including these two classics:-

mp3 : Stereolab – Ping Pong
mp3 : Stereolab – French Disko

Enjoy