WHEN THE CLOCKS STRUCK THIRTEEN (July)

July 1984.  I spent most of the month inter-railing, myself and two girls using youth hostels en route to go from Glasgow to Rome, via London, Paris, Marseilles, Monte Carlo, Genoa and Viareggio where we realised we were running low on funds and so headed back via Venice and then overnight trains through Switzerland and Belgium before the boat back across the channel. As such, I can say with all honesty that I had no idea who was enjoying chart hits back home.

Thinking back to that trip, it’s unthinkable really to realise it was done without any sort of mobile technology and that all our cash was in sterling which was later exchanged at different times to francs and lira. We were also totally dependent on old-fashioned guide books and hostel info that we had borrowed from public libraries. Sadly, I’ve no photos at all from the adventure – I was in a relationship with one of the girls that later turned nasty, after which she destroyed almost everything that we collectively owned.

Anyways, back to the music.

1-7 July

Frankie Goes To Hollywood occupied #1 and #2 with Two Tribes and Relax. Nick Kershaw and Cyndi Lauper, sitting at #3 and #4, may well have been a tad upset that the mania engulfing the UK record-buying public prevented them hitting the top.

I do recall throughout my teen and youth years that the summer months were often quite barren in terms of new music and the first chart of July 1984 does nothing to distil such memories.   The Thompson Twins had the highest new entry at #28 with Sister Of Mercy, which I had to look up on YouTube to be reminded of. It’s an overwrought ballad whose subject-matter was domestic abuse, seemingly based on a real-life murder case in France.  Worthy but dull would be my verdict.

Ultravox were the next highest new entry, in at #33 with Lament, while the only other song to breach the Top 40 was State of Shock, a collaboration between The Jacksons and Mick Jagger.  I have no recollection of either of these hits.  The only two new entries further down that I can recall were ballads:-

mp3: The Kane Gang – Closest Thing To Heaven (#56)
mp3: Joe Jackson – Be My Number Two (#72)

The former would spend a couple of months in the chart, eventually peaking at #12 and is, by far, the one song most people of a certain age will recall when thinking of the Kane Gang.  The latter is not one that I’m particularly enamoured by, but it’s on the hard drive courtesy of a cheap ‘best of’ CD’ picked up in a charity shop quite a few years ago.

8-14 July

The top four were still the same, albeit Nik and Cyndi had switched positions. The highest new entry was a novelty comedy record; actor Nigel Planer had released an album in his guise as the character Neil from the sitcom The Young Ones.  The joke being that Neil was a peace-loving hippy, and the album was a mix of spoken tracks and 60s cover versions.  Hole In My Shoe, originally recorded by Traffic in 1967, came in at #5.  It would then spend three weeks stuck at #2 and if nothing else, we should perhaps be grateful that Two Tribes sold so heavily each and every week and prevented yet another novelty #1 single.

In among the dross was this at #26:-

mp3: Echo and The Bunnymen – Seven Seas

The Bunnymen‘s sixth successive Top 40 hit single and the third and final one to be lifted from Ocean Rain.  It’s decent enough albeit far from a classic, but it did lead to a stupidly amusing appearance on Top of The Pops which I saw on VHS tape, courtesy of a flatmate, on my return from Europe:-

Introduced by John Peel.  And there’s Bill Drummond down the front of the audience, looking geeky and awkward but ready to play his part in making waves.  The big question, though, is how did Les Pattinson manage to avoid being part of all this?  Oh, and just to mention…..my hair at this time was very much modelled on Mac’s look.

Keeping up the fun was this new entry at #38:-

mp3 : Divine – You Think You’re A Man

Bronski Beat were the serious side of gay culture in the pop charts. Harris Glenn Milstead, aka Divine, was the fun, cartoon-side of things back in 1984, with his drag-queen persona having long made him a film star prior to his pop/disco career. Divine brought his/her/their stage show to student venues in the UK in 1985, and I was lucky enough to see a performance at Strathclyde student union. It proved to be an outstanding night – the first time I realised live gigs delivered solely by backing tapes were not the devil incarnate!  You Think You’re A Man would eventually reach #16 and be the biggest hit for Divine, who sadly died in his sleep of a heart attack, aged just 42, in March 1988.

15-21 July

Just as it was looking as if the Top 40 this week was totally stagnant:-

mp3: Blancmange – The Day Before You Came (#39)

Neil Arthur and Stephen Luscombe‘s sixth Top 40 hit, but their first with a cover version, being a slightly unusual take on the Abba single released just two years previously.  Kind of hard to believe given how successful Abba were, but the cover version charted the highest of the two.  The Swedes peaked at #32, while Blancmange’s take climbed to #22, a chart position it held for three successive weeks.

Worth mentioning, perhaps, that two very old songs entered the singles chart this week, thanks to then being re-released.  A Hard Day’s Night by The Beatles came in at #54 (peaking the following week at #52) while Brown Sugar by The Rolling Stones was a #59 entry, peaking the following week at #58. It was also the chart in which Ben and Tracy enjoyed a second success of the year:-

mp3: Everything But The Girl – Mine (#58)

Fair play to the duo, and the record label, for not lifting a second single from the Top 20 album Eden, but my recollection at the time when first hearing it was that it was a bit of a letdown, not having too much of a memorable tune.  I’ve grown to appreciate it more over the years, but it really felt like an outlier back in 1984. #58 was as high as it charted.

22-28 July

Ridiculously slim pickings this week.  It’s A Hard Life by Queen was the highest new entry at #23, with the next best newbies being Hazell Dean, Rod Stewart and Tracey Ullman at 25, 42 and 51 respectively.  I know I’ve featured Tracey Ullman before in this series, but Sunglasses, the song with which she entered the chart this week is one I just do not recall and having just gone again to YouTube to see if my memory could be jogged.  Turned out that it couldn’t, and I only managed to watch about thirty seconds of the video before hurriedly hitting the stop button.

And just as I was to completely give up and write-off this week’s chart:-

mp3: The Colour Field – Take (#70)

The only week in which the band’s second single breached the Top 75.

Looking back over all of this, it does seem that I picked a good month to be out of the country.

JC

SHAKEDOWN, 1979 (August)

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The summer job lasted six weeks and all too soon I was back at school, entering 5th Year, but with the consolation that  lunchtimes and other short breaks could be spent sitting in a common room instead of outside in the inevitably pouring rain crowded underneath whatever shelter could be found.   Music was allowed in the common room….usually through listening to BBC Radio 1, although as the weeks and months passed and after someone had brought in a spare machine, home-made cassettes became the order of the day.

My introduction to many of the songs which entered the charts in August 1979 will straddle the last couple of weeks at Halford’s and the first couple of weeks spent learning and gearing up for the inevitable exams that would, hopefully, lead to being deemed smart enough to go the uni in due course.  Kind of makes this one appropriate

mp3: Ian Dury & The Blockheads – Reasons To Be Cheerful (Part 3)

A new entry, at #45,  into the chart of 29 July – 4 August 1979.  In some ways this demonstrates the differences in how differently music and musicians were marketed back then.   Hit Me With Your Rhythm Stick had gone to #1 in January 1979 but Stiff Records didn’t seek an immediate cash-in, waiting the best parts of six months to release the follow-up.  Nowadays, it’s more likely to be a gap of six days.  Reasons To Be Cheerful was great fun to listen to, and to try and decipher the lyrics.  I imagine it was difficult enough if you were from Ian Dury‘s neck of the woods, but it was near impossible a few hundred miles to the north.

I’m guessing this had something of a low-key release given it only came in at #45, but at the same time I think it’s fair to surmise there were all sorts of promotional activities happening as it charted, possibly involving TV appearances, as it jumped up all the way to #6 the following week, eventually peaking at #3. Not that any of us knew it, but it was the last time the band would make it into the Top 20.

A new group experienced their first taste of success, thanks to their debut single coming in at #58.

mp3: The Merton Parkas – You Need Wheels

A mod revival was just getting into full swing, and a number of groups with such leanings were snapped up by different labels keen to offer ways for impressionable teenagers to part with their pocket money.  Beggars Banquet signed The Merton Parkas, a four-piece from South London, two of whose members were brothers, Danny Talbot (vocals/guitars) and Mick Talbot (keyboards). Their debut single did go on to reach #40, but none of its follow-ups nor their debut album bothered the chart compilers. The band would break up in 1980, but Mick Talbot, after taking a phone call from Paul Weller a few years later, would become one of the most successful and recognisable pop starts of the early-mid 80s.

mp3: Joe Jackson – Is She Really Going Out With Him (#66)

Joe Jackson‘s debut single in late 1978 had flopped, much to the disappointment of all concerned at A&M Records who were convinced they had signed someone who was on a par, musically and lyrically, with Elvis Costello.  The debut album, released in March 1979,  had stalled while a further two singles had flopped miserably. Everyone involved was probably gearing up to cut their losses…..except that over in America, a few DJs and writers began to play and talk up Joe Jackson and his band as being worthy members of this emerging scene that had been dubbed ‘new wave’.  Back in those days, if America was bigging you up, then the UK media took a bit of notice and the musician’s profile began to grow.  The record label cashed in and re-released the flop debut single which this time round did chart.  It would eventually spend 13 weeks in the Top 75, peaking at #13, paving the way for Joe Jackson to enjoy a fruitful year in 1980 with his second album.  As it turned out, he never did shine quite as brightly as Costello, but he has more than maintained a successful career in music and composing for what isn’t now too far off 50 years.

I hope that this series is demonstrating that 1979 was a fabulous year for chart singles, but it shouldn’t be forgotten that these competing and being outsold by a lot of dreadful singles.  The top end of the charts in August was dominated by mainstays such Cliff Richard, Abba, Darts, Showaddydaddy and Boney M, which all too often got playted on Radio 1 – which is why the move to a cassette player in the 5th Year Common Room was inevitable.

Too much of the above and not enough of this new entry at #52:-

mp3 :The B52s – Rock Lobster

There was a small number of us in that common room who loved the sound of The B52s.  There was one girl who adored their look and quietly began to incorporate some of it into her everyday dress without getting into bother for flouting rules around school uniforms.  But given that the band, certainly for the early part of their career, rarely got above cult status, this was likely typical of how they were viewed across the country with very few people ‘getting’them. Rock Lobster eventually got to #37 in 1979.   It was re-released in 1986 and reached #12.

A couple other new entries from the 5-11 August chart worth mentioning in passing.

mp3: Roxy Music – Angel Eyes (#32)

The Roxy Music of the early 70s was certainly no more.  The glam/experimental nature of the early years was now being replaced by a more sophisticated disco-influenced sound, that it in turn would manifest into MOR.  The music was now less  of a ‘must have’ to the music snobs, but it was increasingly selling to the masses.  Angel Eyes was one of eight Top 20 hits between 1979 and 1982, of which six went Top 10. Bryan Ferry had achieved his ambition of being a bona fide pop star.

mp3: Sister Sledge – Lost In Music (#58)

One of a number of disco classics from 1979 that made Sister Sledge one of the year’s most popular and successful acts – they were in the singles chart for a total of 31 weeks while their debut album We Are Family peaked at #7 and spent 39 weeks in the chart.  Included in this feature as anyone suggesting that The Fall would one day record a cover version of Lost In Music would have been taken away and locked in a darkened room for their own safety.

The chart of 12-18 August wasn’t all that different from the one of the previous week in that nothing new came into the Top 75 any higher than #48.  But at least it was a good tune.

mp3: The Stranglers – Duchess

I know The Stranglers divide opinion.  They alwways have.  Back in the late 70s, there were many critics who accused them of being talentless bandwagon jumpers who were no more than grubby old pub rockers who had taken advantage of the emergence of punk to reinvent themselves.  They were rightly accused of being sexist and misogynist through many of their lyrics, while the use of strippers at live shows caused many an NME journalist to froth at the mouth.  But they were more than capbable of churning out the occasional pop/new wave classic.  Duchess is one of their finest moments, eventually reaching #14, one of the fifteen times they would crack the Top 30,  maling them regulars on Top of The Pops well into the 80s.

I’ll mention in passing some of the other acts who entered the Top 75 this week, again to help illustrate the mediocre and mundane nature of most chart singles. The Crusaders (#54),  Dollar (#59), Fat Larry’s Band (63) and Racey (#68). The new entry at #71 helped to make up for it

mp3: The Rezillos – I Can’t Stand My Baby

I’ll be honest and admit I had no idea that this, as part of a double-A side with a cover of I Wanna Be Your Man (a 19963 hit for The Rolling Stones that had been written by Lennon & McCartney), has sneaked into the chart for a 1-week stay in 1979.  It was a re-release of the band’s debut single that had flopped back in 1977, but of course they had enjoyed a couple of subsequent hits with Top of The Pops (#17 in August 1978)  and Destination Venus (#43 in November 1978).

Moving quickly along to the chart of 19-25 August.

The highest new entry this week coincided with my return to school.  The perfect anthem for any 16-year old desperate to take on the world and make an impression

mp3: The Jam – When You’re Young (#25)

There was now absolutely no doubt that I had a favourite band whose music was really consuming me.  Before the year was out, I’d get to see them at the Glasgow Apollo, the first of five such times at the famous old venue between 1979 and 1982.  I’d also travel a couple of times over to Edinburgh, and for many years, The Jam were the band I could claim I’d seen more than any other.     When You’re Young went onto reach #17.  It would be a few more months before The Jam really first experienced superstardom in terms of chart singles.

The next highest new entry at #43 is another, like The Rezillos from the previous week, seeing this when doing the research  caught me by surprise.  It was none other than the Spiral Scratch EP, the debut effort by Buzzcocks that I’d long forgotten had been given a reissue and re-release in 1979, with a slighly different sleeve and label to differtiate it from the January 1977 version. The sleeve attributed the songs to Buzzcocks with Howard Devoto.

mp3: Buzzcocks – Boredom

I know this wasn’t the lead track on the EP, but it’s my favourite of the four.  The re-release enjoyed a six-week stay in the charts, peaking at #31.  Worth mentioning that Harmony In My Head was still in the singles chart that same week, sitting at #60 for what would be the last week of a six-week stay in the Top 75.

The final chart of the month covers August 26 – September 1.

For the second week running, the highest new entry of them all was a belter of a tune.

mp3: Gary Numan – Cars (#20)

Technically, the follow-up to Are Friends Electric by the now disbanded Tubeway Army.  This was Gary Numan‘s debut under his own name and would prove to be his most successful, going all the way to #1 during what was an 11-week stay in the Top 75.  Say what you like about Gary Numan (and plenty of people have done so in a less than complimentary manner) but Cars still sounds fresh and invogorating 45 years after its initial hearing.

And finally for the month of August 1979.  A song creeping in at the foot of the singles almost unnoticed at #74.  It was the seven-piece band’s debut single.  It’s b-side was a cover version and had the same title as the name of the band.

mp3 : Madness – The Prince

Along with The Specials whose own debut single had charted just a few weeks earlier (and was sitting at #6 this very week, Madness be at the forefront of a reinvigoration of ska music. Nobody could probably have imagined it at the time that the band would still be going strong 45 years on, maybe not quite getting the chart success of olden days, but they continue to be a top draw when it comes to live shows.  National Treasures?   I think it’s fair to suggest they are.

JC

INAPPROPRIATE LANGUAGE

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From 1979.   The second single released by the then 25-year-old Joe Jackson, one of the new singer-songwriters whom some record company bosses (in this case A&M Records)  believed had a way with words and tunes that could harness the energy of this new wave stuff that was taking hold of the youth’s attention.

mp3: Joe Jackson – Sunday Papers

It’s quite likely that this song would either get banned or, more likely, result in Joe having to come with a re-write to enable airplay.  Indeed, it’s very likely that if he was sitting down today to try and come up with the songs, then he would likely have refrained from the opening couplet:-

Mother doesn’t go out any more
Just sits at home and rolls her spastic eyes

Otherwise, the song certainly details an awful lot of what was wrong with British society back in those days, when a number of Sunday newspapers would sell in their millions thanks to their obsession with scandals, crime and sensationalism, very often not caring if what was being printed was the truth.    Some of the worst offenders may have gone by the wayside since 1979, but nothing much has changed, and indeed with the frightening and unregulated growth of social media, things have become a lot worse and frightening.

Spastic was a common word back in the late 70s – there was even a UK charity called Spastics Society which raised a fair amount of money and did a great deal to try and change attitudes towards people living with disabilities.  But all too often, the word was shortened to ‘spaz’ and used as a derogatory and offensive term.  The Collins Dictionary now defines spastic to mean ‘an old-fashioned and offensive name for a person who has cerebral palsy’.

The Spastics Society changed its name in 1994 to SCOPE, marking what should have been the final stage of making the word totally unacceptable in everyday language.

Joe Jackson had long recognised the need to amend the lyric. Indeed, he did so just a few years after the song had been recorded.

I don’t wanna go out any more
I read the news, I can’t believe my eyes

Indeed, the entire lyrics of the song had been changed beyond recognition, possibly for his American audiences whose knowledge of the UK tabloid newspaper industry would have been scant.

mp3: Joe Jackson – Sunday Papers (live)

As captured on the Body and Soul tour when he went on the road with a swing band, and later included on the album Joe Jackson Live 80/86.

The b-side of the 7″, which was a flop in the UK, was the title song from the debut album:-

mp3: Joe Jackson – Look Sharp

At the time, back in ’79, I didn’t really get the Joe Jackson/Elvis Costello comparisons that many critics were making.    As time has gone by, I really hear it now.

JC

A LAZY STROLL DOWN MEMORY LANE : 45 45s AT 45 (42)

ORIGINALLY POSTED ON THURSDAY 27 MARCH 2008

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It’s 1979. 4th Year at School. It’s that time of your life when you stop going on holiday with your parents and your younger brothers and sisters. And you use the freedom of being at home on your own to throw a party. It’s all part of being a teenager….well it was in those days.

There were parties every weekend in July and August 1979 at someone or others house. And every week, I’d walk home alone frustrated at my inabilities to not get tongue-tied when trying to converse with an attractive member of the opposite sex. It didn’t help that at the age of 16 , I looked at least two years younger….while most of the guys in school looked two years older and boasted of being able to get into pubs. And they had no problems in getting girlfriends….

Aside from being a song that perfectly captures my life at a particular point in time, I really was a fan of Joe Jackson when he burst onto the scene. His early records were infectiously catchy in many places, and his lyrics were angst-ridden enough to strike a chord. The fact he was classically-trained made a big difference in what was very much a DIY-dominated industry at the point in history. Joe looked and sounded different.

His was one of the first concerts I ever went to at an over-18s venue – it was at Glasgow Tiffany’s (long gone, but a favourite stop-off point before Barrowlands became popular round about 1984/5). Anyway, the Joe Jackson gig was in 1980 when he was touring his third LP, Beat Crazy. I went along on my own with a false ID of a friend’s big brother just in case I got stopped on the door. I needn’t have worried – the stewards (they weren’t bouncers in those days) were completely relaxed and probably had a good laugh as they watched me pace up and down outside the venue plucking up the courage to try my luck…

It was a great gig – on the same tour BBC Radio 1 recorded the London gig and broadcast it one Saturday evening – somewhere in a box I still have the C120 cassette tape I made that night – and there’s a 1980 gig by The Jam on the other side.

Incidentally, I no longer have this particular single, and therein lies a sad but stupid tale.

It was 1986, and I was living with friends in a bedsit flat in Edinburgh. All of us had issues with the landlord, and we were withholding rent. After three months, things were threatening to turn nasty with threats of court action, so we collectively did a runner, which in our case was gather up all our possessions, load them into a hired van and head off to our new abodes. We did this around midnight one evening.

The next morning was when I realised I had left behind, in my haste, crates of 7″ singles – maybe amounting to 500 records in all. I had taken all the 12″ singles and LPs in boxes, all my books and my clothes…..but somehow left behind booty that had a value well in excess of the amount of rent that we all owed. These days, I still scour second-hand shops, e-bay etc trying to piece it all back together again….but I know I’ll never ever fully succeed.

So…the picture that illustrates this entry is in fact of a record I never owned as it is the US release of the single. The UK cover was totally different. And the b-side of the UK single wasn’t on the original LP, but I have tracked it down, thanks to it being included on a re-issued version more than two decades later:-

mp3 : Joe Jackson – Is She Really Going Out With Him?
mp3 : Joe Jackson – You Got The Fever

This single was first released in late 1978 but flopped. Re-released in July 1979, it reached #13 in the UK charts.

To this day, Joe still plays it live, but every tour sees a different version altogether and many of these can be tracked down all over the internet.

I HOPE YOU LIKE THIS SONG COS HERE’S FOUR VERSIONS OF IT

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This single from 1979 sneaked into the lower echelons of my 45 45s at 45 series back in 2008:-

mp3 : Joe Jackson – Is She Really Going Out With Him?

My love for the song is as much to do with the memories it brings back and that was the end of 4th Year at Secondary School, turning sixteen years of age and feeling you know everything there is to know about life. It’s a time when you feel of an age that you don’t want to go on holiday with your family and wee brothers and instead you want to stay at home and throw a party for all your mates. I wasn’t alone in trying to do this as it seemed there were parties every weekend in July and August 1979 at someone or others house.

The thing is….every single one of those weeks, I’d end up walking home alone frustrated at my inabilities to not get tongue-tied when trying to converse with an attractive member of the opposite sex. It didn’t help that at the age of 16 , I looked at least two years younger….while most of the guys in school looked two years older and boasted of being able to get into pubs. And they had no problems in getting girlfriends….

Aside from this being a song that perfectly captures my life at a particular point in time, I really was a fan of Joe Jackson when he burst onto the scene. His early records were infectiously catchy in many places, and his lyrics were angst-ridden enough to strike a chord. The fact he was classically-trained made a big difference in what was very much a DIY-dominated industry at the point in history. Joe looked and sounded different.

His was one of the first concerts I ever went to at an over-18s venue – it was at Glasgow Tiffany’s (long gone, but a favourite stop-off point before Barrowlands became popular round about 1984/5). Anyway, the Joe Jackson gig was in 1980 when he was touring his third LP, Beat Crazy. I went along on my own with a false ID of a friend’s big brother just in case I got stopped on the door. I needn’t have worried – the stewards (they weren’t bouncers in those days) were completely relaxed and probably had a good laugh as they watched me pace up and down outside the venue plucking up the courage to try my luck…

It was a great gig – on the same tour BBC Radio 1 recorded the London gig and broadcast it one Saturday evening – somewhere in a box I still have the C120 cassette tape I made that night – and there’s a 1980 gig by The Jam on the other side.

That tour was the end of a chapter for Joe as come the end of it he had disbanded the band that had recorded the first three of his albums. Their last gig was in Utrecht in the Netherlands on 15 December 1980, and so this was would have been the final time they played the signature tune:-

mp3 : Joe Jackson – Is She Really Going Out With Him? (live, 1980)

The song however, remained a constant throughout the many tours that Joe Jackson would undertake during the 80s although to avoid getting bored with it he would arrange completely different versions making the best use of the talents of the singers and musicians in his backing band. For instance, the Night & Day Tour of 1983 saw an a capella version as recorded in Sydney on 7th May:-

mp3 : Joe Jackson – Is She Really Going Out With Him? (a capella, 1983)

The following year, it was given an acoustic unplugged sort of treatment, with this version taken from a show in Melbourne on 24th July 1984:-

mp3 : Joe Jackson – Is She Really Going Out With Him? (acoustic, 1984)

The three live versions are all lifted from a double live LP that was released back in 1988 and which devoted one side of vinyl to each of four tours between 1980 and 1986. It is worth noting that bass player Graham Maby sings and plays on all four of these versions.

Enjoy